eBooks de Teatro contemporáneo español del XIX al XXI, página 3 de 261

PREFÁCIO: A CONVERGÊNCIA DO CÓDIGO ANCESTRAL E A INTELIGÊNCIA DO FUTURO Em um mundo que se acelera sob o ritmo frenético da inovação tecnológica, onde algoritmos governam nossos feeds e inteligências

O desaparecimento de Luiza é uma estória que acontece em uma pequena cidade, em um dia chuvoso, que conta o processo de investigação de um desaparecimento misterioso de uma garota, considerada uma ót

Welcome. Welcome to Bristol in 1963. Welcome to Waterloo Bridge in 2016. Welcome to a house in May 2017. Welcome to three couples and what might be, what once was and what could have been in 2017. Welcome to a West Indian household in 2018. Welcome to London in 2018. Welcome to the past, present and crucially the future.This anthology brings together six plays, all written or performed since 2017, by six brilliant Black British writers Travis Alabanza, Firdos Ali, Natasha Gordon, Arinze Kene, Chinonyerem Odimba and debbie tucker green.The plays demonstrate a rich range of settings, forms, styles, locations, scales, contents and concerns and explore themes including politics and protest, grief and colonisation, relationships and gender.They have been seen on stages including the National Theatre, the Royal Court, the Bush and Bristol Old Vic, at the Edinburgh Festival Fringe, in the West End, and on tour of the UK.Selected and introduced by leading theatre director Natalie Ibu, Contemporary Plays by Black British Writers celebrates a multiplicity of stories authored by Black playwrights in the UK over the last decade.

This anthology, the fifth from Nick Hern Books, comprises five of the best plays from VAULT Festival 2020, Londons biggest and most exciting arts festival.Something Awful by Tatty Hennessy is a thrilling play inspired by the true-crime story of the Slenderman. Soph and her best friend Jel love scary stories and hunt for the best online. But then new girl Ellie turns up at school with one of her own.Second Home by Charlotte Chimuanya explores the experiences of growing up mixed-race in twenty-first century Ireland. Naomi is trying to mend her broken heart. But will tackling grief and racism in a place she calls home prove to be the final betrayal?Madame Ovary by Rosa Hesmondhalgh tells the heartbreaking and hilarious true story of Rosas own ovarian cancer. This five-star sell-out Edinburgh hit is a life-affirming monologue exploring the typical struggles of staying relevant, with the less typical struggles of staying alive. Take Care by Zoe Templeman-Young and Sam McLaughlin follows the real-life story of Pam, a woman struggling to move her mother into a care home thats closer to her. An award-winning Edinburgh smash, it is an astonishing, tragic and uplifting verbatim play about the care system in the UK today.Heroes by Isabel Dixon is a poignant exploration of fallen idols, family secrets and the human price of forgiveness. Set across two timelines, it is the tense and sensitive story of a family torn apart by an unforgiveable act.A major London festival showcasing new and rising talentIndependent on VAULT Festival.

Described as Americas greatest living playwright (Wall Street Journal), Kenneth Lonergan is internationally acclaimed for his trademark humour and his genius for capturing the real heart and soul of human interactions. This volume gathers together three of his landmark plays.This Is Our Youth (1996) is a wildly funny, bittersweet and lacerating look at three days in the lives of three affluent young Manhattanites in the 1980s. Its West End premiere in 2002 was notable for its successive casts of young Hollywood stars, including Casey Affleck, Matt Damon, Jake Gyllenhaal, Anna Paquin and Summer Phoenix. A rambunctious and witty play caustic, cruel, compassionateThe New York Times.The Waverly Gallery (1999) is a poignant, generous and frequently hilarious play about a feisty grandmothers last battle against Alzheimers disease. More than a memory play, it captures the humour and strength of a family in the face of crisis. It was a finalist for the 2001 Pulitzer Prize for Drama, and revived on Broadway in 2018 to widespread acclaim. Both one of the most beautiful things youll ever see in a Broadway theatre and one of the most profoundly sadChicago Tribune.Lobby Hero (2001) tells the story of a luckless young security guard trying to get his life together after being thrown out of the navy. But working in a lobby proves to be no sanctuary from the world, as he is unwittingly drawn into a murder investigation. The play received its British premiere at the Donmar Warehouse, London, in 2002, and was also revived on Broadway in 2018. Artfully intertwines private and public issues [Lonergan] has the lightest of touches and writes with deft humourGuardian.Kenneth Lonergan is an American film director, playwright and screenwriter. He wrote and directed the films You Can Count On Me, Margaret and Manchester by the Sea, for which he won the 2017 Academy Award for Best Original Screenplay. This collection, published alongside the UK premiere of Lonergans The Starry Messenger in 2019, also features an exclusive introduction by the author.Lonergans ear for the crosscurrents of love and recrimination, of accusation and confession, is as fine as that of any American dramatistWashington Post

