Philip Roth, página 4 de 15

Estamos em 1998, ano em que a América é lançada num furor libidinoso pelo processo de impugnação de um presidente e numa pequena cidade de Nova Inglaterra decorre o último ano da vida de Coleman Silk, um professor compulsivamente reformado, aviltado e viúvo e cujo trágico desmascaramento se desenrola contra o pano de fundo das revelações sobre Clinton.

When the renowned aviation hero and rabid isolationist Charles A.Lindbergh defeated Franklin Roosevelt by a landslide inthe1940 presidential election, fear invaded every Jewish household in America.Not only had Lindbergh publicly blamed the Jews for pushing America towards a pointless war with Nazi Germany, but, upon taking office as the 33rd president of the United States, he negotiated a cordial understanding with Adolf Hitler. What then followed in America is thehistorical setting for this startling new novel by Pulitzer-prize winner Philip Roth, who recounts what it was like for his Newark family during the menacing years of the Lindbergh presidency, when American citizens who happened to be Jews had every reason to expect the worst.

En plena caza de brujas, durante la era McCarth, Iron Rinn -cavador de zanjas primero, actor radiofónico más tarde- ve cómo tras participar en la Segunda Guerra Mundial, comprometido en la lucha por un mundo mejor, termina en la lista negra, desempleado y perseguido por el fanatismos ideológico.

When the renowned aviation hero and rabid isolationist Charles A. Lindbergh defeated Franklin Roosevelt by a landslide inthe1940 presidential election, fear invaded every Jewish household in America. Not only had Lindbergh publicly blamed the Jews for pushing America towards a pointless war with Nazi Germany, but, upon taking office as the 33rd president of the United States, he negotiated a cordial 'understanding' with Adolf Hitler. What then followed in America is the historical setting for this startling new novel by Pulitzer-prize winner Philip Roth, who recounts what it was like for his Newark family during the menacing years of the Lindbergh presidency, when American citizens who happened to be Jews had every reason to expect the worst.

Avec ce roman, Philip Roth poursuit sa méditation sur la vieillesse, la mort et la sexualité - seule capable de rendre à l'être vieillissant un semblant de vigueur. Simon Axler est l'un des acteurs les plus connus et les plus brillants de sa génération : une gloire célébrée jusque dans les provinces reculées. Il a maintenant 65 ans, il a perdu son talent, son assurance, la magie qui, tel Prospero, dans La Tempête, le faisait vivre. Axler n'arrive plus à croire en ses rôles, en lui-même, en la vie qui s'en va. Il se regarde être un acteur, un mauvais acteur de surcroît. Ce sentiment d'extériorité le mène à la dépression ; sa femme le quitte, son public aussi, et son agent, un vieillard de 80 ans, ne peut plus rien pour lui, pas même le convaincre de retourner en scène. Obsédé par le suicide, Axler entre à l'hôpital psychiatrique, ce qui accroît son impression d'échec et d'humiliation. Mais Axler va rencontrer - coup de théâtre - une jeune lesbienne, Pegee, qui pourrait être sa fille (il a été très proche de ses parents, acteurs eux aussi, mais acteurs ratés) ; elle va lui inspirer une passion érotique et, ainsi, le ramener à la vie, au sexe, le seul remède. Cependant, loin d'avoir transformé Pegee comme il le croyait, loin d'avoir été son Pygmalion et de l'avoir comblée, Axler s'est nourri d'illusions, creusant ainsi son propre malheur. Car Pegee, l'amoureuse des femmes, reste surtout fidèle à un père possessif. Un roman fort et intense, surprenant, audacieux - comme tout ce qu'écrit Roth.

»Philip Roth auf der Höhe seiner Kunst!« FRANKFURTER ALLGEMEINE ZEITUNG Während des Koreakriegs nimmt der fleißige, gehorsame und gefühlstiefe Marcus Messner aus Newark ein Studium in einem ländlichen, konservativen College in Ohio auf - auf Wunsch seines Vaters, den die Angst vor den Gefahren des modernen Erwachsenenlebens für seinen geliebten Sohn schier wahnsinnig macht. Fern von daheim muss Marcus sich in einem anderen, fremden Amerika zurechtfinden. »Zwei Jahre, 200 Seiten, das ist kurz, aber da ist alles drin.« FRANKFURTER RUNDSCHAU

Philip Roth's twenty-seventh book takes its title from an anonymous fifteenth-century English allegorical play whose drama centres on the summoning of the living to death and whose hero, "Everyman", is intended to be the personification of mankind. The fate of Roth's Everyman is traced from his first shocking confrontation with death on the idyllic beaches of his childhood summers and during his hospitalisation as a nine-year-old surgical patient through the crises of health that come close to killing him as a vigorous adult, and into his old age, when he is undone by the death and deterioration of his contemporaries and relentlessly stalked by his own menacing physical woes. A successful commercial advertising artist with a New York ad agency, he is the father of two sons who despise him and a daughter who adores him, the beloved brother of a good man whose physical well-being comes to arouse his bitter envy, and the lonely ex-husband of three very different women with whom he's made a mess of marriage. "Everyman" is a painful human story of the regret and loss and stoicism of a man who becomes what he does not want to be. The terrain of this savagely sad short novel is the human body, and its subject is the common experience that terrifies us all.

Novel·la directa i plena de passió, anàlisi colpidora alhora dels sentiments de dependencia i de llibertat, L'animal moribund es una historia de revelació sexual viscuda i explicada per un home de se