eBooks de Teatro clásico español hasta el siglo XVIII, página 8 de 63

A consagrada tradução do especialista em grego, Mário da Gama KuryEm Só para mulheres, Eurípides, um dos grandes expoentes da tragédia grega clássica, descobre que as mulheres de Atenas estão tramand

Um matador é contratado por um coronel do cacau para matar um homem que o está chantageando. O homem é um fotógrafo que tem provas da culpa do coronel num assassinato que ele registrou. Ele tem duas filhas, sendo uma, uma garotinha que tinha dois anos, e passaram-se vinte anos. Os dois se reencontram vinte anos depois e se apaixonam. O pistoleiro aposentado se apaixona pela moça, E vive um grande dilema, quando descobre que esta e a filha caçula de sua vitima. Cansam-se, e a agora esposa, descobre a verdade sobre o marido e o crime contra seu pai. Comete suicidio por enforcamento, deixando o marido sem rumo, perdido na sua culpa. Depois de muitas angustias e desespero pela perda da esposa, volta a vida de matador profissional.

Um matador profissional é contratado por um coronel do cacau, para eliminar um homem que o está chantageando. Esse homem é pai de duas meninas, sendo que a caçula tem dois anos de idade, e se torna amiga do executor do pai. 20 anos depois o matador conhece uma moça, e descobre que ela e a filha de sua vitima do Sul da Bahia. Depois de casados a agora esposa descobre acidentalmente toda verdade, acabando com a propria vida por enforcamento. A vida de Lourenço matador tem uma reviravolta, quase o levando a loucura, e tem de enfrentar sua sina ate o fim.

Sin honra no hay amistad es una comedia de honor de Francisco de Rojas Zorrilla. Esta obra se articula alrededor de dos caballeros afectados por la deshonra de sus hermanas: don Antonio, cuya hermana Ines fue raptada de su casa tiempo atras por seis desconocidos que actuaban por encargo de un amante oculto. Y Don Bernardo, cuyo honor esta en entredicho por la conducta indecorosa de doña Juana, quien permitio la entrada en la casa de dos admiradores a los que oculto en sendos cuartos. Entre los enredos de Sin honra no hay amistad se deja entrever lo que don Antonio ignora: don Bernardo es el galan que hizo raptar a doña Ines, a quien trata con desden pues ya ha conseguido sus favores.Asi Ines, se ve impedida de ir a buscar a su hermano, por temor a que mate a su amante y a ella misma.

An engaging, moving story with an unexpected ending. Lawyer Vicente Onofre gets tangled up in a web of conspiracies and dangerous connections, will he be able to get away with it...?; accompanying him in these adventures and misadventures is his new assistant Joana Vasconcelos who will present herself as a key player in this chess game A thriller and thriller cop reminiscent of the old classics

Sherlock Holmes: A Drama in Four Acts is a stage play co-authored by Arthur Conan Doyle and actor William Gillette, bringing the famous detective to life on the late Victorian stage. In this original story (set in 1880s London), Sherlock Holmes faces off against criminal mastermind Professor Moriarty while juggling a delicate romance and protecting a young woman from peril. The play condenses several Holmes adventures into one suspenseful narrative, featuring iconic elements like the Baker Street sitting room, fiendish traps set by Moriarty, and Holmess dramatic disguise and escape at a foggy moor. Gillette, who also portrayed Holmes on stage, infused the script with action, humor, and even the immortal line, "Oh, this is elementary, my dear Watson." The drama was wildly popular, solidifying Holmess image (deerstalker, pipe, and all) in the public imagination. As a published script, it offers a unique, theatrical take on Holmes, full of derring-do, comedic asides by Dr. Watson, and the ultimate triumph of good over evil under the footlights.

In "Shakespeare, Ben Jonson, Beaumont and Fletcher," Samuel Taylor Coleridge embarks on an in-depth exploration of the works of these seminal playwrights, tracing their contributions to the fabric of English literature. Coleridges literary style is characterized by his rich, analytical prose, offering keen insights into the thematic depth, character development, and stylistic innovations of his subjects. He seamlessly interweaves critical analysis with personal reflections, capturing the nuances of the Elizabethan theatre while positioning these playwrights within the larger context of their historical and cultural milieu. Coleridge, a prominent figure of the Romantic movement, was deeply influenced by his own literary upbringing and philosophical inquiries, which shaped his critical framework. His fascination with imagination, emotion, and the inherent beauty of language drove him to delve into the works of these playwrights, aiming to reveal their enduring relevance and complexity. His background as a poet and philosopher imbues the text with a unique understanding of artistry, allowing readers to appreciate the rich interplay of creativity and tradition. This book is essential for scholars, students, and theatre enthusiasts alike, offering profound insights into the craft of some of Englands greatest dramatists. Coleridges thoughtful critiques invite readers to engage with the text not only as historical artifacts but as living works that continue to resonate in contemporary discourse. If you seek to deepen your understanding of the evolution of English drama and its key figures, this scholarly examination is an indispensable resource.

