eBooks de Ópera, página 2 de 4

Drama, passion, a good dose of humour and, first and foremost, immortal melodies are the ingredients of the great masterpieces of Italian opera history. This collection of arias contains the most beautiful and popular solo pieces of music theatre in one volume each. A cross-section of the art of singing over three centuries.

Drama, passion, a good dose of humour and, first and foremost, immortal melodies are the ingredients of the great masterpieces of Italian opera history. This collection of arias contains the most beautiful and popular solo pieces of music theatre in one volume each. A cross-section of the art of singing over three centuries.

In "Forty Years of Song," Emma Albani eloquently reflects on her remarkable journey as one of the most celebrated sopranos of her time. The book is a rich tapestry of memoir and musical history, blending personal anecdotes with the cultural context of the late 19th and early 20th centuries. Albanis lyrical prose captures the trials and triumphs of a life devoted to the art of singing, while her vivid descriptions of performance experiences and the personalities she encountered illuminate the vibrant world of opera and concert music during her era. The bookAos construction parallels the cadence of a musical composition, seamlessly integrating moments of introspection with the exuberance of her operatic adventures. Emma Albani was born in 1850 in Chambly, Quebec, and rose to international acclaim, becoming the first Canadian to achieve major success on the operatic stage. Her diverse experiences in Europe and America enriched her perspective on music and performance, fostering a deep appreciation for the evolution of vocal arts. AlbaniAos firsthand insights and significant connections to influential composers and musicians provided the backdrop for this reflective work, a testament to her enduring passion for song and storytelling. "Forty Years of Song" is a must-read for anyone captivated by the powerful intersection of music and autobiography. AlbaniAos insightful narratives not only serve as a historical account of her era but also resonate with contemporary readers who appreciate the transformative power of music. This book is an invitation to journey through the highs and lows of a storied career, crafted with the same dedication and artistry that defined AlbaniAos life as a performer.

In "Operas Every Child Should Know," Mary Schell Hoke Bacon offers a captivating and accessible introduction to opera for younger audiences. This meticulously curated collection presents essential operatic works, highlighting their plots, characters, and musical compositions in a manner designed to engage a childs imagination. Bacon employs a narrative style that blends storytelling with informative details, making operasAioften seen as complex and intimidatingAiapproachable and enjoyable. The book serves as an invaluable resource in the context of childrens literature, as it seeks to foster an appreciation for the arts from a young age while emphasizing the cultural and historical significance of opera in the broader realm of performing arts. Mary Schell Hoke Bacon, an accomplished musician and author, dedicated her career to making the arts accessible to children. Her passion for music, paired with her understanding of childrens literature, informed her approach to writing this enlightening book. Bacon aimed to bridge the gap between classical music and youthful curiosity, aspiring to nurture a new generation of opera enthusiasts. Her expertise as a music educator shines through in the thoughtful selection of operas that represent a range of themes and styles. For parents, educators, and young readers alike, "Operas Every Child Should Know" is a delightful gateway into the rich tapestry of opera. It not only serves as an educational tool but also inspires creativity and curiosity about the world of music. This book is a must-read for anyone seeking to cultivate a love for opera in children, making it an essential addition to any childAos bookshelf.

Esta obra nos ofrece un recorrido singular del espectáculo operístico desde un punto de vista inédito: el trágico final de muchos personajes al que se ven abocados tras el desarrollo de una trama en la que suelen primar temas como la locura, la enfermedad, la pena, la angustia o el amor. A traves de estas cuestiones y muchas otras, la opera responde a momentos trascendentales de la vida en boca de sus protagonistas. El autor de este libro utiliza sus amplios conocimientos y su capacidad divulgativa para presentarnos de manera amena y atractiva historias y anecdotas sobre compositores, libretistas, personajes y argumentos de numerosas operas. Y de paso explicar los mecanismos que conducen al fatal desenlace de los muchos personajes operisticos que viven en el escenario sus dramas particulares, atrapados entre los dos grandes polos de la existencia humana: Eros y Tanatos, el amor y la muerte. Las colaboraciones mas fructiferas entre compositor y libretista. La Muerte burlada: de "La clemencia de Tito a Fidelio". La locura en la opera: "Lucia de Lammermoor", "Anna Bolena", "I Puritani" La opera actual como fuente de identificacion de emociones, estados psicologicos y experiencias en nuestra propia vida. Incluye un apendice con una seleccion de escenas operisticas de primer nivel a las que acceder a traves de un codigo QR y una lista de spotify con algunos de los fragmentos mas hermosos para escuchar mientras se lee el libro.

