eBooks de Artes Escénicas, página 11 de 108

In publishing this tragedy, I do but challenge myself that liberty, which other men have taken before me; not that I affect praise by it, for, nos hc novimus esse nihil, only since it was acted in so dull a time of winter, presented in so open and black a theatre, that it wanted (that which is the only grace and setting-out of a tragedy) a full and understanding auditory; and that since that time I have noted, most of the people that come to that playhouse resemble those ignorant asses (who, visiting stationers shops, their use is not to inquire for good books, but new books), I present it to the general view with this confidence:Nec rhoncos metues maligniorum,Nec scombris tunicas dabis molestas.

A Chocolate-house.Mirabell and Fainall rising from cards. Betty waiting.MIRA. You are a fortunate man, Mr. Fainall.FAIN. Have we done?MIRA. What you please. Ill play on to entertain you.FAIN. No, Ill give you your revenge another time, when you are not so indifferent; you are thinking of something else now, and play too negligently: the coldness of a losing gamester lessens the pleasure of the winner. Id no more play with a man that slighted his ill fortune than Id make love to a woman who undervalued the loss of her reputation.MIRA. You have a taste extremely delicate, and are for refining on your pleasures.FAIN. Prithee, why so reserved? Something has put you out of humour.MIRA. Not at all: I happen to be grave to-day, and you are gay; thats all.

The Waves, first published in 1931, is Virginia Woolfs most experimental novel. It consists of soliloquies spoken by the books six characters: Bernard, Susan, Rhoda, Neville, Jinny, and Louis. Also important is Percival, the seventh character, though readers never hear him speak in his own voice. The soliloquies that span the characters lives are broken up by nine brief third-person interludes detailing a coastal scene at varying stages in a day from sunrise to sunset. As the six characters or "voices" speak Woolf explores concepts of individuality, self and community. Each character is distinct, yet together they compose (as Ida Klitgrd has put it) a gestalt about a silent central consciousness.

"It is difficult to compare the Aristophanic Comedy to any one form of modern literature, dramatic or other. It perhaps most resembles what we now call burlesque; but it had also very much in it of broad farce and comic opera, and something also (in the hits at the fashions and follies of the day with which it abounded) of the modern pantomime. But it was something more, and more important to the Athenian public than any or all of these could have been. Almost always more or less political, and sometimes intensely personal, and always with some purpose more or less important underlying its wildest vagaries and coarsest buffooneries, it supplied the place of the political journal, the literary review, the popular caricature and the party pamphlet, of our own times. It combined the attractions and influence of all these; for its grotesque masks and elaborate spectacle addressed the eye as strongly as the authors keenest witticisms did the ear of his audience."

"The Warriors Barrow" (or, "The Burial Mound") was Henrik Ibsens second play and his first play to be performed. Written in 1850 when Ibsen was 22 years old, the play was first performed at the Christiania Theater on 26 September 1850, under Ibsens pseudonym Brynjolf Bjarme."The Warriors Barrow" is a one-act dramatic poem that portrays an incident from the heroic age of Norse conquest.Landing on an island off the coast of Sicily, Gandalf, a young pagan chieftain who personifies the rough Viking tradition, confronts the tempering Mediterranean influence of Christianity in young, innocent Blanka. Sworn to avenge his fathers death, Gandalf learns Blanka has in fact saved his life, and he subsequently returns to Norway with her so that her faith may be "transplanted in the north."Henrik Johan Ibsen was a major 19th-century Norwegian playwright, theatre director, and poet. He is often referred to as "the father of realism" and is one of the founders of Modernism in theatre.

The Voyage Out is the first novel by Virginia Woolf.The novel had a long and difficult gestation and was not published until 1915. It was written during a period in which Woolf was especially psychologically vulnerable. She suffered from periods of depression and at one point attempted suicide. The resultant work contained the seeds of all that would blossom in her later work: the innovative narrative style, the focus on feminine consciousness, sexuality and death.Rachel Vinrace embarks for South America on her fathers ship and is launched on a course of self-discovery in a kind of modern mythical voyage. The novel introduces Clarissa Dalloway, the central character of Woolfs later novel, Mrs Dalloway. Two of the other characters were modelled after important figures in Woolfs life.

