Elizabeth Gaskell, página 2 de 12

Gaskell mima a sus personajes y les da alas para crecer, sin que ello signifique que sea complaciente con sus debilidades. Al contrario, Cranford sobresale por la fiereza con que critica algunas de las lacras de la sociedad que retrata. Pepa MonteroEn esta deliciosa novela, cuando se conversa la palabra, avanza el ritmo del pensamiento y uno ni corta ni se aventura tratando de adivinar la palabra del otro. Maria Jose ObiolCranford (1851-1853) es sin duda la obra mas popular de Elizabeth Gaskell, escrita a instancias de Dickens, despues del exito conseguido con su primera novela, Mary Barton. El paisaje, la ambientacion e incluso los personajes estan tomados del pueblecito en que la autora paso su infancia, Knutsford, y, en un retrato lleno de humor y afecto, pero exento de sensibleria, se nos presentan unos valores y costumbres que la Revolucion industrial estaba transformando rapidamente. A traves de la emblematica figura de unas hermanas solteronas, asistimos a los pequeños y grandes acontecimientos de la pequeña comunidad: la llegada de un apuesto capitan viudo y sus dos hijas, las cartas que se reciben de ultramar, las estrecheces economicas de las mujeres de buena sociedad, los compromisos matrimoniales y las muertes.La primera entrega de lo que mas tarde seria Cranford, que abarcaba dos capitulos de la presente edicion, se publico en la revista que dirigia Dickens, Household Words, el 13 de diciembre de 1851. En un principio, la intencion de la autora fue plantearlos como un sketch independiente. Sin embargo, el entusiasmo que este primer episodio desperto tanto en el publico como en la propia Elizabeth Gaskell la impulso a continuar tratando el tema. Los siguientes episodios aparecieron de forma irregular a lo largo de 1852 y 1853. Finalmente, Cranford se publico en un volumen en junio de 1853. La edicion que aqui presentamos se basa en la edicion publicada en 1864, la ultima revisada por la autora antes de su muerte.Contada en un tono de confidencia intima, sin esfuerzo aparente, y con un detallado elenco de personajes femeninos observados en profundidad, Cranford es, tanto en palabras de Dickens como de E. M. Forster, un exquisito retrato social, una obra tierna y deliciosa que ha sabido mantener su atractivo a traves de los años.

In Elizabeth Gaskells poignant novella, "The Old Nurses Story," the narrative unfolds through the haunting recollections of an elderly nurse as she recounts a chilling tale of her time spent in a decaying English manor. Gaskell employs a gothic literary style, weaving together eerie atmospheres, vivid imagery, and nuanced characterizations that evoke a sense of dread reminiscent of her contemporaries, such as Charles Dickens and the Bronte sisters. Set against the backdrop of a tumultuous past and interlaced with themes of memory and the supernatural, this work highlights Gaskells adeptness at blending social critique with folklore, inviting readers into a complex world where the boundaries of reality blur alarmingly. Elizabeth Gaskell (1810-1865), a prominent Victorian novelist and biographer, was deeply influenced by the societal upheavals of her time and the intricacies of human relationships. Her experiences as a writer in a rapidly industrializing England, alongside her personal encounters with loss and memory, profoundly shaped her thematic explorations. Gaskells rich tapestry of narratives often reflects her empathy towards the vulnerable, and "The Old Nurses Story" is a testament to her curiosity about the interplay between the past and the present. Recommended for readers who enjoy gothic literature and psychological depth, "The Old Nurses Story" offers an enthralling journey into the shadows of memory and the supernatural. Gaskells masterful storytelling and rich prose are certain to captivate those seeking to explore the darker facets of human experience, making this novella a hauntingly memorable addition to any literary collection.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- An Author Biography reveals milestones in the authors life, illuminating the personal insights behind the text.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

