Libros de Música popular, página 4 de 48

Els tres de Canet, en Toni, en Josep Maria i en Miquel Angel, van arribar a fer-la tan grossa que encara avui es compten per legions els trincaaddictes que proclamen les seves gestes als quatre vents! Cal constatar, des de la distancia que el temps ens atorga, que La Trinca va convertir-se en un fenomen musical i sociologic, en la dosi critica, sarcastica i conyona que el nostre pais necessitava (a la manera d'un antidot o d'un antivirus collectiu) despres d'aquells grisos i tetrics quaranta anys d'intransigencies i d'ignorancies. En aquestes pagines hi trobareu tota la seva historia musical, els seus 20 anys ininterromputs d'exits i d'alegries compartides amb tots nosaltres. Aquelles cançons que ens recordaven allo que no voliem ser, i el que ja començavem a atrevir-nos a somiar. Pero aqui tambe llegireu com van prendre forma totes les seves aventures catodiques, els nous formats de programes que van crear i exportar internacionalment des de la seva alquimica factoria de Gestmusic, revolucionant el sector de l'entreteniment i la cultura televisiva. Mes enlla d'ells mateixos, des de Televisio de Catalunya, s'han buscat el seu propi relleu generacional, La Trinca del segle XXI. Amb aquest habil joc de mans han tornat a fer carambola, perque ara hi ha tres jovencells posant dempeus un nou musical que roda per tot el pais a ritme trincaire... Per si encara no n'hi hagues prou, tambe hi ha una megaproduccio cinematografica que retrata la nostra historia a traves de les seves cançons.

Este volumen contiene el estudio y edición crítica de once tonadillas de Jacinto Valledor (Madrid, 1744 - ¿Madrid?, 1809) compuestas entre 1785 y 1797, cuyos materiales originales manuscritos se conservan en la Biblioteca Historica Municipal de Madrid, el Real Conservatorio Superior de Musica de Madrid y el Fondo Subira de la Biblioteca de Catalunya en Barcelona. Con esta entrega concluye la edicion integral de las veinticuatro tonadillas de Valledor conservadas con musica, iniciada en el volumen 84 de la misma serie Monumentos de la Musica Española, que incluyo las trece tonadillas restantes, compuestas entre 1768 y 1778. De las obras publicadas en este segundo volumen, solo La cantada vida y muerte del general Malbru (1785) contaba con algunas ediciones modernas previas. Las restantes tonadillas, que se editan por primera vez con criterios cientificos y con la orquestacion completa, son: El chasco del abate (1785), El instruido de moda (1785), Madrid a la vista (1785), El cuento del señorito (1786), El italiano fingido (1786), El cuento de la verdad (1786), Los genios opuestos (1787), Quien lo hereda no lo hurta (1790), Los majos de rumbo (ca. 1790-1793) y La maestra y la discipula (version de ca. 1796-1797). Las piezas editadas son para conjuntos de entre una y cinco partes vocales, habitualmente con violines, oboes o flautas, trompas y bajo, y ocasionalmente tambien emplean clarinetes y clarines. Se incluye una breve sintesis biografica sobre Jacinto Valledor, el analisis contextualizado de las obras publicadas, la edicion completa de los libretos (de autores desconocidos), notas criticas sobre los libretos y las partituras, y la edicion completa de estas con las secciones declamadas insertadas en los lugares correspondientes.

Although together for only five years The Yardbirds exerted tremendous influence on the music and style of the 60s and for decades beyond Their impact has been felt throughout the rock genre from psychedelia to blues rock heavy metal and the music of today s jam bands The Yardbirds came from middle class England embraced the soulful music of the African American South and helped re import it back into the States as the embryo of heavy metal music In the process the band produced three guitar greats Eric Clapton Jimmy Page and Jeff Beck Every fan of The Yardbirds or of 60s derived music in general will revel in this book which includes more than 50 photos from the group s heyday plus a detailed diary of every gig recording and broadcast they did and enjoy reading the stories a old and new a as much as Clayson enjoys telling them

Gathers some of the best and most entertaining rock writing coming at rock and roll from several different angles and spanning four decades of Good Bad and Ugly This book includes such pieces as Al Aronowitz documenting The Beatles arrival in America Glenn O Brien dishing the dirt with Madonna and Nick Hornby reappraising pop deities Abba

Pocket reference guide covering the arrival of the breakbeat on British shores and its subsequent re-circulation throughout the world in genres such as Jungle, Drum 'n' Bass, Hardcore Techno, Trip-Hop and Big Beat. It details the innovators and apprentices of this science in an encyclopaedic format.

