eBooks de Guiones cinematográficos, página 2 de 6

The Big Lebowski begins with a case of mistaken identity which escalates when Jeffrey Lebowski - alias The Dude - attempts to seek recompense for the despoilation of his ratty-ass little rug, and then finds himself entangled in a kidnapping caper as a bagman - a situation that goes from bad to worse due to the interference of his hapless bowling partners. In The Big Lebowski the Coen brothers have taken on the preoccupations of Raymond Chandler, but have given them a postmodern spin, while at the same time leaving Philip Marlowes ethos intact as The Dude wanders thorugh the fractured world of nineties LA trying to do the right thing. Like the award-winning Fargo, The Big Lebowski is suffused with a droll humour and a verbal felicity that is as delightful as it is startling.

Winner: Best Screenplay, Golden Globe Awards 2023. Winner: Best Screenplay, Venice Film Festival 2022.What is he, twelve? Why doesnt he want to be friends with you no more? 1923. As shots ring out from the warring mainland, on the island of Inisherin its the rift between old drinking pals Padraic and Colm that leads both men to ever more alarming action.

Death is always the issue-in life, and in the Western. Joel and Ethan Coens TheBalladofBusterScruggs is a movie of six Western stories. In each, our common destination is approached by a different road. Through each, diverse characters hurry for their final appointment: Oregon Trail-travelers, a gold prospector, a motley crew of stagecoach passengers, a high-plains drifting bank robber, even a singing cowboy. These six stories escort them with a care that either respects, or mocks, the dignity of all. The film stars Tom Waits, James Franco, Liam Neeson, Tim Bake Nelson and Zoe Kazan and is shot with the harsh grandeur of the classic John Ford westerns.

A clear, insightful and sensitive look at the work of script editors and screen writers - Hossein Amini: writer of Drive and writer and director of The Two Faces of JanuaryThe Art of Script Editing provides a comprehensive overview of this vital role, examining its responsibilities and functions during all stages of the development process, both in film and television. Detailing the nuts and bolts of the job, it looks at whats required and expected, how script editors assess a script, their approach to working with writers and producers, and their input during rewrites and pre-production, and up to a projects completion. It also examines the ways in which writers and producers can benefit from working with a professional script editor as they seek to refine and communicate their vision.The Art of Script Editing; A Practical Guide is a valuable resource for anyone developing a script no matter where they are in the process, for writers and producers interested in expanding their understanding of how a script is advanced, and for those pursuing a career in script development.

25% discount offer - use code CE25 at checkoutIf you decide to adapt a classic or much-loved book, your working maxim should be, How will it work best as a film? However faithful it is to the original, if its not interesting onscreen then youve failed. - William Boyd in Story and Character: Interviews with British ScreenwritersHollywood. Netflix. Amazon. BBC. Producers and audiences are hungrier than ever for stories, and a lot of those stories begin life as a book - but how exactly do you transfer a story from the page to the screen? Do adaptations use the same creative gears as original screenplays? Does a true story give a project more weight than a fictional one? Is it helpful to have the original authors input on the script? And how much pressure is the screenwriter under, knowing they wont be able to please everyone with the finished product?Alistair Owen puts all these questions and many more to some of the top names in screenwriting, including Hossein Amini (Drive), Jeremy Brock (The Last King of Scotland), Moira Buffini (Jane Eyre), Lucinda Coxon (The Danish Girl), Andrew Davies (War & Peace), Christopher Hampton (Atonement), David Hare (The Hours), Olivia Hetreed (Girl with a Pearl Earring), Nick Hornby (An Education), Deborah Moggach (Pride & Prejudice), David Nicholls (Patrick Melrose) and Sarah Phelps (And Then There Were None).Exploring fiction and nonfiction projects, contemporary and classic books, films and TV series, The Art of Screen Adaptation reveals the challenges and pleasures of reimagining stories for cinema and television, and provides a frank and fascinating masterclass with the writers who have done it - and have the awards and acclaim to show for it.