Roger Alier, autor de la "Guía universal de la ópera", obra de referencia entre los melómanos, nos ofrece una visión histórica del género lírico, desde Claudio Monteverdi, considerado el primer operista verdadero, hasta el postverismo y las ultimas tendencias. Ilustrada con valiosos documentos graficos, esta "Historia de la opera" presenta de una manera estructurada y llena de brillantes comentarios el proceso por el que el genero operistico se ha ido desarrollando desde sus remotos origenes, en torno a 1600, hasta las complejas pero apasionantes propuestas de los primeros años del siglo XXI. Asi, el interes de esta obra excepcional es doble, ya que no solo expone la evolucion del genero lirico, los autores, los cantantes, los teatros, etc., sino que analiza las ultimas tendencias que, sin duda, han de cambiar de manera radical muchos de los planteamientos que hasta ahora habian sido consustanciales a la opera."Las obras sobre opera de Roger Alier ofrecen un completo y rico panorama del genero y su evolucion."La Vanguardia"La calidad de Roger Alier como autor es indiscutible [...] une su condicion de docente a la de investigador del genero lirico y a la de critico musical."Javier Roca, SCHERZO"Repleto de erudicion y sentido critico, Roger Alier utiliza su amplio conocimiento de especialista en opera y musica clasica."Juan Pedro Yaniz, ABC"Roger Alier es una autoridad en el mundo de la opera y la musica clasica [...] Ahora, como en obras anteriores, nos ofrece rigurosidad, detallismo y una exposicion accesible a todos."Que leer

Histeria: ópera na poética da loucura é um exercício de ressacralização do pensamento artístico na performance da loucura, do canto e da ópera. Reivindicando o pensamento artístico e o lugar da criaç

In "The Operatic Problem," William Johnson Galloway presents a nuanced exploration of the complexities inherent in opera as an art form. Drawing on a rich literary style that marries critical theory with personal reflection, Galloway interrogates the interplay of music, performance, and narrative in opera. This work is situated within a broader literary context that encompasses both historical and contemporary operatic practices, revealing the tensions between traditional forms and modern interpretations. Galloways meticulous analysis sheds light on how opera both reflects and constructs societal values, making it a compelling text for scholars and enthusiasts alike. William Johnson Galloway, an eminent figure in the realms of musicology and literary criticism, delves into the operatic genre through a lens shaped by his diverse academic background and personal experiences. His passion for opera is evident, stemming from years of research and engagement with various musical traditions. This pursuit not only informs his critical insights but also reveals his commitment to understanding the evolving nature of operatic expression in contemporary culture. I highly recommend "The Operatic Problem" to readers seeking a deeper appreciation of operaAos multifaceted nature. Galloways incisive arguments and engaging prose make this book an essential addition to the library of anyone interested in the intersections of music, literature, and cultural studies.

In "Chapters of Opera," Henry Edward Krehbiel intricately weaves a historical and analytical exploration of opera, delving into its evolution and cultural significance. With a keen literary style that marries scholarly rigor and accessible prose, Krehbiel examines pivotal moments in operas history, illuminating the interplay between music and drama. His keen insights into notable composers and their works contribute to a contextual landscape that captures the complexity of operatic art, serving both scholars and enthusiasts alike. This book stands as a critical canon within the broader literary discourse of musicology and performing arts, emphasizing the symbiotic relationship between operatic storytelling and its historical underpinnings. Krehbiel, an eminent musicologist of the early 20th century, drew from his extensive background in both music and journalism, enriching his narrative with insightful observations. His passion for opera was not only a professional endeavor but deeply personal, reflecting a lifelong engagement with the art form. His firsthand experience in the musical community allows readers to appreciate the nuanced perspectives he brings, informed by both critical analysis and aesthetic appreciation. For music lovers, scholars, and theatre aficionados, "Chapters of Opera" is an indispensable resource that transcends mere academic inquiry. It invites readers on a journey through the enchanting world of opera, equipping them with the knowledge to understand its intricate artistry. Krehbiels engaging narration and profound insights make this work an essential companion for anyone seeking to deepen their appreciation of operatic history.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

