eBooks de Teoría y crítica del cine, página 2 de 11

This e-book is part of a twelve-volume series documenting the history of German film from its beginnings in 1895 to the present day using the collection holdings of the Deutsche Kinemathek. Each volume in ePUB format focuses on a decade and offers a concise overview of the cinematic masterpieces and milestones of that era, highlights famous films and films to be rediscovered, and pays tribute to the cinema, its audience and the creative minds behind the diversity of German film.The complete work, which comprises over 2,700 objects from all areas of the collection and spans 130 years, is also available as a printed book and as a PDF in German and English.The DEUTSCHE KINEMATHEK is one of the worlds leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images.

This e-book is part of a twelve-volume series documenting the history of German film from its beginnings in 1895 to the present day using the collection holdings of the Deutsche Kinemathek. Each volume in ePUB format focuses on a decade and offers a concise overview of the cinematic masterpieces and milestones of that era, highlights famous films and films to be rediscovered, and pays tribute to the cinema, its audience and the creative minds behind the diversity of German film.The complete work, which comprises over 2,700 objects from all areas of the collection and spans 130 years, is also available as a printed book and as a PDF in German and English.The DEUTSCHE KINEMATHEK is one of the worlds leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images.

This e-book is part of a twelve-volume series documenting the history of German film from its beginnings in 1895 to the present day using the collection holdings of the Deutsche Kinemathek. Each volume in ePUB format focuses on a decade and offers a concise overview of the cinematic masterpieces and milestones of that era, highlights famous films and films to be rediscovered, and pays tribute to the cinema, its audience and the creative minds behind the diversity of German film.The complete work, which comprises over 2,700 objects from all areas of the collection and spans 130 years, is also available as a printed book and as a PDF in German and English.The DEUTSCHE KINEMATHEK is one of the worlds leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images.

This e-book is part of a twelve-volume series documenting the history of German film from its beginnings in 1895 to the present day using the collection holdings of the Deutsche Kinemathek. Each volume in ePUB format focuses on a decade and offers a concise overview of the cinematic masterpieces and milestones of that era, highlights famous films and films to be rediscovered, and pays tribute to the cinema, its audience and the creative minds behind the diversity of German film.The complete work, which comprises over 2,700 objects from all areas of the collection and spans 130 years, is also available as a printed book and as a PDF in German and English.The DEUTSCHE KINEMATHEK is one of the worlds leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images.

This e-book is part of a twelve-volume series documenting the history of German film from its beginnings in 1895 to the present day using the collection holdings of the Deutsche Kinemathek. Each volume in ePUB format focuses on a decade and offers a concise overview of the cinematic masterpieces and milestones of that era, highlights famous films and films to be rediscovered, and pays tribute to the cinema, its audience and the creative minds behind the diversity of German film.The complete work, which comprises over 2,700 objects from all areas of the collection and spans 130 years, is also available as a printed book and as a PDF in German and English.The DEUTSCHE KINEMATHEK is one of the worlds leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images.

This e-book is part of a twelve-volume series documenting the history of German film from its beginnings in 1895 to the present day using the collection holdings of the Deutsche Kinemathek. Each volume in ePUB format focuses on a decade and offers a concise overview of the cinematic masterpieces and milestones of that era, highlights famous films and films to be rediscovered, and pays tribute to the cinema, its audience and the creative minds behind the diversity of German film.The complete work, which comprises over 2,700 objects from all areas of the collection and spans 130 years, is also available as a printed book and as a PDF in German and English.The DEUTSCHE KINEMATHEK is one of the worlds leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images.

This e-book is part of a twelve-volume series documenting the history of German film from its beginnings in 1895 to the present day using the collection holdings of the Deutsche Kinemathek. Each volume in ePUB format focuses on a decade and offers a concise overview of the cinematic masterpieces and milestones of that era, highlights famous films and films to be rediscovered, and pays tribute to the cinema, its audience and the creative minds behind the diversity of German film.The complete work, which comprises over 2,700 objects from all areas of the collection and spans 130 years, is also available as a printed book and as a PDF in German and English.The DEUTSCHE KINEMATHEK is one of the worlds leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images.

