Ebooks de historia, página 47 de 2358

It was long felt that an English edition on the architecture of Akrotiri, dealing not only with the building technology, but also with issues of typology, form, and function, would be welcomed. The present book is, thus, an attempt to provide the reader with an overall picture of the architecture of Akrotiri, including an outline of its town plan, a description of the individual houses, and a discussion of its relationship with Crete and its neighbors in the Eastern Mediterranean. The book is based on the authors personal observations and experience obtained over a fifteen year period (1977-1992) of work at the site as the architect of the Akrotiri excavation. This book is confined to the last phase of habitation and the uniquely preserved houses that are seen today.

The Great Karnak Inscription of Merneptahs 5th regnal year, the longest surviving continuous monumental text from Egypt, describes the combined Libyan and Sea People invasion of Egypt c.1208 BCE. This new study, the first complete commentary on this long but unfortunately damaged text, begins with a translation of the text, accompanied by detailed notes. The study considers specific military aspects of the inscription alongside its religious background. A grammatical analysis of the Great Karnak Inscription also sheds new light on the grammar of Ramesside monumental texts. Reviews for this volume: "...a very useful study of a highly important historical text, largely neglected hitherto." - K A Kitchen, Book List (2005) "...should be of interest to anyone studying issues relating to international relations of the period, aspects of military conflict in the later New Kingdom, or the monumental grammar of the Nineteenth and Twentieth Dynasties [...] The welcome inclusion of the complete hieroglyphic text should be of great use to anyone wishing to study the content and grammar of this inscription for themselves." - Joshua Roberson, Journal of the American Research Center in Egypt, Vol. XL (2005)

A Commemoration Ritual for Senwosret I, better known under the term Ramesseum Dramatic Papyrus, is a document that was found in a late Middle Kingdom tomb in the Ramesseum necropolis, together with other manuscripts and artifacts, all primarily magico-medical in function. The present study discusses the occupation of the tomb owner based on an analysis of this exceptional find in its entirety. The main core of the book is dedicated, however, to the Ramesseum Dramatic Papyrus. It examines the fabrication of the manuscript and its present condition. An updated translation and a grammatical analysis of the text are provided and a discussion of the relationship of myth and ritual as well as of the dramatic aspect of the ritual is included. Based on the analysis of the content, the participants in the ritual, the representation of the king in the vignettes, and relying on the comparison between the rites occurring in this document and those included in other royal and statue rituals attested from ancient Egypt, it can be shown that the text features a ritual that was held in commemoration of the deceased king Senwosret I. The book also includes photographs of the manuscript as well as digital drawings of the papyrus.

This is primarily a book on architecture, and as such it seeks to bring forward the deeper forces that guide the work of all the sons and all the daughters of Daidalos. Architecture is the protagonist, whereas the prehistoric time of this architecture is as important as any other historical time. This book is firmly based on the realities of a long-silenced world available to us today through the agency of archaeology. In that sense, it addresses archaeologists, architectural historians, and architects alike, in the hope that it will prove useful to those interested in understanding the Minoan world through its architecture as much as those interested in exploring architecture through the Minoan paradigm. This dual goal emanates from my deep belief in the timeless and universal values of architecture. As a teacher of (history of) architecture, the challenge has been to bring history into the studios where future architecture is formulated, to engage history in the discourse on current architectural ethos and practices, and to show that an analytical and critical approach to the past is a potent tool for advancing architectural awareness and educating future architects. I am equally confident that such an approach will return its benefits back to history, for it will provide new tools of thought and methods of interpretation of the relics of the past. Having set the scope of this book, it is only fair to add what is not included in its goals: the reader will not find a descriptive account of Minoan buildings and sites nor a list of the major architectural achievements in chronological order. This is due not only to the enormous amount of relevant information that has been accumulated to date, but also to an altogether different interest in the subject, as described above. Time, however, is crucial: "We have a mental need to grasp that we are rooted in the continuity of time, and in the man-made world it is the task of architecture to facilitate this experience" (Pallasmaa 2005b, 32). Time-related issues, therefore, such as permanence and change or tradition and innovation, will concern us.

The book is one of Chinese Folklore Culture Series, which introduces the performance and evolution process of marriage customs of different nationalities in China by telling vivid historical allusions, legends and folktales. The author would like to draw a whole picture of the culture of Chinese traditional marriage with the sequences of traditional marriage customs.

The book is one of Chinese Folklore Culture Series, which introduces the staple food, non-staple food, local flavours, eating customs of traditional festivals and cooking methods in detail in China. It investigates the developing and evolution process, aesthetic intention and regional or ethnic characteristics of Chinese diet, and reveals systematically the profound Chinese food culture.