William Shakespeares "The Merchant of Venice" is a richly woven tapestry of human emotion that intertwines themes of mercy, justice, and the complexities of societal prejudice. Written in the late 16th century, this play exemplifies the intricacies of Shakespearean style, incorporating both prose and verse to explore the lives of its diverse characters, notably Shylock, the Jewish moneylender, and Antonio, the merchant. Set against the vibrant backdrop of Venice, the play examines the tension between mercy and law, challenging audiences to grapple with moral ambiguities while engaging in sharp wit and compelling dialogues. Shakespeare, born in 1564 in Stratford-upon-Avon, was influenced by the political and religious climate of his time, wherein anti-Semitic sentiments were prevalent. His exploration of Shylocks character serves as a poignant lens through which he critiques societal norms, revealing deep empathy amidst the eras prevalent biases. Shakespeares diverse experiencesranging from theatrical performances to interactions with various social classesprobably shaped his insightful portrayal of both the triumphs and tribulations of human relationships. For anyone drawn to the depths of human experience, "The Merchant of Venice" offers a powerful exploration of justice and mercy that remains relevant in contemporary discussions on tolerance and prejudice. A must-read for literature aficionados and casual readers alike, this play invites a nuanced examination of the human condition and the societal constructs that shape our interactions.

Shakespeares Henriad - Complete Tetralogy is a masterful anthology that encapsulates the intricate dance of power, morality, and identity through the lens of four pivotal plays. This collection offers a panoramic view of English history, blending the gravitas of monarchical duties with the introspective explorations of the self. The tetralogy presents an impressive range of literary styles, from the compelling soliloquies that delve into the inner sanctums of royal minds to the stirring battles for dominance on the English throne. Among these works, the transformation scenes and the shifting allegiances highlight the timeless themes of governance and human nature, manifesting the enduring significance of Shakespeares narrative prowess. The anthology is enriched by the inclusion of William Hazlitts penetrating analyses that accompany the plays. His critical acumen provides a scaffold to understand the plays relevance within the broader context of Elizabethan and Jacobean literature. Hazlitt and Shakespeare collectively illuminate the moral ambiguities and political machinations that are as pertinent today as they were in their time, with Hazlitts essays offering insights into the cultural milieu that shaped these plays and the societal tensions that underpin their narratives. This collection is indispensable for anyone seeking to navigate the complex interplay of character and circumstance that defines Shakespeares Henriad. As readers immerse themselves in the fourth-dimensional richness of these texts, they are invited to contemplate the broader human condition, informed by Hazlitts critical interpretations. This anthology offers an exceptional opportunity to engage with a seminal period of literary brilliance, serving both as an educational guide and a source of deep intellectual engagement.In this enriched edition, we have carefully created added value for your reading experience:- A comprehensive Introduction outlines these selected works unifying features, themes, or stylistic evolutions.- A Historical Context section situates the works in their broader erasocial currents, cultural trends, and key events that underpin their creation.- A concise Synopsis (Selection) offers an accessible overview of the included texts, helping readers navigate plotlines and main ideas without revealing critical twists.- A unified Analysis examines recurring motifs and stylistic hallmarks across the collection, tying the stories together while spotlighting the different works strengths.- Reflection questions inspire deeper contemplation of the authors overarching message, inviting readers to draw connections among different texts and relate them to modern contexts.- Lastly, our handpicked Memorable Quotes distill pivotal lines and turning points, serving as touchstones for the collections central themes.

Shakespeares Henriad - Complete Tetralogy presents a masterful exploration of political power, leadership, and human frailty through the lenses of tragedy, history, and comedy. This collection brings together the celebrated series known as the Henriad, including the plays that capture the tumultuous reign of Richard II through to Henry V. The anthology adeptly showcases Shakespeares dynamic range, moving from the poetic introspection of monarchical downfall to the patriotic fervor of battlefields. While each play stands alone in its narrative strength, together they weave a complex tapestry that interrogates the nature of sovereignty and identity. The anthology is enriched further by the incisive commentary of William Hazlitt, a revered literary critic whose essays provide a profound interpretative frame for Shakespeares monumental work. Hazlitt, a central figure of the English Romantic era, offers insights that align with both the Elizabethan context of Shakespeare and the subsequent philosophical discourse on individual and political rights. The combination of Shakespeares dramatic genius and Hazlitts critical acumen situates this collection at a unique intersection of theatrical and literary scholarship, nourishing readers with both classical narratives and romantic thought. This comprehensive edition invites readers to experience the multiple dimensions of Shakespeares artistry. It offers a rare opportunity to engage with two historical voicesShakespeares complex characters and Hazlitts reflective critiqueswithin a single volume, fostering a richer appreciation of classical literature. Recommended for students, scholars, and enthusiasts alike, the anthology stands as a testament to the enduring dialogues between text and interpretation, the past and its ongoing relevance. Immerse yourself in this gathering of intellect and imagination, where every page resonates with eloquent portrayal and perceptive analysis.

