George Eliot, página 6 de 19

Gentle linen weaver Silas Marner is wrongly accused of a heinous theft, and he exiles himself from the world-until he finds redemption and spiritual rebirth through his unselfish love for an abandoned child who mysteriously appears one day at his isolated cottage. Somber, yet hopeful, Eliot's realistic depiction of an irretrievable past, tempered with the magical elements of myth and fairy tale, remains timeless in its understanding of human nature and is beloved by every generation.

The Complete Works of George Eliot is an expansive compilation that showcases the profound depth of her narrative artistry and philosophical insight. Eliot, a pioneer of psychological realism, weaves intricate character studies and moral dilemmas within her richly textured narratives. Notably, her exploration of social identity, gender roles, and the human condition resonates with the Victorian era while also challenging prevailing norms. This collection highlights seminal works such as Middlemarch and Silas Marner, revealing her keen observation of societal intricacies and intimate human relationships through eloquent prose and a deep sensitivity to her charactersAo inner lives. George Eliot, the pen name of Mary Ann Evans, was a trailblazer for women in literature, determined to explore themes often overshadowed by her male contemporaries. Raised in rural England and well-educated, she imbibed diverse philosophical and religious ideas, which would later permeate her writings. Her unique blend of personal experience and intellectual rigor reflects in her narratives, making her a formidable voice in Victorian literature and a precursor to modern psychological fiction. I highly recommend The Complete Works of George Eliot to readers seeking a profound engagement with the human spirit and the societal constructs that shape it. EliotAos works invite introspection and critical thought, ensuring her legacy remains pivotal for literature enthusiasts and scholars alike.

Designed to appeal to the book lover, the Macmillan Collector's Library is a series of beautiful gift editions of much-loved classic titles. Macmillan Collector's Library are books to love and treasure.With enchanting detail and precise plotting, George Eliot's most autobiographical novel tells the story of a brother and sister pulled apart. This edition of The Mill on the Floss features a new introduction by Professor Kathryn Hughes.Maggie Tulliver and her brother Tom enjoy a close friendship and a rural childhood on the banks of the river Floss. But the approach of adulthood brings tension to their relationship; intelligent and fiery Maggie tests the boundaries of nineteenth-century society in her search for love while Tom embraces convention and accepts his father's desire for him to become a businessman. Increasingly self-righteous, Tom disapproves of his sister's suitors and when he discovers that she took a fateful boat trip with Stephen Guest, her cousin's fiance, he turns his back on her. Maggie is ostracized by her beloved brother and her own community, and only through tragic events are the siblings reunited...

La oscuridad radiante supone un esfuerzo por rescatar del olvido la labor poética de una autora escondida tras la larga sombra de su sobrenombre, a cuya esencia nos acercamos a partir del reflejo más intimo de su identidad su poesia, traducida por vez primera al español.Esta antologia, a cargo de Juan Pedro Martin Villarreal, se presenta en edicion bilingue, con un anexo de poemas manuscritos por la autora."

Daniel Deronda is a novel by George Eliot, first published in 1876. It was the last novel she completed and the only one set in the contemporary Victorian society of her day. Its mixture of social satire and moral searching, along with a sympathetic rendering of Jewish proto-Zionist and Kabbalistic ideas, has made it a controversial final statement of one of the greatest of Victorian novelists.The novel has been adapted for film three times, once as a silent feature and twice for television. It has also been adapted for the stage, most notably in the 1960s by the 69 Theatre Company in Manchester with Vanessa Redgrave cast as the heroine Gwendolen Harleth.

