George Bernard Shaw

Recien convertida al catolicismo por una misionera, una atractiva joven negra sale a la selva africana en busca de Dios, armada exclusivamente con un ejemplar de la Biblia y una cachiporra. George Bernard Shaw escandalizo a la sociedad de su epoca con esta mordaz critica de las religiones que enseguida logro records de venta, lo que provoco la prohibicion de su entrada en numerosas bibliotecas publicas. Ninguna supersticion se libra de los fuertes cachiporrazos de la nueva conversa, a la que horrorizan los dioses del Antiguo Testamento, los del Nuevo, el del Coran o el de la Ciencia. Todos le resultan rancios, mezquinos e intolerantes, ninguno se libra de las ingenuas preguntas, en un apostolado en favor del feminismo, el libre pensamiento politico y la libertad religiosa. Esta nueva traduccion de Susana Carral incluye las xilografias realizadas por John Farleigh para la primera edicion del libro, publicada en 1932.

Esta comedia retrata y se burla de la épica de lo bélico, los conceptos de masculinidad y feminidad, y las justificaciones y demostraciones de la diferencia de clases. Combinando personajes simples e inteligentes, llenos de contradicciones y cambios de registros, en el marco de una guerra, todo comienza con la huida de un soldado que , intentando salvar su vida, se refugia entrando por la ventana en el dormitorio de Rania, hija del Mayor Petkoff y prometida con el galan Sergio.

Santa y heroína francesa, Juana de Arco fue quemada en la hoguera a los 19 años por herejía y brujería tras su participación decisiva en la Guerra de los Cien Años, que enfrentó a Francia e Inglaterra, guiada por voces de origen divino que escucho desde muy joven.Revolucionando el teatro de su epoca y rehuyendo con ironia el drama historico tradicional, George Bernard Shaw reconstruye en Santa Juana, su obra cumbre, las hazañas de una mujer rebelde, visionaria y esencialmente humana.Esta edicion recoge el prefacio integro que el autor escribio para la publicacion original.

In "The Millionairess," George Bernard Shaw masterfully blends sharp wit, social critique, and character-driven dialogue to explore the complexities of wealth, gender, and relationships in early 20th-century society. The play centers on Epifania Ognisanti di Parerga, a wealthy heiress who thinks that her fortune grants her the power to manipulate those around her, particularly in her quest for love. Shaws use of engaging theatrical dialogue, rich with irony and humor, invites the audience to ponder the deeper implications of economic disparity and personal autonomy while situating the narrative within the broader context of modernist literature and early feminist discourse. George Bernard Shaw, an icon of English theatre and a crucial figure in the playwrights movement, often drew inspiration from his strong socialist beliefs and his engagement with social reform. His experiences with the Edwardian middle class and its prevailing social mores informed his critique of societal norms, making "The Millionairess" a pivotal commentary on the eras attitudes toward gender roles and economic power. This play is recommended for readers interested in a thought-provoking examination of wealths impact on human relationships. Shaws blend of incisive humor and philosophical inquiry ensures "The Millionairess" remains a compelling and relevant exploration of class and desire for contemporary audiences.

George Bernard Shaws The Complete Works is a monumental compilation that encapsulates the breadth of his creative genius, spanning plays, essays, and letters. The collection is marked by Shaws distinctive wit and incisive social critique, reflecting the Victorian and Edwardian eras. His writing style blends sharp dialogue with profound philosophical inquiries, often challenging societal norms and contemplating the themes of class, gender, and morality through his characters. This anthology not only serves as a testament to Shaws theatrical innovations, such as his use of realistic dialogue and satire, but also situates his works within the larger context of modernist literature. Born in 1856 in Dublin, Shaws upbringing in a tumultuous socio-political environment profoundly influenced his worldview. His experiences in the Fabian Society honed his beliefs in socialism and reform, which later permeated his writing, particularly in plays like Pygmalion and Saint Joan. This collection showcases the evolution of his thought, revealing how Shaw aimed to provoke, challenge, and inspire dialogue among readers and audiences alike. The Complete Works is an essential volume for scholars, theater enthusiasts, and anyone interested in the complexities of human nature and societal structures. Shaws compelling narratives and sharp-edged humor ensure that readers will find both entertainment and enlightenment, making this collection a vital addition to any literary library.

Don Juan is more than just an infamous womaniser. For he has been the Don Juan of Bryons epic poem, the Don Giovanni of Mozarts opera and the main man in the play The Trickster of Seville and the Stone Guest. George Bernard Shaw added to Don Juans many identities with his play Man and Superman, which is a four-act play based on the Don Juan theme.It features John Tanner, an eloquent anarchist who is one of two men named in Mr. Whitefields will to care for his daughter Ann. The other, wealthy old Roebuck Ramsden, is rejected as guardian by Ann in favour of Tanner. The "political firebrand and confirmed bachelor" is not keen at all: he fears the guardianship will interfere with his commitment to anarchy.But when the two minds collide, the results are unexpected. While Ann gently leads Tanner to rethink his revolutionary ideas, the determined singleton finds himself falling for Ann, despite his close friend wanting to marry her.Will the rebel lose his cause? And who will prevail in the romance race? Man and Superman is perfect for fans of the play Private Lives by Oscar Wilde and Endgame by Samuel Beckett.

Tr.: Siegfried Trabitsch Language: German