Elizabeth Gaskell, página 4 de 13

'Cranford is in possession of the Amazons; all the holders of houses, above a certain rent, are women.' In this witty and poignant comedy of early-Victorian life in a country town, Elizabeth Gaskell describes the uneventful lives of the lady-like inhabitants so as to offer an ironic commentary on the diverse experiences of men and women. She explores the unlikely juxtapositions of old and new brought about by the pace of change: the effects of Victorian commerce and imperial expansion co-exist with the survival of customs and habits of thought from much earlier times. This edition has detailed notes and a new introduction which discusses the originality and subtlety of the book's angle on women's experience.

Select Guide Rating

Wives and Daughters, generally thought to be Elizabeth Gaskell's finest, is a departure from her earlier 'social' fiction, such as Mary Barton and North and South. Set in English society before the 1832 Reform Bill, Wives and Daughters centres on the story of youthful Molly Gibson, brought up from childhood by her father. When he remarries, a new step-sister enters Molly's quiet life - loveable, but worldly and troubling, Cynthia. The narrative traces the development of the two girls into womanhood within the gossiping and watchful society of Hollingford. Wives and Daughters is far more than a nostalgic evocation of village life; it offers an ironic critique of mid-Victorian society. 'No nineteenth-century novel contains a more devastating rejection than this of the Victorian male assumption of moral authority', writes Pam Morris in her introduction to this new edition, in which she explores the novel's main themes - the role of women, Darwinism and the concept of Englishness - and its literary and social context.

The supreme Roman epic and the greatest poem in Latin, the Aeneid has inspired many of the great European poets including Dante and Milton. The Trojan hero Aeneas, after surviving the sack of Troy, makes his way to the West, urged on by benevolent deities and following a destiny laid down by Jupiter, but harassed and impeded by the goddess Juno. He wins his way to Italy despite many trials, of which the greatest is the tragic outcome of his love affair with Dido, Queen of Carthage. In Italy Aeneas visits the world of the dead, and is forced to wage a fearful war with the indigenous Italian tribes before he can found his city and open the history of Rome. The Aeneid survives as a poem not only of Roman imperialism but also of the whole world of human passion, duty and suffering.

Set in Manchester in the 1840s, Mary Barton depicts the effects of economic and physical hardship upon the city's working-class community. Paralleling the novel's treatment of the relationship between masters and men, the suffering of the poor, and the workmen's angry response, is the story of Mary herself--a factory-worker's daughter who attracts the attentions of the mill-owner's son, who becomes caught up in the violence of class conflict when a brutal murder forces her to confront her true feelings and allegiances. This new edition reproduces the last edition of the novel supervised by Gaskell. The introduction provides historical and biographical context to the novel, a survey of critical responses to Mary Barton, and argues that Gaskell was chiefly concerned with the importance of communication as a means of healing breaches between people. In addition, the book contains an up-to-date critical biography, revised notes and appendixes that include Gaskell's rough draft and outline of the novel's conclusion. This is Elizabeth Gaskell at her best, and Shirley Foster's edition is both sagacious and formally accurate. The appendices are invaluable and the explanatory notes are relevant without being obtrusive. A must for readers of Mary Barton. Dr. Antonio Ballesteros-Gonzalez, Universidad de Castilla-La Mancha

Mary Gaskell's North and South examines the nature of social authority and obedience and provides an insightful description of the role of middle class women in nineteenth century society. Through the story of Margaret Hale, a southerner who moves to the northern industrial town of Milton, Gaskell skillfully explores issues of class and gender, as Margaret's sympathy for the town mill workers conflicts with her growing attraction to the mill owner, John Thornton. This new and revised expanded edition sets the novel in the context of Victorian social and medical debate.

El 1691, després de la mort dels seus pares, la jove Lois Barclay ha de creuar l'Atlàntic per arribar a Salem, Nova Anglaterra, on l'acull la família del seu oncle. Era un territori encara salvatge i

La prima Phillis está inspirada en ese mundo rural del Cheschire de la infancia de Gaskell, un universo sensillo y gozoso que pretende rememorar los fuertes vínculos de la familia y la comunidad. Elizabeth Gaskell (1810-1865) fue una mujer valiente, entregada a su familia y al bienestar de todos aquellos que la redaban, y que trato de mostrar en sus escrito que lo verdaderamente importante es el alma que todos llevamos dentro. Mujer de espiritu libre, fue considerada una escritora de tematica social, que vivio los conflictos de la edad de oro de la Revolucion Industrial en Inglaterra; pero su propia humanidad la lanzo mas alla de la aparente critica social que reflejaban sus obras. Fue alabada por grandes escritores de la epoca, como Charles Dickens, que la ayudo durante toda su vida. Elizabeth Gaskell es la autentica heredera de la obra de Jane Austen, de la luz que trata de iluminar y explicar el alma femenina. Lo demas son prejuicios.

When her father leaves the Church in a crisis of conscience, Margaret Hale is uprooted from her comfortable home in Hampshire to move with her family to the north of England. Initially repulsed by the ugliness of her new surroundings in the industrial town of Milton, Margaret becomes aware of the poverty and suffering of the local mill workers and develops a passionate sense of social justice. This is intensified by her tempestuous relationship with the mill-owner and self-made man, John Thornton, as their fierce opposition over his treatment of his employees masks a deeper attraction. In North and South, Elizabeth Gaskell skillfully fused individual feeling with social concern, and in Margaret Hale created one of the most original heroines of Victorian literature.