eBooks de Historias de la música, página 3 de 130

Voces negras es un viaje sonoro por la compleja historia de África, una salvaje sinfonía de su profundidad musical, de la explotación y del expolio cultural sufrido durante siglos. Tania Safura Adam explora como la esclavitud, el colonialismo, el auge de la modernidad, las luchas por las independencias o el panafricanismo han moldeado y reconfigurado el imaginario sonoro del continente.Un viaje a traves de los ritmos y voces, de rebeldes y visionarios, que han dejado una huella indeleble en la trama de sus musicas populares. Esto no es un libro, sino un arma: la insurgencia sonora que sacude las cadenas de la historia, haciendo tambalear los cimientos del presente.

What choral conductor or soloist has not looked around for new ideas for warming up the voice? Here are 200 suggestions all at once!And these creative exercises do more than just warm up the voice: they help to relax the body, train the ear and develop an awareness of dynamics and rhythm."Klaus Heizmanns collection is a wonderful new resource of ideas and techniques: practical, varied, challenging, relaxing and stimulating. I am always looking for new ideas, as I like to use a different set of warm-ups at every rehearsal with my choirs, and I tend to choose specific exercises to suit the repertoire for the day. This collection gives us 200 excellent "tools-of-the-trade"; they are clearly labeled, intelligently set out, well-designed and extremely useful." (Simon Carrington, Director of Choral Activities, New England Conservatory since 2001; Director of Choral Activities, The University of Kansas 1994-2001; Founder and co-director of the Kings Singers 1968-1993)

Sempre nessas. Sempre. Os dois. Noel e Liam, Liam e Noel. Os irmãos Gallagher. Será que um dia isso vai parar? Essa briga por controle. Provavelmente não. Provavelmente nunca. Mas basta que a música

Poder vivir de aquello que nos gusta siempre ha sido uno de los deseos más anhelados por el hombre moderno, y no hay cosa más bella, para la mayoría de personas, que la música.Por eso, es muy común tener el deseo de que mediante su ejercicio, podamos llegar a cubrir nuestras necesidades diarias.Pero¿Como lo hago?Para vivir de la musica como interprete, no hace falta ser un virtuoso, pero si que es necesario tener claros ciertos aspectos, y unos conocimientos previos, sobre este ambito. Siguiendo las pautas de este libro puedes llegar a conseguir que, hacer musica, se convierta en tu modo de vida como parte de un proceso natural de crecimiento personal.Aqui encontraras una vision global de lo que deberia ser, y hacer, un musico hasta convertirse en profesional o para mantenerse en ello; desde el analisis de tu propia relacion con la musica, hasta el modo de diseñar tu propio repertorio, pasando por temas tan interesantes como: las diferentes casuisticas de grupos, actuaciones o personas que te puedes encontrar en la profesion. Tambien descubriras los aspectos psicologicos mas importantes a tener en cuenta durante el desarrollo de tu carrera musical, marketing como artista y como gestor, llevar tu contabilidad musical al milimetro, la utilizacion de la tecnologia, afrontar los grandes males del musico, o gestionar la competencia con los compañeros del sector.Estos y muchos mas son algunos de los aspectos sobre los cuales Josue Garcia pretende orientar a las personas que, como el, algun dia decidieron que les gustaria ser musico profesional y, por lo tanto, vivir de la musica.

Viver a música, significados expressivos na vida adulta! Este livro aborda as diferentes relações que os indivíduos têm com música. Na vida adulta, os caminhos percorridos são, às vezes, vestígios do

Viva o Rock é uma homenagem ao rock and roll. A obra aborda a história do mais eclético, aclamado e difundido estilo musical popular por meio de seus artistas, trajetórias e canções. Trata dos primór

Not just a brilliant virtuoso player but a revolutionary force, Pablo Casals fundamentally redefined the art of playing the cello with his innovative approach and technique. Recognised in his own time as a performer without equal, his influence continues to touch musicians all over the world to this day.Yet Casals was also a man who resolutely stood up for fairness and peace, using his international fame to protest against injustice and fascism, earning him the respect of world leaders from the President of the United States to the Secretary-General of the United Nations.Celebrating the 150th anniversary of his birth, Viva Casals! draws on his own words and the recollections of others to bring to life his wit, wisdom, idealism and faith in humanity. Edited by Julian Lloyd Webber, one of the most creative musicians of his generation, this is a vivid portrait of a rare genius.