This collection features four urgent and explosive plays by award-winning playwright Evan Placey, each tackling issues facing young people today. They provide ideal material for teenagers to read, study and perform.Girls Like That explores the pressures caused by technology when a schoolgirls naked photograph goes viral. Commissioned in 2013 by Birmingham Repertory Theatre, Theatre Royal Plymouth and West Yorkshire Playhouse, it has subsequently been performed by school and youth-theatre groups across the UK, at the Unicorn Theatre, London, and in the Houses of Parliament. It won the Writers Guild Award for Best Play for Young Audiences. Banana Boys, published here for the first time, is about the challenges of being on the school football team and secretly gay. It was commissioned and produced by Hampstead Theatres heat&light company in 2010.In Holloway Jones, Holloway dreams of being a world-class BMXer, but she is held back by the tough reality of a parent in prison. Also making its debut in print here, the play was commissioned by Synergy Theatre Project, toured schools and the Unicorn Theatre in 2011, and won the 2012 Brian Way Award for Best Play for Young People. Finally, Pronoun is a love story about two childhood sweethearts dealing with the fact that one of them, Isabella, has now become a boy. As one of the plays in the 2014 National Theatre Connections Festival it proved enormously popular with youth theatres and college companies.Maybe change starts with plays like thisLyn Gardner, Guardian, on Girls Like That

Bash Three darkly brilliant one-act plays, unblinking portraits of the evils abroad in everyday life, first performed in 1999. You dont need to be familiar with Greek tragedy to admire LaButes ability to illuminate the dark corners of the human mind . . . He writes with unblinking candour, unvarying incisiveness and the ear and eye for the tiny, telling fact that reveals a character floundering on the edge.The TimesReasons to Be Pretty Nominated for the Tony Award for Best Play, Reasons to Be Pretty explores love, language and power with fresh wit and insight.Neil LaBute at his best. It says things about love and betrayal that are rarely put on stage . . . The play has the transfixing nastiness that has made LaBute one of the most disturbing theatrical presences of the last decade. Yet it also has an unexpected ingredient: a beating heart.Observer Now collected with its sequel, which follows the same four loveable characters - Reasons to Be HappyA richly entertaining shard of tragicomedy . . . a snap survey of American masculinity in crisis.Daily TelegraphIf I Needed Someone A drunken first date becomes an acutely observed dance of desire, expectation and consent. For all of its misunderstandings, misperceptions, and bristles, for all the insecurities and past hurt it opens for both characters, If I Needed Someone is the kind of first date that people looking for love dream of having.Broadway WorldHow to Fight Loneliness A married couple call on a third man to help them make a desperate decision, in this compelling and unsettling drama. How to Fight Loneliness received its UK premiere at the Park Theatre, London, in April 2025. A play that will force you to consider your own sense of mortality . . . starkly devastating.Spectrum

Orações, Magias, Feitiços, Rituais e Talismãs de São Cipriano para Dinheiro, Riqueza e Fortuna é um livro, escrito por Élida Alexandre, com orações, magias, feitiços, rituais e talismãs para conquist

The short play very traditional to Irish theatre is a little jewel of a structure, a lightning flash on a different world, the illumination made all the more acute by brevity Deirdre KinahanDeirdre Kinahan is an award-winning playwright and member of Aosdana, Irelands elected organisation of outstanding artists. This volume brings together five of her short plays, taken from the full span of her writing career, each of them shining a light into a forgotten corner of our humanity, giving voice to irrepressible characters that the world has done its best to overlook.In Be Carna (Tall Tales, 1999), five women reflect on their lives as prostitutes on the streets of Dublin, a dark tale inspired by true-life stories, reverberating with humanity, warmth and comic humour.In Hue & Cry(Tall Tales/Bewleys Cafe Theatre, 2007), two Dublin cousins, Damian and Kevin, are reunited for a family funeral in a highly charged encounter full of disillusion, denial and dark laughter.In Bogboy(Tall Tales/Solstice Arts Centre, 2010), originally written as a radio play for RTE, two lost souls a young heroin addict and a reclusive middle-aged farmer discover a budding friendship in the bogs of Meath, until a terrible secret comes to light.Wild Notes (Solas Nua, Washington D.C., 2018) explores the impact of colonialism through a meeting between Frederick Douglass, the escaped slave and abolitionist who visited Ireland in the 1840s, and a young Irishwoman hoping to emigrate to the country hes running from.An Old Song, Half Forgotten (Abbey Theatre, 2023) opens a window into the life and soul of an older actor who is living in care with Alzheimers disease, rebuilding a man just as he begins to crack and fade. Winner of the inaugural Pratchett Prize for challenging the stigma of Alzheimers Disease.

