eBooks de Teatro clásico español hasta el siglo XVIII, página 2 de 63

No reino das flores vermelhas tudo estava lindo mesmo que seus maiores inimigos a odeiam ela nunca se importou até um casamento acontecer e estragar a felicidade dela mesmo ela sendo uma pessoa forte amizades falsas aparecem todas as horas, ela ira fugir de todo mal ou enfrentara de frente isso poderia ser uma guerra entre reinos ate que ela poderia simplesmente ser apaixonada por um rei dos reinos, uma ilha perdida em alto mara transformaçes acontecem em todos os dias. Literalmente o mal nunca vence mais sangue sempre e derramado ento eles poderiam acabar com a felicidade das pessoas ate eles irem um plano

En Valor, agravio y mujer Leonor pretende recobrar su honra ante Don Juan. Éste le ha prometido matrimonio y no ha cumplido su promesa. En venganza Leonor se viste con atuendos masculinos, técnica comun en el teatro de su tiempo. Luego, se oculta bajo el falso nombre de Leonardo y persigue a Don Juan. Valor, agravio y mujer es una comedia de enredo de ambiente palatino. Desarrolla, invirtiendolo, el mito de Don Juan, con alusiones a El burlador de Sevilla. Esta construida sobre el topico de la mujer vestida de hombre y maneja los convencionalismos con habilidad.Doña Ana Caro Mallen de Soto (1590-1646) durante mucho tiempo fue autora casi completamente olvidada. Sin embargo, en el siglo XVII sus colegas masculinos la llamaron la decima musa sevillana yla insigne poetisa que ha hecho muchas comedias representadas , con grandisimo aplauso.Caro escribio en el Siglo de Oro numerosas comedias, pero solo dos se conservan en la actualidad: El conde Partinuplesy Valor, agravio y mujer. En esta obra la autora critica las costumbres de su epoca. Caro aqui cuestiona la posicion que ocupan las mujeres en el orden social, y parodia el mito erotico de Don Juan ridiculizandolo.

Ursón y Valentín, hijos del rey de Francia es una comedia teatral del autor Lope de Vega. Narra la historia de los hijos del rey de Francia y de las tropelías que comete Ursón hasta ir creciendo y ad

Teas cold, lunch is late and the great Professor has turned out to be a fraud - for Uncle Vanya, life has gone wonky, its gone to hell. Only one thing can save him - a glamorous womans love. But shes not interested either. And whats worse, shes married to the Professor. Samuel Adamson new version of Anton Chekhovs Uncle Vanya - a dark and funny exploration of cross-purposed love, bitter jealousy and a dysfunctional family - opened at West Yorkshire Playhouse, Leeds, in February 2015.

Dont be miserable, you wonderful woman; be a mermaid. Theres the ocean; throw yourself in. Fall in love with some poor mortal and drag him down with you. Astonish us! On an isolated country estate, Sonia and her Uncle Vanya are committed to a life of ceaseless toil. But when the ageing invalid Serebriakov and his bewilderingly beautiful young wife take up residence, a yearning envelops the household and disturbs the accustomed tedium. Friend and confidant Astrov grows lovelorn, Sonias heart breaks and even Vanya falls under the spell. And so they fight, bond, belittle, lament, make peace and contemplate the odd murder. Featuring sex, comedy and unbearable sadness in nineteenth-century Russia, this version of Anton Chekhovs Uncle Vanya was written and directed by Terry Johnson and opened at Hampstead Theatre, London, in November 2018. And having weathered the storm, whats left? My feelings for you; a few droplets on a window pane, catching the sun, running down a way, drying to nothing.

Estupenda comedia teatral en un acto del dramaturgo Manuel Bretón de los Herreros. En una casa señorial sevillana, seguimos las desventuras de Camila, enamorada de dos mozos al mismo tiempo. Los enredos se sucederan entre los celos de ambos y la maledicencia de las vecinas que asisten al desarrollo de su amor.

