Alessandro Scarlattis (1660-1725) Kompositionen decken alle zu seiner Zeit gangigen Gattungen ab. Hauptsachlich in Rom und Neapel war der aus Sizilien stammende Komponist tatig, und dies mit groem Erfolg. Aber auch an anderen Orten Italiens schatzte man seine Musik, sodass Scarlattis vielfaltiges und weit verbreitetes uvre um 1700 einen pragenden Einfluss auf die musikalische Kultur seines Landes gewann.Der Band prasentiert in methodisch unterschiedlichen Zugangsweisen Scarlattis Schaffen. Dabei richtet sich der Blick nicht nur auf innermusikalische Faktoren, sondern bezieht Auftraggeber, Entstehungssituationen sowie die vielfaltigen Kontakte, die Scarlatti zu Kulturschaffenden pflegte, als konstituierend mit ein. So entfaltet sich ein umfangreiches Panorama seines an der Tradition orientierten, mitunter auch innovativ vorausweisenden kompositorischen Schaffens.

La ópera en la actualidad es el tema que se aborda en este libro conformado por las conversaciones que sostuvo Gerardo Kleinburg con diez grandes protagonistas del quehacer operístico internacional: interpretes, creadores y directores artisticos que piensan y reflexionan sobre este genero para saber cuales son en la actualidad sus mayores retos y hacia donde se dirige. Asi, Francisco Araiza, Barbara Hannigan y Sara Maria Sun, cantantes de primer nivel; Peter Sellars y Marcelo Lombardero, directores de escena fundamentales; Enrique Arturo Diemecke, director concertador y artistico; Markus Hinterhauser y Christopher Koelsch, programadores de orden internacional, al igual que una creadora protagonica como Gabriela Ortiz y el escritor Jorge Volpi, hablan aqui acerca de los nuevos lenguajes musicales, canoros y dramaticos, de la relacion entre los creadores e interpretes de la opera y su publico, de la relevancia y los limites de la puesta en escena y su vinculo con las nuevas tecnologias, de la programacion artistica como discurso y como acto estetico, politico y social de interlocucion, provocacion y convivencia, del perfil actual y futuro del nuevo cantante, y del humanismo intrinseco a esta forma de arte dramatico, un humanismo que necesitamos mas que nunca y al que debemos aferrarnos para sobrevivir como individuos y como especie.

In Stories of the Wagner Opera by H. A. Guerber, readers are taken on a journey through the intricate and captivating world of Richard Wagners operas. Guerbers writing style is both informative and engaging, providing detailed retellings of the plots of Wagners most famous operas such as The Ring of the Nibelung and Tristan and Isolde. The book also delves into the historical and cultural context of Wagners works, offering readers a deeper understanding of the significance of these operas in the world of classical music. Guerbers clear and concise writing makes this book accessible to both opera aficionados and newcomers alike. Through his storytelling, Guerber brings to life the magic and drama of Wagners operas, making this book a must-read for anyone interested in the world of classical music. H. A. Guerbers expertise and passion for the subject shine through in Stories of the Wagner Opera, making it a valuable addition to any music lovers library.

El presente libro da cuenta de la memoria documental y fotográfica del Taller de Ópera de la Escuela de Música de la Universidad del Valle durante los veintidós años de su historia como proceso académico. Para tal efecto, se recolectaron archivos fotograficos, registros y recortes de periodicos, que constatan el recorrido del Taller de Opera liderado por la maestra Emperatriz Figueroa, y que muestran la labor realizada en los montajes y producciones que constituyen su historia en la perspectiva de asegurar a futuro su permanencia, su visualizacion y su socializacion. En el proceso de recopilacion de informacion para la realizacion de la obra, se entrevisto a actores que estuvieron vinculados al Taller de Opera en distintos momentos. El libro incluye un anexo sobre la participacion y los resultados de esa actividad. El libro aborda una experiencia de formacion musical que contribuyo a enriquecer en la ciudad el acervo de actividades culturales y cuyo origen se remonta a la creacion de un Taller de Opera dentro del curriculo de la Escuela de Musica de la Universidad del Valle. A lo largo de varios lustros, este taller ha desarrollado una actividad de la mayor importancia como catalizador de ese desarrollo artistico. Ha hecho montajes de la mayor calidad que han sido presentados en los mas importantes escenarios de la ciudad y en otros de la region y del pais e incluso ha tenido gran exito en presentaciones en ciudades del exterior, en Estados Unidos y Ecuador. Es memorable su actuacion en la ciudad de Sandursky (Ohio).

