With the Tristan chord at the start of Wagners opera Tristan und Isolde, the composer launched modern music. The political refugee, a former revolutionary, was living in Zurich when the lovely Mathilde Wesendonck, the wife of a rich businessman, inspired him to break off from working on Siegfried, part of his Ring cycle, and refocus his efforts on Tristan. Expelled from there, Wagner continued to work on the opera in the Palazzo Giustiniani in Venice, and finished it in Lucerne in 1859. The premiere, in Munich, was delayed until 1865, after the Mad King Ludwig of Bavaria came to Wagners financial rescue. Wagner blended Gottfried von Strasburgs medieval epic with Schopenhauers philosophy and his own idiosyncratic views on the psychology and metaphysics of love. (As well, Wagner reflected his views on Greek drama and the integrated Gesamtkunstwerk, or art-work.) The result is a torrent of sound which depicts almost indecent passion. The Liebestod, in which the sexual love of Tristan and Isolde is consummated through death, and which is often presented in concert performance, is some of the most glorious music ever written. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, Short Guides to Great Operas are concise, entertaining and easy to read. They are packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience. Other Short Guides to Great Operas that you may enjoy include The Magic Flute, Eugene Onegin and Peter Grimes.

From the premiere of Rigoletto at Venices La Fenice in 1851, the Dukes La donna e mobile caught on with the public and has done much to ensure the ongoing popularity of Verdis opera about the body in the sack. Rigoletto, the sarcastic court jester, is cursed by a nobleman who he has mocked. Subsequent events see the curse realised, as Rigolettos daughter Gilda is kidnapped, raped, and later killed. The story, originally about King François, contemporary of the English King Henry VIII, came from a novel by Victor Hugo, author of Les Miserables and the Hunchback of Notre Dame. Concerned by its combination of debauchery, seduction, rape by a king, regicide, kidnap and murder, the censors required the librettist Francesco Piave to relocate it from the Louvre in Paris to the court in Mantua. The wonderful music also includes the Dukes Questa o quella, Gildas Caro nome, Rigolettos Piangi! piangi fanciulla and the glorious ensemble Bella figlia dellamore. Enrico Caruso made his debut at the Metropolitan Opera House as Rigoletto. Others who have starred include Patti, Melba, Callas, Domingo and Pavarotti. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, Short Guides to Great Operas are concise, entertaining and easy to read. They are packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience. Other Short Guides to Great Operas that you may enjoy include La Traviata, Tosca and Lucia di Lammermoor.

Through current theories of ideology, propaganda and musical reception, examines the development and impact of early opera in Spain and the Americas through close examination of the New Worlds first three extant operas: Tomas de Torrejons Lima production of "La purpura de la rosa" (1701), Domenico Zipolis Jesuit opera, "San Ignacio de Loyola" (ca. 1720), and a recently-discovered indigenous opera from the Jesuit missions, the anonymous "San Francisco Xavier" (ca. 1720-1740).

In "The Wagner Story Book," William Henry Frost deftly reinterprets the intricate tales of Richard Wagners operatic masterpieces, weaving together narrative and musicology in a rich tapestry that illuminates the cultural and historical landscape of 19th-century Europe. Frosts prose is both lyrical and analytical, offering readers a nuanced exploration of the themes, characters, and musical motifs that define Wagners oeuvre. Written at a time when Wagner was both revered and criticized, this work situates the operas within broader socio-political contexts, making it a significant contribution to operatic scholarship. William Henry Frost, an esteemed musicologist and a passionate advocate for Wagners works, drew upon his extensive studies of German opera and literature when crafting this volume. His profound appreciation for Wagners artistic vision, coupled with his ability to synthesize complex musical ideas into accessible narratives, reveals a deep understanding of the emotional and philosophical undertones present in Wagners compositions. Frosts academic background likely inspired him to bridge the gap between scholarly analysis and the pleasures of storytelling. For anyone captivated by the allure of opera or seeking to deepen their understanding of Wagners complex narratives, "The Wagner Story Book" is an essential read. It not only serves as an engaging introduction to Wagners operas but also enriches the readers appreciation of the underlying themes and artistic endeavors that continue to resonate in modern interpretations.