An anthology of five of the best plays from VAULT Festival 2023, Londons leading festival of live performance.Fanboyby Joe Sellman-Leava is a love-hate letter to pop culture and nostalgia. A five-star hit at the Edinburgh Fringe, its the story of a thirty-something, self-confessed nerd obsessed with Star Wars and Nintendo asking why his generation cant let go of their childhoods.Five Years with the White Man by Eloka Obi and Saul Boyer is a startling account of satirist ABC Merriman-Labor the greatest Black Briton ever to have been forgotten whose dreams of becoming the greatest writer of his generation lead him on a defiant journey from Sierra Leone to Edwardian London.Honour-Bound by Zahra Jassi is a powerful solo show about family, anti-Blackness, and what were willing to sacrifice for love. After Simran loses her friend to honour-based violence, she has to answer some life-changing questions: will she and her boyfriend be able to live safely ever after?How We Begin by Elisabeth Lewerenz is a tender exploration of love, queerness and identity. Helen and Diana are perfect for each other: theyve both got good degrees, busy jobs and nice flats. Theres just one small problem Dianas got a boyfriend.I Fucked You in My Spaceship by Louis Emmitt-Stern is a razor-sharp comedy-drama about sex and relationships. Two couples each invite a stranger into their homes with the hope of sparking new life. Instead, they find themselves threatened by alienation, abduction and invasion...A major London festival... showcasing new and rising talentIndependent on VAULT Festival

In this collection of plays from one of our finest dramatists, Caryl Churchill demonstrates her remarkable ability to find new forms to express profound truths about the world we live in. Complete with a new introduction by the author, this volume contains:Seven Jewish Children (Royal Court Theatre, London, 2009): a short play about seven families wondering how to protect their children, written at the time of the bombing of Gaza by Israel in 20089.Love and Information (Royal Court, 2012): a fast-moving kaleidoscope in which more than a hundred characters try to make sense of what they know.Ding Dong the Wicked (Royal Court, 2012): two families on opposite sides of a war, locked in identical hatred.Here We Go (National Theatre, 2015): a play about dying and being dead.Escaped Alone (Royal Court, 2016): three old friends and an unexpected neighbour have tea in a sunny back yard, and face catastrophes.Pigs and Dogs (Royal Court, 2016): a look at how colonialism crushed the fluidity of sexuality in Africa and brought a new intolerance, as shown in the Ugandan Anti-Homosexuality Act of 2014.Also included are three previously unpublished short plays, each written in response to political events: War and Peace Gaza Piece (2014), Tickets are Now On Sale (2015) and Beautiful Eyes (2017).The wit, invention and structural ingenuity of Churchills work are remarkable she never does anything twiceTelegraphThe most dazzlingly inventive living dramatist in the English languageNew York Times

Two plays by David Edgar, written thirty-five years apart, both exploring the theme of youth and revolution.Maydays tells the story of the twenty-somethings who came of age in 1968 and were drawn into revolutionary politics; of defection from East to West as well as from Left to Right. It is told through a number of interlocking stories, across three continents and twenty-five years of tumultuous history.First performed by the Royal Shakespeare Company at the Barbican, London, in 1983, Maydays was revived in this new version, also by the RSC, in 2018.Trying It On is an autobiographical monologue, written to be performed by Edgar, in which the author at seventy confronts the ideals of his twenty-something self. Does he still share the beliefs which once defined him as a person and as an artist? If not, is it he that has changed, or the world itself?Presented by Warwick Arts Centre and China Plate, Trying It On toured the UK in 2018, including performances at the Birmingham Repertory Theatre, the Midlands Arts Centre and at the Royal Court Theatre, London as well as at the Royal Shakespeare Company, alongside the revival of Maydays.This edition also includes a new introduction by the author.

This third richly varied collection of plays by Marina Carr was published to coincide with the Royal Shakespeare Companys premiere of Hecuba at the Swan Theatre, Stratford-upon-Avon, in September 2015.Sixteen Possible Glimpses imagines sixteen fleeting moments in Anton Chekhovs short life and work. Phaedra Backwards retells the Phaedra myth to discover what shaped her. The Map of Argentina offers a meditation on love and what happens when it is denied, or pursued and hunted down. Hecuba was written in reaction to the bad press this Trojan queen receives, and reimagines how she may have suffered and reacted. Indigo is a dark and passionate romance amongst fairies, demons, ghouls and every sort of fantastic creature out of folklore and myth.

