Libros de Cerámica y porcelana, página 5 de 49

Looks at the work of three artists who paved the way for ceramics to be considered fine art. This title focuses on artists John Mason (b 1927), Kenneth Price (b 1935), and Peter Voulkos (1924-2002) and their radical early work in post-war Los Angeles where they formed the vanguard of a new California ceramics movement.

The Japanese Pottery Handbook, first published by Kodansha in 1979, has become a classic, beloved by anyone interested in pottery for its practical, step-by-step approach, and homespun charm. Now, thirty-five years since its publication, authors Penny Simpson and Lucy Kitto have refreshed their work, expanding and adding to the material, re-designing the pages, and re-drawing many of the delightful illustrations. The book has a cleaner, more modern look, yet retains the simple, friendly, and distinctively Japanese sensibility of the original. In addition to the new layout and drawings, the authors have tweaked the text and expanded several sections (including the discussion of underglazing and overglazing, and the Tea Ceremony and its utensils). There's also a new page showing different types of brushes; and the Information chapter has been updated to include websites and recent books. The book is a manual to the way pots are made in Japan, their forms, and their decorations. The authors give a thorough account of both traditional and modern techniques and also describe in detail tools, materials, glazes, and the setup of workshops and kilns. Lucy Kiitto's sprightly drawings infuse each page with life and clarity. Pottery terms and expressions are listed with their Japanese equivalents, and the new edition keeps the bi-lingual text, making it easier for the exchange of ideas between foreign students studying in Japan and Japanese potters.

Naked Raku and Related Bare Clay Techniques

Brewing beer has a long tradition with the Zulus, the largest ethnic group of South Africa. The beverage was traditionally prepared by women at home in ornate ceramic vessels specially made for this purpose. This book aims to present the rich palette of styles of these vessels in all their beauty and to save them from being forgotten.The colorful history of the Zulus since the early nineteenth century, including the violent racial segregation in recent years, accompanied a golden age of traditional arts and crafts that served as both a bestower of identity and provided a link to their ancestry.In the Zulu-speaking region there is a wealth of forms and decorative elements that is unprecedented in the ceramic of South Africa. This current publication documents this influence of colonial politics and of the subsequent apartheid laws on style and prevalence of the popular beer vessels.

The human figure has been represented in clay throughout history and continues to evolve today. Artists are working with the figure in new ways, playing with materials and forms, and making use of new technologies to produce challenging and unconventional work, from the intact whole figure to the fragmented, hybrid and abstract. Ceramics and the Human Figure profiles an international range of ceramic artists, all practicing within the fields of installation and sculpture. Divided by broad themes, each chapter explores a variety of different expressive works. The book explores the role of figurative ceramics through history and in contemporary contexts. It also reveals the methods of six key artists, using how-to images to illustrate their techniques. For artists, collectors, and anyone interested in these themes, Ceramics and the Human Figure is an exciting survey of the state of the figure in clay today.

This book looks at decorative tiles manufactured in Germany, Austria, Hungary and Bohemia/Moravia/Czechoslovakia in the years between 1895 and 1935. These ceramic tiles, used primarily on walls, floors, and stoves, but also furniture, trays and more, were an affordable decor element that made art accessible to many. They would also turn out to be some of the best examples of the Jugendstil and Secession movements in design: Both were variations of international art nouveau and rejected the conservative aesthetics of mainstream art. In Part I of the book, the author places these movements within the context of art history, then explores the history of the tiles. In Part II, a broad look is taken at arts and crafts and art nouveau tiles, including influences from other Western and Central European nations. With almost 600 color photos of tiles, this book will appeal to art historians, decorative arts aficionados, and anyone who appreciates beautiful, inspirational design.