In "Lois the Witch," Elizabeth Gaskell intertwines the thematic complexities of witchcraft, gender, and societal norms within a richly textured narrative set against the backdrop of the Salem witch trials. Gaskell adopts a third-person perspective that skillfully alternates between the inner thoughts of her protagonist, Lois, and the tumultuous environment of 17th-century New England. This novella not only illuminates the hysteria that drove communities to madness but also critiques the patriarchal structures that enabled such persecution, thus placing it firmly within the context of Gothic literature that emerged during the Victorian era. Elizabeth Gaskell, a prominent Victorian novelist known for her keen social observations, draws deeply from her interest in social issues and the lives of women in a restrictive society. The author, having experienced personal loss and societal upheaval, was motivated to explore the themes of fear, displacement, and the struggle for agency through LoisAos character. Gaskells familiarity with the human psyche and moral dilemmas is evident, as she deftly handles the intersection of individual desire and societal condemnation. "Lois the Witch" is a must-read for those interested in feminist literature and historical fiction. GaskellAos incisive exploration of fear and control invites readers to reflect on the consequences of hysteria and the power dynamics within society. Its haunting narrative and profound insights make it a timeless piece that resonates with contemporary issues surrounding gender and power.

Una petita obra mestra. Ens transporta a l'època en què l'arribada del ferrocarril estava provocant canvis profunds en el paisatge anglès. Una commovedora història sobre la pèrdua de la innocència rural, retrata els efectes d'aquests canvis sobre una noia de poble que, per primera vegada, descobreix l'amor.

North and South is a novel by Elizabeth Gaskell, first published in book form in 1855 originally appeared as a twenty-two-part weekly serial from September 1854 through January 1855 in the magazine Household Words, edited by Charles Dickens. The title indicates a major theme of the book: the contrast between the way of life in the industrial north of England and the wealthier south, although it was only under pressure from her publishers that Gaskell changed the title from its original, Margaret Hale.The book is a social novel that tries to show the industrial North and its conflicts in the mid-19th century as seen by an outsider, a socially sensitive lady from the South. The heroine of the story, Margaret Hale, is the daughter of a Nonconformist minister who moves to the fictional industrial town of Milton after leaving the Church of England. The town is modeled after Manchester, where Gaskell lived as the wife of a Unitarian minister. Gaskell herself worked among the poor and knew at first hand the misery of the industrial areas.

My Lady Ludlow is a long novella (over 77,000 words). It appeared in the magazine Household Words in 1858, and was republished in Round the Sofa in 1859, with framing passages added at the start and end.It recounts the daily lives of the widowed Lady Ludlow of Hanbury and the spinster Miss Galindo, and their caring for other single women and girls. It is also concerned with Lady Ludlows man of business, Mr Horner, and a poachers son named Harry Gregson whose education he provides for. With Cranford, The Last Generation in England and Mr. Harrisons Confessions, it was adapted for TV in 2007 as Cranford.

Cranford is a witty portrait of small town life in early-Victorian England. The story unfolds through the eyes of Mary Smith, a young woman who observes the comedic struggles of two middle aged sisters in their efforts to maintain a level of refined dignity amid poverty.

Charles Dickens, Elizabeth Gaskell, Edward Bulwer-Lytton, Charlotte Perkins Gilman y Edith Nesbit crearon los cimientos del terror moderno, en especial, el género de casas embrujadas, de fantasmas y entes malignos. El velo negro, El cuento de la vieja niñera, La casa de los espíritus, El papel amarillo y La boda de John Charrington, son cinco relatos sorprendentes y escalofriantes que no dejarán al lector indiferente. El miedo evoluciona, se transforma, se adapta a los tiempos en su apariencia, pero hunde sus raíces en lo más profundo de nuestro inconsciente.

Ce roman d''amour sur fond de scandales et d''intrigues se déroule dans l''Angleterre rurale de la fin des années 1820. Il met en scène Molly, la fille rebelle d''un médecin de campagne, les aristocr

The supreme Roman epic and the greatest poem in Latin, the Aeneid has inspired many of the great European poets including Dante and Milton. The Trojan hero Aeneas, after surviving the sack of Troy, makes his way to the West, urged on by benevolent deities and following a destiny laid down by Jupiter, but harassed and impeded by the goddess Juno. He wins his way to Italy despite many trials, of which the greatest is the tragic outcome of his love affair with Dido, Queen of Carthage. In Italy Aeneas visits the world of the dead, and is forced to wage a fearful war with the indigenous Italian tribes before he can found his city and open the history of Rome. The Aeneid survives as a poem not only of Roman imperialism but also of the whole world of human passion, duty and suffering.

