Libros de Literatura, Clásicos grecolatinos, página 9 de 25

El volumen II de las Obras Completas del Doctor Francisco Delgado Montero lo componen cuatro biografías de cuatro grandes compositores: el ensayo "Mozart, una vida hacia la libertad" y tres biografías noveladas: sobre Antonio de Cabezon, sobre Johann Sebastian Bach y, finalmente, sobre Carl P.E. Bach.

Este volumen I de las Obras completas del Dr. Francisco Delgado Montero está formado en primer lugar por tres libros en torno al acto literario. El primero, un ensayo sobre el texto de Lazarillo de Tormes, seguido de dos biografias, la primera sobre Miguel de Cervantes y la segunda sobre Anton Chejov. Y en segundo lugar, por tres ensayos biograficos de tres grandes compositores: Domenico Scarlatti, Federico Chopin y Ludwig van Beethoven.

Enodio, obispo de Pavía, es un testimonio espléndido para conocer el agitado mundo que media entre el fin de la Roma imperial y el comienzo de la Edad Media cristiana.Magno Félix Enodio (Arlés, c. 473 - Pavia, 521) fue uno de los autores latinos mas prolificos del siglo VI d.C. Santo, obispo de Pavia, poeta, maestro de retorica y gramatica, teologo y embajador, vivio de cerca las intrigas politicas y las luchas religiosas de su epoca, lo que le convierte en un testimonio de primera mano para conocer el fascinante y agitado mundo que media entre el fin de la Roma imperial y el comienzo de la Edad Media cristiana, en el contexto del fortalecimiento de los lazos entre el poder politico y el religioso y del surgimiento de la mentalidad cristiana. Las obras que presentamos son, en la primera parte (Opusculos), una miscelanea de tematica diversa: el Panegirico a Teodorico, vidas ejemplares de ilustres personajes del mundo cristiano, diatribas contra enemigos religiosos, cartas, tratados teologicos y educativos y decretos; la segunda parte (Declamaciones) esta compuesta de un grupo de poemas y de discursos de diversa indole: controversias judiciales, causas criminales, temas eticos, religiosos e incluso mitologicos.

Nas sombrias ruas de Londres, o respeitável Dr. Jekyll esconde um terrível segredo: uma segunda personalidade, selvagem e incontrolável, chamada Mr. Hyde. À medida que os limites entre o bem e o mal

Nas histórias reunidas neste livro, o leitor encontrará a figura do dragão em suas mais diferentes versões literárias: da antiguidade clássica de Ovídio trazemos o monstro inimigo de Perseu, da Europ

Uma guerra intergaláctica se aproxima. Um ataque ameaça a paz na Terra! Os hackers de mentes desenvolveram um vírus capaz de controlar a mente das pessoas e ninguém sequer desconfia. Através da tecnologia biossintetica e da hipnose, os Ruinas desenvolveram um virus poderoso que poderia controlar a mente das pessoas!Alheio a tudo isso, em um barraco na Favela da Mata, vive Miguel. Quem imaginaria que aquele moleque esquisito era a unica esperança que nos restava. Mas para isso ele precisa aprender a lutar, utilizando muita tecnologia e a sua mente. Isso mesmo, a sua mente! Ele precisa resgatar seu traje bionico e despertar seu Scutus... essa e a unica forma!Aos poucos, Miguel devera ser preparado por sua mentora. Ele precisa aprender no apenas a lutar como um agente germinariano, mas a pensar e a agir como tal. Caso contrario, jamais aprendera a controlar seus poderes e a resistir aos ataques telepaticos dos Ruinas.Mergulhe nessa viagem magica e empolgante que aguçara sua imaginaço e que podera despertar o vencedor que ha em voce!Que a luz de Germinare nos proteja!

«Nuevos estudios helénicos» es la segunda serie de estudios que Leopoldo Lugones dedicó al tema de la Grecia clásica, después de «Estudios helénicos». En este libro el escritor argentino se centra, f

Biblioteca Clásica dela Real AcademiaEspañola. Joyas universales de nuestras letrasBiblioteca Clásica de la Real Academia Española. Joyas universales de nuestras letrasPublicadas en 1613, estas obras breves confirman que la variedad es a la vez fuente de verdad y de belleza. Hoy nos siguen atrapando con su ingenio y sus visiones costumbristas.

