Novedades del último mes en eBooks de Historia del arte

Há um momento anterior à palavra em que o silêncio já anuncia o poema. Um instante em que o olhar — hesitante, inquisidor ou rendido — se detém sobre o mundo não para dominá-lo, mas para deixar-se at

Este livro apresenta os resultados de uma pesquisa de mestrado dedicada a compreender as práticas de preservação cultural das mulheres bolivianas indígenas conhecidas como cholas, residentes na front

The Power of Void" explores the invisible forces that shape cinematic emotion through space, silence, and visual minimalism.Blending filmmaking theory with visual philosophy, the book presents a new framework that redefines the role of emptiness in directing. Across twenty-one chapters, it examines how distance, light, color, stillness, and spatial tension guide the viewers perception and construct the emotional architecture of a scene.Drawing from psychological principles and cinematic practice, the book reveals how the void becomes an active expressive toolshaping narrative rhythm, character presence, and the deeper layers of meaning within an image.Whether you are a filmmaker, writer, artist, or student of visual storytelling, this work opens a fresh perspective on the unseen elements that give cinema its power.

This volume presents a study of the thirty-four portraits in panel E Orient in the Kunsthistorisches Museum Wien. In this multi-faced object potentates from south-eastern Europe and Ottoman, Persian and African empires are represented. The small oil paintings are copies from the sixteenth century, part of Archduke Ferdinands collection of almost a thousand postcard-sized images, and are presented in the museums Munzkabinett.The portraits are explored in a participative research: Interlocutors in Vienna from different backgrounds share their reactions, impressions and questions in interviews. The appearances, production, collecting and presentation of the pictures are discussed, and the results of visits to Innsbruck, Como, Istanbul and Florence regarding the history of the portraits complete the work.While some mysteries remain unsolved, the research shows how people in contemporary Vienna interact with sixteenth-century portraits of an Orient.

Samantha, Adrian e Marcus enfrentam um drama depois que Raquel roubou o dinheiro da banda que tocavam juntos. Clara uma boa garota que por amor se juntará a eles e cantar no concurso de Bandas. Será

Cuando el miedo nos paraliza, la diferencia entre improvisar y estar preparados puede salvarnos la vida.La mayoría de las personas no sabe cómo reaccionar ante un intento de asalto o de extorsión, o si de pronto su seguridad o la de su familia estuviera en riesgo. Por ello, la periodista Bibiana Belsasso, junto con especialistas en la materia, elaboraron esta guia practica y confiable de prevencion y proteccionAqui encontraras: - Pasos de accion inmediata en casos de robo, extorsion, violencia familiar, delitos ciberneticos, consumo de drogas y mas. - Recomendaciones profesionales que integran tanto la seguridad fisica como el manejo emocional ante el peligro, de la mano de expertos como la psicologa Monica Schapira, el especialista en defensa personal Jorge Guzman Meyer o la activista defensora de los derechos humanos Jacqueline LHoist. - Consejos aplicables y probados que te permitiran reaccionar con calma y proteger a quienes mas quieres. Sin duda, este manual se convertira en una herramienta indispensable para cuidarte y te brindara informacion curada y pensada para ti. La seguridad comienza por estar bien informado.

Este não é apenas um livro sobre autismo - é uma carta aberta ao coração de quem convive com uma criança / adolescente autista, mas ainda não entende totalmente o seu mundo. O QUE VOCÊ PRECISA SABER

Em Mulheres, Terra e Memória, Jéssica Callegari de Castro conduz o leitor por um emocionante resgate das histórias de vida das camponesas que ajudaram a construir Xanxerê, em Santa Catarina. Com deli

Magdalena Abakanowicz (19302017) is known for her iconic installations that explored the relationship between humanity and nature, as well as the strength of the collective versus the individual. Today the power of her art, like predications from the past, are rivetingly real. This publication offers rich intellectual insight into the relevance of this Polish artist to the threatened presenta time in which geopolitical shifts between East and West and predictions of the Club of Rome (1972) and climate scientists are becoming a worldwide reality. And here Abakanowiczs vision on nature and the human condition is explored in a uniquely inspired way: by engaging seven artists/collaboratives to reflect in deeply personal ways on their art through dialogues with historians, philosophers, and other thinkers. This "counterpoint" launches discussion around the human condition in a post-humanist time, collective identity, trauma, climate change, unending destruction of the planet, and more. Finally, the uncommon approach of this show and book demonstrates how the elder artists art and life is a lens through which not only these artists but we can reconsider our place in the world.Magdalena Abakanowicz (19302017) is known for her iconic installations that explored the relationship between humanity and nature, as well as the strength of the collective versus the individual. Today the power of her art, like predications from the past, are rivetingly real.

