eBooks de Teatro contemporáneo español del XIX al XXI, página 5 de 292

In "Wit Without Money," John Fletcher crafts a lively comedy that exposes the follies of human desire and social pretensions in the early 17th century. The play centers around a series of humorous misunderstandings and mistaken identities, showcasing Fletchers adeptness at blending wit with farce. The dialogue is sharp and filled with clever repartee, reflecting the literary style of the Jacobean era, where the interplay of language was as critical as the unfolding plot. FletcherAos exploration of themes such as love, wealth, and the interplay of social classes serves as a mirror to the societal norms of his time, revealing both the absurdities and vulnerabilities inherent in human relationships. John Fletcher, a prominent playwright of his era, collaborated frequently with Francis Beaumont and was deeply influenced by the theatrical conventions of the time. His works often delve into the complexities of love and societal expectations, a reflection of his own experiences as a playwright navigating the intricate world of Early Modern English theater. Fletchers background in a time of shifting cultural landscapes certainly shaped his comedic voice, allowing him to deftly blend humor with commentary. For readers and theater enthusiasts alike, "Wit Without Money" offers a delightful insight into the mind of a masterful playwright. Its timeless humor and engaging characters make it a must-read for anyone interested in the evolution of comedic drama. This comedy not only entertains but also invites reflection on the timeless dynamics of affection and social ambition, ensuring its relevance continues to resonate today.

If you want to tell people the truth, make them laugh, otherwise theyll kill you.One of the most prolific and respected playwrights of the twentieth century, Bernard Shaws legacy shows no signs of waning, and his beautifully written plays, laced with wry wit and invective alike, have seen countless performances over the years, their finest lines paraded in literary conversation and review.Meticulously selected by Simon Mundy, the Wit and Acid series collects the sharpest lines from Shaws oeuvre in small neat volumes, allowing the reader to sample some of the very best barbs and one-liners the twentieth century has to offer, and this, the first volume, covers lines from the great writers works published before 1911.

A sensitive, delicate and powerful play that asks what our labour is worth and how life can be lived when the system is stacked against you.I dreamt about this last night. I dreamt that I was packing boxes in boxes in boxes.Tamsin packs boxes in a warehouse, on the clock, to a target, with a zero-hour contract. Her brother Dean is housebound, working to obsessive-compulsive rituals of his own.When Dean is declared fit for work, their benefits are cut. There are phone calls to make, appeals to lodge and endless forms to fill in. Tamsin must pack faster, work harder, and fight to get the support she and her brother so desperately need.Katherine Sopers play Wish List won the 2015 Bruntwood Prize for Playwriting and was co-produced by the Royal Exchange Theatre, Manchester, and the Royal Court Theatre, London. It premiered at the Royal Exchange in September 2016 and the Royal Court in January 2017, and Katherine Soper was named Best Writer in the 2017 Stage Debut Awards.The play has such eloquence, such quiet craft, such dignity and such compassion Sir Nicholas Hytner

Heroism is danger and risk, and frankly, until now, its been male. In the near future a group of women gather in a half-built structure on Winter Hill in Bolton. Is it a chance to have a drink with friends? Is it a book club discussing famous heroines? Or is it a revolution? Set in the near future, Winter Hill centres on a eight women as they deal with the sale of local land to developers of a luxurious skyscraper hotel. Questioning the lengths people should go in the name of a cause, Timberlake Wertenbakers Winter Hill premiered at the Octagon Theatre, Bolton, in May 2017.

An electrifying drama about what happens to personal identity in an age of ubiquitous technology and social media.John is a twenty-seven-year-old teacher who probably wasnt allowed to teach at an all-girls school and Mark is his sixteen-year-old Olympic porn-watching pupil. A normal week in their normal lives school, eat, TV, sleep, repeat.Except in an age of twisted technology and unfettered profiles, the life Mark really wants is only a click away but what happens when that life already belongs to John? By Friday, the shit really is going to hit the fan.Two interlinking monologues, WINK examines two lives veering dangerously close to collision, asking us what separates the man from the boy.WINK, Phoebe Eclair-Powells debut play, was first produced by Tara Finney Productions and Theatre503, and premiered at Theatre503, London, in March 2015.