Contenido:- Clemencia (1869): Clemencia es una novela escrita por el periodista, maestro y politico mexicano Ignacio Manuel Altamirano. En ella retrata el lenguaje popular, el paisaje, las tradiciones y las situaciones genuinas que constituian la Guadalajara de ese entonces.- El Zarco (1869): El Zarco es una novela del escritor, periodista y maestro mexicano Ignacio Manuel Altamirano, considerada la mas sobresaliente de su produccion narrativa. Fue escrita entre 1886 y 1888 y publicada en 1901, ocho años despues de la muerte de su autor. La novela ambientada en Yautepec, Morelos describe principalmente el romance y las aventuras del personaje que da su nombre a la obra y que lidera un grupo de bandidos denominados Los Plateados.- La Navidad en las montañas (1871): La Navidad en las montañas nos conduce al utopico encuentro, la vispera de Navidad, entre un militar liberal en la Guerra de Reforma y un cura de aldea, quien resulta un genuino guia espiritual. Esa noche, ambos presencian el desenlace de una historia de amor entre el huerfano del pueblo y la sobrina del alcalde.

Gure buruaren definizio nagusitzat biktimismoa hartu eta gure zauriari miazka bizi ez diren hirikideak traidore jotzen ditugu. Ahaztu nahi luketen biktimei ez diegu ahazten uzten, ahazteko eskubidea oroitzekoa bezain errespetagarria eta osasungarria den arren. Ezin da herria amaigabeko doluan bizitzera behartu. Biktimaren oinazeak ezin du zuzenbidea erabaki. Baina horixe ari dira bultzatzen iraganeko minak pribilegio iturri gisa esplotatu eta oraingo emantzipazio bideak oztopatzen dituztenak.Hainbeste biktima dauzkan herri batean, iraganak eta oinazeen memoriak erabaki behar baldin badute oraina eta etorkizuna, orduan sekula santan ezingo dugu elkarbizitza sano samarra abiarazi. Soseguak, askatasunak eta alaitasunak oroimena fintzea eta arintzea eskatzen baitu.Esanguratsua da Jaques Le Goff-ek azpimarratu datua: Alemania naziak eta Italia faxistak iritsi zuten iragana oroiberritzeko grinaren gailurra. Nori komeni zaio ibiliegia dugun bide horri eustea? Ez al zaigu heldu oroimena arintzen eta fintzen ikasten hasteko ordua? Todorovek dioenez, memoria, sagaratuz gero, antzu bilakatzen baita.

La colección «Poesía portátil» nos brinda en No creo poder tocar el cielo con las manos una traducción inédita de algunos de los escasos textos que se conservan de la poeta griega Safo, figura clave

"Niels Ebbesen, and Germand Gladenswayne: Two Ballads" presents a compelling fusion of history and folklore, as these poems illuminate the valor and struggles of their legendary protagonists. Written in a lyrical style that melds narrative storytelling with rich poetic forms, these ballads navigate the complexities of heroism and cultural identity during the medieval era. Set against the backdrop of Denmarks tumultuous past, where national pride and local legends intertwine, the work resonates with themes of loyalty, bravery, and the defense of ones homeland. The authorship of these ballads can be traced to various folk traditions, reflecting a collective memory of societal values and the human experience. The narrative of Niels Ebbesen, a key figure in resisting foreign dominance, and Germand Gladenswayne, whose exploits symbolize hope and resilience, likely emerged from a deep-rooted desire to preserve regional narratives amidst an evolving cultural landscape. Such stories not only entertain but also serve as essential markers of historical consciousness. This collection is recommended for readers interested in the intersection of folklore and history, as it provides insightful commentary on the nature of heroism within a cultural context. Its rich imagery and emotional depth make it a significant addition to any literary collection, perfect for those seeking to explore the powerful legacy of balladic storytelling.

Este livro é uma preciosidade. Com capacidade didática já demonstrada em obras anteriores, Ana Arguelho nos brinda com este novo livro trazendo uma visão clara da importância dos clássicos na constru

Nero Claudius Caesar Augustus Germanicus was one of the Caesars and ruled Rome between the years 54 to 68 AD. Like his predecessors, he wielded power with violence and a good dose of insanity. Besides seeing himself as a deity, Nero considered himself a brilliant artist and dedicated much of his energy as a musician and actor to prove this.However, Nero went down in history as a murderer, madman, and debauchee, with no limits to obtaining what he desired, which in terms of power could mean the murder of his own mother and half-brother as well as the unrestricted possession of absolutely anyone, woman or man, who crossed his path and aroused his desire.This work portrays the power struggle behind the scenes of the Roman Empire, where poisoning was one of the main strategies, as well as Neros trajectory, from his rise to power through the cruelty and obstinacy of his mother Agrippina to the tragic outcome when he commits suicide to avoid the wrath of his people. An unforgettable read.

