Preventa de eBooks de Poesía contemporánea española del XIX al XXI

Até onde você iria por amor? Escalaria montanhas, faria todo aquele clichê de querer salvar o mundo? Você viveria todos os dias que precisasse ou morreria e se arriscaria pelo seu alguém? Gritaria pr

Fazer poesia com o corpo todo: eis a lição/convocação de Ricardo Aleixo nos trinta verbetes de Dendorí: dar corpo ao poema — e vice-versa. Partindo da rica experiência como "performador", o poeta min

Los cuatro poemarios clave de Mistral prologados por Cecilia Vicuña.Se reúnen en este volumen, enteros, los cuatros libros de poesía que Gabriela Mistral publicó en vida: Desolación, Ternura, Tala y Lagar. Son los titulos que le valieron el Premio Nobel y el Premio Nacional de Literatura y la admiracion inagotable de lectores y escritores de todo el mundo.Su obra poetica esencial acompañada de un breve y emocionante texto en prosa donde la propia autora conto como componia sus versos. La edicion esta prologada por Cecilia Vicuña, que escribe: "Acercarse a ella es como acercarse a un terremoto, en vez de huir". Un libro de referencia para todos aquellos lectores que deseen volver a explorar e igualmente para quienes deseen conocer por primera vez la obra de Mistral en toda su complejidad, riqueza y variedad."Presidenta y bienhechora de la lengua castellana Jamas de nuestra memoria ha de olvidarse Gabriela".VIOLETA PARRA"Hay en ella un horror al lugar comun, del que huye corrigiendo cada verso hasta darle esa desarticulacion de collage sonoro que caracteriza su prosodia, y la hace tan hermosa".CESAR AIRA

Herbert Jaxon is a retired immigration office, cat lover, and lifelong supporter of West Bromwich Albion. This is a second collection of light-hearted poems and short stories, this time posing as an autobiography, written primarily for his own amusement and that of his friends, children and grandchildren.

Manu Erena, el fenómeno de la poesía joven, reúne en un solo libro sus poemarios más aclamados con nuevos poemas inéditos.«La poesía me odia,porque me hace darme cuentade que escribo lo quenunca seré

In 2021, Magorzata Lebda ran the entire length of the longest river in Poland, the Vistula, from its source in the Beskid Mountains to its mouth at the Baltic Sea. She set out to run as a poet, not as an athlete, to use the rhythms of her own body as a means of understanding and connecting to the rhythms of the rivers body of water, under threat of environmental ruin. Her collection Mer de Glace, which won the Szymborska Prize, is the culmination of her remarkable journey, and a profound meditation on the porosity, reactivity and receptivity of both the body and the natural world, and of their influences on one another.

Os orixás se erguem numa guerra contra o Panteão dos deuses gregos; um Casanova bon vivant se gaba da própria liberdade e desfila pela Zona Sul do Rio, mas no fundo vive submisso à fortuna e à person

Welcome to Kathryn Grays Hollywood or Home, a poetry collection with as much ruthless glamour as any Old Hollywood movie. These worldly-wise poems explore celebrity culture in a mode that is both seriously playful and playfully serious. Here, melancholy and humour, irony and sincerity can be often found in the same poem, creating a rich experience for the film buff or fan of celebrity culture, as the book is full of easter eggs and movie references.Spectres of Hollywood haunt the collection: moguls, politicians, starlets, and monsters. They leap from screen and stage to page, as in Portrait of my Superego as Mommie Dearest: youre / the one swinging the axe, Mommie.Famous actors drop in to entertain, for example in Meryl Streep is my Therapist or Six Ways of Looking at John Cazale, while writers do their best to pitch their best ideas, working hard to convince: Its "relatable". / Its really "relatable" stuff (High-concept).Film memorabilia is explored, likeThe Deer Hunter s bandana, as well as movie-business secrets: the title of As told by Alan Smithee refers to the alter ego that directors use in movie credits when they want to disown their films.Stock characters and plots show up, like the Handome Weeping Boy, and The Meet-Cute, that scene in a romantic comedy where a couple have a first hilarious or cute meeting. Classic 1980s movies like Pretty in Pink andTop Gun make their cameos. Power couples take their place, like Frank Sinatra and Ava Gardner in Night and Day, 1957, and melodrama heightens to Douglas Sirks grand levels in Love. All the stories and characters loom larger than life, and asthe narrator asks, contemplating celebrity Tweets in Fresh Hell,Why cant life be EVERYTHING IN CAPS LIKE CHER?.In decadent celebrity culture, where a star is born every minute and becomes a flop even more quickly, these fierce and funny poems open space for the writer to reassess failures and successes, to overcome writers block, and to remember that we never stop longing for our old dreams to come true. Gray is writing at the top of her game with her much-anticipated second collection. Out of Hollywoods brutal disdain for failure, Gray manages to find spectacle and survival.Grays long-awaited second collection both celebrates and accuses the glamour and imagination of the movies in particular, and of art in general. Whether its Meryl Streep or Ferris Bueller or John Cazale shes writing of, Gray is illuminating, funny, and frequently moving. Underpinning the comedy and satire, though, is a real pain at lifes jolts and times relentlessness: "What happened to the script?", Nick Laird, author of Feel FreeHollywood or Home shines a light on the filmic quality of daily life, reminding us just how thin the membrane between fiction and reality can be. Within its pages we encounter the Mind in various guises: as an invalid from the nineteenth century, a rain-streaked window-pane and (my favourite) a cabinet populated by indescribable figurines. Bristling with energy, humour and kick-ass bravura, at the same time these poems tremble with deeply felt emotion. - Julia Copus, author of Girlhood

