With an introduction by Irvine Welsh A cult classic, adapted into an award-winning film starring Christian Bale. Is evil something you are? Or is it something you do? Patrick Bateman has it all: good looks, youth, charm, a job on Wall Street, reservations at every new restaurant in town and a line of girls around the block. He is also a psychopath. A man addicted to his superficial, perfect life, he pulls us into a dark underworld where the American Dream becomes a nightmare ...Bret Easton Ellis' American Psycho is one of the most controversial and talked-about novels of all time. A multimillion-copy bestseller hailed as a modern classic, it is a violent black comedy about the darkest side of human nature.
For his fifth and most enjoyable novel, Ellis has found the perfect anti-hero: himself.We start with an overview of his life and oeuvre. The author/narrator, a narcissistic, self-pitying drug fiend, gets a shot at redemption when movie star Jayne Dennis, an old flame, offers to marry him. The deal is that he must now connect with Robby, the son he has shunned for 11 years. The father-son relationship is the novel's major theme and plot pivot; the 1992 death of Bret's difficult father was traumatic. Bret jumps at the offer. How will the celebrity author handle marriage, fatherhood and life in the suburbs? He can't hack it. He loses his desire for Jayne in his drive to seduce Aimee, a student at the local college; he quickly reverts to his cocaine and vodka habits (Brat Pack buddy Jay McInerney shows up for a druggy Halloween party); and he resents his cold, distant son. This is all as fascinating as a car wreck and is frequently very funny. Then things get weird. Terby, the mechanical bird doll owned by Sarah, Jayne's daughter by a different father, comes to sinister life. Bret receives mysterious e-mails from the bank where his father's ashes are deposited. Boys in the neighborhood disappear, and there is a wave of grisly murders modeled on those in American Psycho. The story of a doomed marriage blends with a satirical take on upscale suburban angst, a campy horror story about a haunted house, a Frankenstein-like case of a monster unchained and a serious rumination on the damage fathers can do to sons. Ellis stirs these elements into a steamy witches' brew and works his way through to a marvelously elegiac ending, displaying real artistic discipline. "Every word is true," declares Bret—but then again, a writer's life is "a maelstrom of lying." Even his harshest critics may now have to acknowledge that this versatile, resourceful writer has formidable skills
Que raconte White, première expérience de " non-fiction " pour Bret Easton Ellis ? Tout et rien. " Tout dire sur rien et ne rien dire surtout " pourrait être la formule impossible
Patrick Bateman e giovane, bello, ricco. Vive a Manhattan, lavora a Wall Street e con i colleghi Timothy, David, Patten e Craig, frequenta i locali piu alla moda, le palestre piu esclusive e le toilette dove gira la migliore cocaina della citta, discutendo di nuovi ristoranti, cameriere corpoduro ed eleganza maschile. Ma la sua vita e ricca di particolari piuttosto inquietanti e quando le tenebre scendono su New York, Patrick Bateman si trasforma in un torturatore omicida, freddo, metodico, spietato.
Paul wants Sean but settles for Richard. Sean only has eyes for Lauren who pines for absent Victor. Author Bret Easton Ellis trains his gaze on the students at self-consciously bohemian Camden College. He treats their sexual posturings and agonies with a mixture of acrid hilarity and genuine compassion, while exposing the moral vacuum at the center of their lives.
A man in what is recognizably New York is drawn into a shadowy looking-glass of that society and then finds himself trapped on the other side, in a much darker place where fame and terrorism, and family and politics, are inextricably linked and sometimes indistinguishable.
This novel offers a satirical yet bleak vision of the modern world - a world devoted to conspicuous consumption and consumer-as-king culture - and highlights the feelings of futility and superficiali
