eBooks de Colecciones de arte, página 6 de 64

Léonard de Vinci a toujours été regardé comme le plus savant dans toutes les parties de la Peinture; cétoit le sentiment du célèbre Poussin, qui avoit si fort étudié les principes et les règles de so

Scopri il vibrante mondo dellarte attraverso gli occhi di Stefano Rezza. "Tra Sogni e Colori" racconta il suo straordinario percorso, da una passione innata alla professione di pittore. Rezza condivide con te le sue tecniche, le sfide affrontate e le preziose lezioni apprese lungo il cammino, offrendo uno sguardo autentico sulla vita di un artista. Esplora il potere dellarte come ponte tra le anime, la sua capacita di comunicare emozioni profonde e di ispirare connessioni umane. Un racconto che arricchira sia gli aspiranti artisti, desiderosi di scoprire i segreti del mestiere, sia gli amanti dellarte, curiosi di approfondire il processo creativo e la visione di un artista contemporaneo. Un viaggio tra colori, sogni e la bellezza che nasce dallespressione artistica.

Il lavoro propone un progetto didattico di Storia dellArte, basato sullanalisi comparata di opere del secondo Ottocento, in particolare relative al paesaggio tra Romanticismo e Realismo. Il progetto puo essere applicato con successo anche nella didattica attuale, per la quale puo essere uno spunto.

Henri de Toulouse-Lautrec was French painter, printmaker, draftsman and illustrator with enormous productivity - more than 1000 paintings, 5000 drawings, and 350 prints and posters. He suffered a debauchery and alcoholism and after mental and physical collapse died at the age of 37. His life has inspired numerous authors. His imaginary style is highly linear and gives huge accent to contour. He frequently applied the paint in long, thin brush strokes which would often leave much of the board on which they are painted showing through. Many of his works may best be described as drawings in colored paint. Although exhibitions of his paintings were not well received in his lifetime, Toulouse-Lautrec is nowadays one of the worlds most popular artists and is represented in most of the museums of Europe and the United States. He is sometimes classified as great Post-Impressionist along with Cezanne, Van Gogh and Gauguin.

Henri de Toulouse-Lautrec is best known as a chronicler of the nightlife of late 19th century Paris. He used to frequent the nightclubs and cafés of Montmartre, befriending the dancers and prostitutes, making countless sketches as they comb their hair or just lie in bed. Toulouse-Lautrec did not picture the world of the dancers and prostitutes from outside: he just lived in that world. From time to time he rented a room in a brothel, where he made drawings of the prostitutes and their clientele. With only a few pencil strokes Toulouse-Lautrec renders a mood and a character. The men in his drawings and posters are often caricatures of power with large protruding chins and noses and big fat faces. By contrast his women are drawn with much warmth and empathy.

Wir schreiben das Jahr 1903. Alles beginnt mit zwei Reisen. Die eine fuhrt ein junges ostjudisches Paar aus einem litauischen Ort bei Wilna nach Berlin, die andere Reise einen Taufling aus gutem Berliner Hause in eben diesen Ort als Ursprung seiner Vorfahren. Zwei Welten prallen aufeinander, die unterschiedlicher nicht sein konnten. Konservative, gemaigte und liberale Juden, Reformjuden, Tauflinge und Zionisten. Dazwischen ein paar Antisemiten und naturlich auch noch die Christen. Das Tohuwabohu ist angerichtet. Verwirrende Geschaftspraktiken, heillos zerstrittene Parteien vor Gericht, Falschnachrichten einer korrupten Presse und eine hinterhaltige Polizei fuhren zu einer Dramatik, die die Situation der Judenheit vor dem 1. Weltkrieg zeigt. Ein satter Roman mit viel Humor, Ironie, aber auch Tragik bis zum Mord! Nicht nur beste Unterhaltung, eine literarische Perle dazu.