Various Artists625 songs spanning nine decades of music! Includes music from all jazz genres: traditional, swing, bebop, Latin, modern, standards, and more! Songs: All the Things You Are · Bag's Groove · Basin Street Blues · Desafinado · Donna Lee · The Girl from Ipanema · I Concentrate On You · Little Boat · A Night in Tunisia · Ornithology · 'Round Midnight · Solar · Song for My Father · Take the 'A' Train · Tuxedo Junction · Waltz for Debby · and many more!

The Penguin Guide to Jazz on CD is now firmly established as the world's leading guide to recorded jazz, a mine of fascinating information and a source of insightful - often wittily trenchant - criticism. For this expanded sixth edition, Richard Cook and Brian Morton have reassessed each artist's entry and updated the text to incorporate thousands of additional CDs. The result is an endlessly browsable companion that will prove required reading for aficionados and jazz novices alike.

Bill Kirchner (Editor)This is a unique jazz reference book that covers jazz with much more range and depth than other jazz histories or reference books. Most of the major critics in jazz today have written articles for the book. The 60 entries cover jazz in all its aspects. Entries include all the historical periods of jazz - from its African and European roots, its progenitors in blues and ragtime, and its major periods and styles: New Orleans, The Swing Era, Bebop, and Modern Jazz. There are separate pieces on the major figures - from Louis Armstrong to John Coltrane - and on singers, pianists, and big bands and jazz composition in each period. Each jazz instrument, from saxophone to drums, has its own history. Separate entries cover jazz around the world: Latin Jazz, Europe, Britain and the Commonwealth, Brazil, Japan, and Africa. The book ranges over such topics as jazz dance, criticism, education, and jazz in literature and films and television. This is both a reading book and a reference book. Each entry is comprehensive in itself - ranging in length from 3,500 to 5,000 words - but it also fits its subject into the larger picture of jazz.Many of these essays represent definitive statements on their subjects. Each entry in the collection was commissioned specifically for the book.

This comprehensive collection of 205 scores illustrates every significant trend and genre of western music from antiquity to modern times. Highlights of the repertoire include new works from all periods: more contrasting virelais, ballades and other chansons from the fourteenth through the sixteenth centuries; large-scale choral works, including Gabrieli's In ecclesiis, Lully's Te Deum, Haydn's Creation, and Prokofiev's Alexander Nevsky; more opera, including Norma, Les Huguenots, and Madama Butterfly; orchestral and chamber works by Schubert, Schumann, Brahms, Dvorak, and Tchaikovsky; and new twentieth-century works by Satie, Bartok, Milhaud, Prokofiev, Varese, Hindemith, Cowell, Cage, Feldman, Stockhausen, Boulez, Berio, Reich, Adams, Ligeti, Schnittke, and Michael Daugherty.

This comprehensive collection of 205 scores illustrates every significant trend and genre of western music from antiquity to modern times. Highlights of the repertoire include new works from all periods: more contrasting virelais, ballades and other chansons from the fourteenth through the sixteenth centuries; large-scale choral works, including Gabrieli's In ecclesiis, Lully's Te Deum, Haydn's Creation, and Prokofiev's Alexander Nevsky; more opera, including Norma, Les Huguenots, and Madama Butterfly; orchestral and chamber works by Schubert, Schumann, Brahms, Dvorak, and Tchaikovsky; and new twentieth-century works by Satie, Bartok, Milhaud, Prokofiev, Varese, Hindemith, Cowell, Cage, Feldman, Stockhausen, Boulez, Berio, Reich, Adams, Ligeti, Schnittke, and Michael Daugherty.