In "The Russian Opera," Rosa Newmarch provides an insightful exploration of Russian operatic traditions, tracing their evolution from the early 18th century to the 20th century. Employing a scholarly yet accessible literary style, she interweaves historical analysis with vivid descriptions of operatic works and figures, allowing readers to engage deeply with the cultural nuances of Russian art. Newmarchs examination emphasizes the significant influences of national identity and folk traditions on the operatic form, contributing to a richer understanding of the genre within the broader context of European music and cultural movements. Rosa Newmarch was a prominent musicologist and a passionate advocate for Russian music during a time of growing Western interest in Eastern art forms. Born in 1857 in England, she developed a keen interest in the intricacies of Russian cultural expressions, which led her to translate and promote the works of key Russian composers, including Tchaikovsky and Rimsky-Korsakov. Her firsthand experiences and deep-rooted knowledge of both English and Russian cultural spheres are vividly reflected in her writing, offering a unique perspective that bridges both worlds. This book is highly recommended for musicologists, students, and enthusiasts alike. Newmarchs passion and expertise illuminate the complexities of Russian opera, making it an essential read for anyone looking to understand the interplay between music, culture, and history in this captivating genre.

Richard Wagners "The Ring of the Nibelung (Illustrated Edition)" is a monumental opera cycle that weaves together mythological themes and profound philosophical insights within a vibrant tapestry of music and drama. Comprising four operas"Das Rheingold,""Die Walkure,""Siegfried," and "Gotterdammerung"Wagner explores the turmoil between gods, heroes, and human potentates, all heightened by his revolutionary use of leitmotifs. The intricately detailed illustrations enhance the narrative, providing visual context that further immerses the reader in this sprawling epic, rooted in Germanic legend and imbued with Wagners unique vision of destiny and redemption. Richard Wagner, a composer and playwright, is renowned for transforming the operatic landscape in the 19th century. His experiences in the tumultuous political climate of Germany and his deep engagement with philosophy and mythology greatly influenced his work, imbuing it with rich existential questions. Wagners innovative contributions to music drama, particularly his concept of "Gesamtkunstwerk" (total work of art), allowed him to express complex ideas through a cohesive blend of music, text, and visual art, epitomized in "The Ring." This illustrated edition beckons both scholars and beginners alike, facilitating a deeper appreciation of Wagners extraordinary vision. Readers will not only engage with the textual intricacies and musical genius but also gain insight into the cultural and historical contexts that birthed this artistic triumph. "The Ring of the Nibelung" promises to be an enlightening journey for anyone passionate about literature, music, and the enduring power of mythology.

Richard Wagners The Ring of the Nibelung is a groundbreaking opera cycle consisting of four parts: Das Rheingold,Die Walkure,Siegfried, and Gotterdammerung. Wagners work is characterized by its intricate narrative, rich symbolism, and innovative use of leitmotifs. The opera addresses themes of power, greed, love, and redemption, set in a fantastical world inspired by Norse mythology. The Ring of the Nibelung is a monumental work that redefined the possibilities of opera as an art form, with its epic scale and innovative orchestration. Richard Wagner, a German composer and conductor, drew inspiration from ancient Germanic legends and his own philosophical ideas when crafting The Ring of the Nibelung. Wagners revolutionary use of leitmotifs set a new standard for musical storytelling and has influenced generations of composers and musicians. His grand vision and dedication to creating a total work of art have cemented his legacy as one of the most important figures in the history of opera. I highly recommend The Ring of the Nibelung to readers interested in exploring the intersection of music, mythology, and drama. Wagners magnum opus is a transcendent experience that continues to captivate audiences with its timeless themes and innovative approach to opera.

The Ring of the Nibelung is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are loosely based on characters from the Germanic heroic legend, namely Norse legen

In "The Operatic Problem," William Johnson Galloway presents an incisive exploration of the complexities inherent in opera as both a theatrical and musical form. Galloways literary style deftly intertwines scholarly critique with accessible prose, capturing the evolving dynamics between operatic traditions and modern sensibilities. His examination ranges from historical context to contemporary relevancy, articulating the unique challenges faced by composers and librettists in the operatic domain. By integrating detailed case studies, Galloway not only provides a critical lens but also invites the reader to reflect on the social and cultural narratives encapsulated within operatic works. William Johnson Galloway, a distinguished figure in musicology, draws from a rich academic background that includes both performance and scholarship in the arts. His keen insights are informed by a deep passion for operatic literature and his experience as a conductor and academic. Galloways immersion in the operatic world affords him a unique perspective on the melodramatic intricacies that define the genre, thus providing readers with a well-rounded understanding of its challenges. Readers interested in the intersection of art and scholarship, as well as those passionate about opera, will find "The Operatic Problem" to be an essential companion. Galloways analytical approach not only demystifies operatic conventions but also encourages a broader discourse on their implications in todays cultural landscape.