Tiziano Vecelli, que nous appelons Titien, n’est pas seulement le maître le plus parfait de l’école vénitienne et le plus grand coloriste de l’Italie, mais encore un de ces génies universels qui ont

Ein Jahrzehnt Landleben wie eine Familie ihren Traum verwirklicht. Hahn und Huhner, Schafe, Ziegen, Pferde, Hund und Katz, alle hatten Platz!So manch einer traumt vom eigenen Hof. Dieses Buch gibt einen authentischen Einblick in das Leben einer Familie, die den Schritt gewagt hat. Mit wertvollen Ratschlagen zu Tierhaltung, Gartenarbeit und Rezepten, einschlielich Tipps zum Veganuary, ist es eine wahre Inspirationsquelle fur alle, die vom Leben auf dem Land traumen. Die Erzahlungen zeigen nicht nur die Freuden, sondern auch die Herausforderungen des Landlebens auf ehrlich und ungeschont. Ideal fur Selbstversorger, Tierfreunde und Naturliebhaber.

In this ebook, you will find the works of the artists who participated in the international virtual exhibition Timeless Art Expo 2024.Timeless celebrates the enduring essence of art, exploring how certain creations transcend time and cultural boundaries to remain relevant across generations. The concept of Timeless captures the idea that some works of art are not bound to their historical context but continue to speak to the human soul with universal power.The Artists in this edition:Adina Elena GhinaciBianca DuarteBlessing AdegboroDead BoyDino PuglisiEleonora HodutEmanuele Alfredo BiancoFabio AdaniFrancesca MazzagliaGeorgiana Nicol ViguGiampiero De SantisIrina GamarnikMarcos Enrique Hernandez FalconeMaria Antonietta LetiziaMaristella AngeliMassimiliano Bruno CalabresiPatrizia AlettaRaffaella FolleRiccardo MontalbanoSimone BlasiStela TonchevaViego Drobot?Viktoria ZaharovaArt Director: Stefano FioreRome/Italywww.makeartgallery.com

Thomas Eakins was an American realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken en masse, the portraits offer an overview of the intellectual life of Philadelphia in the late 19th and early 20th centuries; individually, they are incisive depictions of thinking persons. In addition, Eakins produced a number of large paintings which brought the portrait out of the drawing room and into the offices, streets, parks, rivers, arenas, and surgical amphitheaters of his city. Since his death, Eakins has been celebrated by American art historians as "the strongest, most profound realist in nineteenth- and early-twentieth-century American art".

Thomas Wilmer Dewing (1851 1938) was an American painter working at the turn of the 20th century. He was a founding member of the Ten American Painters and taught at the Art Students League of New York. The Art Museum at the Smithsonian Institution has a room dedicated to his works. Dewing is best known for his tonalist paintings, a genre of American art that was rooted in English Aestheticism. Dewings preferred vehicle of artistic expression is the refined, aristocratic female figure situated in a moody and dreamlike surrounding. Often seated playing instruments, writing letters, or simply communicating with one another, Dewings sensitively portrayed figures have a detachment from the viewer that keeps the spectator a remote witness to the scene rather than a participant. His works are in private collections and museums in the United States. At the Freer Gallery of the Smithsonian Institution, a room is devoted to Dewings paintings.

Thomas Cole (1801 - 1848) was an American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Coles Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism.

Thomas Cole was an American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Coles Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism. Cole was primarily a painter of landscapes, but he also painted allegorical works. Among Coles other famous works are the Oxbow (1836), the Notch of the White Mountains, Daniel Boone at His cabin at the Great Osage Lake, and Lake with Dead Trees (1825). He also painted The Garden of Eden (1828), with lavish detail of Adam and Eve living amid waterfalls, vivid plants, and deer.

