Jane Austen, página 21 de 91

This version includes a detailed introductory annotation on how the book and the plot were created.To say nothing of the supreme excellence of the dialogue, there is scarcely a page but has its little gem of exact and polished phrasing; scarcely a chapter which is not neatly opened or artistically ended ; while the whole book abounds in sentences over which the writer, it is plain, must have lingered with patient and loving craftsmanship. . . . Criticism has found little to condemn in the details of this capital novel.- Austin DobsonNever was there a book written which has given more harmless pleasure to those who have come under its spell. As we open its pages, we bid adieu to a world of sordid cares and troublesome interests, and though we do not wander into fairy-land, for Miss Austens world is always matter-of-fact, we do catch a breath of an air less severe than that which we habitually draw, and find, if not fairy-land, at least a touch of the lightness of fairy-land brought down to us. - Adolphus Alfred Jack."Pride and Prejudice is realistic in its narrowness of scope, in its lack of complicated plot, and in that it sets forth clearly and fully a limited section of life. It attempts to hold up no ideals ; it deals for the most part with middle-class people ; it has in it no literary atmosphere suggested either by the characters or by the apthors allusions. And yet one forgets that he is reading a book ; he feels as if he were making a visit among people in whom he had a human interest. He finds himself scheming with the fond mother in her matchmaking interests for her daughters five.- Charity Dye.

In "Love and Freindship," Jane Austen crafts a richly satirical narrative that explores the complexities of romantic relationships through a series of letters between two naive young women, Laura and Marianne. The work showcases Austens characteristic wit and keen observations of social conventions, employing epistolary style to reveal the folly of misguided affections and the superficiality of societal expectations. Written when Austen was a teenager, this early work reflects her nascent literary prowess and provides invaluable insight into her evolving thematic concerns, particularly the tension between emotion and reason in love. Austen, born into a well-connected family in the late 18th century, was immersed in the socio-political milieu of the English gentry. Her experiences with friendship and societal restrictions influenced her portrayal of interpersonal dynamics. "Love and Freindship" serves as a precursor to her later novels, encapsulating her burgeoning critique of romantic idealism and social mores that would become hallmarks of her mature works. Readers seeking an incisive yet humorous examination of loves intricacies will find "Love and Freindship" a delightfully refreshing introduction to Austens world. This early gem lays bare the absurdities of youth and romance, making it essential reading for anyone interested in Austens literary legacy.

This versionincludes a detailed introductory annotation on how the book and the plot were created.We, therefore, bestow no mean compliment upon the author of Emma, when we say that, keeping close to common incidents, an4 to such characters as occupy the ordinary walks of life, she has produced sketches of such spirit and originality, that we never miss the excitation which depends upon a narrative of uncommon events, arising from the consideration of minds, manners and sentiments, greatly above our own. In this class she stands almost alone ; for the scenes of Miss Edgeworth are laid in higher life, varied by more romantic incident, and by her remarkable power of embodying and illustrating national character. But the author of "Emma" confines herself chiefly to the middling classes of society ; her most distinguished characters do not rise greatly above well-bred country gentlemen and ladies ; and those which are sketched with most originality and precision, belong to a class rather below that standard. - Sir Walter Scott."Emma," perhaps, is the work upon which most suffrages would meet as the most perfect of all her performances. - Margaret Oliphant.

The letters included in this series comprise about three quarters of the collection in two volumes published in 1884 by her great-nephew Lord Brabourne. The lightness, almost friskiness, of their tone cannot fail to strike the reader. Modern letters written by women are filled more or less with hints and queries; questionings as to the why and the wherefore occur; allusions to the various "fads" of the day, literary or artistic,- Ibsen, Tolstoi, Browning, Esoteric Buddhism, Wagners Music, the Mind Cure, Social Science, Causes and Reforms. But Cowper and Crabbe were the poetical sensations in Miss Austens time, Scott and Byron its phenomenal novelties; it took months to get most books printed, and years to persuade anybody to read them. Furthermore the letters, in all probability, are carefully chosen to reveal only the more superficial side of their writer.

When Anne Elliot chances upon Captain Wentworth, a suitor she was persuaded to reject seven years earlier, she begins to reflect upon her past decisions and contemplate her marital future. Vividly depicting the society holiday towns of Lyme Regis and Bath and infused with its authors trademark wit, this is an entertaining and enduring account of the dilemmas facing young women. Thoroughly annotated, this edition also includes a review of Jane Austens life and works, complete with anecdotes and critical perspectives.