Shakespearian Henriad refers to a group of four William Shakespeares history plays: Richard II, Henry IV, Part 1, Henry IV, Part 2, and Henry V. These four plays constitute the Shakespearian epic wit

Shakespeares Henriad (Book 1-4) serves as a profound exploration of leadership, power, and human frailty through the medium of dramatic history. This collection encapsulates a significant juncture in English literature, showcasing the evolution from medieval to early modern perspectives within the beautiful constraint of iambic pentameter. The anthology spans a range of styles from the solemn to the comedic, articulating the complexity of human governance and ethics. The included critical essays, especially those dealing with thematic elements like kingship and rebellion, deepen the readers insight into Shakespeares political commentary and artistic mastery. The contributors, notably including seminal figures such as William Shakespeare and William Hazlitt, bring a rich blend of early modern theatrical prowess and keen 19th-century criticism. Shakespeares narratives offer an immersive dip into historical dramatization, while Hazlitts critiques and analyses from a Romantic perspective highlight the enduring relevance of Shakespeares characters and themes. This interplay between original plays and scholarly critique aligns with cultural reflections on monarchy, power, and the common populace, presenting a dynamic dialogue across centuries. In recommending Shakespeares Henriad (Book 1-4), it is an invitation not just to experience Shakespearean drama but to engage critically with its interpretations through time. Readers will benefit from the layered analyses and varied narrative angles, which illuminate the enduring questions about leadership and morality. The anthology promises not only educational enrichment but also a compelling experience of literary travel through the corridors of power and time, encouraged by the dialogue established between Shakespeares ageless texts and Hazlitts sharp commentary.

Actor, producer and director Ben Crystal revisits his acclaimed book on Shakespeare for the 400th anniversary of his death, updating and adding three new chapters. Shakespeare on Toast knocks the stuffing from the staid old myth of the Bard, revealing the man and his plays for what they really are: modern, thrilling, uplifting drama. The bright words and colourful characters of the greatest hack writer are brought brilliantly to life, sweeping cobwebs from the Bard his language, his life, his world, his sounds, his craft. Crystal reveals man and work as relevant, accessible and alive and, astonishingly, finds Shakespeares own voice amid the poetry. Whether youre studying Shakespeare for the first time or youve never set foot near one of his plays but have always wanted to, this book smashes down the walls that have been built up around this untouchable literary figure. Told in five fascinating Acts, this is quick, easy and good for you. Just like beans on toast.

In Shakespeare in the Theatre, William Poel offers a profound exploration of the theatrical techniques and staging practices surrounding Shakespeares plays. Poels analysis is rooted in thorough historical research, providing insight into how Elizabethan theatre influenced the interpretation of the Bards work. His literary style melds scholarly precision with evocative prose, effectively bridging the gap between academic discourse and practical application, as he meticulously discusses stagecraft, acting methodologies, and the evolution of Shakespearean performance. This work situates itself firmly within the canon of Shakespearean scholarship, augmenting our understanding of both the text and its intended performative impact. William Poel, a pioneering theatre director and a passionate advocate for the authentic presentation of Shakespeares work, was deeply influenced by the tradition of the theatrical revival in the late 19th and early 20th centuries. His professional background, marked by innovative productions that sought to transpose the historical context of Shakespeares time into modern performances, led him to explore the ways in which the playwrights work can be revived and appreciated. Poels insights are shaped by a lifetime dedicated to the theatre, making his perspective uniquely valuable. "Shakespeare in the Theatre" is an essential read for anyone interested in the intersection of literature and performance. It not only serves as a comprehensive guide for students and scholars of Shakespeare but also offers theatre enthusiasts a richer understanding of how the playwrights works were originally conceived for the stage. Poels eloquent prose and comprehensive research make this book a treasured resource for both historical context and practical application.

