eBooks de Historias de la música, página 6 de 128

«Che ne pensi del rock cambogiano?»La domanda suona bizzarra, perché il rock cambogiano non è un vero e proprio argomento di conversazione – un po’ come la musica colta americana, verrebbe da pensare

E un viaggio alla scoperta del fenomeno Musica: questo testo permette, anche in modo scalabile, come una montagna, di giungere a una prima, ma gia profonda, conoscenza della materia. Ci si puo fermare a una certa altezza e comprendere temi fondamentali gia con i primi tre capitoli: quello filosofico, quello matematico-naturale e quello tecnico-teorico (La ricerca del principio delle cose, Linnaturale cuore pulsante della musica e Tecnica, tecnologia e pronuncia musicale). Questi, unitamente al Glossario messo in epilogo, permettono gia di dirigersi verso il pianeta Musica per poi eventualmente avvicinarsi andando a esplorare ancor di piu e di rivelarlo. Buon viaggio. Indice dei contenuti: - La ricerca del principio delle cose - Linnaturale cuore pulsante della musica - Tecnica, tecnologia, pronuncia musicale - Loriginale verita tecnica creativa - Lo stile: il cliche e il genere - Il ritmo (e i suoi tempi capricciosi) - I gradini delle scale - Limprovvisazione musicale - Tonalita e modalita: chiarezza sulla sistematica (con)fusione - Lenigma del tempo - Glossario

Um dos mais brilhantes críticos e ensaístas em atividade no Brasil traça caminhos que conectam música e literatura, revelando novas perspectivas sobrenossa experiência cultural e política.Ensaísta de

Vergna52 - Marcia (score & parts) .In occasione del novantesimo della fondazione della Banda Filarmonica di Vergnacco, affinché questo solco sia indelebile nel tempo, la banda ha voluto pubblicar

Now a byword for beauty, Verdis operas were far from universally acclaimed when they reached London in the second half of the nineteenth century. Why did some critics react so harshly? Who were they and what biases and prejudices animated them? When did their antagonistic attitude change? And why did opera managers continue to produce Verdis operas, in spite of their alleged worthlessness?Massimo Zicaris Verdi in Victorian London reconstructs the reception of Verdis operas in London from 1844, when a first critical account was published in the pages of The Athenaeum, to 1901, when Verdis death received extensive tribute in The Musical Times. In the 1840s, certain London journalists were positively hostile towards the most talked-about representative of Italian opera, only to change their tune in the years to come. The supercilious critic of The Athenaeum, Henry Fothergill Chorley, declared that Verdis melodies were worn, hackneyed and meaningless, his harmonies and progressions crude, his orchestration noisy. The scribes of The Times, The Musical World, The Illustrated London News, and The Musical Times all contributed to the critical hubbub.Yet by the 1850s, Victorian critics, however grudging, could neither deny nor ignore the popularity of Verdis operas. Over the final three decades of the nineteenth century, moreover, Londons musical milieu underwent changes of great magnitude, shifting the manner in which Verdi was conceptualized and making room for the powerful influence of Wagner. Nostalgic commentators began to lament the sad state of the Land of Song, referring to the now departed "palmy days of Italian opera." Zicari charts this entire cultural constellation.Verdi in Victorian London is required reading for both academics and opera aficionados. Music specialists will value a historical reconstruction that stems from a large body of first-hand source material, while Verdi lovers and Italian opera addicts will enjoy vivid analysis free from technical jargon. For students, scholars and plain readers alike, this book is an illuminating addition to the study of music reception.

Composizione di Lorenzo Petrizzo per 4 trombe in Sib

Si può raccontare una passione. Forse No. Perché una passione si vive, si respira, si mastica a grandi morsi e raccontarla è difficile. Eppure in questo libro l’autrice con una dose infinita di incos

O livro Vamos Ler ao piano: práticas de pré-leitura na iniciação pianística, Volume 2, apresenta práticas para o desenvolvimento da leitura-escrita musical de crianças, iniciantes de piano, focando a

O livro Vamos Ler ao Piano: práticas de pré-leitura na iniciação pianística, Volume 1, apresenta atividades e práticas para o desenvolvimento da leitura-escrita musical de crianças, iniciantes de pia