This complete and unabridged edition contains a biography of the author and a new introduction and afterword. Anne falls in love with Wentworth, who had nothing but himself to recommend him, and no hopes of attaining influence, so persuaded by friends and family she breaks off the match and sends him away. Years later, he returns, is it too late? This complete and unabridged edition contains a biography of the author and a new introduction and afterword. Anne falls in love with Wentworth, who had nothing but himself to recommend him, and no hopes of attaining influence, so persuaded by friends and family she breaks off the match and sends him away. Years later, he returns, is it too late?

This version includes a detailed introductory annotation on how the book and the plot were created."Persuasion" represents the ripest development of Jane Austens powers, that latest phase of her thoughts and feelings. It is a novel which, while not wanting in the several excellences of those which preceded it, has a mellower tone and a more finished grace of style than any of the others. It was written at a time when bodily strength had given place to weakness; and although her mind was more active than ever, her physical condition insensibly influenced her thought, giving this latest of her books that deeper note of feeling, that finer touch of sympathy and tenderness, which make "Persuasion" the greatest of all her works. - Oscar Fay Adams.It was Miss Austens last story, and has more depth of feeling and pathos than most of hers. . . . The delicate miniature painting of the characters in these tales is apt not to be appreciated by the young and the tone of county society of that day disgusts them; but as they grow older they perceive how much ability and insight is displayed in the work, and esteem the forbearance, sweetness, and self-restraint of such a heroine as Anne.- Charlotte M. Yonge.

This version includes a detailed introductory annotation on how the book and the plot were created.Her style deserves the highest commendation. It has all the form and finish of the eighteenth century, without being in the least degree stilted or unnatural. It has all the tone of good society without being in the least degree insipid. For a specimen of crisp, rich English, combining all the vigour of the masculine with all the delicacy of the feminine style, we suggest the opening chapter of "Northanger Abbey" as a model for any young lady writer of the present age. - T. E. Kebbel.

This version includes a detailed introductory annotation on how the book and the plot were created.How well I recall the greatest literary pleasure of my life, its time and place ! A dreary winters day without, within a generous heat and glow from the flaming grate, and I reclining at my ease on the library lounge, Mansfield Park" in hand. Then succeed four solid hours of literary bliss, and an absorption so great that when I mechanically close the book at the last page it is only by the severest effort that I come back to the real world of pleasant indoors and bleak outdoors. I was amazed that I, a hardened fiction reader, should be so transported by this gentle tale of Miss Austens, and yet I enjoyed to the full the after-taste of her perfect realistic art. This first enthusiasm, however, soon abated, and I began to see flaws, to note *the prolixity and unevenness of the work, and to feel that it was almost school-girlish in tone and sentiment. While the verisimilitude is, indeed, fascinating, the realization is far from profound. And. the characters are too one-sided for full human beings - are only puppets, each pulled by a single string. Edmund Bertram is, perhaps, the most woodeny of these marionettes. Lady Bertram, the languid beauty, seems often overdrawn. Mrs. Norris is a perfect busybody, but a pettiness so absolutely consistent at length rouses our suspicions and irritates us. We feel that human nature, outside of the madhouse, does not fulfill the single types so completely. But in Fanny Price we find no flaw or artistic presentment. Here comes before our eyes a real, a free, a complex human being. ... I am acquainted with no more charming figure in fiction than Fanny; she is so completely, perfectly, deliciously feminine in instinct, feeling, manner and intelligence. - Hiram Stanley

It's hard to believe that Jane Austen wrote the sophisticated and acerbic PRIDE AND PREJUDICE when she was only 21 years old, in 1797. Originally entitled FIRST IMPRESSIONS, the novel was rejected, revised, retitled, and finally published--anonymously--in 1813, only four years before Austen's untimely death. In PRIDE AND PREJUDICE, Austen calls on her sharp observations of vanity, venality, pomposity, and downright nuttiness in a story about a respectable but far from wealthy family full of daughters--girls who desperately need to find husbands if they are to have any kind of economic security. The eldest of the Bennett family, Elizabeth, is a bright, opinionated, and complacent young woman whose reaction to an offer of marriage from her wealthy but impossibly arrogant suitor, Fitzwilliam Darcy, is revulsion. But in the course of the story both Elizabeth and Darcy learn important lessons about their own folly and blindness, and about the dangers of superficial judgements. As the two perform their elaborate courtship dance, Austen surrounds them with some of her most uproariously clueless characters--from the wacky Mrs. Bennett to the wonderfully unctuous Mr. Collins, another of Elizabeth's admirers. PRIDE AND PREJUDICE is, of course, a highly satisfying and offbeat love story, but it is also an unparalleled examination of human nature at both its best and its hilarious worst.