In "Aspects of Modern Opera: Estimates and Inquiries," Lawrence Gilman meticulously explores the evolution of opera in the modern era, integrating rigorous analysis with personal reflections on notable works and composers. Gilmans literary style is marked by eloquence and critical acumen, situating modern opera within the broader cultural and artistic movements of the early 20th century. His insights delve into the intricate interplay between music, text, and stagecraft, allowing readers to appreciate the innovative techniques and thematic preoccupations that define contemporary operatic expression. Lawrence Gilman was a prominent music critic and writer whose deep engagement with the arts informed his understanding and appreciation of opera as a form. His rich background in both literature and music, coupled with his connections to influential composers and artists of his time, uniquely positioned him to offer a thoughtful critique of operas transformation. Gilmans personal experiences and observations also fuel the passionate advocacy for modern interpretations of this time-honored art form, making his assessments both informed and personal. This book is essential for anyone interested in understanding the nuances of modern opera. Gilmans articulate prose and incisive commentary will resonate with music enthusiasts and scholars alike, providing a foundational understanding of the significant shifts within this captivating genre. Thus, "Aspects of Modern Opera" stands as a vital contribution to the discourse on operatic practice and its evolving identity.

In "Famous Prima Donnas," Lewis Clinton Strang offers an intriguing exploration of the lives and careers of the most celebrated female opera singers of his time. Through a richly descriptive narrative, Strang employs a biographical approach, weaving together elements of personal anecdotes, performance critiques, and the socio-political contexts in which these artists flourished. The authors vivid prose captures not only the operatic performances that made these women icons but also the societal constraints and expectations they navigated, painting a nuanced portrait of the prima donna both on and off the stage. Lewis Clinton Strang was an esteemed journalist and theater critic, whose deep-rooted passion for the performing arts and firsthand experience in the industry provide him with a unique lens through which to examine his subjects. His background detailed in music criticism and theater reviews informs his insightful analyses, as he delves into the psychological and artistic evolution of these women. StrangAos firsthand observations from attending numerous performances and interactions with the opera community lend authenticity to his narrative. "Famous Prima Donnas" is essential reading for opera enthusiasts, historians, and those intrigued by the intersection of celebrity and artistry in the cultural landscape of the late 19th and early 20th centuries. Strangs articulate prose and profound insights underscore the significance of these women, not only as performers but as pivotal figures in a shifting societal narrative, making this book a valuable addition to any literary collection.

In "Richard Wagner: His Life and His Dramas," W. J. Henderson intricately explores the complex life and revolutionary works of the iconic composer Richard Wagner. The book delves into Wagners artistic evolution, examining the profound themes of love, power, and redemption that permeate his operas. Henderson employs a narrative style that elegantly marries biographical insight with critical analysis, situating Wagner within the broader context of 19th-century European Romanticism. This meticulous account not only highlights Wagners musical innovations but also addresses the sociopolitical climate that influenced his creations. W. J. Henderson was a noted musicologist and critic, whose career was steeped in the rich traditions of opera and dramatic music. His expertise and fascination with Wagners work led him to dedicate extensive research to the composers life, motives, and the cultural ramifications of his operatic innovations. Hendersons understanding of music history and appreciation for artistic genius resonates throughout the text, providing readers with an informed perspective on Wagners contributions to the arts. This book is a must-read for anyone interested in the intersection of music, drama, and biography. Hendersons vivid narrative not only educates readers about Wagners unparalleled legacy but also invites them to reflect on the deeper philosophical themes present in the composers work, making it a valuable resource for scholars, students, and music enthusiasts alike.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