This e-book is part of a twelve-volume series documenting the history of German film from its beginnings in 1895 to the present day using the collection holdings of the Deutsche Kinemathek. Each volume in ePUB format focuses on a decade and offers a concise overview of the cinematic masterpieces and milestones of that era, highlights famous films and films to be rediscovered, and pays tribute to the cinema, its audience and the creative minds behind the diversity of German film.The complete work, which comprises over 2,700 objects from all areas of the collection and spans 130 years, is also available as a printed book and as a PDF in German and English.The DEUTSCHE KINEMATHEK is one of the worlds leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images.

This e-book is part of a twelve-volume series documenting the history of German film from its beginnings in 1895 to the present day using the collection holdings of the Deutsche Kinemathek. Each volume in ePUB format focuses on a decade and offers a concise overview of the cinematic masterpieces and milestones of that era, highlights famous films and films to be rediscovered, and pays tribute to the cinema, its audience and the creative minds behind the diversity of German film.The complete work, which comprises over 2,700 objects from all areas of the collection and spans 130 years, is also available as a printed book and as a PDF in German and English.The DEUTSCHE KINEMATHEK is one of the worlds leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images.

El auge y la proliferación de los biopics, los reality shows, las home movies y los documentales e historias de vida parecen indicar un predominio de los relatos vitales por sobre los ficcionales. La cantidad de peliculas que exhiben el nexo con lo viviente crece y se nos impone. A partir de una lectura del cine como un arte de los indicios, Gonzalo Aguilar propone que el retorno de lo real uno de los sintagmas mas utilizados por la critica en los ultimos años no señala un retorno del realismo sino un enlace cada vez mas fuerte entre imagen y vida.Reflexiones teoricas, relecturas de filmes o balances del estado del cine, los ensayos reunidos en Mas alla del pueblo. Imagenes, indicios y politicas del cine estan atravesados por las mismas preguntas. ¿De que modo el cine interviene en la produccion de lo real? ¿Como opera la imagen cuando el pueblo ya no es mas la instancia homogeneizadora de lo politico? Aguilar discute con Gilles Deleuze y Serge Daney; reflexiona sobre el documental, la dictadura argentina, el terrorismo de Estado y los desaparecidos; interroga la relacion entre el cine argentino, lo popular y lo politico, y explora el cosmopolitismo limitrofe de Japon a Estados Unidos.En estas excepcionales y polemicas incursiones en el cine, el autor sostiene: La apertura actual de la imagen cinematografica a la vida es la otra cara de la pregunta sobre el retorno de lo real: cada vez es mas necesario que los asedios a las imagenes cinematograficas o no ya no sean sobre la construccion o la voluntad de arte, sino sobre sus modos de imprimir su huella en el flujo de la vida.

Como anuncia su título, Melodrama, tragedia y euforia: de Griffith a Von Trier intenta recontar la historia del cine a través de la evolución y el progreso pautados por los autores más trascendentales de cada cinematografia. Centenares de peliculas de muy diversas procedencias y estilos son estudiadas en este ecumenico analisis de las estructuras narrativas y los personajes caracteristicos. Leyendo este libro, probablemente, lleguen al recuerdo del lector-espectador aquellas imagenes que alguna vez provocaron su desconcierto e identificacion, y tal vez suscitaron la meditacion en torno a nuestra a veces patetica y a veces heroica condicion de seres humanos.

Outras Fronteiras do Cinema, de Marcos Aurélio Felipe, explora a perspectiva indígena nas cinematografias de diversos realizadores e coletivos de territórios na América do Sul, destacando questões ch

