George Bernard Shaw, página 4 de 10

The Devils Disciple is a play by George Bernard Shaw, an Irish playwright who became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.The Devils Disciple is Shaws eighth play, and it was his first financial success, which helped to affirm his career as a playwright. Set in Colonial America during the Revolutionary era, the play tells the story of Richard Dudgeon, a local outcast and self-proclaimed "Devils disciple". In a twist characteristic of Shaws love of paradox, Dudgeon sacrifices himself in a Christ-like gesture despite his professed Infernal allegiance.

Overruled is a play by George Bernard Shaw, an Irish playwright who became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.Overruled is a comic one-act play written by George Bernard Shaw. In Shaws words, it is about "how polygamy occurs among quite ordinary people innocent of all unconventional views concerning it." The play concerns two couples who desire to switch partners, but are prevented from doing so by various considerations and end up negotiating an ambiguous set of relationships.

Pygmalion is a play by George Bernard Shaw, an Irish playwright who became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.Pygmalion is a play by George Bernard Shaw, named after the Greek mythological figure. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era British playwrights.

Passion, Poison, and Petrifaction is a play by George Bernard Shaw, an Irish playwright who became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.Passion, Poison, and Petrifaction is a short play by Bernard Shaw. It is a comic mock-melodrama, written to raise funds for charity.Late at night, Phyllis, the maid, is combing the hair of her employer, Lady Magnesia FitzTollemache. Phyllis expresses foreboding and the fear that she will never see her beloved mistress again. Magnesia retires to sleep, serenaded by a heavenly choir singing "Wont You Come Home Bill Bailey". A murderous figure enters, brandishing a dagger. Before he can stab Magnesia she wakes, and recognises her husband.

Tr.: Siegfried Trabisch Language: German

In Arms and the Man, George Bernard Shaw masterfully subverts the conventional romanticism of war through sharp wit and engaging dialogue. Set against the backdrop of the Balkan Wars, Shaws play critiques the absurdity of heroism and the delusions surrounding military valor. The characters navigate the complex interplay of class and love, all while exposing the grim realities of battle contrasted with the naive glorification of warfare. Shaw employs a blend of comedy and earnest social commentary, encapsulating the growing disillusionment with war prevalent at the turn of the 20th century, a period marked by tumultuous political upheaval and shifting societal norms. Shaw, an ardent critic of societal failings, was profoundly influenced by his experiences in poverty, his socialist ideals, and the broader implications of conflict. As a contemporary of the Fabian Society, he utilized his platform to challenge prevailing narratives and inspire debate. His commitment to social reform and humanism is vividly reflected in the play, as he artfully dismantles romantic depictions of war and heroism, inviting audiences to reconsider their beliefs about conflict and nationalism. Arms and the Man is not merely a comedy but a thought-provoking exploration of the intricate dynamics of war and its true nature. Ideal for readers interested in sharp, satirical literature that challenges societal norms, Shaws work remains a timeless critique that resonates powerfully in todays context, making it an essential read for any lover of drama or socio-political commentary.

As estrelas, pálidas e inexpressivas algumas horas antes, nem sequer eram lembranças nas mentes atarantadas que se esforçavam para se amontoar debaixo da marquise do teatro, tentando fugir, de qualquer maneira, da violencia barulhenta da chuva que martelava a fachada. Covent Garden desaparecia de tempos em tempos sob o forte aguaceiro, enquanto a multido se acotovelava e disputava os poucos taxis que passavam cada vez mais raramente pelas ruas proximas.

The Complete Works of George Bernard Shaw is an extensive compendium that captures the wit, satire, and depth of one of the foremost playwrights and social critics of the early 20th century. Spanning multiple genres, including plays, essays, and letters, Shaws extensive oeuvre illuminates the societal issues of his time with a keenly observant eye. His innovative blend of humor and serious social commentary creates a uniquely engaging literary style, marked by sharp dialogue and layered characters, reflecting the complexities of human behavior and societal norms. Shaws works, including classics such as Pygmalion and Saint Joan, are set against the backdrop of the Victorian and Edwardian eras, wherein he challenged the conventions of morality, gender, and class structure, making his contributions pivotal in literary history. George Bernard Shaw, born in 1856 in Dublin, was not only a playwright but a keen political activist, which greatly influenced his writing. His deep engagement with socialism, as a founding member of the Fabian Society, shaped his advocacy for social reform and education. Shaws background in music, journalism, and criticism contributed to his unique voice, whereby he skillfully blended entertainment with moral inquiry, compelling audiences to reconsider their perspectives on society and human interaction. This comprehensive collection is a must-read for scholars and casual readers alike, as it invites a deeper understanding of Shaws profound influence on modern drama and his insightful critiques of contemporary society. Whether one seeks entertainment, intellectual stimulation, or both, the Complete Works offers an enduring testament to Shaws unparalleled mastery and relevance in todayAos cultural discourse.

In "The Millionairess," George Bernard Shaw masterfully blends sharp wit, social critique, and character-driven dialogue to explore the complexities of wealth, gender, and relationships in early 20th-century society. The play centers on Epifania Ognisanti di Parerga, a wealthy heiress who thinks that her fortune grants her the power to manipulate those around her, particularly in her quest for love. Shaws use of engaging theatrical dialogue, rich with irony and humor, invites the audience to ponder the deeper implications of economic disparity and personal autonomy while situating the narrative within the broader context of modernist literature and early feminist discourse. George Bernard Shaw, an icon of English theatre and a crucial figure in the playwrights movement, often drew inspiration from his strong socialist beliefs and his engagement with social reform. His experiences with the Edwardian middle class and its prevailing social mores informed his critique of societal norms, making "The Millionairess" a pivotal commentary on the eras attitudes toward gender roles and economic power. This play is recommended for readers interested in a thought-provoking examination of wealths impact on human relationships. Shaws blend of incisive humor and philosophical inquiry ensures "The Millionairess" remains a compelling and relevant exploration of class and desire for contemporary audiences.