Nero Cláudio Augusto Germânico foi um dos césares e governou Roma entre os anos 54 a 68 da era cristã. Assim como seus predecessores, exerceu o poder com violência e uma boa dose de insanidade. Além

IN ancient times, when the city of Rome was at the height of its power and splendor, it was the custom, as it is in fact now with the inhabitants of wealthy capitals, for the principal families to possess, in addition to their city residences, rural villas for summer retreats, which they built in picturesque situations, at a little distance from the city, sometimes in the interior of the country, and sometimes upon the seashore. There were many attractive places of resort of this nature in the neighborhood of Rome. Among them was Antium.The beauty and the salubrity of Antium made it a very attractive place of summer resort for the people of Rome; and in process of time, when the city attained to an advanced stage of opulence and luxury, the Roman noblemen built villas there, choosing situations, in some instances, upon the natural terraces and esplanades of the promontory, which looked off over the sea, and in others cool and secluded retreats in the valleys, on the land. It was in one of these villas that NERO was born.NEROs father belonged to a family which had enjoyed for several generations a considerable degree of distinction among the Roman nobility, though known by a somewhat whimsical name. The family name was Brazenbeard, or, to speak more exactly, it was Aheno-barbus, which is the Latin equivalent for that word.

O Canto XI, quando Odisseu visita o mundo dos mortos, o Hades, é sem dúvida um dos mais belos cantos da Odisseia. Ele é o objeto desta tradução seguida de um estudo crítico pelo poeta, tradutor e crí

Impossível não se emocionar com a menina órfã, de corpo miúdo, que vive assustada pelos cantos da casa e apanha todos os dias, apenas para a satisfação de sua patroa. Negrinha não tem nome, nasceu de

Nana is a novel by the French naturalist author Émile Zola. Completed in 1880, Nana is the ninth installment in the 20-volume Les Rougon-Macquart series, which was to tell "The Natural and Social History of a Family under the Second Empire."The novel was an immediate success. Le Voltaire, the French newspaper that was to publish it in installments from October 1879 on, had launched a gigantic advertising campaign, raising the curiosity of the reading public to a fever pitch. When Charpentier finally published Nana in book form in February 1880, the first edition of 55,000 copies was sold out in one day. Flaubert and Edmond de Goncourt were full of praise for Nana. On the other hand, a part of the non-reading public, spurred on by some critics, reacted to the book with outrage. While the novel is held up as a fine example of writing, it is not especially true to Zolas touted naturalist philosophy; instead, it is one of the most symbolically complex of his novels, setting it apart from the earthy "realism" of LAssommoir or the more brutal "realism" of La Terre (1887). However, it was a great deal more authentic than most contemporary novels about the demimonde.Nana is especially noted for the crowd scenes, of which there are many, in which Zola proves himself a master of capturing the incredible variety of people. Whereas in his other novels -- notably Germinal (1885) -- he gives the reader an amazingly complete picture of surroundings and the lives of characters, from the first scene we are to understand that this novel treads new ground.Flaubert summed up the novel in one perfect sentence:Nana tourne au mythe, sans cesser detre reelle.(Nana turns into myth, without ceasing to be real.)

Nana is a novel by the French naturalist author Émile Zola. Completed in 1880, Nana is the ninth installment in the 20-volume Les Rougon-Macquart series, which was to tell "The Natural and Social History of a Family under the Second Empire."The novel was an immediate success. Le Voltaire, the French newspaper that was to publish it in installments from October 1879 on, had launched a gigantic advertising campaign, raising the curiosity of the reading public to a fever pitch. When Charpentier finally published Nana in book form in February 1880, the first edition of 55,000 copies was sold out in one day. Flaubert and Edmond de Goncourt were full of praise for Nana. On the other hand, a part of the non-reading public, spurred on by some critics, reacted to the book with outrage. While the novel is held up as a fine example of writing, it is not especially true to Zolas touted naturalist philosophy; instead, it is one of the most symbolically complex of his novels, setting it apart from the earthy "realism" of LAssommoir or the more brutal "realism" of La Terre (1887). However, it was a great deal more authentic than most contemporary novels about the demimonde.Nana is especially noted for the crowd scenes, of which there are many, in which Zola proves himself a master of capturing the incredible variety of people. Whereas in his other novels -- notably Germinal (1885) -- he gives the reader an amazingly complete picture of surroundings and the lives of characters, from the first scene we are to understand that this novel treads new ground.Flaubert summed up the novel in one perfect sentence:Nana tourne au mythe, sans cesser detre reelle.(Nana turns into myth, without ceasing to be real.)