Magdalena Abakanowicz (19302017) is known for her iconic installations that explored the relationship between humanity and nature, as well as the strength of the collective versus the individual. Today the power of her art, like predications from the past, are rivetingly real. This publication offers rich intellectual insight into the relevance of this Polish artist to the threatened presenta time in which geopolitical shifts between East and West and predictions of the Club of Rome (1972) and climate scientists are becoming a worldwide reality. And here Abakanowiczs vision on nature and the human condition is explored in a uniquely inspired way: by engaging seven artists/collaboratives to reflect in deeply personal ways on their art through dialogues with historians, philosophers, and other thinkers. This "counterpoint" launches discussion around the human condition in a post-humanist time, collective identity, trauma, climate change, unending destruction of the planet, and more. Finally, the uncommon approach of this show and book demonstrates how the elder artists art and life is a lens through which not only these artists but we can reconsider our place in the world.Magdalena Abakanowicz (19302017) is known for her iconic installations that explored the relationship between humanity and nature, as well as the strength of the collective versus the individual. Today the power of her art, like predications from the past, are rivetingly real.

Over the past two decades, Lisa Oppenheim has developed a critically acclaimed practice that is deeply rooted in the field of photography while also constantly exploring its margins. She often focuses on the unexplored potential of the mediums artistic, technological, and sociopolitical histories. Combining material experimentation with archival research, Oppenheim transforms or, in her words, "reprocesses"images and ideas both recent and historical by employing creative mechanisms ranging from a host of photographic processes to other media such as textiles, film and video, and, most recently, sculpture. Published in conjunction with her exhibition Monsieur Steichen at MUDAM Luxembourg, this richly illustrated catalogue surveys Oppenheims works from the past dozen years, and includes new texts by Darsie Alexander, Christophe Gallois, Jacob Proctor, and Bettina Steinbrugge, as well as a conversation between Lisa Oppenheim and artist Liz Deschenes.Lisa Oppenheim (*1975, New York) lives and works in New York City and holds degrees from Brown University, Bard College, and the Rijksakademie van beeldende kunsten. She is represented by Tanya Bonakdar Gallery in New York and Los Angeles and The Approach in London.

Over the past two decades, Lisa Oppenheim has developed a critically acclaimed practice that is deeply rooted in the field of photography while also constantly exploring its margins. She often focuses on the unexplored potential of the mediums artistic, technological, and sociopolitical histories. Combining material experimentation with archival research, Oppenheim transforms or, in her words, "reprocesses"images and ideas both recent and historical by employing creative mechanisms ranging from a host of photographic processes to other media such as textiles, film and video, and, most recently, sculpture. Published in conjunction with her exhibition Monsieur Steichen at MUDAM Luxembourg, this richly illustrated catalogue surveys Oppenheims works from the past dozen years, and includes new texts by Darsie Alexander, Christophe Gallois, Jacob Proctor, and Bettina Steinbrugge, as well as a conversation between Lisa Oppenheim and artist Liz Deschenes.Lisa Oppenheim (*1975, New York) lives and works in New York City and holds degrees from Brown University, Bard College, and the Rijksakademie van beeldende kunsten. She is represented by Tanya Bonakdar Gallery in New York and Los Angeles and The Approach in London.

Una lectura absorbente que arroja luz sobre uno de los delitos más lucrativos y desconocidos del mundo: el robo de arte.Casi tan antiguos como la propia humanidad, los robos de arte se remontan hasta los origenes de los primeros grandes imperios. Desde entonces, nos fascinan y repelen por igual, pero, ¿que se esconde tras ellos? ¿Por que se roba el arte? ¿Que ocurre con las piezas robadas? ¿Existen realmente los robos por encargo? ¿Como funciona el mercado negro del arte? Encontraremos respuesta en este apasionante recorrido a traves de cincuenta robos y saqueos que han determinado el rumbo de la historia. Pero, sobre todo, intentaremos dar respuesta al mayor enigma de todos, ¿por que, a pesar de que la mayoria de nosotros nos encontramos del lado bueno de la historia, nos resultan tan fascinantes?

