Horace Walpole

Obra que dio origen a la llamada «novela gótica», EL CASTILLO DE OTRANTO comenzó a forjar el tenebroso imaginario formado por ominosos castillos provistos de lúgubres mazmorras, por una naturaleza so

El principal personaje de EL CASTILLO DE OTRANTO es el castillo mismo, omnipresente durante toda la obra. En él y en una iglesia cercana se desarrolla toda la intriga, protagonizada por el usurpador del principado, Manfredo, para que no se cumpla una profecia que vaticina que sera desposeido del castillo y su linaje sera castigado. Este argumento supone la defensa de una concepcion del mundo que se resiste a morir con la llegada de la Ilustracion. Esa sociedad medieval de territorios dominados por reyes o principes que disponen a su voluntad de criados y vasallos se habia extinguido en realidad hacia algunos siglos. Pero la ideologia que la sostiene quiere seguir viva para perpetuar una situacion insostenible en la que los reyes del siglo XVIII y la nobleza que los apoya (no hay que olvidar que Walpole era conde) controlan el poder y se reparten la tierra.

En 1764, el conocido político, escritor y arquitecto británico Horace Walpole escribió el que más tarde sería considerado como el texto inaugural de la literatura de terror gótico: El castillo de Otranto. La novela de Walpole cuenta la historia de Manfredo, un tirano de la Italia medieval cuya estirpe fue maldecida cuando su abuelo usurpó el poder del castillo a sus legítimos poseedores. Manfredo intenta conservar su herencia uniendo en matrimonio a su hijo Conrado con la princesa Isabella, pero poco antes de que se celebre el enlace ocurre un fatal accidente de origen sobrenatural que frustra sus designios.

The following work was found in the library of an ancient Catholic family in the north of England. It was printed at Naples, in the black letter, in the year 1529. How much sooner it was written does not appear. The principal incidents are such as were believed in the darkest ages of Christianity; but the language and conduct have nothing that savours of barbarism. The style is the purest Italian.If the story was written near the time when it is supposed to have happened, it must have been between 1095, the era of the first Crusade, and 1243, the date of the last, or not long afterwards. There is no other circumstance in the work that can lead us to guess at the period in which the scene is laid: the names of the actors are evidently fictitious, and probably disguised on purpose: yet the Spanish names of the domestics seem to indicate that this work was not composed until the establishment of the Arragonian Kings in Naples had made Spanish appellations familiar in that country. The beauty of the diction, and the zeal of the author (moderated, however, by singular judgment) concur to make me think that the date of the composition was little antecedent to that of the impression. Letters were then in their most flourishing state in Italy, and contributed to dispel the empire of superstition, at that time so forcibly attacked by the reformers. It is not unlikely that an artful priest might endeavour to turn their own arms on the innovators, and might avail himself of his abilities as an author to confirm the populace in their ancient errors and superstitions. If this was his view, he has certainly acted with signal address. Such a work as the following would enslave a hundred vulgar minds beyond half the books of controversy that have been written from the days of Luther to the present hour.

As the invaluable present I am making to the world may not please all tastes, from the gravity of the matter, the solidity of the reasoning, and the deep learning contained in the ensuing sheets, it is necessary to make some apology for producing this work in so trifling an age, when nothing will go down but temporary politics, personal satire, and idle romances. The true reason then for my surmounting all these objections was singly this: I was apprehensive lest the work should be lost to posterity; and though it may be condemned at present, I can have no doubt but it will be treated with due reverence some hundred ages hence, when wisdom and learning shall have gained their proper ascendant over mankind, and when men shall only read for instruction and improvement of their minds.

Regarded as the first gothic horror novel ever written, The Castle of Otranto is a dark, thrilling tale, delightfully shocking for its time and hugely influential. A fantastic, provocative and playful tale of medieval dynastic and sexual politics, The Castle of Otranto is regarded as the first ever published gothic novel and has inspired authors from Edgar Allan Poe to J.K. Rowling. Abounding with unfulfilled prophecies, supernatural occurrences, adventure, suspense and destiny it follows the fortunes of the royal family of Sicily in the thirteenth century. Prince Conrad is crushed to death on the day of his wedding to the beautiful Princess Isabella. Heirless - and terrified of an ancient prophecy that foretells the downfall of his dynasty - his father, King Manfred, divorces his wife and resolves to marry the princess himself. Far from enamoured with her new fiance, Isabella flees the royal castle and makes for the sanctuary of a nearby church with the help of the humble Theodore. When the pair is captured their respective fates seem inescapable; but at the moment of Theodores death, delivery comes from the most unexpected of places.