La mayoría de los manuales de guion son, en palabras del autor de este libro, «como los gritos constantes que el entrenador le pega al jugador infantil, y que más que situarlo mejor ante el desafío q

First there is an opportunity, then there is a betrayal. Twenty years have gone by. Much has changed but just as much remains the same. Mark Renton returns to the only place he can ever call home. They are waiting for him, of course: Spud, Sick Boy, and Frank Begbie. But they are not alone. Other old friends are waiting too: sorrow, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance. Mark Renton returns, to the chaos of life and death.

Estamos hechos de relatos y, hoy más que nunca, aprender a transmitirlos es la vía más efectiva para entusiasmar y atrapar la atención del público. Este libro reúne el talento de dos genios en el tema.Robert McKee es el guru del guionismo. Reconocidos dramaturgos, escritores y directores creativos entre ellos las mentes maestras detras de Breaking Bad, The Crown o El lobo de Wall Street han tomado el seminario de este autor del que se desprende El guion, la biblia para quien desee contar una gran anecdota con maestria.En Storynomics, McKee se une a Tom Gerace, experto en marketing digital, quien ha asesorado con exito a organizaciones como Samsung, Microsoft, Nike, IBM y Phillips. Basados en estrategias de storytelling y estudios de mercado, los autores crearon el concepto storynomics: el arte de vender a traves de contar una historia contundente.No importa si se trata de anuncios en redes, una publicacion periodistica o la campaña de algun producto, si eres un creador de contenido, la clave son las historias. McKee y Gerace trazan el camino para ir mas alla del rapido declive de la publicidad tradicional y su metodo ofrece resultados que superan el impacto de cualquier anuncio.¿Como se conectan las audiencias con los creadores de contenido hoy? Los autores tienen la respuesta.

Diferente de outros livros, Story é sobre forma, não fórmula. Empregando exemplos de mais de cem filmes, McKee usa uma filosofia que vai além das regras rígidas para identificar os elementos mais elu

A second book in the ROCLIFFE NOTES series, formed from the questions of newer filmmakers. This is a practical compendium for screenwriters and filmmakers in the form of notes and opinions. These provide a step-by-step, common-sense guide, with suggestions on how filmmakers package a film. The book covers everything you need to know to get a low-budget film made, from understanding budgeting and different types of finance, to casting, crewing, scheduling, production and festival strategy. This book explains how to turn your script into a film. It offers a unique insight by providing insider confidences, from established industry players to peers, on how you dont need permission to make films. A revelation for all would-be filmmakers, this is a guide to the nuts and bolts of making a film.

The Right Prospectus focuses on a middle-aged couple who attempt to inveigle their way into a public school as pupils. John Osborne was prompted to write the script by a dream in which he imagined himself to be back at school as an adult. It was first broadcast as a Play for Today on BBC1 in October 1970.Not merely the most distinguished original television play of the year, but one which will linger uneasily in my mind for years ahead.Daily Telegraph

RETALHOS DE SABEDORIA, O QUE A HUMANIDADE PRECISA SABER!

Script Readers play a crucial role in the film industry, often responsible for determining whether a script is even looked at by a producer or development executive; yet those accountable for reading can be on the first rung of the industry ladder and have had little or no training for the task. This user-friendly how-to guide written by one of the UKs leading script analysis specialists, lays bare the process of analysing film scripts. This is invaluable to anyone looking to work as a script reader, anyone who wants to work in development with writers, and for screenwriters themselves who are seeking guidance on how the industry might respond to their work. An essential reference tool, the book includes information on: How to write a brilliant script report Storytelling and screen genres Treatments and other short documents Writing clear and detailed analysis of the craft of storytelling for film Best practice in reading and reporting on scripts It also includes a full Resource Section listing useful print and online publications, organisations and associations.

Es una síntesis de las actividades básicas e imprescindibles para la realización de piezas audiovisuales documentales o de ficción.Abarca las tareas desde el proceso creativo de generación y tratamiento de la idea germen hasta las operaciones intelectuales y tecnicas de la post-produccion.Las tecnicas para la elaboracion de un guion a partir de un conflicto o intriga base, su estructura dramatica y su fase tecnica conforman la primera etapa de la produccion audiovisual que se despliega sinteticamente en esta publicacion.De la misma manera sucede con los aspectos vinculados a las particularidades del lenguaje audiovisual, su gramatica y sintaxis.Finalmente, se aborda el concepto de encuadre y sus aspectos semantico y morfologico conforman el eje central del texto porque de el se desprenden todos los procedimientos tecnicos y expresivos visuales y sonoros que conforman la etapa del rodaje.