De 1660 a 1991, este libro recorre más de tres siglos de ópera a través del estudio multidisciplinario de ocho títulos líricos, pertenecientes a otros tantos compositores de los más diversos orígenes y estilos.El recorrido musical y teatral incluye Celos aun del aire matan de Hidalgo, Die Zauberflote de Mozart, Il barbiere di Siviglia de Rossini, La traviata de Verdi, Parsifal de Wagner, Tosca de Puccini, Assassinio nella cattedrale de Pizzetti y Europera 5 de Cage.A lo largo del texto, conceptos musicologicos como los de interpretacion, estetica, circulacion, estilo, recepcion, canon o mediacion se alternan con presencias mas bien insospechadas en este contexto, como las del cristianismo catolico, el budismo zen y la masoneria rosacruz.Como telon de fondo, aparecen las figuras de Pedro Calderon de la Barca, Emanuel Schikaneder, Thomas Stearns Eliot, Alberto Castelli, Arturo Toscanini, Tullio Serafin, Alceo Toni, Juan Emilio Martini, Thomas Beecham, Tito Schipa, Mariano Stabile, Luigi Montesanto y Daisetz Suzuki.

Cuando la Historia de la ópera analice el final del siglo XX y el comienzo del siglo XXI, todos los nombres que aparecen en este libro tendrán un capítulo especial como representantes de cuatro generaciones entrecruzadas. Por un lado, la de Placido Domingo, Luciano Pavarotti, Josep Carreras o Teresa Berganza; por otro, la de Renee Fleming, Barbara Hendricks y Roberto Alagna, junto a quienes tambien han marcado con fuerza las dos primeras decadas del nuevo milenio, como Cecilia Bartoli, Anna Netrebko, Sondra Radvanovsky, Carlos Alvarez, Jonas Kaufmann, Juan Diego Florez, Javier Camarena, Rolando Villazon o, despues, Philip Jaroussky y Jakub Jozef Orlinsky. En el escenario todos ellos se sienten, en su fortaleza y su fragilidad, autenticamente divos. Pero tambien, desde fuera, figuras como Peter Gelb o Gerard Mortier, verdaderos magos, han sido capaces de transformar, desde su audaz vision de la cultura, un espectaculo como la opera, para que sobreviva en el futuro. A todos ellos los ha conocido de cerca y entrevistado a menudo Jesus Ruiz Mantilla, como cronista musical. Juntos conforman una vision apasionada, lucida y polemica del mundo del arte y de la musica. Todos abordan sus valores y filosofias de la vida, sus carreras, la politica, el amor, ciertas manias, pasiones, excesos y locuras, sus glorias y ocasos Un retrato colectivo donde prima la dimension humana de estos seres divinos que bordean la tragedia y saben tambien reirse de si mismos y de lo que les rodea sin dejar indiferente a nadie.

William Henry Frosts The Wagner Story Book is an insightful exploration of the life and work of the renowned composer Richard Wagner. Through a series of engaging narratives and detailed analyses, Frost delves into Wagners operas, providing readers with a deeper understanding of their themes, characters, and historical significance. The book showcases Frosts exceptional literary style, blending storytelling with scholarly research to create a comprehensive account that appeals to both music enthusiasts and academic readers. Frost skillfully navigates the complex literary and musical context of Wagners operas, offering fresh interpretations and critical insights. This book serves as a valuable resource for anyone interested in the intricacies of Wagnerian opera and the artistic legacy of Richard Wagner. William Henry Frost, a respected author and music scholar, brings a wealth of knowledge and passion for the subject to The Wagner Story Book. Frosts expertise in music history and his profound admiration for Wagners compositions are evident throughout the book, providing readers with a nuanced perspective on the composers life and art. Frosts dedication to preserving and sharing Wagners legacy shines through in this meticulously researched and eloquently written work. I highly recommend The Wagner Story Book to students of music, literature, and European history, as well as to anyone who appreciates the beauty and depth of classical opera. Frosts masterful storytelling and insightful analysis make this book a must-read for those seeking a deeper understanding of Richard Wagners contributions to the world of music and opera.