Theodore Clement Steele (1847 1926) was an American Impressionist painter known for his Indiana landscapes. Steele was an innovator and leader in American Midwest painting and is considered to be the most important of Indianas Hoosier Group painters. In addition to painting, Steele contributed writings, public lectures, and hours of community service on art juries that selected entries for national and international exhibitions, most notably the Universal Exposition (1900) in Paris, France, and the Louisiana Purchase Exposition (1904) in Saint Louis, Missouri. He was also involved in organizing pioneering art associations, such as the Society of Western Artists.

Jean-Louis André Théodore Géricault (1791 – 1824) was an influential French painter and lithographer, known for The Raft of the Medusa and other paintings. Although he died young, he was one of the p

"The Young Rajah" showcases Rudolph Valentino in a captivating silent film role as Amos Judd, a young man raised in America who discovers his true identity as the heir to a far-off Indian kingdom. This film blends adventure, romance, and mysticism, presenting Valentino in a story of self-discovery, duty, and love. The narrative explores themes of destiny, cultural identity, and the clash between Eastern and Western values, with Valentinos performance offering a mix of sensitivity and strength. The films exotic settings, elaborate costumes, and Valentinos charismatic presence make "The Young Rajah" a unique and memorable entry in the silent film era, showcasing the stars versatility and the eras fascination with the exotic.

In a universe teeming with predatory life, this story examines a more realistic view of what advanced alien civilizations might truly look likeand how they might interact with us. At its core is the ongoing struggle between predators and prey: plant-eaters versus those who survive by consuming other beings. The story begins with Peter, a human man, meeting Sil-ard-tna-she, a rogue clone warrior and the galaxy s most wantednot for crimes, but for seeking her own freedom. Her relentless pursuit of independence puts her on a collision course with those hunting her, leading her to find Peterand ultimately, us. This opening introduces a vast galactic space opera, focusing initially on the early years of the IPT, the characters journeys, pivotal moments like the birth of Peter and Sil-ards daughter, the awakening of her battle AI, and Linda, Peter s trusted employee, who uncovers shocking truths about her boss and his mysterious new wife. It sets the stage for an epic adventure of rebellion, self-discovery, and the fight for independence.

"The Wonderful Chance" features Rudolph Valentino in a compelling silent drama that showcases his ability to navigate the dual worlds of crime and redemption. This film tells the story of a thief who seizes a serendipitous opportunity to turn his life around, highlighting themes of second chances and the transformative power of love and honesty. Valentinos dynamic performance as the troubled protagonist offers a glimpse into the depth and range of his acting capabilities, captivating audiences with his portrayal of complex emotional landscapes.

The following addresses, though spoken at different times, are intentionally connected in subject; their aim being to set one or two main principles of art in simple light before the general student, and to indicate their practical bearing on modern design. The law which it has been my effort chiefly to illustrate is the dependence of all noble design, in any kind, on the sculpture or painting of Organic Form.This is the vital law; lying at the root of all that I have ever tried to teach respecting architecture or any other art. It is also the law most generally disallowed.

The archologist whose business it is to bring to light by pick and spade the relics of bygone ages, is often accused of devoting his energies to work which is of no material profit to mankind at the present day. Archology is an unapplied science, and, apart from its connection with what is called culture, the critic is inclined to judge it as a pleasant and worthless amusement. There is nothing, the critic tells us, of pertinent value to be learned from the Past which will be of use to the ordinary person of the present time; and, though the archologist can offer acceptable information to the painter, to the theologian, to the philologist, and indeed to most of the followers of the arts and sciences, he has nothing to give to the ordinary layman.In some directions the imputation is unanswerable; and when the interests of modern times clash with those of the past, as, for example, in Egypt where a beneficial reservoir has destroyed the remains of early days, there can be no question that the recording of the threatened information and the minimising of the destruction, is all that the value of the archologists work entitles him to ask for. The critic, however, usually overlooks some of the chief reasons that archology can give for even this much consideration, reasons which constitute its modern usefulness; and I therefore propose to point out to him three or four of the many claims which it may make upon the attention of the layman.