Chico Saraiva olha para o Brasil, país de musicalidade original, tributária de suas raízes indígenas, africanas e europeias. Elege um instrumento símbolo da nossa música – o violão, em sua relação ín

Dicionário de acordes e batidas básicas para você criar bagagem e tocar suas músicas favoritas.

Se você ainda não sabe tocar, já toca ou é um profissional, este eBook é para você. Você terá informações completas em mais de 170 páginas sobre acordes, arpejos e escalas em todos os níveis.

"Un giorno di regno" ouverture dallopera di Giuseppe Verdi. Trascrizione completa per Quartetto dArchi (Violino I, Violino II, Viola, Violoncello) di livello intermedio/avanzato, a cura di Enrico Zullino. Parte di Violino II(parti staccate e partitura disponibili nella collana). ___________________________________"Un giorno di regno" (A One-Day Reign, or The Pretend Stanislaus)Overture- by Giuseppe Verdi. Complete transcription for string quartet ( Violin I, Violin II, Viola, Cello) by Enrico Zullino - advanced/intermediate level. Duration 5.00 (+-) min. Key C. Violin II part (Single parts and score available in series). Un giorno di regno, ossia Il finto Stanislao (A One-Day Reign, or The Pretend Stanislaus, but often translated into English as King for a Day) is an operatic melodramma giocoso in two acts by Giuseppe Verdi to an Italian libretto written in 1818 by Felice Romani. Originally written for the Bohemian composer Adalbert Gyrowetz the libretto was based on the play Le faux Stanislas written by the Frenchman Alexandre-Vincent Pineux Duval in 1808. Un giorno was given its premiere performance at the Teatro alla Scala, Milan on 5 September 1840.

"Tancredi" ouverture - di Gioacchino Rossini. Trascrizione completa per Quartetto dArchi (Violino I, Violino II, Viola, Violoncello) di livello avanzato, a cura di Enrico Zullino. Parte di Violino II (parti staccate e partitura disponibili nella collana). ___________________________________"Tancredi" overture - by Gioacchino Rossini. Complete transcription for String quartet (Violin I, Violin II, Viola, Cello) by Enrico Zullino - advanced level . Duration 7.00 (+-) min. Key D. Violin II part. (single parts and score available in series)

Violin II part of "LItaliana in Algeri" (The Italian Girl in Algiers) overture from the opera by Gioacchino Rossini, complete transcription for String Quartet (Violin I, Violin II, Viola and Cello - intermediate/advanced level) by Enrico Zullino . Others parts and score available separately. Duration 8.00 min. (+-) Key C._______________"LItaliana in Algeri" ouverture - Trascrizione per Quartetto dArchi a cura di Enrico Zullino. Parte di Violino II (altre parti e partitura disponibili separatamente).

Herramienta de aprendizaje del violín folklórico, abarcando desde la iniciación hasta un nivel inicial avanzado. Con canciones y ejercicios técnicosEste trabajo, desarrollado en dos grandes secciones, intenta brindar una herramienta de aprendizaje del violin folklorico, abarcando desde la iniciacion (postura del violin y toma del arco), hasta un nivel inicial avanzado, siempre en primera posicionEDITORIAL MELOS | ARGENTINA.Este libro contiene el desarrollo de los siguientes temas:Postura del violinPostura de la mano derechaErkeDicen que el carnavalCalladitoEscala de La mayorSoy libreEscala de Re mayorAlgarrobo algarrobalAy, si cheLa bagualaVidalitaEscala de Sol mayorAy, naranjalEl pintaoTe tengo pasionEscala de Si mayorLa finaditaChacarera del patioEscala de La menorLa viejaChacarera del PolearEntre a mi pago sin golpearPalos changosEscala de Do mayorAlma de rezabaileLa Yacu-ChiriAmpisunas AmoraniHuayco HondoEscala de Si bemol mayorLa humildeCriollita santiagueñaLa tentacionCambios de cuerdaPerfume de carnavalLa chataCambios tonalesLa atamisqueñaEl humahuaqueñoEscondido del UtutuEl toroDesde el puente carreteroLa MotaCon este libro usted podra desarrollar su potencial para tocar el violinDescargue ya este libro y comience a conocer como conectar este instrumento con el ritmo folkloricoTAGS:violinPartituraMusicaPablo AznarezFolkloreautoctona

