Full author: Francisco Pascasio Moreno

Descripción de distintas piezas arqueológicas recogidas por el autor en Maichinguí, pequeño pueblo al norte de la capital del Ecuador, entre los años de 1914 y 1915.

Estratigrafía, sedimentología y características de los niveles de las Salas II y I

Anfibios y escamosos del Solutrense y Magdaleniense (Pleistoceno superior final) de la cueva de Las Caldas (Oviedo, Asturias)

Capítulo 5

Capítulo 3

In A Burial Cave in Baja California, the exploration of ancient rituals and burial customs within the rugged terrains of the Baja Peninsula is rendered through a vivid tapestry of stylistic narratives and rigorous academic inquiry. This compelling anthology delves into the archaeological marvels uncovered in the burial caves of Baja California, offering a profound examination of the interplay between landscape, culture, and spirituality. Through a blend of narrative attention and scientific inquiry, the work captures the profound mysteries and cultural significance embedded within these ancient tombs, providing diverse perspectives that together weave an engaging tapestry of historical insight. The collective expertise of William C. Massey and Carolyn M. Osborne enriches this anthology, as they bring together a diverse group of scholars whose work intersects with key themes of cultural preservation and interdisciplinary research. The contributors varied backgrounds in archaeology, anthropology, and cultural history offer a well-rounded analysis of Baja Californias burial sites, reflecting on broader historical movements and cultural exchanges. This collection transcends mere academic analysis by situating these findings within the wider discourse of cultural anthropology and historical narratives, thus serving as a crucial resource for those interested in ancient cultures and their legacies. Recommended for scholars and enthusiasts alike, A Burial Cave in Baja California provides a unique opportunity to explore the richness of ancient cultural practices through a multifaceted lens. As readers delve into the collection, they are afforded a panoramic view of ancient traditions contextualized within modern archaeological thought. This work not only enhances historical understanding but also fosters a dialogue between past and present, inviting readers to reflect deeply on the ways human societies remember and honor their dead. A pivotal addition to any academic collection, this anthology stands as a testament to the enduring legacy of the Baja California region.

In The La Chance Mine Mystery, Susan Morrow Jones masterfully crafts a thrilling murder mystery set in the Musaicum universe. The story follows Detective Adams as he investigates the sudden death of a wealthy mine owner, uncovering a web of secrets and deceit along the way. Jones combines elements of classic detective fiction with a unique narrative style, keeping readers engaged with shocking plot twists and well-developed characters. The books atmospheric setting and cleverly hidden clues make it a must-read for fans of the genre. Susan Morrow Joness attention to detail and skillful storytelling create a captivating and immersive reading experience that will leave readers guessing until the very end. With The La Chance Mine Mystery, Jones solidifies her place as a talented author in the realm of murder mysteries, offering a compelling and entertaining read for all who enjoy a good whodunit.

In the compelling anthology A Burial Cave in Baja California, editors William C. Massey and Carolyn M. Osborne have curated a profound exploration of the archaeological and anthropological discoveries nestled within the landscapes of Baja California. The collection seamlessly weaves together diverse literary styles, from detailed field reports to reflective essays and contextual analyses. The narratives within address fundamental themes such as cultural practices, mortuary rituals, and the intersection of history and prehistory, offering readers a lens through which to view the intricate tapestry of Baja Californias ancient societies. In particular, several standout pieces probe the enigmatic burial customs, inviting intrigue and deep contemplation, and serve as a testament to the enduring human fascination with life, death, and memory. The contributing authors, guided by Massey and Osbornes scholarly vision, bring forth a rich tapestry of backgrounds, each augmenting the anthologys theme with their unique insights and expertise. Together, their writings reflect a comprehensive investigation aligned with cultural and historical movements of archaeological introspection and cultural reclamation. This assembly of voices coalesces to form a vibrant dialogue, transcending academic disciplines and fostering an enriched understanding of the indigenous cultures that once thrived in this region, contributing significantly to the broader discourse of historical anthropology. A Burial Cave in Baja California is an invaluable resource for readers eager to delve into the multiplicity of perspectives and insights contained within a single, cohesive volume. The collection promises not just an academic journey through time, but also an opportunity for personal reflection on the myriad ways cultures grapple with mortality and legacy. Recommended for its educational value and intellectual breadth, it serves as a profound dialogic platform for engaging with past cultures, encouraging an active and informed participation in the ever-evolving field of archaeological study.