In "The Voice: Its Production, Care and Preservation," Frank E. Miller offers a comprehensive exploration of vocal technique, merging scientific principles with practical guidelines. This seminal work navigates the intricacies of voice production, detailing anatomical and physiological foundations while emphasizing the significance of proper care and preservation for both singers and speakers. Millers literary style is both informative and accessible, employing clear explanations that reflect his deep understanding of vocal arts, making it an essential text for both practitioners and scholars in the field. Contextually, the book emerges from the early 20th-century evolution of voice pedagogy, aligning with the increasing professionalization of vocal training amidst contemporary socio-cultural shifts in performance art. Frank E. Miller, a respected figure in vocal studies, drew on his extensive background in music education and performance to craft this influential guide. His experience as a performer and educator informs his holistic approach to voice care, integrating traditional methodologies with emerging techniques of the time. This dual perspective enriches the text, situating it as a pivotal resource amidst evolving vocal practices. This book is highly recommended for anyone engaged in vocal performance or pedagogy, offering timeless insights that remain pertinent in todays realm of vocal studies. Whether youre a novice seeking foundational knowledge or an experienced practitioner aiming to enhance your craft, Millers work stands as a beacon of wisdom in the art of voice.

THE VOICE is a dramatization of an interview session with a female President of an African country whose name is Justin. She lets audiences in on the journey and story behind her rise to the top.

Richard Austin Freeman (11 April 1862 28 September 1943) was a British writer of detective stories, mostly featuring the medico-legal forensic investigator Dr. Thorndyke. He claimed to have invented the inverted detective story (a crime fiction in which the commission of the crime is described at the beginning, usually including the identity of the perpetrator, with the story then describing the detectives attempt to solve the mystery). Freeman used some of his early experiences as a colonial surgeon in his novels. Many of the Dr. Thorndyke stories involve genuine, but often quite arcane, points of scientific knowledge, from areas such as tropical medicine, metallurgy and toxicology. Austin Freeman was the youngest of the five children of tailor Richard Freeman and Ann Maria Dunn. He first trained as an apothecary and then studied medicine at Middlesex Hospital, qualifying in 1887. The same year he married Annie Elizabeth, with whom he had two sons. He entered the Colonial Service and was sent to Accra on the Gold Coast

Radclyffe Hall (born Marguerite Radclyffe Hall on 12 August 1880 – 7 October 1943) was an English poet and author, best known for the novel The Well of Loneliness. The novel has become a groundbreaki

"The Two Noble Kinsmen" is a fantastic adaptation of Chaucers "Knights Tale", but also has echoes of Shakespeares "A Midsummer Nights Dream", as two of the major characters are Theseus and Hippolyta, who also appear in the earlier play.The play is a Jacobean tragicomedy co-written by William Shakespeare and John Fletcher and first published in 1634.Set in ancient Greece during a war between Athens and Thebes, the narrative follows the title characters, Palamon and Arcite, noble youths whose friendship is destroyed by their mutual love for the beautiful Emilia. The subplot deals with the love and eventual madness of the Gaolers Daughter, who falls hopelessly in love with Palamon.

The Two Gentlemen of Verona by William Shakespeare is a comedy by William Shakespeare, believed to have been written between 1589 and 1593. It is considered by some to be Shakespeares first play,[a] and is often seen as showing his first tentative steps in laying out some of the themes and motifs with which he would later deal in more detail; for example, it is the first of his plays in which a heroine dresses as a boy.The play deals with the themes of friendship and infidelity, the conflict between friendship and love, and the foolish behaviour of people in love. The highlight of the play is considered by some to be Launce, the clownish servant of Proteus, and his dog Crab, to whom "the most scene-stealing non-speaking role in the canon" has been attributed.As the play begins, Valentine is preparing to leave Verona for Milan so as to broaden his horizons. He begs his best friend, Proteus, to come with him, but Proteus is in love with Julia, and refuses to leave. Disappointed, Valentine bids Proteus farewell and goes on alone. Meanwhile, Julia is discussing Proteus with her maid, Lucetta, who tells Julia that she thinks Proteus is fond of her. Julia, however, acts coyly, embarrassed to admit that she likes him.Lucetta then produces a letter; she will not say who gave it to her, but teases Julia that it was Valentines servant, Speed, who brought it from Proteus. Julia, still unwilling to reveal her love in front of Lucetta, angrily tears up the letter. She sends Lucetta away, but then, realising her own rashness, she picks up the fragments of the letter and kisses them, trying to piece them back together.