In "Historic Doubts on the Life and Reign of King Richard the Third," Horace Walpole embarks on a meticulous investigation into the controversial life of one of Englands most enigmatic monarchs. Through a blend of meticulous historical analysis and a literary style rich in Gothic sensibilities, Walpole challenges the established narratives surrounding Richard III, particularly the portrayal of him as a tyrant and murderer. The book exemplifies the burgeoning interest in historical inquiry during the 18th century, weaving together a narrative that is as much about the politics of memory as it is about the life of Richard himself. Walpole, an influential figure of the Gothic revival and the author of the seminal "The Castle of Otranto," melds his keen historical insight with his passion for storytelling. His upbringing in the politically charged atmosphere of his time may have influenced his desire to reassess historical narratives, particularly regarding monarchs vilified by history. As a member of the Whig party, Walpoles exploration of Richard III reflects broader themes of power, reputation, and legitimacy that echo through the corridors of English political history. This book is highly recommended for scholars, historians, and casual readers alike, as it invites critical reflection on the reliability of historical accounts and the construction of identities. Walpoles work not only enriches our understanding of Richard III but also serves as a reminder of the complexities inherent in interpreting history.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- An Author Biography reveals milestones in the authors life, illuminating the personal insights behind the text.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

Horace Walpoles The History of King George the Third is a comprehensive and meticulously researched account of the reign of King George III, exploring the political and social landscape of the time. Written in a detailed and eloquent style, Walpole provides a thorough examination of the events that shaped the era, including the American Revolution and the Napoleonic Wars. Drawing on a wealth of primary sources, the book offers readers a valuable insight into the intricate web of power dynamics and personal relationships that defined the period. Walpoles narrative is both engaging and informative, making it a must-read for history enthusiasts and scholars alike. As a prominent political figure in his own right, Horace Walpoles unique perspective and firsthand experience undoubtedly influenced his decision to write this historical account. Known for his keen interest in politics and a penchant for writing, Walpole brought his expertise to bear in crafting a detailed and nuanced portrayal of King George IIIs reign. His sharp intellect and astute observations shine through in the pages of this book, adding depth and credibility to his narrative. For those seeking a rich and engaging exploration of the reign of King George III, Horace Walpoles The History of King George the Third is a definitive source. With its insightful analysis and compelling storytelling, this book offers a fascinating glimpse into a pivotal period in British history, making it a valuable addition to any history lovers library.

"Memoirs of the Reign of King George the Third" in 4 volumes are a historical account written by Horace Walpole that comprises the first twelve years of the reign of George III. George III (c. 1738-1820) was King of Great Britain and King of Ireland from 1760 until the union of the two countries in 1801, after which he was King of the United Kingdom of Great Britain and Ireland until his death in 1820. He was a monarch of the House of Hanover, but unlike his two predecessors, he was born in Great Britain, spoke English as his first language, and never visited Hanover. Georges life and reign, which were longer than those of any of his predecessors, were marked by a series of military conflicts involving his kingdoms, much of the rest of Europe, and places farther afield in Africa, the Americas, and Asia. Early in his reign, Great Britain defeated France in the Seven Years War, becoming the dominant European power in North America and India. However, many of Britains American colonies were soon lost in the American War of Independence. Further wars against revolutionary and Napoleonic France from 1793 concluded in the defeat of Napoleon at the Battle of Waterloo in 1815. This carefully crafted e-artnow ebook is formatted for your eReader with a functional and detailed table of contents.

Considerado el texto inaugural de la literatura de terror gótico, inició un género literario que llegó a ser extremadamente popular a finales del siglo XVIII y principios del XIX. La historia está ambientada en Italia durante la Alta Edad Media y se desarrolla en el castillo que da nombre a la historia, cuyo dueño se cree que fue asesinado en las cruzadas. Manfred usurpó su lugar, pero el Castillo tiene una maldición. Los sucesos no sirven como excusa para exponer un periodo histórico sino que es éste el que se subyuga a los acontecimientos creando la atmósfera más adecuada

Horace Walpole (1717-1797), hijo del primer ministro británico Sir Robert Walpole, estudió en Eton y en el King’s College de Cambridge, centro que abandonó sin obtener un título. En 1747 Walpole adqu

Die Burg von Otranto, in der englische Originalfassung: The Castle of Otranto, ist ein Roman des britischen Politikers und Schriftstellers Horace Walpole aus dem Jahr 1764. Walpole begrundete damit die Romangattung des Schauerromans, im Englischen Gothic Novel, und beeinflusst die Literatur damit bis in unsere Zeit.