Four plays from award-winning playwright Fin Kennedy, created in parnership with Mulberry School in East London - ideal for performance by schools and youth groups.Tender, uncompromising, haunting and lyrical, these four plays together comprise a contemporary chronicle of the lives of East Londons young women.In The Urban Girls Guide to Camping, four young friends leave the city behind and head into the wilderness, but a burning secret threatens to tear their lives apart. A bittersweet comedy about life, love and friendship once school is long gone.Mehndi Nightis a touching family tale about resentment and forgiveness on the night before a wedding, exploring the pleasures and pains of a cross-cultural identity in twenty-first century Britain.From the heart of Londons East End, Stolen Secretsare urban fairytales, bold, lyrical and gruesome, that can be performed individually or together for maximum shock value.In The Unravelling, a dying mother challenges her daughters to weave her the greatest tale, using nothing more than pieces of cloth. A Fringe First Award-winning fable about the power of mythology to change your life.These plays are the result of a unique four-year partnership between award-winning playwright Fin Kennedy and Mulberry School in East London. Originally performed by the school at the Edinburgh Festival Fringe and at Southwark Playhouse, London, they are written in an ensemble storytelling style that will suit younger performance groups around the country, especially those looking for predominantly female roles.

N. F. Simpson was one of the leading exponents of the theatre of the absurd, and is best known for his play A Resounding Tinkle, made famous by its premiere at the Royal Court in 1957, and later to star Peter Cook. But beyond that he was a major force in the satire boom of the sixties, and wrote much exceptional comedy for film and TV for the likes of John Cleese, Beryl Reid, Hattie Jacques and Eric Sykes, as well as a number of brilliantly funny plays for theatre, which starred big names such as Harold Pinter and Kenneth Williams. His influence on everyone from Peter Cooks much-loved character E. L. Wisty to Monty Pythons Flying Circus helped spawn a generation of incredible comic talent. Plays included in the collection are A Resounding Tinkle, The Hole, Gladly Otherwise, One Way Pendulum, The Cresta Run, Was He Anyone? and his final work, If So, Then Yes, first performed in 2010. This collection celebrates the work of this lost comic genius, and seeks to put his reputation back at the heart of British - and world - comedy.

«Teatro» (1912) recoge la mayor parte de la producción teatral de Víctor Pérez Petit, como, por ejemplo: «Cobarde», «Claro de luna» y «Yorick», en el primer tomo de la recopilación; y «El esclavo-rey

Orações, Magias, Rituais e Feitiços de São Cipriano Contra Inimigos e Rivais é um livro criado por Élida Alexandre com orações à Deus e à São Cipriano para o inimigo ser humilhado, desmascarado e afa

O Grupo Teatral Desencanto se tornou uma companhia teatral atuante nas manifestações culturais e religiosas de Trindade, marcado por uma singularidade, por atuar em vários momentos de organização e p

Polly Stenhams explosive That Face, written at the age of nineteen, was staged at the Royal Court before transferring to Londons West End. Tusk Tusk and No Quarter followed, also for the Royal Court. Her fourth play, Hotel, opened at the National Theatre. All four are contained in Plays 1, together with an introduction from the author.That FaceOne of the most astonishing debuts I have seen in more than 30 years.. In every respect this is a remarkable and unforgettable piece of theatre.Daily TelegraphTusk TuskA cracking confirmation of Stenhams talent... [A] gripping, witty, sad play.Financial TimesNo QuarterStenham is that rare thing, a truly exciting writer... It is hard to envisage anything providing this kind of mainlining thrill.Evening StandardHotelAt its core, Hotel is about civilisation peeled down to savagery. And that is where Stenham is at her brutal, universal best.Independent

In this first collection by Zinnie Harris, Further than the Furthest Thing evokes the fragility of an island community as their way of life is threatened and they must determine their future, while Midwinter opens as a woman steals a dead horse to feed to a child. How To Hold Your Breath tells the story of a woman who sleeps with the devil and defends her belief in love, even as her world collapses around her, and Meet Me at Dawn offers a compelling, allegorical love story that explores the desolating effects of grief. With an introduction by director Dominic Hill.Further than the Furthest ThingAlready has the status of a modern classic. Lyn Gardner, GuardianArguably the greatest tragedy in the Scottish theatrical canon Mark Brown, TelegraphMidwinterThere is no mistaking her talentObserverA stunning metaphor for our timeHeraldHow to Hold Your BreathHarriss writing is not only wonderfully imaginative, but also beautifully light.TribuneDizzyingly bold . . . pressingly topical and admirably ambitiousFinancial TimesMeet Me at DawnA twenty-first-century classicScotsmanLyrical, raw and hazySunday Times