The Two Gentlemen of Verona is a comedy by William Shakespeare, believed to have been written between 1589 and 1592. It is considered by some to be Shakespeares first play,[a] and is often seen as showing his first tentative steps in laying out some of the themes and motifs with which he would later deal in more detail; for example, it is the first of his plays in which a heroine dresses as a boy. The play deals with the themes of friendship and infidelity, the conflict between friendship and love, and the foolish behaviour of people in love. The highlight of the play is considered by some to be Launce, the clownish servant of Proteus, and his dog Crab, to whom "the most scene-stealing non-speaking role in the canon" has been attributed.Two Gentlemen is often regarded as one of Shakespeares weakest plays. It has the smallest named cast of any play by Shakespeare (font: Wikipedia)

The Turn of the Screw, originally published in 1898, is a gothic ghost story novella written by Henry James. Due to its original content, the novella became a favourite text of academics who subscribe to New Criticism. The novella has had differing interpretations, often mutually exclusive. Many critics have tried to determine the exact nature of the evil hinted at by the story. However, others have argued that the true brilliance of the novella comes with its ability to create an intimate confusion and suspense for the reader (font: Wikipedia)

In "The Trysting Place: A Farce in One Act," Booth Tarkington weaves a delightful narrative that juxtaposes humor with sharp social commentary. Set in a singular location, the play unfolds with brisk dialogue and clever misunderstandings, encapsulating the complexities of romantic entanglements and societal expectations of the early 20th century. Tarkingtons mastery of farcical elements is evident as he employs wit and irony to explore themes of love, deception, and the fleeting nature of human connections, all while maintaining a light-hearted tone that draws the audience into the unfolding chaos with each turn of phrase. Booth Tarkington, an influential American novelist and playwright, achieved critical acclaim for his incisive portrayals of American life. His deep understanding of human behavior and societal norms, shaped by his experiences in the Midwest, informed his writing. Tarkingtons works often reflect a tension between tradition and modernity, a theme prevalent in "The Trysting Place," showcasing his ability to navigate both comic and serious undertones within a familiar social landscape. This play is highly recommended for anyone seeking an engaging exploration of romance and farce within a historical context. Tarkingtons keen insights and vibrant characterizations promise a captivating theatrical experience, making it an essential read for enthusiasts of American theatre and anyone interested in the intersection of humor and social critique.

She ran out of tears from the long mourning, retaining all of the pain inside of her, that same pain that oppressed her heart. Her swollen feet were bleeding after spending hours walking aimlessly. All of the tragedies that she experienced were revealed in a moment that lasted an eternity.In those moments, alone, vulnerable, and defeated, she watched the immense riverbed from the top of that bridge, watching it disappear between the soft hollows through the horizon. At that early summer morning, the forces of destiny brought her to that place. All that remained was to decide. The questions about how and why the suffered events occurred were not important anymore, they were gone.She watched the moon with that silver color, reflecting light in the calm waters; at the same time that she kissed the scapulary of the Chiquinquiras virgin that was hanging on her chest. After the recent events, lost in the nothingness, and without having any other alternative; she could end up thinking about end up for once with her own life. Nobody would care what she could do at that time. She was alone, deeply alone and helpless.Her last thoughts were about her apartment, the bed, and the body of her dead mother.