Winged Pact Angelic Magic and the Celestial Hierarchies While religions diverge on who or what God is One, Being, Energy, or Consciousness there is a near-universal presence across almost all spiritual traditions: the Angels. They transcend creeds, cultures, and eras as divine messengers, living bridges between heaven and earth. Winged Pact is not a work of theoretical speculation, but a practical and disciplined guide that teaches how to consciously establish contact with the Angelic Hierarchies. Based on the traditions of Angelic Magic and anchored in the legacy of the Arbatel, the book leads the reader through the ethical and ritual mastery of invoking these celestial beings. Here, the practitioner not only learns to summon angels they become a cooperator of the cosmic order, merging practice, virtue, and service to the Light. A true calling for those ready to enter the pact. This book on Angelic Magic presents a practical and ethical path to communion with the celestial messengers. With clear guidance on setting up the mystical altar and performing spiritual consecration practices, the reader deepens their understanding of the celestial hierarchies and the Olympic Spirits. The book on Angelic Invocations teaches safe and respectful structures for communication with angels, while the book on Divine Names reveals the vibrational keys to spiritual contact. With its focus on spiritual virtues, the book on Esoteric Practices and Christian Theurgy offe

Windershiell, um lugar onde a guerra é o centro de tudo. Um rei corrupto, é habitado por milhares de lutadores Warriors, certos seres que possuem habilidades e poderes sobrenaturais. Mikael, um curandeiro que salva lutadores da morte, apos o fim de cada luta, narra uma historia emocionante com seus amigos em lutas, guerras, aventuras... Lutas incriveis, poderes extra-ordinarios, uma historia repleta por açes e interaçes dos personagens. Os lutadores Trynix, Warkan e Alexis tentam ganhar a Guerra da Existencia, para que um deles se torne rei, e possa acabar com as maldades e corrupçes de Windershiell. Decises dificeis, lutas incriveis e revira-voltas inacreditaveis. Outros mundos, outras dimenses, outros poderes... O narrador narra em detalhes cada aço feita por ele, e por seus companheiros. Espere por uma historia com revelaçes bombasticas. O bem e o mal, o amor e o odio, a felicidade e a dor, a amizade e os inimigos. Tudo isso em Windershiell: O Rompimento da Aliança.

An immersive musical essay. A meditation on sanctuary. A moor walkers journal. A personal memoir of maternity. An archaeology of flight science and football, medieval medicine and compassion. A wonder tale. Karine Polwarts Wind Resistance is co-produced with the Royal Lyceum Theatre Edinburgh and was originally presented in association with Edinburgh International Festival 2016, supported through the Scottish Governments Edinburgh Festivals Expo Fund. Winner of the Best Music and Sound Award at the Critics Awards for Theatre in Scotland (CATS) 2017.

When bereaved mother Mary finds a disembodied arm, a conspiracy builds: maybe her child isnt quite so dead after all.Shortlisted for Soho Theatres Tony Craze Award, Sami Ibrahims Wind Bit Bitter, Bit Bit Bit Her is an enthralling monologue about love and loss.It was first performed as part of the 2018 VAULT Festival, London.

Cláudia quer dar um novo recomeço à sua vida.

William Wycherleys Four Plays encapsulates the wit and audacity of Restoration comedy, showcasing the playwrights keen insight into the follies of human nature and societal norms. This collection features notable works such as "The Country Wife" and "The Plain Dealer," which adeptly utilize sharp dialogue and satirical narrative to explore themes of desire, deception, and the complexities of romantic entanglements. Wycherleys literary style combines raucous humor with pointed social critiques, firmly grounding his narratives within the tumultuous context of 17th-century England, where emerging ideas of individualism and sexual liberation clash with conventional morality. William Wycherley (1640-1716) was a significant figure in the Restoration literary scene, heralding a movement towards more candid explorations of sexuality and societal constructs. Born into a well-off family, Wycherleys experiences abroad and his exposure to various cultural sensibilities, particularly in France, undoubtedly influenced his daring approach to drama. His works provided a scathing commentary on the rigid social mores of his time, reflecting both his personal insights and the broader transformations within English society. This collection serves as an essential resource for admirers of classic literature and scholars alike, offering a captivating glimpse into the revelatory world of Restoration theater. Wycherleys mastery of wit and portrayal of human vulnerabilities invite readers to reflect on timeless themes still relevant today. Engage with these plays to experience the brilliance of a playwright whose humor continues to resonate across centuries.