Michael Floredo (geb. 1967 in Hohenems), freischaffender Komponist, Organist, Musikpadagoge, Trager nationaler und internationaler Auszeichnungen und durch Auffuhrungen seiner Werke u. a. in Wien, Paris, London, Rom, Zurich geehrt, zeichnet in diesem Buch ein farbenreiches Gesamtbild uber Musik, ihre Geschichte und ihre Tiefenwirkung in die mannigfaltigen Bereiche des Lebens.Faszinierend in diesem Werk ist, wie Floredo dieses Gesamtbild aus der Sicht und in der Sprache Bachs entstehen lasst. Mit grundlegenden Ideen griechischer Philosophen, wie Pythagoras, Sokrates und Platon, legt der Komponist das Fundament der Musikgeschichte und entwickelt neue, interessante Theorien im Zusammenwirken von Zahlen und Intervallen. Bedeutende Wissenschaftler, Orgelbauer, Physiker und Theologen treten auf. Gedanken uber die Unterhaltungsmusik und die ernste Musik, uber die Forderung der neuen Musik und die Musikerziehung werden erortert und beeindruckend wird nachgewiesen, wie gewisse Farben bestimmten Tonen zugeordnet werden konnen. Dies eroffnet dem Leser eine Zusammenschau, ubereinstimmend von Farben, Tonen, Gefuhlen und Erkenntnissen. Das Buch verschafft ein neues Bewusstsein fur die Musik: Es ist ein beeindruckendes Werk mit Geist geschrieben und mit musikerfullter Leidenschaft.Alois Schwienbacher

A JAZZ GUITAR BOOK FOR GUITARISTS LOOKING TO EXPLORE UPPER VOICINGSAt over three hundred and sixty pages (print version, Kindle version slightly less) Upper Structures, Synonyms & Slash Voicings For Jazz Guitar takes a wide ranging and in-depth look at the subject of upper voicings and their application with respect to the guitar. Slash voicings and synonyms are also cover in great detail with numerous examples showing how these musical concepts connect and work together.From individual examples both played and explained in text and narration, to lick ideas and then full blown solos, this book covers a huge amount of material that will help you understand how upper structures work.WHAT LEVEL OF GUITAR PLAYER SHOULD CONSIDER THIS BOOK?This book is aimed at experienced guitar players and will act as a reference and technical guide for players, teachers, educationalists and music conservatoires.With hundreds of musical examples, chord progressions, diagrams, lick ideas and solo examples and in depth theoretical explanation this book is a must for every aspiring guitarist.SECTION ONE - FOUR CHAPTERS INCLUDE THE FOLLOWING TOPICS:Stacking Chords, Chord formulae, Chord extension & alteration, Triads as upper structures, Pseudo scales, Inferring altered dominants, Generating chords across the neck, Chord & line superimposition, Voice leading, Vagrant harmony, Inferring altered dominants, Single line solo ideas, Tri-tones & flat five concepts, Chromatic movement, Deconstructing altered dominants, Synonyms, Movable solo lines, Cascading chords, Motif development, Sidestep line movement.SECTION TWO:A three chapter lick library of 70 original lick ideas that demonstrate each upper structure voicing category. All licks are offered in mp3 format as well as including narration from the author on the points of interest and technical challenges of the line. Each lick is provided in musical and TAB notation. Every chord type includes arpeggio patterns across the fretboard with large format easy to view chords included with each lick example.SECTION THREE:Three chapters offering original jazz guitar solo examples over three well known jazz standard progressions. Full analysis from a comparative, melodic and harmonic viewpoint is included. Solos are fully notated in music and TAB with chords provided in large easy to view format.SUPPORTING DOWNLOADOver one and a half hours of mp3 files included. Section 1 music examples, Section 2 demonstration licks with authors technical narration for all seventy lick ideas and Section 3 which includes complete solo demonstrations as well as a wide range of backing tracks for you to practice over the three included sequences.

Universos do Amor é um livro de contos, ou seja, histórias curtas, onde você será levado a diferentes universos onde verá o amor acontecer das mais variadas formas

This book consists of lyrics from the album Universal Tales, written and recorded by Nemo Sonra.It consists of seventeen independent short stories written in rhyme.There are three extra short texts taken from other sources.The themes range from outer space voyages to more close situations and war stories.Available on all major sources to listen to or to be read independently.

This Festschrift celebrates the great Mendelssohn scholar R. Larry Todd, Arts & Sciences Professor at Duke University, whose dedication to, study of, and mentorship in 19th-century music has shaped two generations of musicological study.Encompassing former/current students and colleagues, the contributing authors to this book investigate the life and work of the Mendelssohns, their circle, and issues of reception history; Beethoven and piano-related studies; and special musical relationships.The books title references a famous quote by Felix Mendelssohn: "The essence of the beautiful is unity in variety." It also acknowledges the thematic diversity of this volume and the unifying effect that Todds outstanding monographs on Felix and Fanny have had on a variety of musicians and scholars.