The Trial is a novel written by Franz Kafka from 1914 to 1915 and published in 1925. One of his best-known works, it tells the story of a man arrested and prosecuted by a remote, inaccessible authority, with the nature of his crime revealed neither to him nor to the reader. Heavily influenced by Dostoyevskys Crime and Punishment and The Brothers Karamazov, Kafka even went so far as to call Dostoevsky a blood relative. Like Kafkas other novels, The Trial was never completed, although it does include a chapter which brings the story to an end.After Kafkas death in 1924 his friend and literary executor Max Brod edited the text for publication by Verlag Die Schmiede. The original manuscript is held at the Museum of Modern Literature, Marbach am Neckar, Germany. The first English language translation, by Willa and Edwin Muir, was published in 1937. In 1999, the book was listed in Le Mondes 100 Books of the Century and as No. 2 of the Best German Novels of the Twentieth Century.

Not marching now in fields of Thrasymene, Where Mars did mate the Carthaginians; Nor sporting in the dalliance of love, In courts of kings where state is overturnd; Nor in the pomp of proud audacious deeds, Intends our Muse to vaunt her heavenly verse: Only this, gentlemen,we must perform The form of Faustus fortunes, good or bad: To patient judgments we appeal our plaud, And speak for Faustus in his infancy. Now is he born, his parents base of stock, In Germany, within a town calld Rhodes: Of riper years, to Wertenberg he went, Whereas his kinsmen chiefly brought him up. So soon he profits in divinity, The fruitful plot of scholarism gracd, That shortly he was gracd with doctors name, Excelling all whose sweet delight disputes In heavenly matters of theology; Till swoln with cunning, of a self-conceit, His waxen wings did mount above his reach, And, melting, heavens conspird his overthrow; For, falling to a devilish exercise, And glutted now with learnings golden gifts, He surfeits upon cursed necromancy; Nothing so sweet as magic is to him, Which he prefers before his chiefest bliss: And this the man that in his study sits.

Macbeth is a tragedy by William Shakespeare, thought to have been first performed in 1606. It dramatises the damaging physical and psychological effects of political ambition on those who seek power for its own sake. Of all the plays that Shakespeare wrote during the reign of James I, who was patron of Shakespeares acting company, Macbeth most clearly reflects the playwrights relationship with his sovereign. A brave Scottish general named Macbeth receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders King Duncan and takes the Scottish throne for himself. He is then wracked with guilt and paranoia. Forced to commit more and more murders to protect himself from enmity and suspicion, he soon becomes a tyrannical ruler. The bloodbath and consequent civil war swiftly take Macbeth and Lady Macbeth into the realms of madness and death.William Shakespeare (1564-1616) was an English poet, playwright, and actor, widely regarded as the greatest writer in the English language and the worlds pre-eminent dramatist. He is often called Englands national poet, and the "Bard of Avon". His extant works, including collaborations, consist of approximately 38 plays, 154 sonnets, two long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright.

Julius Caesar by William Shakespeare The Tragedy of Julius Caesar (First Folio title: The Tragedie of Ivlivs Csar) is a history play and tragedy by William Shakespeare first performed in 1599.In the play, Brutus joins a conspiracy led by Cassius to assassinate Julius Caesar, to prevent him from becoming a tyrant. Caesars right-hand man Antony stirs up hostility against the conspirators and Rome becomes embroiled in a dramatic civil war.he play opens with two tribunes discovering the commoners of Rome celebrating Julius Caesars triumphant return from defeating the sons of his military rival, Pompey. The tribunes, insulting the crowd for their change in loyalty from Pompey to Caesar, attempt to end the festivities and break up the commoners, who return the insults.During the feast of Lupercal, Caesar holds a victory parade and a soothsayer warns him to "Beware the ides of March," which he ignores. Meanwhile, Cassius attempts to convince Brutus to join his conspiracy to kill Caesar. Although Brutus, friendly towards Caesar, is hesitant to kill him, he agrees that Caesar may be abusing his power.They then hear from Casca that Mark Antony has offered Caesar the crown of Rome three times. Casca tells them that each time Caesar refused it with increasing reluctance, hoping that the crowd watching would insist that he accept the crown. He describes how the crowd applauded Caesar for denying the crown, and how this upset Caesar.On the eve of the ides of March, the conspirators meet and reveal that they have forged letters of support from the Roman people to tempt Brutus into joining. Brutus reads the letters and, after much moral debate, decides to join the conspiracy, thinking that Caesar should be killed to prevent him from doing anything against the people of Rome if he were ever to be crowned.