L’Autobiographie d’Ahmès fils d’Abana couvre de nombreuses batailles qui ont forgé le Nouvel Empire égyptien, notamment la bataille d’Avaris, et la bataille ultérieure de Sharouhen quelques années pl

Like the writing of most professional archeologists, mine has been confined to so-called learned papers. Good, bad, or indifferent, these papers were in a jargon that only my colleagues and a few advanced students could understand. Hence, when I was asked to do this little book, I soon found it extremely difficult to say what I meant in simple fashion. The style is new to me, but I hope the reader will not find it forced or pedantic; at least I have done my very best to tell the story simply and clearly.Many friends have aided in the preparation of the book. The whimsical charm of Miss Susan Richerts illustrations add enormously to the spirit I wanted. She gave freely of her own time on the drawings and in planning the book with me. My colleagues at the University of Chicago, especially Professor Wilton M. Krogman (now of the University of Pennsylvania), and also Mrs. Linda Braidwood, Associate of the Oriental Institute, and Professors Fay-Cooper Cole and Sol Tax, of the Department of Anthropology, gave me counsel in matters bearing on their special fields, and the Department of Anthropology bore some of the expense of the illustrations. From Mrs. Irma Hunter and Mr. Arnold Maremont, who are not archeologists at all and have only an intelligent laymans notion of archeology, I had sound advice on how best to tell the story. I am deeply indebted to all these friends.While I was preparing the second edition, I had the great fortune to be able to rework the third chapter with Professor Sherwood L. Washburn, now of the Department of Anthropology of the University of California, and the fourth, fifth, and4 sixth chapters with Professor Hallum L. Movius, Jr., of the Peabody Museum, Harvard University. The book has gained greatly in accuracy thereby. In matters of dating, Professor Movius and the indications of Professor W. F. Libbys Carbon 14 chronology project have both encouraged me to choose the lowest dates now current for the events of the Pleistocene Ice Age.

In The Lost Lemuria by William Scott-Elliot, the reader is taken on a journey through the mysterious and mythical land of Lemuria, a lost continent believed to have once existed in the Indian and Pacific Oceans. Scott-Elliot utilizes a blend of historical research, speculative fiction, and spiritual teachings to paint a vivid picture of this ancient civilization and its connection to modern-day societies. The book is written in a narrative style that captivates the readers imagination and leaves them questioning the mysteries of Earths distant past. As a pioneering work in the genre of alternative history, The Lost Lemuria provides a thought-provoking exploration of forgotten cultures and their impact on the present. William Scott-Elliot, a theosophist and author, was deeply influenced by the spiritual and esoteric teachings of his time, which is evident in his writings. His fascination with lost civilizations and ancient wisdom shines through in The Lost Lemuria, making it a compelling read for those interested in occultism, metaphysics, and ancient history. I highly recommend this book to readers seeking a deeper understanding of our worlds enigmatic past and the hidden truths waiting to be discovered.

In "Archeology of the Lower Mimbres Valley, New Mexico," Jesse Walter Fewkes offers a comprehensive analysis of the archaeological remains within this culturally rich region. Fewkes employs meticulous fieldwork and descriptive clarity, embodying the early 20th-century American archaeological style that emphasizes both empirical observation and interpretive insight. His examination encompasses not only the material artifacts but also the broader contextual frameworks of the Mimbres culture, highlighting their artistic styles, domestic structures, and burial practices, thereby situating the findings within the greater narrative of Southwestern prehistory. Jesse Walter Fewkes, a pioneering archaeologist and anthropologist, was deeply influenced by his training at Harvard and subsequent fieldwork in the Southwest. His commitment to unraveling the complexities of indigenous cultures stemmed from a broader mission to preserve and document the rapidly vanishing ways of life in the face of modernization. Fewkess immersive approach and his role as an early advocate for archaeological preservation underscore his dedication to the field and his reverence for the Mimbres people, which is palpable throughout the text. This book is an essential read for anyone interested in American archaeology, indigenous cultures, or Southwestern history. Fewkess work not only enriches our understanding of the Mimbres but also illustrates the impact of cultural nuances in shaping our interpretation of the past. Scholars, students, and casual readers alike will find in Fewkess thorough research and insights an invaluable resource that deepens their appreciation for the complexities of human heritage.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