Acclaimed illustrator and bestselling author Audrey Niffenegger (The Time Traveler´s Wife, Her Fearful Symmetry, Night Bookmobile) teams up with author Cathleen Schine (The Love Letter, The Three Weissmanns of Westport) to pay tribute to Jane Austen´s beloved first novel in this graphic-cover deluxe edition commemorating the book´s 200th anniversary...

Penguin Classics completes the set of Austen´s novels in this beautiful clothbound series, with covers by award-winning Penguin designer Coralie Bickford-Smith.

Published in 1814, this nuanced examination of the social hierarchy of Jane Austens day contains more than enough wit, charm, and human drama to enchant readers of any era Published in 1814, this nuanced examination of the social hierarchy of Jane Austens day contains more than enough wit, charm, and human drama to enchant readers of any era Born into a poor family, Fanny Price is raised amid the daunting splendor of Mansfield Park by her rich uncle, Sir Thomas Bertram. Treated as an inferior by most of the family, Fanny forms a close attachment to her cousin Edmund, the only person to show her kindness. With the departure of her uncle to the West Indies and the arrival from London of the fashionable Henry and Mary Crawford, flirtation and romantic intrigue abound. As Fanny becomes increasingly uncomfortable with the conduct of her companions, she finds herself isolated and forced to face the conflict between her sense of integrity and social expectation. This edition includes pictures and an extensive section about the author's life and works.

From the editor of the popular Annotated Pride and Prejudice comes an annotated edition of Jane Austen's Emma that makes her beloved tale of an endearingly inept matchmaker an even more satisfying read. Here is the complete text of the novel with more than 2,200 annotations on facing pages, including: -Explanations of historical context -Citations from Austen's life, letters, and other writings -Definitions and clarifications -Literary comments and analysis -Maps of places in the novel -An introduction, bibliography, and detailed chronology of events -Nearly 200 informative illustrations Filled with fascinating information about everything from the social status of spinsters and illegitimate children to the shopping habits of fashionable ladies to English attitudes toward gypsies, David M. Shapard's Annotated Emma brings Austen's world into richer focus.

10ª ed. Esta Teoría del derecho se concibe como Una concepción de la experiencia jurídica y, como tal, de la peculiar y personal respuesta de sus autores al cúmulo de temas, interrogantes y orientaciones que, convencionalmente, pueden incluirse bajo ese rotulo disciplinar. La obra pretende ser un interlocutor para los alumnos que inician los estudios de derecho, a los que desea informar y orientar sobre el status quaestionis de los principales problemas teorico-juridicos e incitarles a proseguir y profundizar en su estudio. Para ello se ha buscado la maxima claridad expositiva. En aras tambien de esos presupuestos pedagogicos se ha recurrido, a veces, a casos o ejemplificaciones.

Este ebook presenta "Sentido y sensibilidad" con un sumario dinámico y detallado. Sentido y sensibilidad es una novela de Jane Austen, publicada en 1811. Sus protagonistas son las jóvenes hermanas Dashwood, quienes, desde caracteres contrapuestos, comparten el mismo afan por la busqueda de la felicidad. Elinor, tranquila y paciente, confia en salvar con su discrecion los obstaculos que impiden su relacion con Edward Ferrars. Impetuosa y extravertida, Marianne, por el contrario, no duda en dejarse conquistar por el seductor Willoughby.Jane Austen (1775 - 1817) septima de los ocho hijos del rector de la parroquia. Educada principalmente por su padre, empezo a escribir de muy joven, para recreo de la familia: una muestra de sus escritos juveniles, fantasiosos y humoristicos, se encuentra en Amor y amistad, y, de una forma ya mas elaborada, en Lady Susan y Los Watson. En 1811, conseguiria publicar Juicio y sentimiento, y a la que siguieron Orgullo y prejuicio (1813), Mansfield Park (1814) y Emma (1816), que obtuvieron un gran exito. Satirica, antirromantica, profunda y tan primorosa como mordaz, la obra de Jane Austen nace toda ella de una estetica necesidad de orden moral.

"Lady Susan" is a short epistolary novel by Jane Austen, possibly written in 1794 but not published until 1871.