In "The Operatic Problem," William Johnson Galloway presents a nuanced exploration of the complexities inherent in opera as an art form. Drawing on a rich literary style that marries critical theory with personal reflection, Galloway interrogates the interplay of music, performance, and narrative in opera. This work is situated within a broader literary context that encompasses both historical and contemporary operatic practices, revealing the tensions between traditional forms and modern interpretations. Galloways meticulous analysis sheds light on how opera both reflects and constructs societal values, making it a compelling text for scholars and enthusiasts alike. William Johnson Galloway, an eminent figure in the realms of musicology and literary criticism, delves into the operatic genre through a lens shaped by his diverse academic background and personal experiences. His passion for opera is evident, stemming from years of research and engagement with various musical traditions. This pursuit not only informs his critical insights but also reveals his commitment to understanding the evolving nature of operatic expression in contemporary culture. I highly recommend "The Operatic Problem" to readers seeking a deeper appreciation of operaAos multifaceted nature. Galloways incisive arguments and engaging prose make this book an essential addition to the library of anyone interested in the intersections of music, literature, and cultural studies.

In "The Opera," R. A. Streatfeild masterfully interweaves narrative and lyrical elements to explore the intricate world of opera through the eyes of young, passionate characters. Set against a backdrop of lavish performances and the stark realities of artistic ambition, the novel unfolds with rich, poetic prose that reflects the complexity of human emotions. Streatfeild skillfully captures the tension between the allure of the stage and the personal sacrifices made in pursuit of artistic excellence, all while placing the opera within a wider cultural and social context of the early 20th century. R. A. Streatfeild was a prominent writer and childrens author, whose extensive background in the performing arts imbues this novel with authenticity and depth. Having been intimately acquainted with the world of theatre and performance, Streatfeilds insights into the aspirations and struggles of aspiring artists provide a compelling foundation for the narrative. His own experiences and understanding of the emotional and aesthetic nuances of performing arts likely inspired this reflective exploration of dreams and reality. This book is a must-read for anyone captivated by the performing arts, especially those seeking to understand the passion and sacrifice behind the glamour of the opera. Streatfeilds eloquent prose and nuanced characters invite readers into an enchanting yet challenging world, making "The Opera" not just a tale of artistry, but a meditation on the very essence of dedication and creativity.

This new edition of leading opera critic Rupert Christiansens perennially popular Pocket Guide has between extensively revised, and incorporates many more operas from all periods, including recent works by Philip Glass, Mark Anthony Turnage, Thomas Ades and George Benjamin. Whether you are a first-timer at La Boheme or a seasoned Wagnerian, every opera-goer can benefit from a little background information, and this book aims to provide just that. Accessible and easy-to-use, it contains entries for over a hundred works, both familiar and unfamiliar.

A handy, readable and easy-to-use opera guide by leading opera critic Rupert Christiansen, containing entries for over a hundred works, both familiar and unfamiliar.Features include:- snapshot plot summaries - background information on each opera - straightforward pointers to help your appreciation of the music and production - recommended recordings (CD, video and DVD) - a brief overview of the history of operaHighly recommended.Sunday Telegraph

Dies ist das Libretto zur Oper The Beggars Opera. Genieen Sie zum Klang Ihrer Lieblingsoper die Original-Texte auf Ihrem Bildschirm. Einzelne Akte und, falls mehrsprachig, Sprachen lassen sich uber das Inhaltsverzeichnis auswahlen.

The great Russian poet Pushkins novel in verse tells the story of Tatyana, a love-struck country girl who unwisely wrote to the arrogant city-slicker Yevgeny Onegin professing her love. The tale resonated with Tchaikovsky when he found himself callously dismissing the suit of a student who similarly approached him out of the blue: within weeks, Tchaikovsky then married her! It was a disastrous decision; except that it inspired him to write his great opera. Onegins future was different. Having shot his best friend, he returns to find that the naive girl he rejected is now a great lady, married to a distinguished general. He is passionately in love, but it is too late. The opera includes Tatyanas emotional letter scene, as well the reckless and tragic duel, and the country house dance and the great ball in St Petersburg give Tchaikovsky the opportunity to provide us with some truly memorable dances such as the waltz, mazurka, and polonaise. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, Short Guides to Great Operas are concise, entertaining and easy to read books about opera. Each is an opera guide packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience.