Judith Gautiers Richard Wagner and His Poetical Work, from Rienzi to Parsifal is a comprehensive study of the renowned composers operatic repertoire. The book delves into Wagners literary inspirations, analyses his librettos, and explores the thematic evolution from his early works like Rienzi to his magnum opus Parsifal. Gautiers scholarly approach examines Wagners use of myth, folklore, and symbolism, shedding light on the intricate layers of meaning in his operas. Written in a lucid and engaging style, the book provides valuable insights into Wagners creative process and the cultural milieu in which he worked. It serves as an essential guide for students and enthusiasts of music and literature alike. Judith Gautier, a distinguished French author and music critic, brings a wealth of knowledge and expertise to her analysis of Wagners poetic legacy. Her deep appreciation for Wagners fusion of music and literature enriches the narrative, making this book a seminal contribution to Wagnerian scholarship. Gautiers passion for the subject is evident throughout the text, rendering it both informative and captivating. I highly recommend Richard Wagner and His Poetical Work, from Rienzi to Parsifal to anyone interested in delving deeper into Wagners operas and the profound literary influences that shaped his compositions. Gautiers meticulous research and insightful interpretations make this book a valuable resource for understanding the poetic complexities of Wagners oeuvre.

Lawrence Gilmans book Debussys Pelléas et Mélisande delves deep into the analysis of one of the most celebrated operas of the 20th century. Gilman explores the intricate relationship between the music and libretto of Claude Debussys masterpiece, providing a scholarly and detailed examination of the operas thematic elements and innovative musical techniques. Drawing upon his expertise as a music critic, Gilman offers valuable insights into the symbolism and emotional depth of the opera, making this book an essential resource for music scholars and opera enthusiasts alike. Lawrence Gilman, a prominent music critic and scholar, brings a wealth of knowledge and experience to his analysis of Debussys Pelleas et Melisande. His background in music criticism and passion for opera shine through in this meticulously researched book, demonstrating his deep understanding of the nuances and complexities of Debussys work. I highly recommend Lawrence Gilmans Debussys Pelleas et Melisande to anyone interested in exploring the deeper layers of this iconic opera. Gilmans insightful commentary and analytical approach provide readers with a comprehensive understanding of Debussys innovative composition and the timeless beauty of Pelleas et Melisande.

In the opera anthology Hansel and Gretel: A Fairy Opera in Three Acts, the collaborative work of librettist Adelheid Wette and composer Engelbert Humperdinck stands as a testament to the fusion of literary narrative and musical composition. This collection transcends the mere retelling of a beloved folk tale, elevating it through the integration of operatic elements that range from the evocative to the sublime. The works substantial contribution to the operatic genre is marked by its innovative synthesis of Wagnerian motifs with traditional folk music, encapsulating the essence of German Romanticism. The anthology shines in its ability to convey complex themes of familial love, adversity, and redemption through a tapestry of lyrical and musical expression, making it a standout piece in the realm of musical fairy tales. The backgrounds of Wette and Humperdinck, steeped in the rich cultural heritage of late 19th-century Germany, provide a fertile ground for the creation of this opera. Their collaboration reflects a pivotal moment in the evolution of opera, where storytelling and music unite to explore the depths of human emotion and imagination. As pioneers in their respective fields, their collective endeavours resonate with the cultural and literary movements of their time, offering insights into the societal values and artistic aspirations that shaped the era. Hansel and Gretel: A Fairy Opera in Three Acts is a compelling invitation for enthusiasts of opera, literature, and folklore to immerse themselves in a work of profound artistic and historical significance. The anthology not only offers a rich educational journey through its exploration of thematic and musical complexities but also fosters a deeper appreciation for the interdisciplinary dialogue between words and music. Readers and listeners alike are encouraged to delve into this masterpiece to experience the enchanting world of opera, where fairy tales are not just told but vividly brought to life through the power of artistic collaboration.

In Emma Albanis Forty Years of Song, readers are treated to a comprehensive collection of the renowned sopranos greatest vocal performances spanning four decades, showcasing her mastery of the art of singing. Albanis literary style is strikingly eloquent, mirroring the emotive power and technical precision that made her a legendary figure in the world of opera. This book not only provides a glimpse into Albanis talent but also serves as a valuable archive of operatic history, capturing the essence of the nineteenth centurys operatic landscape. Each chapter presents a different selection of songs, offering a rich tapestry of musical styles and moods. Emma Albanis Forty Years of Song is a testament to her enduring legacy as one of the greatest sopranos of her time, providing readers with a profound understanding of the artistry and dedication required to excel in the world of opera. This book is a must-read for music enthusiasts, opera lovers, and anyone interested in the history of vocal performance.