Francesco Geminiani (1687-1762), come ogni altro violinista della sua generazione, risente particolarmente dellinflusso diretto di Arcangelo Corelli, pur mostrando una maggiore liberta nellelaborazione ritmica e tematica, un virtuosismo strumentale eccezionalmente ardito e fantasioso, una fantasia armonica e strumentale che ebbe ben pochi rivali in tutto il primo Settecento. Il manoscritto del Solo in Do Maggiore [Ms. 2201-P-1] e conservato presso la SLUB Biblioteca Universitaria del Land di Sassonia (Dresda). Sharon Tomaselli, violinista, ha al suo attivo numerosi concerti, in formazioni cameristiche e orchestrali, per importanti enti musicali italiani. Per letichetta Tactus ha registrato i Duetti di Felice Giardini in prima mondiale. Si dedica con passione anche allattivita didattica.Like as every other violinist of his generation, Francesco Geminiani (1687-1762) was particularly affected by the direct influence of Arcangelo Corelli, showing freedom in rhythmic and thematic embellishment, a remarkably brave and imaginative instrumental virtuosity, a harmonic and instrumental fullness that had very few equals throughout the early eighteenth century. The manuscript of Solo in C Major [from Ms. 2201-P-1] is preserved at SLUB University Library of the Land of Saxony in Dresden. Sharon Tomaselli, violinst, has to her credit numerous concerts, in Chamber Ensembles and Orchestras, for important cultural and musical institutions. For Tactus Label, she recorded Felice Giardinis Duets in World premiere. She is passionately dedicated also to teaching.

Violin part of "Clair De Lune" by Claude Debussy arranged for String trio (Violin, Viola and Cello) and Organ Intermediate/advanced level, duration 4.00 (+-) . Score and Parts available in series. Scan Qr code for audio demo or visit www.glissato.it. product code: EG0476. The third and most famous movement of Suite bergamasque is "Clair de lune", in D? major. It is written in 9/8 meter and marked andante tres expressif. Its title, which means "moonlight" in French, is taken from Verlaines poem "Clair de lune".

Enhance your musical library with the "Guglielmo Tell" ("William Tell") overture, a masterpiece by Gioacchino Rossini, meticulously transcribed for string quartet (Violin I, Violin II, Viola, Cello) by Enrico Zullino. This transcription, tailored for advanced or intermediate level musicians, unfolds in the key of E and spans approximately 10.30 minutes, immersing players and audiences alike in Rossinis dramatic narrative and exhilarating melodies.This particular eBook edition focuses exclusively on the Violin II part, offering detailed notation and expressive markings to guide the performer through Rossinis musical landscape. It forms part of a comprehensive series, with single parts for each instrument and the complete full score available, enabling ensembles to fully realize this iconic work in its entirety.Accompanying the musical notation, this eBook features informative prefaces in multiple languages, including English, French, German, Spanish, Italian, and Portuguese. These introductions provide valuable insights into the historical context of the overture, Rossinis life and works, and the transcription process undertaken by Zullino, enriching the performers understanding and connection to the piece.Ideal for musicians seeking to deepen their repertoire with a challenging yet rewarding piece, this eBook not only serves as a score but also as a bridge connecting diverse audiences to the rich cultural heritage of classical music through Rossinis timeless overture.

Violin II part of complete transcription for String Quartet (Violins I-II, Viola and Cello - intermediate level) by Enrico Zullino.Duration 5.30. Single parts and score available separately.Felix Mendelssohns "Wedding March" in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music to Shakespeares play A Midsummer Nights Dream. It is one of the most frequently used wedding marches, generally being played on a church pipe organ.

Violin II part _ The Moldau (Vltava) symphonic poem by Bed?ich Smetana. Complete transcription for String Quartet and Piano, Advanced / level, by E. Zullino. Duration 12 min (+-). Parts and score available in series. Audio demo on www.glissato.it - product code: EG0949 -_________La Moldava - poema sinfonico di Bed?ich Smetana. Trascrizione integrale per Quartetto darchi e Pianoforte (livello avanzato) a cura di E.Zullino. Parte Violino II.Altre parti staccate e partitura disponibili nella collana.

Polovtsian Dances (Prince Igor) by Alexander Borodin. Complete transcription for String Quartet and Piano, Advanced / Intermediate level, by E. Zullino. Duration 12 min (+-). Violin II part. Others parts and score available in series._________Danze Polovesiane (Principe Igor) di Alexander Borodin. Trascrizione integrale per Quartetto darchi e Pianoforte (livello avanzato/intermedio) a cura di E.Zullino. Violino II. Altre parti staccate e partitura disponibili nella collana.