In "Shakespeare and the Modern Stage; with Other Essays," Sidney Sir Lee presents a compelling exploration of the enduring relevance of Shakespeares works within contemporary theatrical practices. Richly detailed and eloquently written, Lees essays examine the intersection between Shakespearean text and modern interpretation, shedding light on how performance styles, directorial choices, and audience reception have evolved. His scholarly approach balances a historical perspective with critical analysis, making it a vital text for both literature and theater enthusiasts, as it engages with broader themes of adaptation and artistic innovation in the face of societal change. Sidney Sir Lee, a prominent Shakespearian scholar and editor, offers unique insights into the Bards influence on modern drama, stemming from his extensive academic background and a deep passion for the performing arts. His expertise in Shakespearean texts, coupled with a profound understanding of theatrical history, positions him uniquely to bridge the gap between Shakespeares Elizabethan context and the 20th-century stage, enriching our comprehension of theatrical practices and critical discourse during his time. "Shakespeare and the Modern Stage" is a must-read for scholars, students, and anyone captivated by the intersection of classic literature and progressive stagecraft. Lees thought-provoking essays not only illuminate Shakespeares timeless impact but also encourage readers to reflect on the role of theater in contemporary society, making it an essential addition to the library of any serious enthusiast of the dramatic arts.

In "Shakespeare and the Modern Stage; with Other Essays," Sidney Sir Lee explores the transformative impact of ShakespeareAos works on contemporary theater. Lee employs a scholarly yet accessible literary style, deftly analyzing the intricacies of Shakespearean plays while situating them within the broader contexts of both Elizabethan and modern theatrical traditions. His essays delve into the thematic richness of Shakespeares oeuvre, addressing how his timeless themes resonate with modern sensibilities and how adaptations have evolved to reflect contemporary societal values. This compilation reveals Lees scholarly rigor as he engages critically with the text and the performance of Shakespeare, illuminating how these classics continue to shape and challenge modern dramaturgy. Sidney Sir Lee, a prominent literary scholar and biographer, was deeply influenced by the cultural renaissance of the late 19th and early 20th centuries. His extensive background in literary criticism and his commitment to understanding the evolution of theater helped shape his analyses of Shakespeares works. LeeAos insights are rooted in a profound appreciation for both the artistry of Shakespeare and the relevance of his themes in the ever-changing landscape of drama and performance. I highly recommend "Shakespeare and the Modern Stage; with Other Essays" to scholars, theater practitioners, and anyone interested in the dynamic interplay between classic literature and modern performance. Lees astute observations and engaging writing provide essential perspectives, making this work a significant contribution to Shakespearean studies as well as modern theatrical discourse.

In Sejanus: His Fall, Ben Jonson unveils a tragic exploration of ambition and moral corruption through the lens of historical dramatization. Written in 1603 and crafted in eloquent blank verse, the play reflects the intricate machinations of political power as it follows the rise and inevitable downfall of Lucius Aelius Sejanus, an ambitious servant of Emperor Tiberius. JonsonAos deft characterization and rich, vivid imagery delve into themes of loyalty, betrayal, and the vacillation between personal desire and statecraft, situating the play within the intricate web of Renaissance humanism and classical influences, evident in its allusions to Tacitus and the moral complexities reminiscent of Senecas tragedies. Ben Jonson, a pivotal figure in the Jacobean era, drew from his experiences in the politically charged court of King James I to create this compelling narrative. His background as a playwright, poet, and actor, paired with his keen insights into the human condition, allowed him to portray the darker facets of ambition and power dynamics. JonsonAos engagement with classical texts served as a foundation for his exploration of timeless ethical dilemmas, enriching the socio-political discussions of his day. Sejanus: His Fall is a remarkable study of ambitions perils and the tragic costs of political machination. Readers interested in the intersections of history, morality, and theatre will find in Jonsons work not only a gripping narrative but also a profound commentary on the nature of power and its potential to corrupt the human soul. This tragedy remains relevant, inviting reflection on contemporary political landscapes.

Pese a tratarse de una historia religiosa, Santo y sastre es considerada una de las obras de Tirso de Molina en que mejor se manifiesta su sentido del humor.Santo y sastre es un drama hagiográfico donde escenifica la historia de San Homobono, con algunas pinceladas satiricas inevitables, debido a la profesion del santo.

Obra dramática de Lope de Vega que relata los conflictos familiares de Teresade Jesús, enfrentada a las exigencias de su padre de que contrajera matrimonioy su pretensión de ser monja.

Santa Teresa de Jesús nació en una familia de judíos conversos, y desde pequeña fue instruida en la vida de los santos. Estas lecturas y los libros de caballería la indujeron a fugarse del hogar paterno con su hermano. Pretendian recorrer el mundo convirtiendo paganos. Teresa fue internada durante un tiempo en el convento de las agustinas de Santa Maria de Gracia, pero tuvo que regresar a su casa de Avila por su precaria salud. A los diecinueve años huyo otra vez para ingresar en el convento de Encarnacion, donde se convirtio a la Orden de las carmelitas descalzas. Desde entonces se dedico a la reforma de la orden, apoyada por san Juan de la Cruz. Esta obra de Lope de Vega relata los conflictos familiares de Santa Teresa de Jesus, enfrentada a las exigencias de su padre de que contrajera matrimonio, y su pretension de ser monja.