Libros de Partituras, página 3 de 29

Transcripción moderna de cuatro motetes (antífonas) marianos: Alma redemptoris, Ave Regina coelorum, Regina coeli y Salve Regina; la Missa de Beata Virgine in Sabbato y un nuevo motete, Surge propera

Con la publicación en transcripción moderna del Officium defunctorum de Juan Esquivel de Barahona -cuatrocientos cinco años después de su primera edición en Salamanca, en los talleres de Francisco de Cea Tesa- se da a conocer de manera integra una de las aportaciones mas interesantes de su importante produccion musical, en la linea de la tradicion hispana de musica dedicada a los difuntos. El libro se halla dividido en dos secciones: un estudio introductorio y la version musical completa del Officium. En la primera seccion se ofrece nueva informacion sobre aspectos relacionados con la vida del compositor -actualizando algunos datos ya expuestos con anterioridad en otra publicacion de 2005-, se da cuenta de su produccion musical impresa, de su perdido Libro de canciones para ministriles y de sus obras Pro defunctis. A estos aspectos le sigue un examen de la organizacion y obras que forman la coleccion, relacionando esta con otras de semejantes caracteristicas de compositores anteriores y coetaneos a Esquivel. Concluye el estudio introductorio con un analisis de cada una de las partes que forman la coleccion, con la identificacion de las fuentes, tanto impresas como manuscritas, de las que proceden los cantus firmi utilizados en la polifonia y los cantos llanos del Officium. La segunda seccion comprende la transc...

Domenico Scarlatti ((Nápoles, 1685-Madrid, 1757) presentó en 1710 el drama pastoral La Silvia, sobre libreto de Sigismondo Capeci, ante la corte romana de María Casimira de Polonia. Sin embargo, y al igual que ocurre con mayor parte del catalogo de esta etapa de juventud, su musica se consideraba perdida hasta la fecha.La identificacion de determinados equivocos en la atribucion de diez de sus arias y el cotejo de las plantillas definidas en las fuentes permite hoy finalmente recuperar diez de sus arias y acompañarlas de la sinfonia con la que debio de anunciarse su primera representacion en el palacio Zuccari.El presente volumen ofrece una fiel traduccion del texto del libreto y de los manuscritos musicales, acercando al interprete y al estudioso actual una musica injustamente acallada durante mas de tres siglos.

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Students all love to play fast and showy pieces, but there is another side to performing that needs to be developed: the lyrical side. Beautiful melodies need to be shaped musically and balanced properly against the accompaniment. The ability to bend the tempo and play with flexibility also results in expressive playing. Colorful harmonies and their movement can create a sound world that can be molded into beautiful moments as well.The pieces in Celebrated Lyrical Solos, Book 3 are designed to aid students with musicality when playing lyrical music. I have endeavored to include pieces with a variety of tempos and moods. While every piece may not necessarily focus on lyrical styles throughout, each has a section that will help students develop skills in lyrical playing. Look for the many ways that the pieces in these books can be balanced and molded into something beautiful. Feel, listen and enjoy the many lyrical moods of these solos.

Boogie, blues, ragtime, swing and other jazz styles are irresistible to most pianists, but not always accessible to student pianists. Composer Robert Vandall has removed all barriers to successful student performances, by making sure that each "jazzy solo" in this Celebrated series cleverly introduces students to a specific jazz scale, harmony, rhythm or form.

Boogie, blues, ragtime, swing and other jazz styles are irresistible to most pianists, but not always accessible to student pianists. Composer Robert Vandall has removed all barriers to successful student performances, by making sure that each "jazzy solo" in this Celebrated series cleverly introduces students to a specific jazz scale, harmony, rhythm or form. Book 2 contains favorite Vandall jazz solos, as well as some newly composed pieces.

Discover Pam Wedgwood's exciting world of jazz piano! How to Play Jazz Piano is a fun and simple introduction for young players with a basic knowledge of how to play the piano (about Grade 2 standard). It includes an introduction to improvisation, suggested listening ideas and covers swing, syncopated rhythms, basic chords and chord symbols, scales and modes used in jazz. There are also plenty of great pieces in different styles, online audio and Pam's helpful advice and teaching tips every step of the way!

One of Mr. Vandall's top-selling collections, this collection has become a staple for training pianists. No. 1 in C Major, No. 2 in D Major, No. 3 in E Minor, No. 4 in F Major, No. 5 in G Major, No. 6 in A, and the famous No. 7 in B Minor Chaconne. Attractive repertoire for study and performance.

Boogie, blues, ragtime, swing and other jazz styles are irresistible to most pianists, but not always accessible to student pianists. Composer Robert Vandall has removed all barriers to successful student performances, by making sure that each "jazzy solo" in this Celebrated series cleverly introduces students to a specific jazz scale, harmony, rhythm or form.

This collection of preludes in all major and minor keys contains a wealth of pedagogical challenges for the late-intermediate to early-advanced level student. Each prelude is designed to explore one or more pianistic problems, and serves as excellent preparatory repertoire for the more complex character pieces of the great masters of the nineteenth and twentieth centuries. The sounds of Bach, Mendelssohn, Schumann, Rachmaninoff, Debussy, Ravel, Gershwin, Prokofieff and Copland are echoed in the pieces in this collection.

Piano Gallery is a beautiful collection of piano pieces inspired by great works of art. By best-selling composer Pam Wedgwood, the intermediate-level pieces are accompanied by explanatory text and a stunning pull-out poster featuring all the paintings.

Boogie, blues, ragtime, swing and other jazz styles are irresistible to most pianists, but not always accessible to student pianists. Composer Robert Vandall has removed all barriers to successful student performances, by making sure that each "jazzy solo" in this Celebrated series cleverly introduces students to a specific jazz scale, harmony, rhythm or form. Book 1 contains favorite Vandall jazz solos, as well as some newly composed pieces.

One of Mr. Vandall's top-selling collections, this collection has become a staple for training pianists. No. 1 in C Major, No. 2 in D Major, No. 3 in E Minor, No. 4 in F Major, No. 5 in G Major, No. 6 in A, and the famous No. 7 in B Minor Chaconne. Attractive repertoire for study and performance.

32x28 cm 130 pp Tapa blanda ilustrada Partituras para piano de Johannes Brahms Castellano 32x28 cm 130 pp Tapa blanda ilustrada Partituras para piano de Johannes Brahms Castellano

31x24 cm 88 pp Tapa blanda ilustrada Partituras para piano de Mozart Castellano 31x24 cm 88 pp Tapa blanda ilustrada Partituras para piano de Mozart Castellano