In "My Memoirs of the Reign of King George the Third," Horace Walpole presents a rich tapestry of political and social insights woven through his keen observations of 18th-century England. The memoir is characterized by Walpoles distinctive literary style, blending personal reflection with historical commentary, thus offering a snapshot of the complexities of the Georgian era. He recounts the tumultuous events and significant personalities of King George IIIs reign, depicted through eloquent prose that invites readers to engage with the past in an intimate and vivid manner, illustrating the interplay between monarchy and the publics perception amidst rising tensions leading to the American Revolution. Walpole, known not only as a writer but also as a politician and art collector, drew upon his firsthand experiences and social relationships to inform his narrative. As a prominent figure in political circles and a member of the Whig party, his perspectives were shaped by the eras political intricacies and his personal encounters with influential statesmen and cultural figures. This unique vantage point enabled him to reflect critically on the events of the time while grappling with his own role in them. This work is highly recommended for historians, literary enthusiasts, and anyone intrigued by the turbulent times of King George III. Walpoles memoirs are not only informative but also evoke a sense of intimacy and personal investment in the events they describe, making them an essential read for those seeking a deeper understanding of this crucial period in British history.

In "The Castle of Otranto," Horace Walpole introduces readers to the gothic novel, a genre blending horror, romance, and the supernatural. Set in the mysterious and foreboding castle of Otranto, the narrative revolves around themes of tyranny, destiny, and the haunting weight of lineage, intricately woven with intricate plot twists and atmospheric descriptions. Walpoles innovative use of medieval elements, such as the inexplicably animated armor and spectral apparitions, creates a palpable sense of dread and anticipation, establishing a literary style that resonates with the readers imagination and emotions, setting a precedent for subsequent gothic literature. Walpole, an English writer and art historian, was deeply influenced by the cultural currents of the 18th century, particularly the burgeoning interest in the medieval past and the supernatural. His residence, Strawberry Hill, served as both inspiration and backdrop, reflecting his fascination with antiquity and the aesthetics of gothic architecture. This blend of personal experience and the societal appetite for the macabre fueled his creative endeavor in crafting what is often regarded as the first Gothic novel. For those intrigued by early horror fiction and the exploration of dark psychological landscapes, "The Castle of Otranto" is indispensable. Walpoles pioneering narrative not only captures the essence of fear and wonder but also lays the groundwork for countless authors who followed in his wake. Readers seeking a foundational text in gothic literature will find their engagement with Walpoles work both enriching and exhilarating.

In "Horace Walpole and His World: Select Passages from His Letters," readers are invited into the intricate tapestry of 18th-century British society through Walpoles keen observations and witticisms. This collection showcases the epistolary style for which Walpole is renowned, blending conversational rhetoric with erudition and a flair for the anecdotal. The letters, rich in their historical, political, and social commentary, reflect the preoccupations of Walpoles time, offering insights into the Gothic imagination that he famously popularized, as well as the cultural milieu that nurtured both his literary and artistic endeavors. Horace Walpole, the son of the first Prime Minister of Great Britain, was not only a politician but also an influential writer, collector, and art enthusiast. His intimate correspondence reveals the mind of a multifaceted thinker, shaped by his aristocratic upbringing and a deep curiosity for the arts and their capacity to reflect society. His experiences in the tumult of the Enlightenment and his founding of the Strawberry Hill Gothic revival can be traced in the layered narratives contained within these letters. This book is highly recommended for anyone seeking a nuanced understanding of Walpoles life and the cultural currents of his era. Scholars, historians, and avid readers will find delight in his sharp wit and vivid storytelling, making this collection a valuable addition to the library of those captivated by the intersections of literature, art, and society.

First published pseudonymously in 1764, The Castle of Otranto purported to be a translation of an Italian story of the time of the crusades. In it Walpole attempted, as he declared in the Preface to the Second Edition, ''to blend the two kinds of romance: the ancient and the modern.'' Crammed with invention, entertainment, terror, and pathos, the novel was an immediate success and Walpole''s own favorite among his numerous works. The novel is reprinted here from a text of 1798, the last that Walpole himself prepared for the press. `with each volume having an introduction by an acknowledged expert, and exhaustive notes, the World''s Classics are surely the most desirable series and, all-round, the best value for money'' Oxford Times

Horace Walpole.El castillo de Otranto (The Castle of Otranto, en inglés) es una novela escrita por Horace Walpole en 1764. Es considerado el texto inaugural de la literatura de terror gótico, iniciando un genero literario que llego a ser extremadamente popular a finales del siglo XVIII y principios del XIX.