Libros de Arte contemporáneo, página 4 de 166

What is contemporary art? What makes it `contemporary'? What is it for? And why is it so expensive? The contemporary art world can be a baffling place, but Kyung An and Jessica Cerasi are on hand to bring you up to speed. From museums and the art market to biennales and the next big thing, Who's Afraid of Contemporary Art? offers concise and pointed insights into today's art scene, examining how artists are propelled to stardom, explaining what curators do, challenging our understanding of artistic skill, demystifying the art market, and much, much more. In this easy-to-navigate A to Z guide, the authors' playful explanations draw on key artworks, artists and events from around the globe, including how the lights going on and off won the Turner Prize, what makes the likes of Marina Abramoviae and Ai Weiwei such great artists, and why Kanye West would trade his Grammys to be one. Packed with behind-the-scenes information and completely free of jargon, Who's Afraid of Contemporary Art? is the perfect gallery companion and the go-to guide for when the next big thing leaves you stumped.

For her retrospective show at the CAC M¡laga, Whiteread introduced a completely new work a large installation of doll''s houses. This work is featured along with some forty others, including twenty-five sculptures, twelve photographic series and two silkscreen series. Featuring full page, rich colour reproductions of both works and details, this excellent catalogue also includes an essay, along with an enlightening A conversation between David Batchelor and the artist.

Because performance is by its very nature ephemeral, it elicits a desire for what is lost more than any other form of art making. But what is the nature of that desire, and on what models has it been structured? How has it affected the ways in which the history of performance art gets told?In What the Body Cost, Jane Blocker revisits key works in performance art by Carolee Schneemann, Vito Acconci, Hannah Wilke, Yves Klein, Ana Mendieta, and others to challenge earlier critiques that characterize performance, or body art, as a purely revolutionary art form and fail to recognize its reactionary-and sometimes damaging-effects. The scholarship to date on performance art has not, she finds, gone far enough in locating the body at the center of the performance, nor has it acknowledged the psychic, emotional, or social costs exacted on that body.Drawing on the work of critical theorists such as Roland Barthes and Catherine Belsey, as well as queer theory and feminism, What the Body Cost reads against patriarchal and heteronormative tendencies in art history while providing a corrective to the established view that performance art is necessarily transgressive. Instead, Blocker suggests that the historiography of performance art is a postmodern lovers' discourse in which practitioners, historians, and critics alike fervently seek the body while doubting it can ever be found.Jane Blocker is assistant professor of art history at the University of Minnesota and author of Where Is Ana Mendieta? Identity, Performativity, and Exile (1999).

What is modern art? Why do we either love it or loathe it? And why is it worth so much damn money? Join Will Gompertz on a dazzling tour that will change the way you look at modern art forever. From Monet's water lilies to Van Gogh's sunflowers, from Warhol's soup cans to Hirst's pickled shark, hear the stories behind the masterpieces, meet the artists as they really were, and discover the real point of modern art. You will learn: not all conceptual art is bollocks; Picasso is king (but Cezanne is better); Pollock is no drip; Dali painted with his moustache; a urinal changed the course of art, why your five year-old really couldn't do it.

What about the Art? Contemporary Art from China es el reflejo editorial de la exposición de mismo nombre organizada por Qatar Museums que tuvo lugar el pasado año en la galería Al Riwaq en Doha. Cai Guo-Qiang reflexiona sobre el proceso creativo a parti

Weather Report presents an analysis of climate change by 19 international artists. Many pieces were specially created for this project. This collection disavows the spectacular, superficial trends of 21st century large scale installations in favor of digital support and photography.

Long-time art critic Richard Dorment reveals the corruption and lies of the art world and its mystifying authentication process.Late one afternoon in the winter of 2003 art critic Richard Dorment answered a telephone call from a stranger. The caller was Joe Simon, an American film producer and art collector. He was ringing at the suggestion of David Hockney, his neighbour in Malibu. A committee of experts called the Andy Warhol Art Authentication Board had declared the two Warhols in his collection to be fake. He wanted to know why and thought Dorment could help.

Brands and branding are the most significant contributions that commerce has ever made to popular culture. But branding has now moved so far beyond its commercial origins that consumer response has entered uncharted territory. Wally Olins sets out the ground rules for branding success in the 21st century, explaining why understanding the links between business, brand and consumer has never been more vital for commercial success. It will be an essential purchase for everyone in advertising, marketing and business who needs to understand why the most successful brands in the world triumph by ...