Alan Bennett, página 2 de 4

"The Uncommon Reader" is none other than HM the Queen who drifts accidentally into reading when her corgis stray into a mobile library parked at Buckingham Palace. She reads widely ( JR Ackerley, Jean Genet, Ivy Compton Burnett and the classics) and intelligently. Her reading naturally changes her world view and her relationship with people like the oleaginous prime minister and his repellent advisers. She comes to question the prescribed order of the world and loses patience with much that she has to do. In short, her reading is subversive. The consequence is, of course, surprising, mildly shocking and very funny.

Given the opportunity to revisit the characters from Talking Heads I've added a couple more, both of them ordinary women whom life takes by surprise. They just about end up on top and go on, but without quite knowing how. Still, they're in good company, and at least they've made it into print.'Alan Bennett's twelve Talking Heads are acknowledged masterworks by one of our most highly acclaimed writers. Some thirty years after the original six, Bennett has written Two Besides, a pair of monologues. Each, in its way, is a devastating portrait of grief. In An Ordinary Woman, a mother suffers the inevitable consequences when she makes life intolerable for herself and her family by falling for her own flesh and blood; while The Shrine tells the story behind a makeshift roadside shrine, introducing us to Lorna, bearing witness in her high-vis jacket, the bereft partner of a dedicated biker with a surprising private life.

Si sus célebres perros hubieran respondido a su llamada, la reina no habría descubierto el vehículo de la biblioteca móvil del ayuntamiento aparcado junto a las puertas de las cocinas del palacio. Y no habria conocido a Norman, el pinche de cocina que estaba leyendo un libro de Cecil Beaton e iba a constituirse en su asesor literario. Pero la reina decide llevarse un libro. ¿Y que puede interesar a alguien cuyo unico oficio es mostrarse interesada? Porque una reina nunca debe ser interesante, ni tener otros intereses que los de sus subditos. Y jamas habla de sus gustos, solo pregunta por los de ellos. Isabel II de Inglaterra halla en la biblioteca el libro de una escritora que conoce, Ivy Compton-Burnett. Tiempo atras le habia concedido un titulo nobiliario menor. Y de Compton-Burnett a Proust, y de Proust a Genet, solo median algunos libros. Asi, azarosamente, ella, que hasta entonces solo habia sido una reina, una pura entelequia, descubrira el vertigo de la lectura, del ser, del placer.Alan Bennett, que desde 1960 se pasea de la television al teatro, del cine a los libros, de la alta a la baja cultura, continua, para deleite de sus lectores, saltandose todos los limites con esta miniatura exquisita, mordiente y divertida.Alan Bennett imagina en esta encantadora nouvelle lo que podria ocurrir si la soberana de Inglaterra fuera presa de repente de una intensa, devoradora pasion por los libros. Y lo que en otras manos podria resultar un ejercicio forzado, o un irrespetuoso y frivolo delito de lesa majestad, aqui es una comedia deliciosa, y una poderosa reflexion sobre el poder, y el poder de la letra impresa... Los admiradores de sus obras teatrales, de sus ensayos y sus diarios, saben que Bennett es uno de los mas sutiles y elegantes escritores de nuestra epoca (Michael Dirda, The Washington Post).Tan grande es el encanto de este libro, que podriamos facilmente tomarlo por un amable jeu desprit; una de esas agudas, melancolicas fabulas realistas que Bennett urde con inmensa maestria. Pero es mas que eso. Bajo su atractivo mas inmediato, bulle una salvaje indignacion, digna de Jonathan Swift, contra la estupidez, el filisteismo y la arrogancia del poder, y una apasionada defensa del poder civilizador del arte (Jane Shilling, The Times).Bennett es el equivalente literario de un caricaturista genial. Se apropia de todos los topicos sobre la reina y los hace encajar en el universo bennettiano. Y uno nunca puede olvidar su feroz inteligencia, su divertido interes por lo trivial (Sam Leith, The Spectator).Un cuento de hadas cautivador, delicioso y muy divertido. Una aguda meditacion acerca del subversivo placer de la lectura (Michiko Kakutani, The New York Times).

Funny, touching and real, this second collection of Alan Bennetts classic work for television from the late 1970s and early 1980s is full of fine observations of life as it is lived. Often imitated but never equalled, Bennetts work is a masterclass in how to write for the small screen and gives as much enjoyment in the reading as it did in the viewing. The television plays included in this volume are Our Winnie, All Day on the Sands, One Fine Day, Marks, Say Something Happened, Rolling Home and Intensive Care. This volume also contains a new general introduction by Alan Bennett. A companion volume of Alan Bennetts work from the 1970s is published as Me, Im Afraid of Virginia Woolf.