Elizabeth Gaskell Edited by Shirley FosterSet in Manchester in the 1840s, Mary Barton depicts the effects of economic and physical hardship upon the city's working-class community. Paralleling the novel's treatment of the relationship between masters and men, the suffering of the poor, and the workmen's angry response, is the story of Mary herself--a factory-worker's daughter who attracts the attentions of the mill-owner's son, who becomes caught up in the violence of class conflict when a brutal murder forces her to confront her true feelings and allegiances. This new edition reproduces the last edition of the novel supervised by Gaskell. The introduction provides historical and biographical context to the novel, a survey of critical responses to Mary Barton , and argues that Gaskell was chiefly concerned with the importance of communication as a means of healing breaches between people. In addition, the book contains an up-to-date critical biography, revised notes and appendixes that include Gaskell's rough draft and outline of the novel's conclusion.

Ruth, huérfana y aprendiz de costurera es seducida y cruelmente abandonada por el aristócrata Henry Bellingham. Una vez «deshonrada» pierde su trabajo y es condenada a la exclusión de la llamada «soc

In "Half a Life-time Ago," Elizabeth Gaskell masterfully intertwines themes of nostalgia and the complexities of human relationships. This novella, characterized by Gaskells characteristic vivid characterizations and acute social observations, paints a poignant picture of the impact of the past on the present. Set against the backdrop of early Victorian England, the narrative explores the lives of its protagonists as they navigate the intricacies of love, loss, and memory, employing a reflective and often melancholic tone that invites readers to delve into their own reflections on time and identity. Elizabeth Gaskell, a prominent figure in Victorian literature, often drew from her own life experiences in her works. Living through the industrial revolution and witnessing the struggles of the working class, Gaskell imbued her writing with empathy and insight into social issues. Her exposure to diverse social classes through her familial connections and her friendship with prominent literary contemporaries, including Charlotte Bront, further informed her rich storytelling and the exploration of both personal and societal dilemmas. "Half a Life-time Ago" is an essential read for those interested in the complexities of the human experience. Gaskells eloquent prose and deep psychological insight create a compelling narrative that resonates with readers from various backgrounds. This novella rewards readers with its timeless exploration of how our past continues to shape our present, making it a significant addition to anyones literary collection.

Mary Barton is a novel with an author, genre, plot and conclusion marked by tension, opposition and conflict. It exists on the event horizon between the British industrial and agricultural economies, between Tory Anglicanism and the non-conformist Whigs, between employers and works and, finally, between women and men. The original title was to have been John Barton, but was changed later to its present form. Yet, critics reading it today find its narrative to fall, as did the original publication, into two books, with the first following the descent of John Barton and the other the ascendancy of his daughter, Mary. The first half follows Johns union activities and the industrial upheavals of 1840s Manchester. Its strong sympathies for the labor class, use of their crude language and description of their nauseating living conditions caused many to criticize the novel, despite Charles Dickens praise. The second half of the novel exposes the conflicting Victorian ideals of womanhood. Through the characters of Esther Barton, a prostitute, and Mary Barton, a vain and naive girl who transforms into a capable woman, Gaskell sets up a framework for feminism. Though on the surface an English Provincial novel in the fashion of Jane Austen, Charlotte Bronte and George Eliot, Mary Barton rewards multiple readings by revealing webs of inner conflict that both affirm convention and whisper rebellion.

Mary Gaskell's North and South examines the nature of social authority and obedience and provides an insightful description of the role of middle class women in nineteenth century society. Through the story of Margaret Hale, a southerner who moves to the northern industrial town of Milton, Gaskell skillfully explores issues of class and gender, as Margaret's sympathy for the town mill workers conflicts with her growing attraction to the mill owner, John Thornton. This new and revised expanded edition sets the novel in the context of Victorian social and medical debate.

Lady Ludlow es una historia dentro de muchas historias, sobre héroes desconocidos y narrada en torno al círculo iniciático de la amistad.