A coletanea de ensaios O Brasil Phantastiko no Cinema possui um foco na produço contemporanea dos generos fantasia, horror e ficço cientifica, com 9 autores que abordam a filmografia recente analisando obras como Bacurau, No do Diabo, Medida Provisoria, e estabelecendo seus vinculos com a cultura brasileira e com a historia do nosso cinema, em que a classificaço de generos cinematograficos similares e sempre relegada a segundo plano, de forma discriminatoria como parte do folclore ou apenas como obra de critica social. O cinema de genero brasileiro tem configuraçes proprias, e uma historia que e relativamente recente, e que se faz presente em Reverberaçes do fantastico no cinema de Guto Parente, de Marcelo Ikeda; O cinema de Adirley Queiros entre a ficço cientifica e a realidade, Carlos Eduardo da Silva Ribeiro; A mulher distopica: um estudo sobre Capitu em Medida Provisoria; de Luiza Lusvarghi; Sangue, suor e muitos canos fumegantes: a fluidez fantastica de Bacurau, de Bianca Zasso; Sim! Elas existem e esto entre nos! Um olhar feminista sobre a produço brasileira de ficço cientifica de longa-metragem, de Carolina de Oliveira Silva; Mulheres, Monstros e Pecados: o fantastico e o horror em O No do Diabo, de Ana Catarine Mendes da Silva, Produtoralidade em familia: horror capixaba de Mayra Alarcon e Rodrigo Arago, de Filippo Pitanga; O resgate de A Praga. A fita exumada de Jose Mojica Marins, de Carlos Primati; O Insolito e o horror no cinema explicito de Jean Garrett (1985-1987): longa jornada Boca adentro, de Tiago Monteiro. A obra O Brasil Phantastiko no Cinema inaugura o Selo Phantastika, voltado para analisar a produço de genero brasileira e mundial em formatos como cinema, series, games, publicando coletaneas de ensaios, obras de no ficço e ficço.

Quais são as reflexões, as emoções e os movimentos que os filmes produzem em nós? Partindo justamente das perguntas, e não das respostas, o jornalista Ticiano Osório convida o leitor a ampliar sua pe

En este volumen, Ricardo Bedoya ofrece una visión panorámica de ciertos motivos, tendencias estilísticas y tratamientos rastreables en el cine internacional desde el inicio del siglo XXI. El volumen recoge apuntes sobre centenares de filmes, sopesados desde la perspectiva de un cinefilo que no reconoce placeres culposos ni jerarquias entre las peliculas consideradas de arte y ensayo y aquellas que no abrigan tales pretensiones.El volumen se organiza a partir de algunas de las lineas recurrentes en el cine producido desde el año 2000. Comienza con una mirada a los titulos finales o postumos de cineastas que cerraron sus carreras a inicios del siglo y sigue con un repaso por las distintas modalidades narrativas del cine de no ficcion.El repaso continua con una revision de los dialogos que se establecen con los generos cinematograficos, desde el western hasta el terror, siempre vigentes, pero releidos a la luz de las sensibilidades contemporaneas, y presta atencion tambien a las franquicias que abundan en secuelas, precuelas, reboots y spin offs.Otras lineas de aproximacion incluyen los modos de imaginar cuerpos y mentes en el nuevo siglo, asi como las miradas a la historia y a los conflictos de la actualidad o a la construccion de identidades e intimidades de individuos y grupos, entre otras tendencias del cine del nuevo siglo. Un libro imprescindible para quien quiera orientarse en la diversidad y riqueza de la cinematografia contemporanea.

Si hay algo que ha caracterizado al surrealismo, sea que estemos hablando de poesía, fotografía, cine o artes plásticas, es el interés por la exploración del cuerpo, de las figuras que lo representan. En ese ambito, llaman la atencion no solo los puntos en comun, sino tambien los contrastes que podemos hallar entre las distintas expresiones de esta vanguardia, sobre todo entre los versos y las peliculas. Cuerpo y surrealismo: de la poesia al cine parte de una inmersion semiotica en las figuras del cuerpo del poemario La tortuga ecuestre de Cesar Moro y el cortometraje Un perro andaluz de Luis Buñuel para apreciarlos como dos obras emblematicas: por un lado, de como los poetas usualmente comprendieron las imagenes corporales como una encarnacion mitica y vital del mundo, y por otro, de la manera en que los cineastas las plasmaban con frecuencia para tomar conciencia de las represiones impuestas por la sociedad y de la fragilidad ante la muerte. De este modo, se analiza la obra de poetas diversos ubicados en los origenes del surrealismo (Breton o Eluard), al igual que en sus prolongaciones latinoamericanas (Westphalen o Paz) o españolas (Aleixandre o Garcia Lorca). Asimismo, se aborda la obra de cineastas que formaron parte de distintas epocas del surrealismo o que fueron influenciados, en mayor o menor medida, por la vanguardia: Cocteau, Deren, Hitchcock, Fellini, Jodorowsky, Svankmajer, Lynch, Mandico, entre otros. En paralelo, se toman en cuenta las representaciones del cuerpo en la obra plastica o fotografica de artistas como Dali, Magritte o Man Ray.