In "Debussys Pellas et Mlisande," Lawrence Gilman delves into the intricate layers of Claude Debussys only opera, exploring its rich interplay of music and drama. Gilman employs a scholarly yet accessible literary style that dissects the psychological depth and symbolism inherent in Debussys score, while placing it within the broader context of early 20th-century modernism. The author adeptly navigates the fragmented narrative structure and impressionistic musical language, illuminating how they challenge traditional operatic forms and reflect the ethos of the Symbolist movement. This critical examination not only enhances the readers appreciation for the opera but also serves as a valuable addition to musicology and operatic studies. Lawrence Gilman was a prominent music critic and writer whose deep-seated passion for music and the arts profoundly influenced his critical approach. Having cultivated a rich engagement with the works of leading composers like Debussy, his expertise is evident in this text, as he artfully bridges literary criticism and musicology. Gilmans career was marked by his ability to convey complex musical ideas in an engaging manner, establishing him as a significant voice in early 20th-century music criticism. This book is highly recommended for musicians, musicologists, and anyone intrigued by the nuanced relationship between music and narrative in opera. Gilmans insightful analysis invites readers to reconsider Pellas et Mlisande not just as an operatic endeavor but as a groundbreaking artistic statement, making it essential reading for a deeper understanding of Debussys monumental influence on the musical landscape.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- An Author Biography reveals milestones in the authors life, illuminating the personal insights behind the text.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

In "A Second Book of Operas," Henry Edward Krehbiel delves into the rich tapestry of operatic works that emerged after his first volume, drawing upon both well-known and lesser-explored compositions to illuminate the evolution of opera in the late 19th century. KrehbielAos literary style combines vibrant prose with meticulous analysis, creating an engaging narrative that balances scholarly rigor with accessibility. The book draws on musical, historical, and cultural contexts, offering readers a comprehensive understanding of key operas, their composers, and the societal influences shaping their creation and reception. Henry Edward Krehbiel was a renowned music critic and musicologist whose insights into musical forms greatly contributed to American music literature. His profound knowledge, bolstered by his extensive travels and his interactions with prominent contemporaries, equipped him with a unique perspective on the operatic landscape. KrehbielAos passion for opera is evident, as he seeks to bridge the gap between music and its broader cultural implications, positioning his works as essential reading for anyone interested in the art form. This book is highly recommended for both opera enthusiasts and scholars alike, as it not only enriches the readers understanding of operatic history but also inspires deeper appreciation for the masterpieces that continue to resonate today. Krehbiels thoughtful exploration provides a fresh lens through which to view opera, making it an essential addition to the libraries of both casual readers and committed musicologists.

A Book of Operas: Their Histories, Their Plots, and Their Music by Henry Edward Krehbiel is an erudite exploration of the operatic genre, meticulously detailing the development of opera from its inception to the early 20th century. Krehbiels literary style is characterized by its clarity and accessibility, blending thorough historical research with engaging narratives about composers, plots, and musical compositions. The book serves not only as a comprehensive guide to notable operas but also situates them within the broader context of cultural and musical movements, making it an invaluable resource for both enthusiasts and scholars alike. Henry Edward Krehbiel was a prominent American musicologist and critic whose deep passion for music, and opera in particular, informed his scholarly endeavors. His career spanned a time of great transformation in the world of music, as opera was evolving alongside burgeoning contemporary styles. This intimate understanding of both the historical and emotional landscapes of opera undoubtedly inspired Krehbiel to examine and document the intricacies of this beloved art form, allowing readers to appreciate the layers of meaning and artistry that characterize each piece. For anyone seeking to immerse themselves in the world of opera, Krehbiels A Book of Operas is an essential read. It provides not only detailed insights into beloved operas but also encourages a deeper appreciation of the music and cultural implications that shape our understanding of this powerful genre. Experience the passion and history of opera through Krehbiels compelling narrative.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