Entrañable comedia teatral con toques costumbristas que nos presenta el afamado dramaturgo Manuel Bretón de los Herreros. Nos narra los dimes y diretes del cascarrabias don Ciriaco y su sirvienta Nemesia, que siempre andan a la gresca el uno con la otra, hasta el punto de ser mas parecidos a un matrimonio viejo que a un señor con su criada. Mientras tanto, don Rodrigo, confidente de Nemesia, ronda a su hija Luciana

¿Qué es lo que ocurre cuando uno se cruza en su camino con un señor de traje gris? ¿Y si la novia te deja plantado el mismo día de tu boda? ¿Quién ha dicho que están todos los burkas en Oriente? ¿

Concebido en forma de fin de fiesta para acompañar a la tragedia Ali-Bek, Un loco hace ciento es una pieza de un acto que narra la historia de un matrimonio forzado para conseguir un título nobiliario, en una critica velada a las costumbres del momento.

Con el carnaval en Cartagena como telón de fondo, Manuel Bretón de los Herreros nos presenta esta deliciosa comedia costumbrista de enredo en la que vemos las tribulaciones de la joven Dolores, a quien su padre ha prometido en la distancia con un acaudalado frances que se dirige a Cartagena. Sin embargo, la llegada de su prometido le supondra una inesperada sorpresa...

Un enemigo oculto es una peculiar comedia de trasfondo político del dramaturgo Manuel Bretón de los Herreros. Se articula en torno a don Andrés, un político y empresario viudo que quiere tomar por esposa a una joven de dieciocho años que, a la postre, es su propia sobrina. Sin embargo, la jugada despertara todo tipo de oposiciones, tanto politica como amorosas. El enredo esta servido

Un día en el campo es una pícara comedia de enredos amorosos del afamado dramaturgo Manuel Bretón de los Herreros. Nos cuenta los engaños y estratagemas que tienen que urdir doña Celedonia y don Antonio para encontrarle marido a la joven y alelada Sabina. El plan, sin embargo, no saldra como los dos casamenteros esperan

Un castigo en tres venganzas (c. 1628) ha llegado hasta nuestros días en cinco versiones del siglo XVII: cuatro ediciones impresas y un manuscrito. Fue impresa por primera vez en 1634 en Comedias de varios autores. Parte XXVIII, en la serie comunmente conocida como "Diferentes", pero no volvio a ser impresa hasta 1677, en dos ediciones de la Quinta parte de comedias de Calderon. Los cinco textos son defectuosos en distintos grados. El texto base para esta primera edicion moderna es la princeps, enmendado a partir de los otros, con los cambios editoriales convenientemente documentados y explicados. En el estudio textual se traza la descendencia de las ediciones posteriores, en sueltas y en los volumenes colectivos de comedias de Calderon desde Hartzenbusch a Angel Valbuena Briones. El texto va acompañado de notas filologicas e historicas.Esta comedia, que ha recibido poca atencion critica, se enmarca en el contexto historico del duque Carlos de Borgoña, bisabuelo de Carlos V, modelando el personaje del Duque de la comedia como una combinacion de ambos, como observo Gary Bigelow. El argumento trata de la traicion politica de Clotaldo, el privado ambicioso del Duque, y su interes amoroso no correspondido por la bella y valerosa dama Flor.

"Uma nova viagem ao mundo mágico e literário de Shakespeare", escrito por Thélio Queiroz Farias e Ricardo Alves de Souto, é uma obra que revisita a vida e a produção literária do maior dramaturgo da

A peça Uma casa de bonecas foi lançada em 1897 e é considerada uma obra em que o feminismo aflora ao final da história. A narrativa se desdobra em torno de Nora – esposa de um diretor de banco que a

A consagrada tradução do especialista em grego, Mário da Gama Kury Crêmilo está de tal maneira indignado ao ver ricos desonestos por todos os lados, enquanto ele mesmo é honesto e pobre, que consult

Dezembro de 1896: estreia de "Ubu" Rei, em Paris. Após uma rápida apresentação feita pelo próprio Alfred Jarry, entra Ubu acompanhado de sua mulher, Mãe Ubu, ambos grotescos. Numa Polônia imaginária,