This book of photographs incorporates images, taken between 1980 and 2015, from all of Israels diverse communities, depicting people living their daily lives. These photographs of Jews, Christians, Muslims, Druze, and tourists, of the religious and the secular, illustrate personal worlds distant from the conflict and complexitites so often encountered in the headlines.

In Nunamiut Ethnoarchaeology, the late Lewis Binford documents the hunting and butchering strategies of modern Arctic big game hunters and the archaeological remains generated during the course of their yearly round of activities-producing a unique description of a complete annual cycle of subsistence activities, viewed simultaneously from both a behavioral and archaeological perspective. The volume is now regarded as a classic of archaeological theory building. As Nicole Waguespack writes in her new prologue, "Binford documents Nunamiut hunting and butchering strategies and their impact on faunal assemblage variation. In classic Binfordian fashion, however, the book is also about much more and can serve as an essential sourcebook on both ethnoarchaeology and zooarchaeology." Originally published by Academic Press in 1978. Praise from readers "Binfords classic work is archaeologys Moby Dick-raw in the ethnographic details of butchering nature for human purposes and rich in the knowledge so gained for the study of the human past. Nunamiut Ethnoarchaeology put complexity back into hunting and archaeologists have been feasting off the fat ever since." Clive Gamble, University of Southampton "Decades after its initial publication, Nunamuit Ethnoarchaeology remains a defining moment in archaeological method and theory. Binfords pioneering tour de force continues to inspire archaeologists and stands as a basic sourcebook for anyone interested in hunter-gatherer studies. This book is one of the reasons why I do what I do." Karen Lupo, Washington State University "Nunamiut Ethnoarchaeology will always stand as one of the most important and innovative books in taphonomy, ethnoarchaeology, and hunter-gatherer ethnography. A brilliant treatise on hunter-gatherer foraging and a model for the rest of the field to follow on how to use the present to learn about the past." Curtis W. Marean, Arizona State University

Moche civilization flourished on the north coast of Peru from AD 200 to 800. Although the Moche had no writing system, they left a vivid artistic record of their beliefs and activities on intricately painted ceramic vessels, several thousand of which are scattered in museums and private collections throughout the world today. Unfortunately, nearly all were looted by grave robbers so their origin and context are unknown. In recent years, however, through a combination of archaeological excavation and stylistic analysis, it has been possible to identify more than 250 painted vessels from the site of San Jose de Moro. To date, this is the largest sample of Moche art from a single place and time. Thus it provides a unique opportunity to identify a distinct sub-style of Moche ceramics, and to assess its range of artistic and technological variation. Moreover, within the sample it is possible to identify multiple paintings by 18 different artists, thus elucidating the range of subject matter that an artist would paint, as well as the variation in the way he would portray the same scene. By discussing and illustrating more than 200 painted vessels from San Jose de Moro, this volume provides insights about a community of ancient Peruvian potters who shared a distinctive painting style and left a fascinating record of their achievement.

El conjunto de ensayos recolectados en el presente libro se inscribe en la ranura historiográfica que procura mirar a la globalidad de los estudios inquisitoriales, en una nueva trayectoria que se esta proponiendo desde las ultimas decadas: tradicionalmente la Inquisicion de los siglos xv-xix ha sido investigada en tres areas, en España, en Portugal y en la peninsula italiana. Ha sido nuestra intencion proporcionar a los estudiosos del tema una aportacion de cara a interpretar el fenomeno inquisitorial en sus distintas territorialidades, considerando la necesidad de acompañar, en el tiempo y en las sociedades, la evolucion de lo que Jaime Contreras y Jean-Pierre Dedieu llamaron la geografia de la Inquisicion española, ha sido el presentar enfoques dirigidos a comprender la estructuracion y las especificidades de cada tribunal de distrito, algo a lo que los directores de la Historia de la Inquisicion en España y America-Joaquin Perez Villanueva y Bartolome Escandell Bonet- habian renunciado y que apenas la labor frenetica de Jose Toribio Medina pudo lograr para los distritos americanos y ciertas geografias de su jurisdiccion.

