Preventa de eBooks de Bellas Artes y Aplicadas

A cien años de su nacimiento, celebra el inigualable legado de «la Reina de la Salsa».En los años sesenta, Celia Cruz emprendió una nueva vida lejos de su Cuba natal, el lugar donde brilló por primer

The events of your life, from local walks to exotic trips, can provide endless inspiration for textile art. This inspiring book shows you how to record your experiences, using sketchbooks, journals and photography, to create personal narratives that can form a starting point for more finished stitched-textile pieces.Acclaimed textile artist and teacher Cas Holmes, whose work is often inspired by her life and the journeys she makes, helps you find inspiration through your own life and explains how to record what you see in sketchbooks and journals, which can often become beautiful objects in themselves. She explains how you can use photography, both as documentation and as inspiration, and sometimes incorporate it into the work itself, along with found objects and ephemera.Throughout the book are useful techniques that can be harnessed to add extra interest to your work, such as methods for making layered collages, how to sketch with stitch, and advice on design and colour. If you want to create beautiful, unique work inspired by your life and travels, this is the perfect book for you.

One of the attractions of painting outdoors is the challenge of capturing the spirit of a place changing light, weather and transient conditions demand particular painting skills if they are to be interpreted effectively. Leading painter David Curtis works on location, in all weathers, observing and capturing the subtle effects of light and mood. Oil paint is as good for painting on site as it is for large-scale painting in the studio; it is remarkably responsive; can be applied in many different ways; and it allows time to assess and modify work in progress. In this fascinating book, David Curtis shows how he achieves such expressive and original results using drawings, paintings and stage-by-stage examples. He gives detailed explanations of his two main working methods for plein-air paintings and for studio compositions as well as plenty of helpful guidance and advice on choosing materials, exploring techniques, selecting ideas, composition, colour and tone and associated topics. Drawing skills and interpreting the qualities of light are other key issues that he deals with, while his wonderfully evocative landscapes, coastal scenes, interiors and figure compositions provide much inspiration.

Harness the beauty of the natural world to create unique textile art pieces.Learn how to create beautiful textile art inspired by details in nature in this practical and inspirational guide. Acclaimed textile artist Marian Jazmik shows how to use unusual recycled and repurposed materials combined with traditional fabric and thread.Marian reveals the secrets of her lushly textured and sculptural embroidered pieces, from initial photograph to finished object. Exploring nature as a constant source of inspiration, she shows how to turn a chance spotting of lichen on a tree trunk or a scattering of autumn leaves into glorious textile or mixed-media art. Marian goes on to explore the myriad of techniques she uses in her work, including: How to begin with photography, homing in on details in nature. How to manipulate images to create microscopic and surprising detail. How to translate the images into 3-D work, using an eclectic mix of natural and man-made textiles, as well as unusual recycled materials otherwise be destined for landfill (packaging, plastics and household DIY products). Hand and machine embroidery. Dyeing, printing and painting. Using heat gun and soldering iron to create heavily textured surfaces. Packed with practical tips, inspiration and illustrated throughout with glorious examples of Marians work, this book will provide you with endless imaginative ideas for distilling the wonders of nature into your own textile art.

The hugely accomplished textile artist Jean Draper gives an invaluable guide to designing and working with pattern in textile art. Jean goes back to basics with simple dots and lines, demonstrating how even basic squares, circles and triangles can have a stunning impact in stitch and textiles. She provides practical and simple instructions for developing and experimenting with pattern, using grids, symmetry, rotation and repeats. Jean draws inspiration from patterns around the world, from West African Kente Cloth to the Gees Bend quilts of Alabama. There are instructions on creating bands and borders, strip patchwork and strip piecing, plus an extended study of Banjara stitched textiles. Natural patterns from plants and flowers also offer exciting opportunities for stitch, and Jean explores important design emblems such a the Tree of Life alongside other stitched flower forms. Finally, the ornamentation of the body provides many unique and striking ways to interpret the human form in stitch. Pattern is everywhere and can be used to stunning effect, taking your textile art to the next level. This fascinating and exciting guide brings together inspiration, design methods and stitching techniques to help you develop truly great textile art.

Where is Charles Simonds? Throughout the 1970s, his diminutive Dwellings, tiny architectural ruins of an imaginary civilization, could be found throughout the crumbling infrastructure of downtown New York. Preoccupied with the relationship between the grown and the built, the archaeological and the urban, Simonds shared friendship and ideas with Gordon Matta-Clark and Robert Smithson. Like Lucy Lippard, with whom he lived during that decade, Simonds believed in combining art and activism, always preferring what he called the "real world" to the art world. Yet despite taking part in many of the seminal exhibitions and art events of 1970s New York, Simonds has left few traces on art history. In order to explain Simondss absence while simultaneously arguing for his central place within it, Jules Pelta Feldman reconsiders the decades self-conception, finding that Simonds exemplifies much of what has been ignored in 1970s artand much of what establishes it as a unique period of experimentation and possibility.