El presente libro da cuenta de la memoria documental y fotográfica del Taller de Ópera de la Escuela de Música de la Universidad del Valle durante los veintidós años de su historia como proceso académico. Para tal efecto, se recolectaron archivos fotograficos, registros y recortes de periodicos, que constatan el recorrido del Taller de Opera liderado por la maestra Emperatriz Figueroa, y que muestran la labor realizada en los montajes y producciones que constituyen su historia en la perspectiva de asegurar a futuro su permanencia, su visualizacion y su socializacion. En el proceso de recopilacion de informacion para la realizacion de la obra, se entrevisto a actores que estuvieron vinculados al Taller de Opera en distintos momentos. El libro incluye un anexo sobre la participacion y los resultados de esa actividad. El libro aborda una experiencia de formacion musical que contribuyo a enriquecer en la ciudad el acervo de actividades culturales y cuyo origen se remonta a la creacion de un Taller de Opera dentro del curriculo de la Escuela de Musica de la Universidad del Valle. A lo largo de varios lustros, este taller ha desarrollado una actividad de la mayor importancia como catalizador de ese desarrollo artistico. Ha hecho montajes de la mayor calidad que han sido presentados en los mas importantes escenarios de la ciudad y en otros de la region y del pais e incluso ha tenido gran exito en presentaciones en ciudades del exterior, en Estados Unidos y Ecuador. Es memorable su actuacion en la ciudad de Sandursky (Ohio).

In "Stories of the Wagner Opera," H. A. Guerber elegantly distills the intricate narratives and profound themes woven into Richard Wagners operatic masterpieces. Through vivid storytelling and insightful analysis, Guerber presents an accessible exploration of operas such as "The Ring of the Nibelung" and "Tristan und Isolde," shedding light on the mythological, philosophical, and historical contexts that underpin Wagners work. The author employs a narrative style that captivates both aficionados and newcomers alike, making the often-complex operatic tales resonate with clarity and depth. H. A. Guerber, a prominent scholar in the field of musicology and mythology, was deeply influenced by the artistic and cultural movements of her time. Her academic background and passion for storytelling led her to demystify Wagners operas for a broader audience, seeking to illuminate the cultural significance of these works beyond mere performance. Guerbers extensive research and commitment to preserving narrative arts enrich her retellings, showcasing the timeless relevance of Wagners themes in the modern era. This book is highly recommended for readers seeking to deepen their appreciation of Wagnerian opera and its narratives. Whether you are an opera aficionado or new to this musical genre, Guerbers engaging prose will transport you into the vibrant worlds Wagner created, igniting a newfound passion for these enduring operatic tales.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

The premiere in 1816 in Rome of Gioachino Rossinis famous opera was a fiasco comparable to those of Wagners Tannhauser and Bizets Carmen. But Il barbiere di Siviglia was soon recognised as being among the greatest of comic operas, comparable to those of Mozart. Even Beethoven was enthusiastic. Figaro, Sevilles barber, is confident of a good pay-off for facilitating the elopement of Rosina with the Count of Almaviva. Her guardian also has designs on her and her fortune. Who will get there first? The story is based on a comedy by the French playwright Beaumarchais, whose The Marriage of Figaro was used by Mozart. The Barber is packed with famous tunes, displaying Rossinis glittering coloratura, trademark crescendos and patter: Figaros famous Largo al factotum and Zitti, zitti, piano, piano; the Counts serenade with guitar, Ecco ridente; Rosinas Singing Lesson and Una voce poco fa; Doctor Bartolos patter song A un dottor; Don Basilios La calunnia. These are just some of the ingredients of this feast of humour and good tunes. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, Short Guides to Great Operas are concise, entertaining and easy to read. They are packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience. Other Short Guides to Great Operas that you may enjoy include The Marriage of Figaro, Cosi fan tutte and Lucia di Lammermoor.

Rossinis La Cenerentola (or Cinderella) is one of the most popular comic operas in the classical repertoire the timeless fairy tale about the triumph of virtue over snobbery. Its first performance at Romes Teatro Valle in January 1817 when the composer was not yet 25 was the customary fiasco. More recently, audiences have laughed at Rossinis wit, gasped at the momentum of his crescendos and marvelled at dazzling coloratura from great sopranos such as Cecilia Bartoli. The opera moves at the same frantic pace at which Rossini worked to compose it. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, Short Guides to Great Operas are concise, entertaining and easy to read books about opera. Each is an opera guide packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience. Other Short Guides to Great Operas that you may enjoy include The Magic Flute, LElisir dAmore and La Traviata.