Garotas Complicadas é uma mini série onde as personagens Olívia, Ruth, Valéria e Vitória narram seus dramas e conflitos colegiais. Onde foi parar o diário de Ruth?

This book is the first major study of Edita Schuberts art published outside Croatia. Edita Schuberts body of work is strikingly diverse, spanning pioneering explorations of natural ecology in the 1970s to bold paintings in the spirit of the transavantgarde in the 1980s. She also created performance art on the streets of Dubrovnik and created installations that invited viewers into her world. Her later worksself-portraits of various kindsoffer profound meditations on memory, identity, and mortal- ity. Working in her studio in the Institute of Anatomy in Zagreb, she once compared her art with the practice of dissection, a precise and purposeful science which reveals the hidden territories of the human body. Often her subject was herself. The breadth of her artistic output seems to anticipate the "post-medium" condition of contemporary art. Yet when viewed together, strong lines of connection and continuity emerge, revealing a deeply intimate and single-minded vision of art.Edita Schubert (19472001) was an exceptionally prolific and inventive artist, active from the early 1970s until her untimely death at the age of 54 in 2001. A significant figure in Croatian and Yugoslav art, she exhibited at the Venice Biennale and the Biennale of Sydney and in galleries in Austria and the US, as well as frequently throughout Yugoslavia. Yet today, her art remains relatively little known.

This book is the first major study of Edita Schuberts art published outside Croatia. Edita Schuberts body of work is strikingly diverse, spanning pioneering explorations of natural ecology in the 1970s to bold paintings in the spirit of the transavantgarde in the 1980s. She also created performance art on the streets of Dubrovnik and created installations that invited viewers into her world. Her later worksself-portraits of various kindsoffer profound meditations on memory, identity, and mortal- ity. Working in her studio in the Institute of Anatomy in Zagreb, she once compared her art with the practice of dissection, a precise and purposeful science which reveals the hidden territories of the human body. Often her subject was herself. The breadth of her artistic output seems to anticipate the "post-medium" condition of contemporary art. Yet when viewed together, strong lines of connection and continuity emerge, revealing a deeply intimate and single-minded vision of art.Edita Schubert (19472001) was an exceptionally prolific and inventive artist, active from the early 1970s until her untimely death at the age of 54 in 2001. A significant figure in Croatian and Yugoslav art, she exhibited at the Venice Biennale and the Biennale of Sydney and in galleries in Austria and the US, as well as frequently throughout Yugoslavia. Yet today, her art remains relatively little known.

Esta obra é resultado da compilação de crônicas escritas ao longo de quase dez anos no meu Blog. Fundado em 2011, o Dando a cara a tapa sempre foi um espaço dedicado ao retrato e à análise da realida

Sinopse: O mundo é um sistema que adoece, e a poesia é o bisturi para a sua cura. Em Caderno de Crises e Liberdades: Poemas sobre a sociedade e a alma contemporânea , José Moreira desnuda o tecido cí

O livro Arte, Mulher e Cidade: no necessariamente nesta ordem investiga a reivindicaço da cidade pelas mulheres por meio da arte. Ele apresenta artistas que utilizam os muros como forma de se apropriar do espaço urbano e outras que utilizam as telas para representar as mulheres na cidade, em seu cotidiano. So abordados os trabalhos de Priscila Rooxo, Simone Siss e Leoa, que destacam em suas obras a mulher, a arte e a cidade. Elas tem trabalhos diferentes entre si, mas cada uma apresenta pistas de caminhos possiveis para incluir a presença da mulher, do seu corpo e de sua voz nas cidades.Ao longo do livro, tambem e debatido como o Instagram assume diferentes funçes de apoio a essas mulheres, permitindo que registrem os seus trabalhos, se organizem em redes e gerem identificaço com outras mulheres, abrindo caminhos para construir uma cidade mais acolhedora para elas.

¿Qué es el arte fantástico? ¿Cómo se representa lo imposible en las artes visuales? Este ensayo parte de la investigación rigurosa de las principales tradiciones críticas —la germánica, la francófona