Where is Charles Simonds? Throughout the 1970s, his diminutive Dwellings, tiny architectural ruins of an imaginary civilization, could be found throughout the crumbling infrastructure of downtown New York. Preoccupied with the relationship between the grown and the built, the archaeological and the urban, Simonds shared friendship and ideas with Gordon Matta-Clark and Robert Smithson. Like Lucy Lippard, with whom he lived during that decade, Simonds believed in combining art and activism, always preferring what he called the "real world" to the art world. Yet despite taking part in many of the seminal exhibitions and art events of 1970s New York, Simonds has left few traces on art history. In order to explain Simondss absence while simultaneously arguing for his central place within it, Jules Pelta Feldman reconsiders the decades self-conception, finding that Simonds exemplifies much of what has been ignored in 1970s artand much of what establishes it as a unique period of experimentation and possibility.

Stopgap Measures presents an exciting selection of essays, interviews and shorter pieces on the work of American artist Mike Kelley (19542012) written over more than three decades by the noted art historian and cultural critic John C. Welchman. Kelleys provocative career gave rise to some of the most conceptually and materially diverse work of recent times in performance, writing, painting, drawing, sculpture, banners, multimedia installation, appropriated objects and images and video, as well as numereous collaborations. This volume includes reflections on specific works, and features a signature series of pathbreaking essays on Kelleys innovations in photography and writing as well as explorations of major themes in his practice, research and thinking: physical comedy and verbal humor; memory; popular culture, dress-up and Americana; the uncanny; imaginative projection and dark fantasy; appropriation and giving; authorship and self-construction; and the artists littleremarked upon negotiation with the histories of and ideas about Asia. The book concludes with new essays on Kelleys engagement with animals and the nonhuman; and on the refrain disappearances that punctuate Kelleys career set in relation to specters of social catastrophe and nuclear annihilation.

Stopgap Measures presents an exciting selection of essays, interviews and shorter pieces on the work of American artist Mike Kelley (19542012) written over more than three decades by the noted art historian and cultural critic John C. Welchman. Kelleys provocative career gave rise to some of the most conceptually and materially diverse work of recent times in performance, writing, painting, drawing, sculpture, banners, multimedia installation, appropriated objects and images and video, as well as numereous collaborations. This volume includes reflections on specific works, and features a signature series of pathbreaking essays on Kelleys innovations in photography and writing as well as explorations of major themes in his practice, research and thinking: physical comedy and verbal humor; memory; popular culture, dress-up and Americana; the uncanny; imaginative projection and dark fantasy; appropriation and giving; authorship and self-construction; and the artists littleremarked upon negotiation with the histories of and ideas about Asia. The book concludes with new essays on Kelleys engagement with animals and the nonhuman; and on the refrain disappearances that punctuate Kelleys career set in relation to specters of social catastrophe and nuclear annihilation.

Na virada do século 21, a Globo é obrigada a se reinventar para não naufragar em um mercado sacudido pela revolução tecnológica e pelo impacto, sem precedentes, das redes sociais e das plataformas de

This practical guide demystifies and simplifies silkscreen printmaking, and shows how accessible it is from the home. Each chapter explains a technique with basic equipment and materials, and reveals its many creative possibilities. Alongside step-by-step instructions and bold finished examples, the book encourages experimentation without the need for expensive or complex machinery, showing how these exciting techniques can be tried successfully at home.

Over the past two decades, Lisa Oppenheim has developed a critically acclaimed practice that is deeply rooted in the field of photography while also constantly exploring its margins. She often focuses on the unexplored potential of the mediums artistic, technological, and sociopolitical histories. Combining material experimentation with archival research, Oppenheim transforms or, in her words, "reprocesses"images and ideas both recent and historical by employing creative mechanisms ranging from a host of photographic processes to other media such as textiles, film and video, and, most recently, sculpture. Published in conjunction with her exhibition Monsieur Steichen at MUDAM Luxembourg, this richly illustrated catalogue surveys Oppenheims works from the past dozen years, and includes new texts by Darsie Alexander, Christophe Gallois, Jacob Proctor, and Bettina Steinbrugge, as well as a conversation between Lisa Oppenheim and artist Liz Deschenes.Lisa Oppenheim (*1975, New York) lives and works in New York City and holds degrees from Brown University, Bard College, and the Rijksakademie van beeldende kunsten. She is represented by Tanya Bonakdar Gallery in New York and Los Angeles and The Approach in London.