Set during a single twelve-hour night shift in a factory, plastic is a book-length poem exploring the life of the industrial worker turned poet.Bringing together memoir, ekphrasis and satire, Bplastic is based on Matthew Rices experience working in a plastic moulding factory for ten years. Illustrating alienated twenty-first-century Irish labour in poetic form, plastic engages with the inflictions and implications of a post-industrial, post-Troubles society, all while weaving in depictions of factory work from literature, film and the visual arts.Time-stamped to highlight the claustrophobia of the workers experience, this is a poem about feeling a calling while being submerged in the world of menial labour making plastic airplane parts by night, making poetry by day, uniting what Jacques Ranciere calls the labourers in love with the intellectual nights and those intellectuals in love with the toilsome and glorious days of the labouring people.plastics evocation and lucidity moves with grace through working class realities and hopeful imaginings.

The first English-language collection from one of Indias most hard-hitting writers, these poems brilliantly exemplify writing as an act of resistance. Militant, satirical, and biting, Kalyani Charal pulls no punches in eviscerating paternalistic - and patriarchal - bourgeois socialists who speak on behalf of others.Writing from lived experience, Charal delineates the bourgeois values that fuel the social machinery of caste oppression, while drawing parallels with social and racial marginalisation around the world. Thus, in her poetry, the specificity of Dalit lives in Bengal, a region which prides itself on its Leftist history and enlightened culture, and whose partition into India and Bangladesh has left a legacy of communal tension, refugees, and statelessness, is at the same time the universality of precarity, marginality and dispossession. Finally, there is space for love - wistful and full-throated, with an attentiveness to the natural world that speaks to her claim that "all Dalit woman writers are eco feminists".

The ancient Greek word for tragedy () is a compound of goat () and song (). In Phoebe Giannisis Goatsong, the seam that connects human and animal, myths and history, is the body.In Giannisis language, life obeys myth. A man places a screaming cicada in his mouth, reminding us of a scene from Platos Phaedrus, where Socrates claims cicadas to have been humans who became entranced by the invention of singing, and didnt stop to eat or drink. When the goddess Thetis dips her newborn son, Achilles, into the River Styx to protect all but his famous heel where her hand grips, were told the place of the mothers grip / is the mark of death. Adjacent to the mythical setting is the material, where the rumination of goats, their digestive cycle chewing, swallowing, then recalling food back into the mouth to be reconsidered begins after weaning, and is lain alongside how we think: from the moment of separation / from the mother / they ruminate. In these lyric enactments, all is transformative and transformed; territories of land, the body and history are blurred, and nothing is still.From Homer to Donna Haraway, Derrida to state archives, klephtic ballads and rebetiko, to Parmenides and Giannisis dog, Ivan, the many human and animal voices of Goatsong form an incantatory lyricism and layered engagement unique in literature.

SHORTLISTED FOR THE T. S. ELIOT PRIZE SHORTLISTED FOR THE PEN HEANEY PRIZEI guess I must have been in two minds about the new day as the daylight gods began to march in straight lines going I dont know where.from The Spare RoomIn his first collection for more than a decade, Tom Paulin revisits themes of place, occupation, conflict and legacy, primarily in the context of his native Northern Ireland. Stories and memories, even histories, are shown to be both frail and persistent, troubling and vital. There is a powerful austerity in play as he sets aside the rhetorical force and linguistic dazzle for which he is renowned, to speak simply of later life and the losses it brings: if only some idea / could find its way / through enemy territory / then Id at last begin / to look up at the sky. As outward-looking as ever, he also includes here intimate and resonant versions from Brecht and Ronsard, and from the contemporary Palestinian poet, Walid Khazendar.To say the [Fivemiletown] was one of the best books of the Eighties isnt enough: it is one of the best books I know, or for that matter, am capable of imagining . . . what British or Irish poet was doing anything like this? Michael Hofmann, London Review of BooksTom Paulin is among the best of a great generation of Irish poets.Sunday TelegraphPaulin often creates the illusion that the poem is being made up as he goes along. Spontaneity is difficult to pull off in poetry but it is a Paulin forte. The casualness is only possible because of the absolute control of form, each poem a windbreak for his words . . . Kate Kellaway[Tom Paulins] short, punchy poems are characterised by their ability to evoke images through the smallest details, or through sudden shifts of register ... Mr Paulins poems fight against lazy uses of language ... in Loves Bonfire Mr Paulin demonstrates the strength that comes with saying less, not unlike relying on only a spark for warmth.The Economist