In "Two Tragedies of Seneca: Medea and The Daughters of Troy," the Roman playwright Lucius Annaeus Seneca deftly explores themes of vengeance, passion, and the volatile nature of human emotions through his powerful use of language and dramatic structure. These tragedies reflect the Stoic philosophical underpinnings of Senecas thought, intertwining moral dilemmas with intense psychological introspection. The plays are characterized by their stark imagery and rhetorical flourish, drawing readers into a world of moral complexity and human fragility, as they engage with the consequences of wrath and suffering set against a backdrop of familial discord and divine intervention. Seneca, a statesman and philosopher deeply entrenched in the tumultuous socio-political landscape of ancient Rome, infuses his work with personal experiences and the teachings of Stoicism. His philosophical writings on ethics, particularly the struggle for virtue in the face of adversity, resonate throughout these tragedies, examining how characters like Medea and the daughters of Troy embody the moral crises prevalent in his time. This interplay of philosophy and dramatic narrative contributes to the enduring significance of his theatrical works. For readers interested in the intricate interplay of personal torment and philosophical inquiry, Senecas "Medea" and "The Daughters of Troy" serve as profound meditations on the human condition. The plays invite audiences to reflect on the darker aspects of love and the moral implications of revenge, making this collection essential for anyone seeking insight into the foundations of Western tragedy and the complexities of human emotion.In this enriched edition, we have carefully created added value for your reading experience:- A comprehensive Introduction outlines these selected works unifying features, themes, or stylistic evolutions.- The Author Biography highlights personal milestones and literary influences that shape the entire body of writing.- A Historical Context section situates the works in their broader erasocial currents, cultural trends, and key events that underpin their creation.- A concise Synopsis (Selection) offers an accessible overview of the included texts, helping readers navigate plotlines and main ideas without revealing critical twists.- A unified Analysis examines recurring motifs and stylistic hallmarks across the collection, tying the stories together while spotlighting the different works strengths.- Reflection questions inspire deeper contemplation of the authors overarching message, inviting readers to draw connections among different texts and relate them to modern contexts.- Lastly, our handpicked Memorable Quotes distill pivotal lines and turning points, serving as touchstones for the collections central themes.

Two Dogs - a play about two dogs, a mongrel and a prize bulldog, who become neighbours. The pampered bulldog is not impressed by nor does it offer sympathy for the life of the mongrel who suffers constant mistreatment and starvation. As should be expected, the mongrel seeks the assistance of the neighbour for escape from its situation, but again the arrogant bulldog obsessed by its own feeling of superiority and intending to maintain that relative advantage, would have nothing to do with such a plan. A chance encounter with a wealthy man finds both dogs reduced to the same level in the eyes of a superior entity: they are merely two dogs - a suggestion which thoroughly irks the bulldog. By a cruel stroke of fate both of their masters die suddenly and the dogs now have to contend with a very bleak future ahead. Constant hardship had however prepared the mongrel for such a situation, while the other, shorn of its arrogance, now contemplates the future with much trepidation.

In this comprehensive collection, "Twelfth Night; or, What You Will," the harmonized artistry of John Philip Kemble and William Shakespeare is showcased in a timeless intersection of dramatic brilliance and interpretative insight. The anthology captures the whimsical yet profound themes of identity, love, and societys intricate dynamics, underlined by a fusion of comedic and poignant literary styles. The interplay of Shakespeares original text with Kembles adaptations offers a profound exploration of 16th-century comedic theatre, enriching the narrative and evoking an era where theatrical expression was transforming into a cultural cornerstone. The anthologys contributors bring unique perspectives to Shakespeares work. Kemble, a renowned actor and theatre manager, offers a seasoned eye toward the themes of identity and societal roles, complementing ShakespeareAos masterful dramatization. Through the lens of a practitioner who was amongst the key figures of the late 18th-century theatrical revival, these adaptations encapsulate the zeitgeist of their respective periods, fostering a dialogue between Elizabethan originality and Regency interpretations. The collection aligns with a cultural Renaissance, resonating with historical and literary movements that continue to influence contemporary theatrical practices. For scholars, students, and enthusiasts alike, "Twelfth Night; or, What You Will" provides a rich tapestry of interpretations and stylistic diversity. This anthology serves as an invaluable educational tool, offering an in-depth look into the dual lens of Shakespearean and Kemblean luminaries. It invites readers to explore the nuanced conversations between texts and time periods, enriching their understanding of theatrical evolution. This collection is a must-read for those looking to appreciate the multifaceted nature of drama and its enduring dialogic impact on literature and society.