In "William Wycherley: Four Plays," the reader is invited to explore a pivotal collection of works that epitomize the Restoration eras hallmark of wit and sexual politics. Wycherleys plays, including the renowned "The Country Wife" and "The Plain Dealer," are characterized by their clever dialogue, intricate plotting, and incisive commentary on social norms and moral hypocrisy. Through his mastery of comedy, Wycherley deftly navigates themes of desire, manipulation, and the complexities of courtship, all while embodying the flamboyant spirit of Restoration drama, enriched by the cultural liberties of his time. William Wycherley (1640-1716) emerged from a tumultuous historical backdrop marked by the return of the monarchy. Educated at Oxford and influenced by contemporary Continental playwrights, Wycherley sought to reflect the shifting dynamics of social interaction and romantic pursuits in his era. His works often mirror his own experiences in a society rife with both liberations and constraints, granting him unique insight into the human condition, particularly in the realm of desire and deception. This collection is a must-read for enthusiasts of classic literature, as it offers not only a glimpse into British theatrical heritage but also insight into the complexities of human relationships and societal critique. WycherleyAos sharp wit and perceptive observations make these plays enduringly relevant, promising to entertain and provoke thoughtful reflection in any modern reader.

Ricardo III narra la historia del último monarca de la casa de York, Ricardo de Glou- cester, quien ocupó el trono de Inglaterra durante el breve período que va de 1483 hasta su muerte, en el marco de la Guerra de las Dos Rosas, en 1485. El personaje, despotico, ambicioso, corrupto, vil y artero, terminara siendo uno de los mas celebres de toda su produccion; ya que, en su insaciable avidez por el poder, resulta intemporal, eterno. Pero no son solo su maldad ilimitada y su codicia las responsables de que el protagonista de esta obra haya trascendido tan largamente; tambien debemos prestar atencion al uso que hace de la palabra, a sus largos parlamentos, en los que medita sobre el poder y sobre la mentira, sobre la politica y los sacrificios que esta implica.El rey Juan relata el conflicto de sucesion que tuvo lugar en Inglaterra luego de que el rey Ricardo Corazon de Leon muriera en 1199 sin dejar una descendencia legitima. Como su hermano Godofredo tambien habia fallecido, era a su pequeño hijo Arturo a quien correspondia la corona. Sin embargo, y aprovechando la juventud del heredero, el hermano menor de Ricardo I, Juan, reclamo el trono para si y desato con su coronacion la guerra y los conflictos que Shakespeare ficciona con magistral mano en la obra que presenta este libro. El rey Juan I de Inglaterra, que paso a la historia como Juan sin Tierra, dada su escasa aceptacion como monarca, ocupara el trono hasta 1216, año en el que lo sucedera su hijo Enrique III, de tan solo nueve años de edad. Shakespeare situa la accion de la obra en 1206, cuando el joven aspirante al trono, Arturo, tenia dieciseis años.Hamlet, principe de Dinamarca. Se cree que la inspiracion historica y documental para su obra, Shakespeare la obtiene de un texto escrito por un historiador del siglo XII llamado Saxo Grammaticus. Alli se relata la historia de Hammlet, un principe danes marcado por la desventura. En esta obra, Shakespeare despliega lo mejor de sus habilidades como dramaturgo, presentandonos constantes cambios de ritmo, de intensidad dramatica y hasta intromisiones humoristicas. Ademas, la pieza consigue adentrarse hasta lo mas profundo de la naturaleza humana. Hamlet, ademas de ser uno de los personajes mas celebres de la cultura occidental, se ha convertido en un arquetipo, el del hombre aquejado por sus dilemas, por sus contradicciones, el del hombre puesto entre el deber y el deseo, entre la venganza y el perdon, entre la trabajosa e inclemente tarea de pensar y la necesaria y por momentos dolorosa esfera de la accion.El rey Lear. Se presume que fue un rey anterior a la fundacion de Roma, aproximadamente del siglo VIII a. C. Pese a que la historia aparece en varias culturas distintas, siempre con pequeñas pero sustanciales variantes, es posible que Shakespeare la haya recibido de la obra de Godofredo de Monmouth (el clerigo e historiador encargado de darle forma a muchas de las historias del ciclo arturico), Historia Regum Britanniae. La obra tiene lugar en un contexto britanico, pero plenamente celtico, casi mitico, y aborda tematicas de suma importancia, no solo del ambito individual (como la vejez y la locura), sino tambien del social (el poder, los lazos filiales y fraternales). Shakespeare articula dos historias que funcionan paralelamente, la del rey Lear y sus hijas, algunas ingratas, otra tratada injustamente; y la de Gloucester, su hijo legitimo y su hijo natural, una historia de traicion y venganza. En ambas historias el comun denominador es el dolor de los padres, la tristeza de la vejez y la demencia.