Over the past two decades, Lisa Oppenheim has developed a critically acclaimed practice that is deeply rooted in the field of photography while also constantly exploring its margins. She often focuses on the unexplored potential of the mediums artistic, technological, and sociopolitical histories. Combining material experimentation with archival research, Oppenheim transforms or, in her words, "reprocesses"images and ideas both recent and historical by employing creative mechanisms ranging from a host of photographic processes to other media such as textiles, film and video, and, most recently, sculpture. Published in conjunction with her exhibition Monsieur Steichen at MUDAM Luxembourg, this richly illustrated catalogue surveys Oppenheims works from the past dozen years, and includes new texts by Darsie Alexander, Christophe Gallois, Jacob Proctor, and Bettina Steinbrugge, as well as a conversation between Lisa Oppenheim and artist Liz Deschenes.Lisa Oppenheim (*1975, New York) lives and works in New York City and holds degrees from Brown University, Bard College, and the Rijksakademie van beeldende kunsten. She is represented by Tanya Bonakdar Gallery in New York and Los Angeles and The Approach in London.

"This book is more than a fictionalized biography; it is a tribute. A fitting and necessary tribute, as there is a deep sense of admiration and respect for the greatness of the human, artistic and social values of Veios life and work. The stories told here by his daughters Julia and Katiuscia in such a truthful yet imaginative way show how a man with so many stories can transform himself. The world created by Veio and narrated by his daughters in this book is a world worth living in, a truly rewarding existence, a love story that blends reality and illusion."

"Este livro é mais que uma biografia romanceada, ele é uma homenagem. Uma homenagem justa e necessária, pois há um sólido sentimento de admiração e respeito diante da grandeza dos valores humanos, ar

Using plant-based colour for printmaking is a rich and inspiring practice that opens up a fascinating world of colour independent from a reliance on synthetic inks and pastes. From Plant to Print encourages artists, printmakers and anyone fascinated in natural colour to embark on this compelling journey into making their work more sustainable. Packed with practical advice and some 300 images, the book splits recipes into sections, depending on which substrate will be used, and introduces techniques for printmakers on both paper and fabric. It explains procedures and processes in detail, conveying the intricacies, complications and unexpected joy inherent in adopting this intriguing practice.

On the planet Furaha, Gert van Dijk creates a biosphere on a new world along with its solar system. Evolution on Furaha found solutions to lifes problems that remained unused on Earth. There are in-depth accounts of habitats where marshland mixotrophs use bioluminescence to catch animals, where four-sided radial cloakfishes swim in tropical waters and where tetrapters flitter through the air, using radial flight. With over 180 stunning illustrations, this is a book that all fans of science fiction, biology and science will enjoy, and that will inspire artists to think beyond the limitations of our own planet.Major works on speculative biology are rare but Furaha is a welcome addition to the genre and gives a well-considered account of life on another planet, along with stunning illustrations. This is a must-read book, which I heartily recommend. ~ Dougal Dixon The father of speculative zoology

As the sympathetic restoration of historic buildings continues to grow in popularity, traditional plastering skills have never been more important. Whether youre a skilled tradesperson or an enthusiastic home improver, Plastering A Practical Guide to Traditional and Decorative Techniques is your comprehensive guide to the timeless craft of plasterwork.

After Kurt Cobains passing in 1994, everyone expected Evan Dando to be next. The Lemonheads frontman, songwriter and actor started in the 80s hardcore scene and went on to become a 90s icon. Think of Evan Dando, and you think of heroin chic, grunge and celebrity burnout. Perhaps known as much for his partying and boyish good looks, after two gold records and the kind of fame that you just cant enjoy anymore, The Lemonheads cooled off and life went on.Dando grew up in Boston, the son of a lawyer and a model, and attended the prestigious Commonwealth School. Fame was never what motivated him but the lure of the wild life proved trickier to refuse. From sneaking into concerts as a child, to sleeping on floors in the punk rock days, to crashing at Johnny Depps place in Hollywood, he was right there in the thick of it. So much so that social media once reported his death.Now, very much alive, sober, and enjoying a life in South America when hes not on the road, Evan Dando is going to tell his own story. His memoir will remind readers what was so great about the pre-internet 90s: the innocence, the access, and the anonymity. Reclaiming the purity and exuberance of his early days and encapsulating the spirit of the era, this candid autobiography presents a portrait of an artist who lives wholly for his music, and one that makes no apologies for doing so.