La poeta incita a mirar lo que nos rodea con la pausa que necesita la vida, para darles forma a nuestros sueños y nuestra libertad.El miedo es una emoción universal que nace del instinto más profundo de supervivencia, una alarma interior que nos advierte del peligro y nos hace pensar, reflexionar antes de saltar al vacio. En ese espacio cuarteado al que nos aferramos cuando sentimos el vertigo es donde arraigan estos poemas de Rocio Rojas-Marcos. La primera parte de Miedo, que da su titulo al libro, esta formada por cuatro secciones donde la palabra desbordada fluye como la corriente torrencial de un rio. Son poemas en los que, mirandose desde la distancia, la voz poetica se aleja de los miedos que necesita conjurar, hasta llegar al ultimo de ellos donde salta como si se defendiese ante un espejo de si misma. La segunda parte, "Gaman", palabra japonesa que nombra la capacidad de soportar las dificultades sin mostrar debilidad, esta formada por treinta haikus escritos al mismo tiempo que los poemas, a modo de breves resumenes y destilacion final de todas las palabras antes dichas.

«Un canto de denuncia, testimonio fidedigno de la violencia en Centroamérica».Fiel a su compromiso poético, William González nos regala su confesión más humana. El poeta que pudo haber empuñado un ar

En la celebración de su 80 cumpleaños, Pere Gimferrer condensa en Balada décadas de búsqueda poética en un único canto de deslumbrante intensidad. Con Balada, Pere Gimferrer nos presenta una obra plena de madurez: un poema erudito y torrencial de naturaleza sinfonica, en ocho movimientos que compendian la memoria lucida del mundo y del lenguaje, sus fastos verbales e imaginativos, entre claroscuros y fulgores. Balada es la celebracion de una vida y una escritura, incesante, indagatoria, visionaria, a traves de un repertorio de referencias culturales, literarias, cinematograficas y urbanas que constituyen la memoria encendida de Gimferrer. Asi, sus versos destellan entre los ecos de Calderon y Shakespeare, Cernuda, Alberti o Keats, las ciudades de Barcelona y Madrid a Paris y Delhi--, las peliculas y los pintores sobre los que pivota su memoria, a partir del Greco y su retablo manierista.A sus ochenta años, Pere Gimferrer condensa en su escritura decadas de busqueda poetica en un unico canto de deslumbrante intensidad. Esta Balada es una ceremonia celebratoria.Este libro no solo celebra los 80 años de un creador ineludible en nuestra literatura: confirma una voz que, desde hace decadas, nos recuerda que la poesia es el arte de volver tangible lo que abrigan las sombras.

«El legado de Ernesto Cardenal nos enseña que la poesía es una búsqueda de la verdad con vocación de atravesar continentes, constelaciones y espíritus» [Aitana Monzón].La obra de Ernesto Cardenal (Gr

A reunião da poesia de Adão Ventura (1939-2004) era há muito aguardada. Nascido numa terra que, para nossa sorte, já foi e continua sendo cantada por tantos grandes poetas, ele lançou uma voz única d

Por fim o livro chegou ao fim para mim. Foram dias incríveis, na normalidade da vida. Abstinência para falar de embriaguez, cigarros, tudo bem, a vida segue e seguiu. Sibila foi embora, fiquei iludido,

T. S. Eliot took George Barker onto the Faber poetry list in 1935 with Poems, when Barker was only twenty-two. This was the beginning of a publishing association which would endure through nineteen further volumes. There was an earlier Collected Poems published in 1957, but this edition, published in 1987 towards the end of the writers life, is the definitive edition. Here, readers have access to the contents of all of those volumes together with lesser-known work published by smaller presses and journals both in the UK and abroad. The book allows us to follow the evolution of a major talent who subscribed to no school and scorned all affiliation, but whose work is uncompromisingly true in both its stylistic integrity and its unswerving conception of poetic responsibility.His work was passionate, intellectually challenging and highly original, his language incantatory and often hypnotic. Peter Wilby, Guardian