Who that cares much to know the history of man, and how the mysterious mixture behaves under the varying experiments of Time, has not dwelt, at least briefly, on the life of Saint Theresa, has not smiled with some gentleness at the thought of the little girl walking forth one morning hand-in-hand with her still smaller brother, to go and seek martyrdom in the country of the Moors? Out they toddled from rugged Avila, wide-eyed and helpless-looking as two fawns, but with human hearts, already beating to a national idea; until domestic reality met them in the shape of uncles, and turned them back from their great resolve. That child-pilgrimage was a fit beginning. Theresas passionate, ideal nature demanded an epic life: what were many-volumed romances of chivalry and the social conquests of a brilliant girl to her? Her flame quickly burned up that light fuel; and, fed from within, soared after some illimitable satisfaction, some object which would never justify weariness, which would reconcile self-despair with the rapturous consciousness of life beyond self. She found her epos in the reform of a religious order.That Spanish woman who lived three hundred years ago, was certainly not the last of her kind. Many Theresas have been born who found for themselves no epic life wherein there was a constant unfolding of far-resonant action; perhaps only a life of mistakes, the offspring of a certain spiritual grandeur ill-matched with the meanness of opportunity; perhaps a tragic failure which found no sacred poet and sank unwept into oblivion. With dim lights and tangled circumstance they tried to shape their thought and deed in noble agreement; but after all, to common eyes their struggles seemed mere inconsistency and formlessness; for these later-born Theresas were helped by no coherent social faith and order which could perform the function of knowledge for the ardently willing soul.

With a single drop of ink for a mirror, the Egyptian sorcerer undertakes to reveal to any chance comer far-reaching visions of the past. This is what I undertake to do for you, reader. With this drop of ink at the end of my pen, I will show you the roomy workshop of Mr. Jonathan Burge, carpenter and builder, in the village of Hayslope, as it appeared on the eighteenth of June, in the year of our Lord 1799.

According to The Oxford Companion to English Literature, "the plot is founded on a story told to George Eliot by her aunt Elizabeth Evans, a Methodist preacher, and the original of Dinah Morris of the novel, of a confession of child-murder, made to her by a girl in prison." The storys plot follows four characters rural lives in the fictional community of Hayslopea rural, pastoral and close-knit community in 1799. The novel revolves around a love "rectangle" among beautiful but self-absorbed Hetty Sorrel; Captain Arthur Donnithorne, the young squire who seduces her; Adam Bede, her unacknowledged suitor; and Dinah Morris, Hettys cousin, a fervent, virtuous and beautiful Methodist lay preacher. (The real village where Adam Bede was set is Ellastone[citation needed]on the Staffordshire / Derbyshire border, a few miles from Uttoxeter and Ashbourne, and near to Alton Towers. Eliots father lived in the village as a carpenter in a substantial house now known as Adam Bedes Cottage).Adam is a local carpenter much admired for his integrity and intelligence, in love with Hetty. She is attracted to Arthur, the local squires charming grandson and heir, and falls in love with him. When Adam interrupts a tryst between them, Adam and Arthur fight. Arthur agrees to give up Hetty and leaves Hayslope to return to his militia. After he leaves, Hetty Sorrel agrees to marry Adam but shortly before their marriage, discovers she is pregnant. In desperation, she leaves in search of Arthur but she cannot find him. Unwilling to return to the village on account of the shame and ostracism she would have to endure, she delivers her baby with the assistance of a friendly woman she encounters. She subsequently abandons the infant in a field but not being able to bear the childs cries, she tries to retrieve the infant. However, she is too late, the infant having already died of exposure.Hetty is caught and tried for child murder. She is found guilty and sentenced to hang.

Audiolibro.

"The sad fortunes of the Reverend Amos Barton", "Mr Gilfil's love-story" and "Janet's repentance", are the three stories which make up this, George Eliot's first work of fiction, published anonymously in "Blackwood's Edinburgh Magazine" in 1857. In these stories George Eliot aimed to present, as truthfully as possible, the lives of ordinary men and women, their joys and suffering, their emotions, their conceptions of life and their human weaknesses, in such a way that they might capture the reader's sympathy and compassion. This edition reproduces the text of the same editor's Clarendon edition, based on the first volume printing collated with later editions and with the manuscript. Thomas Noble is author of "George Eliot's scenes of clerical life" and the chronology is by Gordon S. Haight.