A CLASH MUSIC BOOK OF THE YEAR 2024 A lively, subversive history of the new UK jazz wave, encapsulating its revolutionary spirit and tracing its foundations to birth of the genre itself.Not solely a book about jazz, or even a nascent cultural shift; its a record of a pivotal moment in UK history.BIG ISSUEBy the end of the last century, jazz music was considered by many to be obsolete and uncool, a genre appreciated only by out of touch white men with deeply questionable taste. And yet, by 2019, a new generation of UK jazz musicians was selling out major venues and appearing on festival line-ups around the world. How has UK jazz rehabilitated its image so totally in twenty-five years? And how did it ever become uncool in the first place?Reaching back to the roots of jazz as the unapologetic expression of oppressed peoples, shaped by the forces of slavery, imperialism and globalisation, Andre Marmot places this new wave within the wider context of a divided, postcolonial Britain navigating its identity in a new world order. These artists have crafted a sound which reflects the nation as it is today - a sound connected to the very origins of jazz itself.Drawing on eighty-six interviews with key architects of this jazz renaissance and those who came before them - from Shabaka Hutchings, Nubya Garcia and Moses Boyd to Gilles Peterson, Courtney Pine and Cleveland Watkiss - Unapologetic Expression captures the radical spirit of a vital British musical movement.A breathless run through of an inspiring era in British music, Unapologetic Expression contains deft character sketches and vivid memories, pausing to nail ineffable moments from recording sessions and gigs. Andre Marmots role as an insider . . . grants the book a degree of intimacy other writers may have lacked.CLASH

Un acercamiento al sentido de la vida a través de la música «El gran Íñigo Pirfano nos adentra en el misterio del ser humano a través de la música.» MARIAN ROJAS ESTAPÉLa música es capaz de dar respu

"Un Saluto a Butera" di Angelo Giardina, marcia sinfonica per banda da concerto. Contiene partitura, set parti e codice Qr per download in formato PDF.________________________________________________"Un Saluto a Butera" by Angelo Giardina, symphonic march for concert band. Contains conductor score, set of parts and Qr code for PDF download. Butera (Sicilian: Vutera) is an Italian town and a comune in the province of Caltanissetta, in the southern part of the island of Sicily.

Inghilterra, estate 1969.Italia, inverno 1979.Due geografie, due mondi, due epoche.I Beatles sono nella fase terminale della lenta dissoluzione, ancora una volta insieme in studio per un disco, lultimo.Lucio Battisti e Mogol ormai da tempo si vedono poco, una volta allanno per lavorare al disco poi basta, lultima volta si avvicina anche per loro.Questo libro racconta due celebri brani nati al termine di due decenni centrali nella storia del Novecento: George Harrison e i Beatles chiudono gli anni 60 con Something, Lucio Battisti e Mogol si salutano e inaugurano gli anni 80 con Con il nastro rosa. Due canzoni-simbolo di giganti della popular culture britannica e italiana, alla fine di due decenni che hanno dominato con la loro forza artistica.Lopera e arricchita da una introduzione di Alberto Fortis, dalle prefazioni di Michelangelo Iossa e Paolo Morando, dagli interventi di giornalisti, discografici e addetti ai lavori (Ernesto Assante, Maurizio Baiata, Massimo Bonelli, Gino Castaldo, Valerio Corzani, Rolando Giambelli, Mario Giammetti, Federico Guglielmi, Roberto Manfredi, Carla Ronga, John Vignola).

Jeff Tweedy vuelve con un libro revelador sobre 50 canciones que le cambiaron la vida.Tras Cómo componer una canción, el líder de Wilco nos regala una emocionante y vívida mezcla de recuerdos, música y fuentes de inspiracion a partir de cincuenta canciones que lo han marcado como artista y como persona, las experiencias que se esconden detras de cada una, asi como lo que aprendio sobre como la musica y la vida estan indisolublemente unidas. En palabras del autor, este libro es el que probablemente habria escrito primero de haber sido mas ambicioso, y de haber tenido un poco mas claro que es lo que mas me importa en este mundo y en lo que mas he pensado con diferencia: las canciones de otros. Y lo mucho que me han enseñado como persona: a pensar en mi mismo y en los demas. Y que escuchar casi cualquier cosa a conciencia y con amplitud de miras puede ser una experiencia profundamente personal y de dimensiones universales. Y lo mas importante de todo: como las canciones absorben y contribuyen a mejorar nuestras propias experiencias y almacenan nuestros recuerdos.Sin ningun tipo prejuicios musicales y alejado del esnobismo tan habitual en la critica de rock, Tweedy habla de canciones de grupos y solistas tan dispares como The Replacements, ABBA, Deep Purple, Mavis Staples, The Velvet Underground, Joni Mitchell, Otis Redding, Dolly Parton, los Ramones, Suicide, Billie Eilish, John Cage o Rosalia.

Eb Baritone Saxophone part _ "Un giorno di regno" (A One-Day Reign, or The Pretend Stanislaus, but often translated into English as King for a Day) overture by Giuseppe Verdi. Complete transcription for Saxophone Quartet SATB (Bb Soprano, Eb Alto, Bb Tenor and Eb Baritone) by Enrico Zullino. Score and single parts available in series. Key concert Bb, intermediate level, duration 5.00 (+-). Audio demo available on www.glissato.it - product code: EG0801