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📱 eBook en inglés THE WELL OF LONELINESS & CARMILLA

Enriched edition. Classic Lesbian Novels

GOOD PRESS - 8596547784982

Novela contemporánea Narrativa española

Sinopsis de THE WELL OF LONELINESS & CARMILLA

In The Well of Loneliness & Carmilla, readers are invited to explore the intricate dance between identity and society through a seamless blend of Gothic suspense and introspective narrative. The anthology juxtaposes tales of forbidden love and societal marginalization, capturing the struggles and passions of those who live on the fringes. Among the haunting spectrums of Le Fanus Gothic setting or Halls penetrating exploration of personal anguish, stand unforgettable narratives that dare to question the norms of Victorian and Edwardian contexts. Each story, distinct in style yet unified in underlying disquiet, offers a rich tapestry of thematic exploration, from haunting isolation to the tumultuous journey toward self-acceptance. Contributors Radclyffe Hall and Sheridan Le Fanu are formidable voices in literature, each bringing a unique perspective that challenges societal norms and provokes thoughtful reflection. Their backgrounds in early modernist and Victorian literature respectively, afford readers a window into the challenges and ideologies that shaped their narratives. This collection expertly ties together historical movements of gender and Gothic fiction, tracing a lineage of literary defiance and emotional complexity. The synthesis of Halls poignant narrative depth with Le Fanus masterful atmospheric creation makes this anthology a compelling exploration of transformative narratives. This anthology is a must-read for those seeking to immerse themselves in profound literary exploration of identity, separation, and belonging. Wrapped in the allure of Gothic and modernist storytelling, it offers insights far beyond the traditional scope of genre. It represents an educational treasure trove, illustrating how disparate voices can coalesce to illuminate universal themes. As readers delve into these tales, they are met with the challenge of reflecting on their own societal constructs, inviting continuous dialogue long after the final pages are turned.
In this enriched edition, we have carefully created added value for your reading experience:
- An Introduction draws the threads together, discussing why these diverse authors and texts belong in one collection.
- Historical Context explores the cultural and intellectual currents that shaped these works, offering insight into the shared (or contrasting) eras that influenced each writer.
- A combined Synopsis (Selection) briefly outlines the key plots or arguments of the included pieces, helping readers grasp the anthologys overall scope without giving away essential twists.
- A collective Analysis highlights common themes, stylistic variations, and significant crossovers in tone and technique, tying together writers from different backgrounds.
- Reflection questions encourage readers to compare the different voices and perspectives within the collection, fostering a richer understanding of the overarching conversation.

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Ficha técnica


Editorial: Good Press

ISBN: 8596547784982

Idioma: Inglés

Fecha de lanzamiento: 21/12/2023

Especificaciones del producto


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Escrito por RADCLYFFE HALL y Sheridan Le Fanu


Sheridan Le Fanu
Destacado representante de la fructífera escuela irlandesa de literatura fantástica, Joseph Sheridan Le Fanu nació en Dublín en 1814 y estudió en el elitista Trinity College al igual que otros autores ilustres como Charles Maturin, creador del inmortal «Melmoth el errabundo», o Bram Stoker, padre del mito de Drácula. Le Fanu repartió su actividad entre el periodismo –llegó a dirigir el Dublin University Magazine– y la creación literaria.
Entre 1845 y 1873 publicó catorce novelas históricas y de misterio, y un buen número de relatos fantásticos, entre los que destaca “Carmilla”, probablemente la más lograda historia de vampiros jamás escrita. «El tío Silas» (1864), considerada por muchos como la mejor novela de misterio de la era victoriana –y la primera en la que se presenta un “caso de habitación cerrada” de toda la literatura inglesa–, es una narración en primera persona llena de intrigas y magistrales efectos atmosféricos al estilo de Ann Radclife o Wilkie Collins.
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