Thoutmôsis II a été roi d’Égypte entre environ 1527 et 1513 avant JC, après avoir hérité du trône de son père Thoutmôsis I. On pense qu’il avait 17 ans à la mort de son père et qu’il est devenu roi,

Le récit du marin naufragé est la plus ancienne histoire connue dun marin naufragé et, en tant que tel, il est le précurseur de nombreux récits daventures nautiques rencontrant détranges créatures magiques, de lOdyssee dHomere a Sinbad le Marin. Dans un sens plus large, il est generalement considere comme la plus ancienne uvre de fiction egyptienne a avoir survecu jusqua aujourdhui. Un seul exemplaire a ete retrouve a ce jour, un manuscrit sur papyrus conserve au musee de lErmitage de Saint-Petersbourg, en Russie, et designe sous le nom de pHermitage 1115. Il a dabord ete designe sous le nom de pPetersburg 1115 a la fin de lere imperiale russe, puis pLeningrad 1115 pendant lere sovietique, et ces designations sont parfois encore utilisees dans la litterature moderne.Lorigine exacte du papyrus na pas ete correctement documentee a lepoque, ce qui etait courant chez les premiers egyptologues, mais il a probablement ete retrouve lors de lexpedition de Vladimir Golenishchev en 1884-85 dans le Ouadi Hammamat, qui etait la principale route commerciale entre le Nil dans le sud de lEgypte et le port dAl-Qusair sur la mer Rouge. Les vestiges archeologiques de loued Hammamat montrent quil a ete une voie de transbordement majeure pour les marchandises voyageant entre Koptos, sur le Nil, et Al-Qusair sur la mer Rouge depuis lepoque pre-dynastique, et quil a continue a etre utilise tout au long de lhistoire de lEgypte pour le transbordement entre le Nil du sud de lEgypte et la mer Rouge.Le papyrus utilise le dialecte egyptien du Moyen Empire, et bien que plusieurs egyptologues laient traduit, le manuscrit original na pas encore ete publie sous forme photographique. Cette traduction, comme toutes les traductions modernes, est donc basee sur une source secondaire, en particulier la transcription hieratique de Vladimir Golenishchev dans Les papyrus hieratiques, publiee en 1913 sous le nom de W. Golenischeff. W.K. Flinders Petrie estimait que le dialecte et la forme du hieratique utilise

La vie d’Ouni, également appelée Weni ou Uni, est l’une des vies les mieux documentées de l’époque de l’Ancien Empire de l’histoire égyptienne. Ouni a connu une importante mobilité ascendante sous le