Desde la Conquista a nuestros días son numerosas las referencias a la Ciudad de México, además de monografías dedicadas a ciertos aspectos de la misma. Los conquistadores nos legaron imágenes rayanas en lo maravilloso: la ciudad que vio Bernal Diaz del Castillo, cuyos edificios en el agua le parecen encantamientos del Amadis, la de la segunda Carta de relacion de Cortes, fascinado ante las lagunas, el trafico de canoas, el mercado y las plazas; la de Cervantes de Salazar, primer cronista de la ciudad, y las que Artemio de Valle-Arizpe y Salvador Novo recopilaron en sus respectivas obras antologicas. Cronistas de Indias como Duran, Benavente, Sahagun, Torquemada y otros nos legaron un importante arsenal sobre su arquitectura, sus leyes, ritos, solemnidades y demas cuestiones de la urbe azteca antes de su destruccion.La ciudad que se reconstruyo sobre las ruinas indigenas y que llego a ser la "ciudad de los palacios", y la utilizacion sacra, ludica o luctuosa que se hace del espacio urbano en sus fiestas, exequias, inundaciones, asepsia, alumbrado forman parte de este trabajo, para el que se han consultado actas de Cabildo, relaciones de fiestas, diarios, cedularios y pragmaticas, asi como testimonios de viajeros y poetas que alabaron o vituperaron a la ciudad y que construyeron con sus metaforas una urbe alegorica. Este libro es una mezcla de discursos que permiten sentir la ciudad como ente vivo, hecho de varias piezas que se completan unas a otras para recomponer un mosaico ideal de lo que fue Mexico-Tenochtitlan, la capital de la Nueva España.

La utopía y América son dos pilares constitutivos de la modernidad occidental que se tejió entre ambos lados del Atlántico. La relación entre América y la utopía ha sido, desde los albores del siglo XVI, algo constante: la fascinacion por la utopia ha ido desde entonces de la mano con la fascinacion por America. A traves de doce ensayos y de doce perspectivas diferentes, este libro explora el vinculo entre America y la utopia. Desde la evocacion historica de los mitos que acompañaron a la conquista y colonizacion del Nuevo Mundo hasta los imaginarios que guian la accion politica en nuestros dias; desde la literatura utopica, genero que da nombre al fenomeno, hasta su huella en el mundo del arte, de los movimientos sociales y de las revoluciones; desde las proyecciones culturales europeas hasta las aspiraciones utopicas genuinamente latinoamericanas.Este libro trata sobre la utopia y sobre como el despliegue del impulso utopico, apenas esbozado como un ejercicio literario en las obras clasicas del Renacimiento, sigue siendo aun hoy, vigente y necesario.

En 1937 se produce un encuentro ejemplar entre el mundo del arte y la realidad histórica de la Guerra Civil. El Guernica de Picasso comparte la ilusión de las vanguardias soviéticas, la de El acorazado Potemkin y de todos los que siguieron el ejemplo de un arte politicamente comprometido, pensando que este puede incidir en la realidad, que el artista puede ser un aliado del politico, del periodista y del historiador. En el caso de Guernica, esta alianza resulto fructifera: asi pues, esta obra no solo se esta reproduciendo en los albumes sobre arte moderno, sino que se ha ganado un puesto sobresaliente en los libros de texto, en los documentales y en las ficciones historicas. Como lugar de memoria de la Guerra Civil, el cuadro es tambien una reivindicacion de los derechos humanos: ultimamente se ha hecho viral una version que denuncia las violencias policiales contra los manifestantes en Chile, por ejemplo. Sin embargo, no faltan intentos por recuperarlo para la ideologia de los vencedores o desvincularlo del bombardeo. Los capitulos de este libro plantean la recepcion artistica y literaria del fenomeno cultural Guernica en esta complejidad, como icono y mito.

La necesidad, urgencia y pertinencia de continuar avanzando en los estudios sobre violaciones de los derechos humanos, memoria social y violencia en América Latina, se hace explícita en este libro, pese a las adversidades provenientes de los discursos de banalizacion o descredito y de las operaciones de consumo masivo que, sobre estas cuestiones, han desplegado ciertos lenguajes politicos e industrias culturales en el presente. Para ello, se integran perspectivas provenientes de las ciencias sociales y las humanidades, en las que convergen los ambitos juridico, politico y etico, la critica literaria y cultural, los estudios sobre visualidad, la historia y la psicologia social. Los trabajos aca compilados asumen tambien la exigencia de una revision critica de los supuestos teoricos que permiten aproximarse a estos fenomenos, de las herramientas metodologicas disponibles y de la mediacion que necesariamente se da respecto de los modelos de reflexion construidos en otros hemisferios y contextos.