Jean-Luc Godard (París, 1930 - Rolle, Suiza, 2022) fue uno de los revolucionarios críticos que, desde las páginas de Cahiers du Cinéma, promovieron la "política de autores": una renovada concepción del director de cine como creador que, mediante la puesta en escena, convertia sus peliculas en obras de arte. Fue, quiza el mas audaz de los cineastas de la nueva ola del cine frances de los años sesenta. Si bien, para muchos, su imagen se diluye un poco luego de esa epoca dorada, Godard es, sin duda y no solo por su obra temprana, uno de los cineastas mas influyentes de todos los tiempos. Este volumen recoge veintitres ensayos que abordan distintos aspectos de la prolifica carrera cinematografica de Godard. Desde sus inicios como critico y su paso a la direccion, hasta los filmes que hizo en el ocaso de su vida, pasando por esas primeras y deslumbrantes cintas que retaban las convenciones narrativas, sus filmes-ensayo, su politica incursion en la creacion colectiva, sus experimentos con el video, su empeño por llevar al limite los supuestos del lenguaje cinematografico y el modo en que el cine de este siglo ha asumido su legado. El cine de Jean-Luc Godard: rupturas y aperturas le rinde homenaje a esa figura radical tanto en el sentido de extremo como en el de raigal que dejo una huella indeleble en el modo que tenemos de entender el cine.

O período que engloba os anos de 1977, 1978 e 1979 pode visto como um tempo de indefinições no cinema brasileiro, o que se deve à inexistência de um movimento catalisador, como o Cinema Novo foi na d

Este volumen recoge la mayor parte de los trabajos que Eduardo Manet publicó, entre 1960 y 1966, en la revista Cine Cubano. En ellos dejó un registro crítico que se distingue por su seriedad, su profesionalismo y su coherencia. Actitudes como el paternalismo tolerante, el insulto, las posiciones dogmaticas, la autosuficiencia y la obviedad quedan excluidas de una actividad que el realizo de modo sistematico y disciplinado y que asumio con metodo y rigor. Es lucido, analitico, independiente en sus opiniones y amplio en sus gustos y escribe con criterio y fundamento. Posee amplios conocimientos y los combina con una conveniente dosis de pasion. Sus textos denotan ademas un conocimiento cabal del importante papel que cumple el critico, como intermediario entre la produccion cinematografica y el espectador. Leidas varias decadas despues de que se publicaran, estas paginas criticas suman el placer de su lectura, pues constituyen un buen ejemplo de claridad e inteligencia. Parafraseando a Andre Bazin, se puede afirmar que los textos de Manet son el resultado de escribir sobre aquello que se admira.

El cine latinoamericano del desencanto pone en evidencia la relación que existe entre varios filmes contemporáneos de esta región y su realidad continental. En el contexto de otras obras fílmicas concebidas en Latinoamerica, el autor elige Japon, del director mexicano Carlos Reygadas, como eje central de su ensayo y ejemplo paradigmatico, para verificar el tratamiento dado a la utopia, lo rural y otras categorias analizadas. De esta forma, cuestiona la extendida tesis respecto a un cine que para algunos estudiosos no se distingue por sus intereses politicos o sociales, sino por los meramente esteticos. En su lugar, este libro identifica dos tendencias cinematograficas en el continente, indaga en sus posicionamientos ideologicos, y sugiere una nueva cartografia para comprender el Nuevo Cine Latinoamericano de estos tiempos.