Praha Loves Film é um roteiro de curta-metragem produzido por Célio Azevedo, em Praga, capital da República Tcheca, Europa Central. Originalmente criado em 2020. Tributo ao seu pai, também Célio Azev

1. spoiler (ou seria advertência?): definitivamente não é um filme de palhacinho 2. lição: seja sempre legal com as pessoas ! Boa noite, guerreiro pra ajudar Vá a dormir que os sonhos vêm Traz felici

In OPPENHEIMER Christopher Nolan has fashioned a story of discovery bathed in the light of a thousand suns - but one that is darkened by govrrnment surveillance and the travesty of a trial to which O

Em uma vibrante cidade à beira-mar, Sofia, uma talentosa fotógrafa de eventos, e Lucas, um charmoso e enigmático escritor, vivem uma história de amor tão intensa quanto misteriosa. Seus caminhos se c

Sara nunca acreditou em lendas folclóricas, mas tudo muda quando sua professora lhe dá um desafio: pesquisar sobre uma lenda típica da região para onde viajará. Durante as férias no Amazonas, buscand

Roteiro original de O agente secreto, filme de Kleber Mendonça Filho escolhido para representar o Brasil no Oscar, tem prefácio do cineasta e posfácio de Wagner Moura, além de imagens exclusivas do storyboard e das filmagens. Recife, governo Geisel. Um homem chega a capital pernambucana. No sabemos de onde ele vem ou qual e o seu nome. Aos poucos, descobrimos que se chama Marcelo e se hospedara na penso da adoravel Dona Sebastiana. O que vem a seguir descobriremos junto com Marcelo, que foi privado de escrever sua propria historia.Neste roteiro original do filme escolhido para representar nosso pais no Oscar 2025, Kleber Mendonça Filho diretor dos aclamados O som ao redor, Aquarius e Bacurau nos conduz por uma historia de espionagem e aço bem brasileira. Somos guiados por um Recife ao mesmo tempo carnavalesco e sombrio, uma Gotham City tropical onde o absurdo se confunde com o cotidiano. Sem um discurso grandiloquente, e nem por isso menos sofisticado, Kleber nos pergunta de que forma o que vivemos no passado ainda ecoa no presente.Quem acompanha Kleber desde seus curtas-metragens como Vinil verde, Eletrodomestica e Recife frio ou esta conhecendo agora o trabalho desse grande realizador, lera o roteiro como se participasse de seu processo de criaço, se deliciando com o storybard e com as rubricas. Os frames, alem das fotos de bastidores e das filmagens, que acompanham o roteiro, aproximam ainda mais o leitor do universo criado pelo cineasta.O livro reune, ainda, prefacio de Kleber e posfacio de Wagner Moura, que interpreta o protagonista. O projeto grafico foi assinado pelo premiado designer Gustavo Piqueira, da Casa Rex.Cotado pela revista Variety e pelo site The Hollywood Reporter como uma das grandes apostas do Oscar, O agente secreto estreou na Competiço Oficial do Festival de Cannes, recebendo os premios de Melhor Diretor, Melhor Ator (Wagner Moura), o Premio do Sindicato Frances da Critica de Cinema e o Premio da Associaço Francesa de Salas de Cinema Independente. "E um grande filme." Walter Salles"Juliette Binoche afirma que tentou o premio maior para O agente secreto em Cannes." Folha de S.Paulo"Um dos temas centrais do filme e a questo do que e lembrado e do que e esquecido, e Kleber Mendonça Filho, que cresceu em Recife, parece determinado em registrar, na pelicula, todos esses detalhes peculiares antes que eles sejam apagados para sempre." BBC"Mais do que truques, o roteiro escrito por Kleber Mendonça Filho parece adicionar camadas ao enredo, que brinca com mitos e verdade para sublinhar a ideia de que, ainda que esse filme seja uma ficço, ele fala de questes profundamente reais." Omelete