El novelista de 48 años Robert Hernando, autor de las exitosas obras: Gladius, Gladius II y Grial Montserrat, nos cuenta en este libro, en primera persona y abierto en canal, su experiencia con el mieloma multiple, uno de los canceres hematologicos mas agresivos que existen y que afecta de tres a cinco personas de cada 100 000. Una enfermedad declarada incurable, aunque, gracias a los ultimos avances cientificos, ahora es altamente tratable, a pesar de que existen muchos tipos y de distinta gravedad. Algunos de ellos son muy persistentes y se resisten a los tratamientos mas convencionales.Precisamente el que esta padeciendo el autor es el mieloma multiple de Bence Jones, una enfermedad muy desconocida por la sociedad en general, parecida a otras que se forman en la medula osea o en las celulas del sistema inmunitario.El escritor igualadino, de una forma amena y sin paños calientes, nos cuenta, ademas de sus vivencias hasta el dia de hoy sin pelos en la lengua, la manera que el, como forofo del futbol, ha venido afrontando su particular lucha por sobrevivir. Partido a partido, tal y como popularizo el Cholo Simeone. Como si cada pinchazo, cada intervencion, cada tratamiento, cada ingreso hospitalario, cada fiebre fuesen un partido de futbol del que hay que salir airoso y afrontarlo siempre dandolo todo, a cara de perro, sin tregua ni cuartel.Robert Hernando lleva desde el año 1995 colaborando con varios medios de comunicacion, en su mayoria dedicados a la actualidad del club de su vida, donde ha hecho de todo por defender sus amados colores, los del RCD Espanyol de Barcelona, del que fue miembro de la Federacion de Peñas, vicepresidente fundador de la Asociacion de Accionistas y el consejero mas joven de la historia en su momento con tan solo veintisiete años, bajo el mandato de Daniel Sanchez Llibre.Hombre particularmente ocurrente en su manera de afrontar la vida y explicar las cosas que se le pasan por la cabeza, el cancer lo aplasto en sus inicios como una losa muy pesada, igual que a la mayoria de los afectados y sus familiares; sin embargo, encontro su propia forma de enfrentarlo. No se pierdan esta historia tan real como la vida misma, tal vez lleguen a la conclusion de que algunas veces es necesario y prudente firmar un empate. Sobrevivir empatando tambien es vivir.

México y sus zonas preshispánicas localizadas en 21 estados del territorio.

La arqueologíca, esa actividad que permite aproximarse a las formas de vida de los grupos humanos que nos antecedieron a partir del análisis de sus evidencias materiales, es para muchos una profesión exotica y apasionante, pues abre la posibilidad de asomarnos a esos hechos preteritos y nos convierte en una especie de testigos del comportamiento y actividad humana a traves del tiempo.Pero esta disciplina resulta doblemente atractiva en esta nuestra America, por que el trabajo nos lleva hacia la montaña, la selva, el bosque, el desierto, la cueva, el cenote, la casona antigua y a otros tantos sitios, a veces tan insolitos como maravillosos, a donde la mayoria de la gente no suele llegar. Pero mas alla de la aventura que significa trabajar en esos contextos, sucede que en ocasiones, durante el desarrollo de los trabajos arqueologicos, de pronto y cuando menos se espera, ocurren eventos que rebasan nuestro entendimiento, hechos que se catalogan como raros, extraños o inexplicables. Las propias comunidades locales hablan de la existencia de chaneques, aluxes, malos vientos, espiritus, guardianes, fantasmas, seres sobrenaturales o fuerzas que habitan o protegen esos lugares y por ello hay que tener cuidado y pedir el debido permiso. Todo esto por supuesto que esta mas alla de nuestra razon. En este libro nos hemos dado precisamente a la tarea de recopilar narraciones acerca de las vivencias de varios arqueologos y otros profesionales vinculados con la disciplina; se trata de eventos muy concretos que pueden ser catalogados como "misteriosos", "raros", "sobrenaturales" y hasta "tenebrosos" y que por ello se habian mantenido en reserva. No se pretende encontrar una razon o una explicacion, se trata mas bien de presentar las diversas narraciones o historias arqueologicas en la voz de quienes las vivieron (o sufrieron). Son hechos que en realidad sucedieron y que por ende son, a final de cuentas, historias de la vida cotidiana del arqueologo en el campo. En esta recopilacion hay una amplia diversidad de participantes, asi como de tiempos, circunstancias, regiones y espacios en los que ocurrieron esos hechos, pero en dichas narraciones se destaca un elemento fundamental e inevitable que es la percepcion individual, aunque varias historias refieren a sucesos que ocurrieron a grupos de personas.La invitacion para el lector es que discurra por esos mundos que se han ocultado, para iluminar aun que sea un poco esas sombras y escuchar esos leves susurros, que se perciben en ocasiones lejanos y de los que se habla en voz baja. A fin de cuentas la arqueologia no solo consiste en asomarse a otros mundos, sino a otras percepciones tambien.