eBooks de Teatro, página 6 de 410

Todo homem frio e sem sentimentos, tem um passado dolorido. A vida de Dennis Wilard não era muito fácil. Perdeu os pais muito cedo. Padeceu nas mãos da tia. Teve o coração quebrado por Catarina. Perd

A Collection of Old English Plays, Volume 1 offers a captivating glimpse into the theatrical practices and literary forms of medieval England. This anthology encompasses a diverse range of genres, from morality plays and mystery cycles to early comedies, illuminating the rich tapestry of Old English drama. The literary style is characterized by its use of verse and prose, with a distinct emphasis on didactic themes, allegorical characters, and religious motifs, reflecting the societal values and cultural milieu of the time. The collection serves as both a historical document and a literary artifact, revealing the evolution of English theater prior to the Renaissance. Compiled by various editors and scholars, this collection arises from a deep appreciation for the dramatic tradition that laid the groundwork for contemporary English literature. The collaborative nature of this volume underscores the collective effort of researchers who sought to preserve and present these early works, often overlooked in favor of later literary giants. By bringing together these plays, the editors highlight the continuity and change within the English theatrical landscape, acknowledging the influences that informed both writers and audiences during this formative period. For scholars, theater enthusiasts, and general readers alike, A Collection of Old English Plays, Volume 1 is a crucial resource that invites renewed engagement with the roots of English drama. It offers an opportunity to explore the complex interplay between performance and societal norms, making it a vital addition to any literary collection. Readers will find themselves immersed in the timeless themes and characters that echo through centuries, providing a deeper understanding of the evolution of storytelling and performance.

A Collection of Old English Plays, Volume 2 is an essential anthology that presents a rich tapestry of medieval drama, showcasing the ethical, social, and religious complexities of its time. This volume, characterized by robust characterization and intricate plots, includes lesser-known works alongside iconic pieces from the Old English period. The linguistic nuances and archaic expressions weave a literary style that is both poetic and accessible, forming a vital link between the oral traditions and the written word, while also reflecting the cultural milieu of 14th to 16th century England, a time when the theater began to flourish as a distinctive art form. The contributors to this collection comprise various playwrights whose identities often remain obscured by time, yet whose work significantly impacted the evolution of English drama. Many contemporaneously grappled with themes such as morality, divine justice, and social hierarchy, influenced by the contextual shifts in religion and politics throughout medieval England. The collaborative nature of this anthology underscores not only the versatile creativity of its authors but also the communal artistry that defines the eras theatrical landscape. Highly recommended for scholars and enthusiasts of medieval literature, this volume invites readers to delve into the vibrant world of Old English theater. It provides a multifaceted understanding of the periods societal values and the artistry of its playwrights, making it a valuable addition to both academic collections and personal libraries. Whether you are exploring the roots of English drama or seeking to engage with historical narratives, A Collection of Old English Plays, Volume 2 offers a compelling glimpse into a transformative era.

A Collection of Old English Plays, Volume 3 offers a rich tapestry of early English drama, showcasing an array of works that highlight the uniqueness of its eras literary style. This volume features a selection of plays that blend elements of morality, history, and folklore with allegorical intricacies, reflecting the sociopolitical and cultural milieu of medieval England. The anthology serves as a critical window into the performance practices, language, and themes prevalent in 15th to 17th-century England, offering readers a scholarly yet accessible approach to the dramatic tradition that shaped English literature. The editors and contributors of this volume present an expertise that stems from extensive research into Old English theatre. Their backgrounds in medieval studies and passion for preserving linguistic and cultural heritage inform their selection and curation process. This understanding of the importance of these plays not only in the realm of theatre but also in the larger cultural narrative has driven the commitment to present these works in a modern context while respecting their original form and content. Recommended for scholars, students, and avid readers alike, this anthology serves as an essential resource for anyone looking to deepen their understanding of English dramas roots. Its blend of historical significance and literary artistry makes it an invaluable addition to libraries and a captivating read that invites reflection on the foundations of storytelling.

