TEOREMA VOL. XXXI/3. FILOSOFIA DE LA MUSICA

Filosofía de la Música/Philosophy of Music Director invitado/Guest Editor: Julián Marrades Millet J.Marrades Millet, Una perspectiva sobre la filosofía de la música/ A View on the Philosophy of Music V. Guerreiro, Thinking Clearly About Music J. W. Lango, Why Can Sounds Be Structured as Music? A. Schiavio, Constituting the Musical Object: A Neurophenomenological Perspective on Musical Research S. Davies, Authentic Performances of Musical Works J. Neufeld, Critical Performances A. Bertinetto, Paganini Does Not Repeat. Musical Improvisation and the Type/Token Ontology J. Levinson, Musical Beauty S. E. Eckerson, Contrarianism in the Philosophy of Music and the Role of the Idea in Musical Hermeneutics and Performance Interpretation E. Negretto, Expectation and Anticipation As Key Elements for the Constitution of Meaning in Music D. Quesada, Musical Experience M. J. Alcaraz, Music’s Moral Character C.Moreno, Los oídos prestados y el apeiron sonoro. Notas para una filosofía de la música J. Garrison, The Social Value of Ritual and Music in Classical Chinese Thought Notas críticas/Critical Notices J. Acero y N. Villanueva, Arte, música y emoción (Jerrold Levinson, Music, Art and Metaphysics) R. Guijarro Lasheras, En busca del concepto musical: tres criterios clave y una cuestión de misterio (Theodore Gracky y Andrew Kania, The Routledge Companion to Philosophy and Music)