Friedrich Schillers "Wilhelm Tell" stands as a pivotal work in the German dramatic canon, merging the themes of individual freedom and political oppression against the backdrop of 14th-century Switzerland. Written in a neoclassical style, the play intricately weaves historical facts with bold characterizations, imbuing Tell with a heroism that resonates through the ages. Schiller employs a blend of poetic dialogue and powerful soliloquies to delve into moral dilemmas, punctuated by moments of tension and action that reflect the Sturm und Drang (Storm and Stress) movements influence on his work, elevating both the narrative and thematic depth of the play. Friedrich Schiller, a key figure in the German Enlightenment, was greatly influenced by the socio-political climate of his time, particularly the struggle for personal and collective liberty. Born in 1759, Schillers early exposure to tyranny and his later intellectual pursuits in philosophy and history shaped his vision of a society bound by moral principles rather than despotism. His commitment to the ideals of human dignity and freedom arguably finds its most compelling expression in "Wilhelm Tell," where the titular hero epitomizes the spirit of resistance. SchillerAos "Wilhelm Tell" is highly recommended for those interested in the intersection of art and political philosophy. It serves not only as a gripping narrative of rebellion and justice but also as a call to reflect on the sacrifices inherent in the pursuit of liberty. This timeless masterpiece is essential reading for anyone who appreciates the profound impact of literature on human rights and social change.

We can do better cant we?Having both been deeply scarred by their own parents separations, Joe and Anne never imagined theyd find themselves, years later, in the same position. Determined to place the interests of their son Alistair at the centre of their lives apart, they split with the firm objective of maintaining amicable relations at all costs.But a sudden change in circumstance triggers a chain of events that pushes their best intentions to the limit Before they know it, they are both teetering dangerously close to the edge of an abyss.Kellie Smiths play Wilderness is a searing exploration of unconditional love and of the personal sacrifices it demands. It premiered at Hampstead Theatre Downstairs, London, in March 2019.

Nell and Oscar meet on a beach in Dorset. Its 1595 or maybe 1610. Oscar has returned from university and Nell is doing fuck-all. They will meet here, again and again, on this beach for the next four hundred years. Stuff will change. As it does with time. They will try to keep up.A kaleidoscopic exploration of cultural progress, Marek Horns play Wild Swimming is an interrogation of gender and privilege, and a wilfully ignorant history of English Literature.The play premiered at the 2019 Edinburgh Festival Fringe, produced by FullRogue in association with Pleasance Futures and Bristol Old Vic Ferment, and directed by Julia Head. It subsequently transferred to the Bristol Old Vic, and toured the UK in 2020.

A play exploring the impact of colonialism through a meeting between Frederick Douglass, the escaped slave and abolitionist who visited Ireland in the 1840s, and a young Irishwoman hoping to emigrate to the country hes running from.Deirdre Kinahans short play Wild Notes was first staged by Solas Nua in Washington D.C. in 2018.

Franks got the interview; its his big break. He just has to convince two formidable women from the corporation and hell have his chance to get back to Russia. But somehow, history is working against them all.Wild East premiered at the Royal Court Theatre, London, in February 2005.

A darkly comic play that explores the unexpected, bewildering, and life-changing consequences of challenging the status quo at a global level.Last week, Andrew was that guy with his girl lunching in KFC, discussing apartments and making plans for the future. Today hes in Moscow, in an undisclosed hotel room, on the run and at risk of assassination.Last week, a nobody. This week, Americas Most Wanted: a man who humiliated his country with one touch of a button.Mike Bartletts Wild premiered at Hampstead Theatre, London, in June 2016, in a production directed by James Macdonald.

- And your husband forgave you. But what did you do? Decided that forgiveness was offensive and walked out on your marriage. With nothing. Into nothing.- Into everything, I think. Its 1959. Robert leaves Ibsens A Dolls House outraged by its attack on the sanctity of marriage; his wife Daisy dashes round to the stage door, in love with both Nora and the actress who plays her, thrilled by their promise of escape. Daisy is at the crossroads. Her moral compass tells her to go one way, society the other. What she chooses to do next will have consequences not just for her and Robert, but for four couples who come after them over ninety years.The truth is we have to give up parts of ourselves if we want to be with someone. And what if, before you know this, you run away from the wrong person? Samuel Adamsons Wife premiered at the Kiln Theatre, London, in May 2019.