Within the realm of operatic fairy tales, Hansel and Gretel: A Fairy Opera in Three Acts stands as a seminal work that marries the enchanting elements of folklore with the sophistication of operatic composition. This collection, featuring both the libretto by Adelheid Wette and the music by Engelbert Humperdinck, showcases a remarkable fusion of literary and musical styles, set against the backdrop of German Romanticism. The collaboration between Wette and Humperdinck highlights the operas distinctive blend of accessible, folk-inspired melodies and complex orchestration, making it a standout piece in the canon of operatic literature and an exemplar of the Fairy Opera genre. The contributors to this anthology, Wette and Humperdinck, hail from a context rich in the intertwining of music, narrative, and national identity. Their partnership not only brings to life a classic fairy tale but does so through a lens that is both deeply personal and culturally resonant, reflecting the broader movements of German nationalism and Romanticism. This alignment with cultural and literary movements enables the collection to serve as a conduit through which readers and listeners can explore themes of fear, innocence, and survival, all while engaging with the historical context of late 19th-century Germany. Hansel and Gretel: A Fairy Opera in Three Acts is recommended for readers and viewers who seek to immerse themselves in a multidisciplinary exploration of storytelling. Through its unique combination of narrative depth and musical complexity, this collection offers a rich educational experience and a comprehensive understanding of the themes it explores. Dive into this anthology to witness the harmonious dialogue between words and music, and to appreciate the enduring power of fairy tales reimagined through the operatic tradition.

Esta obra nos ofrece un recorrido singular del espectáculo operístico desde un punto de vista inédito: el trágico final de muchos personajes al que se ven abocados tras el desarrollo de una trama en la que suelen primar temas como la locura, la enfermedad, la pena, la angustia o el amor. A traves de estas cuestiones y muchas otras, la opera responde a momentos trascendentales de la vida en boca de sus protagonistas. El autor de este libro utiliza sus amplios conocimientos y su capacidad divulgativa para presentarnos de manera amena y atractiva historias y anecdotas sobre compositores, libretistas, personajes y argumentos de numerosas operas. Y de paso explicar los mecanismos que conducen al fatal desenlace de los muchos personajes operisticos que viven en el escenario sus dramas particulares, atrapados entre los dos grandes polos de la existencia humana: Eros y Tanatos, el amor y la muerte. Las colaboraciones mas fructiferas entre compositor y libretista. La Muerte burlada: de "La clemencia de Tito a Fidelio". La locura en la opera: "Lucia de Lammermoor", "Anna Bolena", "I Puritani" La opera actual como fuente de identificacion de emociones, estados psicologicos y experiencias en nuestra propia vida. Incluye un apendice con una seleccion de escenas operisticas de primer nivel a las que acceder a traves de un codigo QR y una lista de spotify con algunos de los fragmentos mas hermosos para escuchar mientras se lee el libro.

Roger Alier, autor de la "Guía universal de la ópera", obra de referencia entre los melómanos, nos ofrece una visión histórica del género lírico, desde Claudio Monteverdi, considerado el primer operista verdadero, hasta el postverismo y las ultimas tendencias. Ilustrada con valiosos documentos graficos, esta "Historia de la opera" presenta de una manera estructurada y llena de brillantes comentarios el proceso por el que el genero operistico se ha ido desarrollando desde sus remotos origenes, en torno a 1600, hasta las complejas pero apasionantes propuestas de los primeros años del siglo XXI. Asi, el interes de esta obra excepcional es doble, ya que no solo expone la evolucion del genero lirico, los autores, los cantantes, los teatros, etc., sino que analiza las ultimas tendencias que, sin duda, han de cambiar de manera radical muchos de los planteamientos que hasta ahora habian sido consustanciales a la opera."Las obras sobre opera de Roger Alier ofrecen un completo y rico panorama del genero y su evolucion."La Vanguardia"La calidad de Roger Alier como autor es indiscutible [...] une su condicion de docente a la de investigador del genero lirico y a la de critico musical."Javier Roca, SCHERZO"Repleto de erudicion y sentido critico, Roger Alier utiliza su amplio conocimiento de especialista en opera y musica clasica."Juan Pedro Yaniz, ABC"Roger Alier es una autoridad en el mundo de la opera y la musica clasica [...] Ahora, como en obras anteriores, nos ofrece rigurosidad, detallismo y una exposicion accesible a todos."Que leer