A Collection of Old English Plays, Volume 4 encapsulates the rich tapestry of English theatrical tradition, showcasing a selection of plays that span the medieval to the early modern period. This volume, notable for its diverse themes and intricate characterizations, presents a literary style deeply rooted in the use of verbatim dialogue, rhythmic patterns, and allegorical elements. The collection serves not only as a reflection of the societal norms and religious beliefs of its time but also highlights the playful intermingling of tragedy and comedy that characterized early English drama. Readers will find a wealth of language that resonates with both the archaic and contemporary, revealing universal human experiences through the lens of historical context. The varied authors included in this compilationAispanning anonymous playwrights to more recognized figuresAiindicate a collective cultural effort to explore and critique the human condition. This volume provides insight into the socio-political climate of medieval England, which was marked by shifts in power, the Churchs influence, and emerging forms of entertainment. The authorsAo diverse backgrounds likely contributed their unique perspectives, enriching this compilation as a crucial resource for understanding the evolution of English theater. Highly recommended for scholars, students, and enthusiasts of drama, this collection offers an invaluable window into the origins of theatrical storytelling. Both an academic resource and a source of inspiration, Volume 4 invites readers to immerse themselves in the captivating narratives that have shaped the trajectory of English literature. It is an essential addition to the library of anyone keen on exploring the foundational elements of drama in the English tradition.

The most complete collection available of Willa Cathers remarkable short fiction, Collected Stories and Reviews and Essays brings together all the stories published in this one book form during her lifetime along with two additional volumes compiled after her death.STORIESPart IPeterOn the DivideEric Hermannsons SoulThe Sentimentality of William TavenerThe NamesakeThe Enchanted BluffThe Joy of Nelly DeaneThe Bohemian GirlConsequencesThe Bookkeepers WifeArdessaHer BossREVIEWS AND ESSAYSPart IIMark TwainWilliam Dean HowellsEdgar Allan PoeWalt WhitmanHenry JamesHarold FredericKate ChopinStephen CraneFrank NorrisWhen I Knew Stephen CraneOn the Art of Fiction

RAFAELA ERA UMA MULHER QUE VIVIA NA VILA DA FOLHA E QUE TINHA UM CABELEIREIRO UM DIA BRENDA UMA DAS BRUXAS MAIS PODEROSAS FEZ UM HORÁRIO COM A RAFAELA ELA QUERIA UM CORTE DE CABELO IGUAL A DE SUA MÃE

A Concepção é um livro onde J. Rowstock além de encontrar seu primeiro romance, ainda escreve uma história um tanto experimental para a literatura, numa espécie de Matrix - Literária. O autor mergulh

Este livro fala de algo nojento que aconteceu e até hoje, de uma forma disfarçada, ainda acontece em muitas partes do mundo, inclusive, infelizmente, aqui no Brasil. Durante mais de quatrocentos anos o Brasil acolheu, atraves de seus colonizadores, e depois pelos ditos "coroneis", bares, fazendeiros e ate politicos, um regime carrasco, nojento e cruel chamado escravatura, escravismo ou escravagismo.

Entre batalhas e intrigas, surge a história de Ardian, um príncipe chamado não apenas a governar um reino, mas a descobrir o verdadeiro significado do poder e da fé. Em um mundo onde espadas definem

A Coroa e o Abismo - Mistérios e Estrutura Ritual do Lemegeton Nora Valliant Ao abrir estas páginas, revela-se um caminho onde o mistério e a disciplina entrelaçam forças para guiar por territórios ocultos e estruturas ritualisticas ancestrais. Cada linha e um convite silencioso a travessia dos proprios abismos e a ascenso atraves do rigor, da etica e da busca por equilibrio entre luz e sombra. As ferramentas do autoconhecimento surgem como chaves para libertar o que ha de mais profundo em si, iluminando feridas invisiveis, fortalecendo a vontade e protegendo contra as tempestades do invisivel. As praticas aqui descritas ressoam como um portal entre o visivel e o invisivel, alinhando o ser com antigas tradiçes, impulsionando a transformaço pessoal. Descobre-se, nesse percurso, a experiencia de pertencer a uma linhagem de buscadores e o poder de reescrever sua propria realidade com consciencia, proposito e reverencia. Este livro sobre magia cerimonial e um verdadeiro compendio para quem deseja aprofundar-se no universo do Lemegeton. Trata-se de um livro sobre Lemegeton, que revela as praticas essenciais da magia salomonica, explorando detalhadamente cada ritual e evocaço de espiritos. Ao mergulhar neste livro sobre rituais esotericos e praticas ocultistas, voce encontra metodos de proteço espiritual e autotransformaço magica, aliados a compreenso das hierarquias angelicas.