La necesidad de una exploración biográfica para formular desde otra perspectiva la narración de la historia es el punto de partida de este libro. El futuro historiador de la cultura española de la segunda mitad del siglo XX debe tener presente que durante y pese al franquismo hubo tambien en el escenario de la intimidad un lugar para la manifestacion de la rebeldia, del disentimiento y de la libertad, aunque estas tuvieran que relativizarse hasta el oximoron con las restricciones: rebeldia controlada, disentimiento circunspecto y libertad interior. Distinguir el ambito asfixiante de la cultura oficial frente a las escapatorias y los respiraderos que tuvieron como escenario la intimidad y el lenguaje es el proposito que unifica las distintas colaboraciones de este volumen.La disposicion secuencial de los capitulos permite captar un devenir y un cambio en los modos de convivir y de comunicarse: desde el estudio de la correspondencia entre las mujeres de la vanguardia y el primer franquismo hasta las cartas de Carmen Martin Gaite con otra mujer once años mas joven, Esther Tusquets, y con ella la aparicion de una nueva forma de comunicacion, en la que la emocion de esperar cartas es sustituida por la inmediatez del correo electronico.

En un intento por comprender la compleja realidad sociopolítica y económica que ha experimentado Bolivia en el último siglo de su historia, este volumen de estudios interdisciplinarios analiza, desde diferentes perspectivas cientificas y culturales, las diversas trayectorias de personas y grupos sociales comprometidos, de modo directo, en la transicion inconclusa del pasado Estado republicano neoliberal del siglo XX al Estado plurinacional como proyeccion de futuro.Congrega asi este libro a prestigiosos investigadores de las ciencias sociales de Bolivia, Ecuador, Colombia, España, Alemania, Inglaterra, Noruega y Japon, cuyos analisis originales e interdisciplinarios (provenientes de la historia, la literatura, las ciencias politicas, el derecho constitucional, las ciencias de la educacion, la comunicacion social, el periodismo investigativo, los estudios de genero, la antropologia social, la economia, la cinematografia y hasta la caricatura politica) contribuyen al actual politico sobre la exploracion en la Bolivia contemporanea de nuevos espacios y opciones que den cabida al establecimiento de un nuevo marco estatal.

James Orton fue un célebre naturalista y explorador norteamericano que visitó el Ecuador a finales de la década de 1860. Se trata de un auténtico científico viajero, cuyas contribuciones ayudaron a una mejor comprension del fenomeno andino y del bosque tropical. Su libro Los Andes y el Amazonas recoge las impresiones que tuvo del Ecuador en dicha epoca. Mas alla de las importantes observaciones de tipo cientifico que Orton registro, el autor tambien llevo a cabo una excelente y muy cruda descripcion de la sociedad ecuatoriana durante su paso por el pais. El libro contiene una enorme cantidad de informacion util para historiadores, antropologos y, en general, para los estudiosos y catedraticos. Resulta interesante el analisis que hizo del pais, al atribuir su atraso debido a la falta de una cultura economica moderna entre las elites locales.

Egypt has many pharaohs, but only one tried to kill the gods. "The Forgotten Pharaoh" tells the story of Akhenaten, the heretic king who banned the old pantheon to worship a single god, the Sun Disk. It was the first monotheism in history, a radical revolution that turned an empire upside down.But after his death, the empire struck back. His temples were dismantled, his city abandoned to the desert, and his name chiseled off every monument. The priests tried to erase him from time itself. For 3000 years, they succeeded.We reconstruct the life of this enigmatic figure. Was he a visionary prophet or a mad tyrant? What was the role of his famous wife, Nefertiti? And how does his legacy connect to the biblical Moses? A gripping historical detective story about memory, religion, and the attempt to rewrite the past.

At the zenith of its power, Britain, the Workshop of the World, dominated the globe with military might and commercial acuity. The celebration of Queen Victorias sixty years on the throne was carefully positioned to highlight the countrys strength, especially in the face of rising competition from other nations. The festivities brought together, in a show of force, the Queens widely extended family, foreign dignitaries, diplomats, foreign royals and world leaders.Extraordinary pageantry, parades and royal receptions served to dramatise the unparalleled significance of the event. The most important occasion, however, was the Devonshire House Ball, given at huge expense by the Hanover-born German Double Duchess of Devonshire. The Duchess having married not one but two English Dukes took to the task with alacrity, bringing together an extraordinary group of nobles, politicians, plutocrats, influential foreigners and bankers, hosting the most famous party of the century: a fancy-dress ball with a guest list of the 700 social, political, cultural and prominent celebrities of the day.A specially commissioned tent equipped with hand-painted backdrops, the most technically advanced cameras and lighting, along with realistic props was set up in the magnificent gardens to capture the glamorous guests.Many of the exquisite costumes all of pre-eighteenth-century characters were preserved by photograph and are shown here, colourised for the first time, to give us a sense of the wondrous, glorious occasion of the Ball.