Stendhal, página 6 de 21

La Certosa di Parma e certamente uno dei romanzi storici piu famosi e celebrati di sempre. Composta in poco piu di un mese, lopera si presenta divisa in due libri e narra la vita travagliata di Fabrizio Del Dongo, giovane nobile milanese e sorta di alter ego di Stendhal. Il giovane, animato da un antico spirito cavalleresco, vuole ad ogni costo arruolarsi nellesercito francese e combattere per Napoleone. Finira per essere spettatore dellepica battaglia di Waterloo. Varie vicissitudini (amori, uccisioni) lo condurranno a Parma e alla famosa cittadella, dove verra imprigionato. Il testo ha lindubbio merito di descrivere in maniera lucida e coinvolgente la fine dellancien regime, spazzato via dalla rivoluzione francese, e linizio di una nuova epoca.Marie-Henri Beyle, piu conosciuto con lo pseudonimo di Stendhal, nasce a Grenoble il 23 gennaio 1783. Amante dellarte, della storia, ammiratore di Napoleone, resta uno dei massimi scrittori europei dellOttocento e quello che forse ha saputo descrivere meglio leta della Restaurazione. Tra le sue opere piu importanti non si puo mancare di citare Il rosso e il nero, pubblicato nel 1830. Muore a Parigi il 23 marzo 1842

Stendhals second great novel, "The Charterhouse of Parma", was first published in Paris in 1839 and had to wait more than fifty years before appearing in an English translation in 1895. Like "The Red and the Black", its vivid characterizations, intriguing plot, and ironical style immediately confirmed its status as one of the major achievements of the nineteenth century novel.Almost ten years separate the original publication of "The Charterhouse of Parma" from "The Red and the Black". The interval did not, however, produce a change in Stendhals fictional themes or methods. Once again, the protagonist is a young man, and the environment in which he comes face to face with the world and his situation and destiny in it is one of political intrigue. Again, the protagonists fate seems to be decided by his emotional nature, and the expression of that nature is subject to ruinous social manipulation. The larger backdrop to the novels plot is the Napoleonic era. Yet it is used to illuminate the character of the protagonist, Fabrizzio del Dongo, and to prepare the reader for the struggle for autonomy and individuality that Fabrizzio must undergo."The Charterhouse of Parma" tells the story of a young Italian, Fabrizio del Dongo, who dreams of a great and glorious military career. He initially joins Napoleons army, but after the French defeat at the Battle of Waterloo, he returns to Italy and embarks on an ecclesiastical career, before being imprisoned for killing a man during a fight and falling in love with the daughter of the prison governor."The Charterhouse of Parma" is a key example of the realist novel, and was admired by writers including Honore de Balzac, Leo Tolstoy and Henry James. In particular, Stendhals vivid description of the Battle of Waterloo has been widely praised.

"Rojo y negro" es una novela psicológica histórica la cual fue editada en dos volúmenes por su autor Stendhal y publicada en 1830. Narra los intentos de un joven provincial para crecer socialmente más alla de su educacion modesta a traves de una combinacion de talento, trabajo duro, engaño e hipocresia. Finalmente permite que sus pasiones lo traicionen.En esta obra Stendhal represento a un joven, modelo de las ambiciones y frustraciones de la epoca, haciendo ver los problemas que se daban entre las distintas clases emergentes en los años que precedieron a Luis Felipe de Orleans."Rojo y negro" es considerada una de las obras maestras que la literatura francesa produjo en el siglo XIX.Resumen:El seminarista Julian Sorel, hijo de un modesto carpintero, joven, ambicioso y de alma apasionada, entra como preceptor de los hijos del señor De Renal, alcalde de la poblacion de Verrieres, logrando seducir a su esposa.A causa de una denuncia hecha por un criado, es despedido.Despues de una corta estancia en el seminario es nombrado secretario y, poco despues, confidente del marques de La Mole.Tambien aqui seduce a la hija de su protector, la altanera Matilde. La boda esta a punto de efectuarse.Es entonces cuando llega una carta de la señora De Renal en la que lo acusa de infamia.Sorel cegado por la ira, habiendo perdido la posibilidad de ser aceptado en la familia La Mole, se dirige a buscar a la señora De Ronal...

"The Red and the Black" is a novel by Stendhal published in French in 1830 as "Le Rouge et le noir". It is generally considered the authors major work and one of the greatest 19th-century novels."The Red and the Black" is a fictional depiction of French society in the 1820s, two decades after the French Revolution and its ensuing Terror. The plot was based on Stendhals personal experiences, on legal documents, and on historical accounts. Specifically, the story was prompted by a real-life case reported in a French newspaper over four days in late December, 1827. The story concerned Antoine Berthier, a twenty-five-year-old tutor and former theological student who a few months before had murdered a woman whose children he had tutored; the murder took place in a church during Mass. This case was the seed for Stendhals novel.Stendhal portrays a society fraught with materialism and hypocrisy at all levels. The peasants know how to ingratiate themselves with the rural bourgeoisie in order to profit; the bourgeoisie are in constant competition to outdo each other in status, as is the Parisian aristocracy. Even the Catholic Church is not exempt from this materialism and hypocrisy. Stendhals protagonist, Julien Sorel, is a young peasant who is ill suited to work in his fathers sawmill in the provincial town of Verrieres. Julien is an opportunist intent on rising in society. He hates his peasant class and his status as a member of that class; he idolizes Napoleon, but Napoleonic France is dead, and rather than get ahead through the military (the red), Julien recognizes the Church (the black) as the means of rising beyond his station. Having learned Latin from the Abbe Chelan, he finds first opportunity when Abbe Chelan recommends him as a tutor for the children of the Renals...