Histeria: ópera na poética da loucura é um exercício de ressacralização do pensamento artístico na performance da loucura, do canto e da ópera. Reivindicando o pensamento artístico e o lugar da criaç

H. R. Haweiss Parsifal delves into the mythical world of the Holy Grail and the legendary Knights of the Round Table. Written in a poetic and lyrical style reminiscent of medieval romances, the book captures the essence of chivalry, honor, and spiritual quest. The narrative follows the journey of the pure-hearted knight Parsifal as he seeks to attain the coveted Grail, facing trials of temptation and redemption along the way. Haweiss vivid descriptions and intricate characterizations bring to life the mystical world of Arthurian legend, making Parsifal a captivating read for fans of medieval literature. This work is a significant contribution to the literary tradition of Grail romances, offering a fresh perspective on timeless themes of love, loyalty, and the search for meaning.

Lawrence Gilmans Debussys Pelléas et Mélisande is an insightful exploration of the renowned opera by Claude Debussy. Gilman meticulously examines the intricate relationships and emotions portrayed in the opera, highlighting the symbolism and themes that run throughout. His writing style is scholarly yet accessible, making this book a valuable resource for both scholars and opera enthusiasts. Gilman situates Debussys work within the context of late 19th-century French music, providing a comprehensive analysis of its significance in the development of musical expression. The book delves into the unique structure of the opera, as well as Debussys innovative use of harmony and orchestration, offering a fresh perspective on a classic work of art.

Henry Edward Krehbiels A Second Book of Operas delves into the intricacies of various operas, providing detailed analyses of their compositions, narratives, and cultural significance. Written in a scholarly yet accessible style, Krehbiels book serves as a valuable resource for both opera enthusiasts and students of music and literature. The book explores a wide range of operas, offering insightful commentary on their themes, characters, and historical context. Krehbiels in-depth examination sheds light on the evolving nature of opera as an art form and its enduring impact on society. Drawing on his extensive knowledge of music and theater, Krehbiel presents a comprehensive study that appeals to readers with a keen interest in the performing arts. As a respected music critic and historian, Krehbiel brings a unique perspective to the analysis of operatic works, enriching the readers understanding and appreciation of this complex and enchanting genre. A Second Book of Operas is a must-read for anyone seeking a deeper insight into the world of opera and its timeless allure.

In A Book of Operas: Their Histories, Their Plots, and Their Music by Henry Edward Krehbiel, readers are treated to a comprehensive guide to the world of opera. Krehbiel meticulously dissects the histories, plots, and music of various operas, providing insightful analysis and detailed background information. Written in a scholarly yet accessible style, this book serves as a valuable resource for opera enthusiasts and scholars alike, offering a deeper understanding of the art forms evolution and significance within the realm of classical music. Krehbiels literary context as a music critic and historian shines through in his thorough examination of each operas cultural and musical impact, making this book a must-read for anyone interested in exploring the rich tapestry of operatic works. Henry Edward Krehbiels profound knowledge and passion for opera are evident in this meticulously researched and thoughtfully presented book, making it a definitive guide for opera lovers and music aficionados alike.

In Songs of a Savoyard by W. S. Gilbert, readers are treated to a collection of witty and satirical songs from the Gilbert and Sullivan operettas. Gilberts clever lyrics and humorous themes are showcased in this delightful compilation, providing insight into his unique literary style and the comedic genius behind the classic works. The book offers a glimpse into the Victorian eras theatrical scene and the enduring popularity of Gilbert and Sullivans collaborations. Each song reflects Gilberts ability to blend humor with social commentary, making it a valuable read for fans of musical theater and British literature enthusiasts. W. S. Gilberts talent for crafting memorable lyrics is on full display in Songs of a Savoyard, demonstrating his lasting influence on the world of musical entertainment and the enduring appeal of his work. Readers interested in exploring the intersection of comedy and music will find this collection to be a delightful and enlightening read.