David Foster Wallace

Somewhere in the not-so-distant future the residents of Ennet House, a Boston halfway house for recovering addicts, and students at the nearby Enfield Tennis Academy are ensnared in the search for the master copy of INFINITE JEST, a movie said to be so dangerously entertaining its viewers become entranced and expire in a state of catatonic bliss ...'Wallace's exuberance and intellectual impishness are a delight, and he has deep things to say about the hollowness of contemporary American pleasure ...sentences and whole pages are marvels of cosmic concentration ...Wallace is a superb comedian of culture' James Wood, GUARDIAN

'A visionary, a craftsman, a comedian and as serious as it is possible to be without accidentally writing a religious text. He can do anything with a piece of prose, and it is a humbling experience to see him go to work on what has passed up till now as 'modern fiction'. He's so modern he's in a different time-space continuum from the rest of us. Goddamn him' ZADIE SMITH A recognised master of form and a brilliant recorder of human behaviour, David Foster Wallace has been hailed as 'the most significant writer of his generation' (TLS). Each new book confirms and extends his genius, and this new short story collection is no exception. He is quite possibly the most exciting literary talent in America today, and certainly one of the most influential. 'Wallace's talent is such that you can't help wondering: how good can he get?' TIME OUT

Both Flesh and Not combines David Foster Wallace's best-loved essays with work never before published in the UK. Beloved for his brilliantly discerning eye, his verbal elasticity and his uniquely generous imagination, David Foster Wallace was heralded by critics and fans as the voice of a generation. Collected in Both Flesh and Not are fifteen essays published for the first time in book form, including writing never published before in the UK. From 'Federer Both Flesh and Not', considered by many to be his nonfiction masterpiece; to 'The (As it Were) Seminal Importance of Terminator 2,' which deftly dissects James Cameron's blockbuster; to 'Fictional Futures and the Conspicuously Young', an examination of television's effect on a new generation of writers, David Foster Wallace's writing swoops from erudite literary discussion to open-hearted engagement with the most familiar of our twentieth-century cultural references. A celebration of Wallace's great loves - for language, for precision, for meaning - and a feast of enjoyment for his fans, Both Flesh and Not is a fitting tribute to this writer who was never concerned with anything less important than what it means to be alive. Praise for Both Flesh and Not: "Whether dwelling on the real-world implications of metaphysics [or the] pop constructions of pure maths...Both Flesh and Not brims with jewels of insight and expression".

Do lobsters feel pain? Did Franz Kafka have a sick sense of humour? What is John Updike's deal anyway? And who won the Adult Video News' Female Performer of the Year Award the same year Gwyneth Paltrow won her Oscar? David Foster Wallace answers these questions and more in his new book of hilarious non-fiction. For this collection, David Foster Wallace immerses himself in the three-ring circus that is the presidential race in order to document one of the most vicious campaigns in recent history. Later he strolls from booth to booth at a lobster festival in Maine and risks life and limb to get to the bottom of the lobster question. Then he wheedles his way into an L.A. radio studio, armed with tubs of chicken, to get the behind-the-scenes view of a conservative talkshow featuring a host with an unnatural penchant for clothing that only looks good on the radio. In what is sure to be a much-talked-about exploration of distinctly modern subjects, one of the sharpest minds of our time delves into some of life's most delicious topics.

The "dazzling, exhilarating" (San Francisco Chronicle) debut novel from one of this century's most groundbreaking writers, The Broom of the System is an outlandishly funny and fiercely intelligent exploration of the paradoxes of language, storytelling, and reality.