Roman publié en 1839 par un Stendhal qui a déja eu le «choc italien» près de 40 ans auparavant, "L’abbesse de Castro" s’inscrit dans ses «chroniques italiennes» dans lesquelles il s’attache à nous fa

Lamore impossibile, durato dodici anni e conclusosi con la morte, tra Elena Campireali, dillustre casata, e Giulio Branciforti, brigante e figlio di brigante, sullo sfondo della selvaggia campagna romana, nella prima meta del Cinquecento. Pubblicato a Parigi nel 1839, La Badessa di Castro di Stendhal - capolavoro del romanzo breve - e considerato dalla critica la prova generale della Certosa di Parma.E forse tempo di rivedere la storia dei Castelli Romani secondo un nuovo filone - diverso da quello consueto dellaraldica guerriera dei casati o del folklore e delle lodi per i vini locali - nel sinistro ricordo delle lame dei coltelli estratti a tradimento che Stendhal ci racconta. Lo scrittore trova antropologicamente connaturato allindole italiana questo alternarsi di bellezza e crudelta, di arte universale e bassi intrighi di potere, di tiranni senza scrupoli o briganti amati dal popolo e Michelangelo, Giorgione, Leonardo e Raffaello. Uno sguardo allItalia del 500 che forse puo dar lumi sul modo di essere degli Italiani odierni.(Versione integrale)Per fruire al meglio di questo Audio-eBook da leggere e ascoltare in sincronia leggi la pagina daiuto a questo link:https://help.streetlib.com/hc/it/articles/211787685-Come-leggere-gli-audio-ebook

Una de las grandes obras de la literatura universal.La cartuja de Parma narra la historia de Fabricio del Dongo durante los últimos años del dominio napoleónico en Europa. Su tía Gina, la fascinante duquesa de Sanseverino, y el amante de esta, el primer ministro del ducado, urden un plan para promocionar la carrera del adorado sobrino en la corte de Parma. Gina es objeto de las proposiciones del detestable principe Ranuccio, al que se ha jurado rechazar con todas sus fuerzas. Fabricio es arrestado por homicidio y encerrado en la torre Farnese. A partir de ahi, las aventuras de Fabricio estaran siempre rodeadas por la amenaza de la muerte y el acecho de un amor inesperado

Novela total, pues así puede llamarse a la novela que reúne en sus páginas novela romántica, de aventuras, histórica y de capa y espada, La Cartuja de Parma entra sin duda en la categoría de las grandes obras de ayer, de hoy y de siempre. Las aventuras, amores y peripecias que el autor teje alrededor de las parejas formadas por el romantico y aventurero Fabricio del Dongo y Clelia Conti, por un lado, y por el habil y maquiavelico conde Mosca y la encantadora duquesa Sanseverina, por otro, dan espacio al lector para sumirse en una corriente de accion y de amores que dejara sin duda huella duradera en su memoria.

El texto que contiene este volumen forma parte de la obra de Stendhal Roma, Nápoles y Florencia, publicada originalmente en 1817 y nos muestra en pocas páginas el Stendhal viajero, que vivió en Italia durante siete años. Se nos muestra aqui su manera de ver es pais que tanto amo.

In "The Chartreuse of Parma," Stendhal intricately weaves the life of Fabrizio del Dongo, tracing his journey through the turbulent landscape of 19th-century Italy, amidst the backdrop of political upheaval following the Napoleonic Wars. The novels literary style is notable for its psychological depth, vivid characterizations, and nuanced portrayal of societal contradictions. Stendhals masterful use of irony and rich, reflective prose contributes to a narrative that transcends mere historical storytelling, delving into the complexities of ambition, love, and personal transformation within a changing world. Stendhal, born Marie-Henri Beyle, was heavily influenced by his experiences in the Napoleonic army and his profound interest in art and culture. His experiences in Italy, particularly his exposure to its art and political shifts, inform the evocative landscapes and richly drawn characters in this seminal work. The authors own existential struggles and fascination with the human psyche resonate profoundly throughout the narrative, revealing a unique blend of romanticism and realism that defines his oeuvre. This novel is a compelling exploration of ambition and identity, making it a must-read for those interested in the intersection of personal and political narratives. Stendhals incisive insights and brilliant storytelling render "The Chartreuse of Parma" not only a captivating tale but also a critical commentary on the nature of human aspiration, recommending it highly to lovers of classic literature.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- An Author Biography reveals milestones in the authors life, illuminating the personal insights behind the text.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

Rossini's popularity in Italy in the early 1820s was certainly not echoed in France where he was regarded as 'an ill-bred parvenu, whose cheap popularity was an insult to a great musical tradition' and thus Stendhal, always an obstinate individualist, was the first of his contemporaries to recognise the genius of this important Italian composer. Stendhal's introduction to this book sets the musical climate in perspective with a history of the interregnum between the death of Cimarosa and the coming of Rossini.Details of Rossini's early life are followed by penetrating discussions in the operas, libretti, personalities of the period, and on Rossini's own character - indeed a whole chapter is devoted to his wild sense of humour. No book of its period better captures the atmosphere of opera-going during the birth-period of Romantic music. Besides being a fascinating and penetrating account of this popular Italian composer's most creative years and of contemporary musical events and opinions, this work is one of the finest items in the Stendhalian literary canon. Richard Coe's eloquent translation (revised for the second edition) and careful annotations do full justice to the incandescent strength of this great French writer's prose style.