Devido a profundeza e a forma com que esse livro apresenta a criação do universo é importante ressaltar que essa obra trata-se de uma ficção, e deve ser visto como um livro devocional, não deve ser v

Lívia sempre teve pureza na alma; em seu coração existia um espaço infinito. Pediu perdão e descobriu que ele cura. Soube perdoar muitas feridas que mesmo não cicatrizadas, foram cuidadas com carinho

Prepare-se para acompanhar a dramática história de uma ronin que viaja para sua vila natal e deve lutar com todas a sua habilidade contra forças determinadas a impedi-la de cumprir seu destino. Enquanto isso, uma criança nobre luta para sobreviver em meio a guerra e ocupaço. Seu sucesso determinara o futuro da Ronin. Uma historia com drama, humor, romance e muita aço em um mundo de fantasia inspirado na historia, mitos e lendas do Japo Feudal

Esta é uma história linda de dança e amor. Uma mulher apaixonada pela dança conhece seu grande amor, um parceiro de dança, e juntos vivem uma vida intensa de amor, aventura e ação. No entanto, uma tr

In A Day Well Spent: A Farce, in One Act, John Oxenford crafts a masterful comedic narrative that deftly explores themes of social conventions and misunderstandings. Set against the backdrop of Victorian society, Oxenford employs wit and irony, showcasing his signature style of blending humor with poignant commentary. The plays brisk pacing and clever dialogues not only entertain but also challenge the audience to reflect on their own societal roles and the absurdities therein. As a quintessential farce, it reflects the theatrical innovations of its time, inviting viewers to laugh while considering deeper implications of propriety and human folly. John Oxenford was a prominent Victorian playwright, translator, and critic known for his contributions to the comedic genre of theater. Born in 1812, he was influenced by the burgeoning cultural shifts of the era, including the popularization of farcical theater. Oxenfords various experiences as a writer and his keen observations of societal norms greatly informed his work, particularly in crafting characters and scenarios that reveal the folly of social pretensions. Readers seeking a blend of amusing situations and thoughtful critique will find A Day Well Spent to be an exceptional addition to their literary exploration. Oxenfords play is not just a source of laughter; it offers insight into the human experience, making it an essential reading for enthusiasts of classic theatre and social commentary.

In "A Day Well Spent: A Farce, in One Act," John Oxenford crafts a vibrant comedic narrative that satirizes contemporary social norms and human folly. Employing the concise structure typical of farce, Oxenford juxtaposes witty dialogue with fast-paced action, allowing characters eccentricities to spiral into humorous predicaments. The play reflects Victorian sensibilities while inviting the audience to critique societal expectations through its clever manipulation of misunderstandings and mistaken identities. Oxenfords adeptness at capturing the intricacies of daily life illuminates the absurdities of human behavior, making notable contributions to the genre of comedic theater during that era. John Oxenford (1812-1877) was an influential figure within 19th-century British literature, noted not only for his plays but also for his translations and criticism. A contemporary of Charles Dickens, he drew from his experiences in the literary and theatrical world, which shaped his perspective on societal issues. Oxenfords insightful observations on human nature and social dynamics often permeate his works, reflecting both a deep understanding of his era and a unique comedic flair. "A Day Well Spent" is a delightful exploration of the human condition that is both entertaining and thought-provoking. Ideal for enthusiasts of theatrical farce or those interested in Victorian literature, this play invites readers to immerse themselves in its lively characters and playful critique of everyday life, making it a must-read for anyone seeking a blend of humor and insight.

When they called saying your body had been found, I had one immediate thought. I remember thinking that maybe now Id be free. Sam hasnt spoken to her mother Kath for three years when she learns that shes been found dead in the New Mexico desert. Travelling to the small town of Taos to identify the body, she discovers Kath had become embroiled in a shadowy enterprise, offering Sam an unimaginable chance to rebuild their broken relationship. But to do so, she must decide whether she can finish what her mother started. David Farrs compelling new play is both an unsettling science fiction and an intimate study of loss and bereavement, examining how artificial intelligence could alter our understanding of death, consciousness and the soul.A Dead Body in Taos opened at the Bristol Old Vic in September 2022.

Nathan conseguiu cumprir sua tão complicada Missão: levar Kurt para sua família. Mas durante essa Missão várias descobertas foram feitas, e algumas delas precisam ser esclarecidas. Infelizmente para

A Divina Comédia propõe que a Terra está no meio de uma sucessão de círculos concêntricos que formam a Esfera armilar e o meridiano onde é Jerusalém hoje, seria o lugar atingido por Lúcifer ao cair d