De la ópera Rigoletto se puede disfrutar tanto de su lograda música, como de la calidad y el arte de las voces que interpretan su brillante parte cantada.Ahora bien, hay, además, otras facetas en esta opera que suscitan interes, como por ejemplo, la historia y el entorno en los que se desarrolla su accion.Cabe tratar in extenso del bufon, un personaje en algunos casos no natural, sino "con licencia" de actuar, retratado por artistas palaciegos y falsamente adulado por su influencia cortesana, en estrecha relacion con los "fools" de Shakespeare y hermano tambien de taimados personajes como Yago de Otello o Scarpia de Tosca.Es interesante conocer a fondo a un psicopata como es el duque de Mantua, pariente directo del sevillano Don Juan, del madrileño Tirso y del pucelano Zorrilla y por ende, del mozartiano Don Giovanni, con los que conforma una familia de individuos obsesionados con las conquistas amorosas.De Gilda, la hija del bufon, cabria la discusion de si, como una heroina verdiana, es una mujer madura y valiente o por el contrario, se trata de una meliflua enamoradiza.Se pretende, en esta obra, indagar no solo a cerca de su ambito vocal, musical o literario, sino tambien sobre el cultural y el artistico, haciendo hincapie en el aspecto psicologico del trio protagonista para su mayor comprension.

Desde los inicios de la ópera en las diversas cortes del norte de Italia hasta su expansión por Europa y más allá, este libro explora el mundo de los teatros de ópera y los empresarios operísticos, de monarcas y negociantes, de artistas y publicos. En su Grand Tour operistico, el autor nos traslada a la Mantua y a la Florencia del Renacimiento, al Londres de Handel, al Paris de Luis XIV y a la Viena del emperador Jose II y Mozart. Cuando en el siglo XIX la opera deja de ser monopolio europeo, Daniel Snowman sigue los pasos del libretista de Mozart hasta Nueva York, y nos lleva mas lejos aun, a las representaciones que se ofrecian en las fronteras de Norteamerica y Australia.Ya en el siglo XX, Caruso cantaba las operas de Puccini en La Habana y Toscanini dirigia la musica de Wagner en Buenos Aires. Incluso Caruso y Toscanini dificilmente podrian haber imaginado el alcance mundial que tendria la opera. En la actualidad, se representa, se financia, se ve, se escucha, se filma y se retransmite mas opera que nunca.

Maravilla de la Ópera es un libro -dedicado al gran cantante Dietrich Fischer-Dieskau- formado por catorce ensayos relacionados entre sí acerca de la fascinación de ese género musical sobre un público variado y numeroso. Jens Malte Fischer une a un riguroso y ameno analisis musical una atencion especial a los factores no solo esteticos, sino historicos, culturales y sociales de las diversas obras estudiadas. Los autores pertenecen a epocas muy diversas, que van desde finales del siglo xviii hasta el tiempo presente: Cherubini, Berlioz, Wagner, Verdi, Antonin Dvorak, Meyerbeer, Richard Strauss, Alberic Magnard, Kurt Weill, Ferruccio Busoni y Wolfgang Rihm. Compositores de una importancia capital en la Historia de la Musica y tambien otros menos conocidos pero cuya personalidad reivindica el autor con una admirable riqueza de argumentos.

Through current theories of ideology, propaganda and musical reception, examines the development and impact of early opera in Spain and the Americas through close examination of the New Worlds first three extant operas: Tomas de Torrejons Lima production of "La purpura de la rosa" (1701), Domenico Zipolis Jesuit opera, "San Ignacio de Loyola" (ca. 1720), and a recently-discovered indigenous opera from the Jesuit missions, the anonymous "San Francisco Xavier" (ca. 1720-1740).

This new edition of leading opera critic Rupert Christiansens perennially popular Pocket Guide has between extensively revised, and incorporates many more operas from all periods, including recent works by Philip Glass, Mark Anthony Turnage, Thomas Ades and George Benjamin. Whether you are a first-timer at La Boheme or a seasoned Wagnerian, every opera-goer can benefit from a little background information, and this book aims to provide just that. Accessible and easy-to-use, it contains entries for over a hundred works, both familiar and unfamiliar.