This second volume of plays by Alan Bennett includes his two Kafka plays, one an hilarious comedy, the other a profound and searching drama. Also included is An Englishman Abroad and A Question of Attribution. The fascination of these two plays lies in the way they question our accepted notions of treachery and, in different ways, make a sympathetic case for Guy Burgess and Anthony Blunt.

'I seem to have banged on this year rather more than usual. I make no apology for that, nor am I nervous that it will it make a jot of difference. I shall still be thought to be kindly, cosy and essentially harmless. I am in the pigeon-hole marked 'no threat' and did I stab Judi Dench with a pitchfork I should still be a teddy bear.' Alan Bennett's third collection of prose Keeping On Keeping On follows in the footsteps of the phenomenally successful Writing Home and Untold Stories, each published ten years apart. This latest collection contains Bennett's peerless diaries 2005 to 2015, reflecting on a decade that saw four premieres at the National Theatre (The Habit of Art, People, Hymn and Cocktail Sticks), a West End double-bill transfer, and the films of The History Boys and The Lady in the Van. There's a provocative sermon on private education given before the University at King's College Chapel, Cambridge, and 'Baffled at a Bookcase' offers a passionate defence of the public library. The book includes Denmark Hill, a darkly comic radio play set in suburban south London, as well as Bennett's reflections on a quarter of a century's collaboration with Nicholas Hytner. This is an engaging, humane, sharp, funny and unforgettable record of life according to the inimitable Alan Bennett.

An unruly bunch of bright, funny sixth-form boys in pursuit of sex, sport and a place at university. A maverick English teacher at odds with the young and shrewd supply teacher. A headmaster obsessed with results; a history teacher who thinks hes a fool. In Alan Bennetts new play, staff room rivalry and the anarchy of adolescence provoke insistent questions about history and how you teach it; about education and its purpose.The History Boys premiered at the National in May 2004.Nothing could diminish the incendiary achievement of this subtle, deep-wrought and immensely funny play about the value and meaning of education .. In short, a superb, life-enhancing play.Guardian

The Talking Heads monologues are widely regarded as one of Alan Bennetts finest dramatic achievements. First broadcast on BBC TV and BBC Radio 4 in the 1980s and 1990s, they won a host of awards and huge popular acclaim, and remain among his most admired works today.This collection includes all twelve Talking Heads, plus the precursor of that series, A Woman of No Importance. Beautifully crafted and full of compassion and wry observation, each tale is ripe with the quirky, insightful detail that has become Bennett's trademark. The monologues are:A Woman of No Importance (Patricia Routledge); A Chip in the Sugar (Alan Bennett); A Lady of Letters (Patricia Routledge); Bed Among the Lentils (Anna Massey); Soldiering On (Stephanie Cole); Her Big Chance (Julie Walters); A Cream Cracker Under the Settee (ThoraHird); Miss Fozzard Finds Her Feet (Patricia Routledge); The Hand of God (Eileen Atkins); Playing Sandwiches (David Haig); The Outside Dog (Julie Walters); Nights in the Gardens of Spain (Penelope Wilton) and Waiting for the Telegram (Thora Hird).

THE SUNDAY TIMES BESTSELLER'Sparklingly sardonic ... There really is no one like Bennett' Independent'Filled with elegiac memories and literary gossip ... a major National Treasure' Lynn Barber4 March. HMQ pictured in the paper at an investiture wearing gloves, presumably as a precaution against Coronavirus. But not just gloves; these are almost gauntlets. I hope they're not the thin end of a precautionary wedge lest Her Majesty end up swathed in protective get-up such as is worn at the average crime scene.20 March. With Rupert now working from home my life is much easier, as I get regular cups of tea and a lovely hot lunch.

Adapted by the author from his autobiographical memoir, The Lady in the Van tells the story of Miss Mary Shepherd, whom Alan Bennett first came across when she was living in the street near his home in Camden Town. Taking refuge with her van in his garden originally for three months, she ended up staying fifteen years. Funny, touching and unexpectedly spectacular, The Lady in the Van marked the return to the stage of one of our leading playwrights.The Lady in the Van with Maggie Smith opened at the Queens Theatre, London, in December 1999.

No hay nada más mundano que un buen funeral. Y todavía más si se trata de conmemorar a un difunto que, literalmente, ha tenido en sus brazos a la crème de la crème ?de ambos sexos? de Londres. Entonc