ANTHONY GRAFTON

Usadas profusamente por Kant, rechazadas por Hegel, consideradas ya como una forma excelsa del arte literario, ya como enojosas interrupciones de la lectura, las notas al pie, que a menudo se emplean para polemizar con los colegas, han sido ellas mismas objeto de polemica.

A revelatory new account of the magus the learned magician and his place in the world of Renaissance Europe At the heart of the extraordinary ferment of the High Renaissance stood a distinctive strange and beguiling figure the magus An unstable mix of scientist bibliophile engineer fabulist and fraud the magus ushered in modern physics and chemistry while also working on everything from secret codes to siege engines to magic tricks Anthony Grafton s wonderfully original book discusses the careers of men who somehow managed to be both figures of startling genius and by some measures credulous or worse The historical Faust Marsilio Ficino Pico della Mirandola Johannes Trithemius and Heinrich Cornelius Agrippa are all fascinating characters closely linked to monarchs artists and soldiers and sitting at the heart of any definition of why the Renaissance was a time of such restless innovation The study of the stars architecture warfare even medicine all of these and more were revolutionized in some way by the experiments and tricks of these extraordinary individuals No book does a better job of allowing us to understand the ways that magic religion and science were once so intertwined and often so hard to tell apart

A revelatory account of the magus the learned magician and his place in the world of Renaissance EuropeAt the heart of the extraordinary ferment of the High Renaissance stood a distinctive strange and beguiling figure the magus An unstable mix of scientist bibliophile engineer fabulist and fraud the magus ushered in modern physics and chemistry while also working on everything from secret codes to siege engines to magic tricks Anthony Grafton s wonderfully original book discusses the careers of men who somehow managed to be both figures of startling genius and by some measures credulous or worse The historical Faust Marsilio Ficino Pico della Mirandola Johannes Trithemius and Heinrich Cornelius Agrippa are all fascinating characters closely linked to monarchs artists and soldiers and sitting at the heart of any definition of why the Renaissance was a time of such restless innovation The study of the stars architecture warfare even medicine all of these and more were revolutionized in some way by the experiments and tricks of these extraordinary individuals No book does a better job of allowing us to understand the ways that magic religion and science were once so intertwined and often so hard to tell apart

En La cultura de la corrección de textos en el Renacimiento europeo, Anthony Grafton nos invita a entrar en los talleres de imprenta de los siglos xvi, xvii y xviii, tras una inves¬tigación exhaustiv