"The economization of our entire lifespan and the apparent compulsion to constant self-optimization are dead ends into which the dynamics of the market economy have led us. Julian Poerksen asks how we might re-emerge from this state and, drawing on the speculative approaches of Georges Bataille, Walter Benjamin, Michel Foucault, and Friedrich Schiller, recommends an investment in its antithesis: the waste of time and talent without guilt feelings and bad conscience. This is fun to read and leaves you with the exhilarating feeling that you are witnessing a long overdue liberation process." Carl Hegemann

Vivemos hoje um período de mudanças nas práticas de criação, produção e exibição do audiovisual. Com o advento da internet, o espectador, além de dizer diretamente ao realizador o que acha da obra, p

Desde la premisa de expandir las limitaciones teóricas que rigen larelación entre arte política, Visualidades políticas reúne cuatro análisis deacciones efímeras disruptivas durante y a propósito del estallido social enChile en octubre de 2019 en pos de reivindicarlos no solo como practicasque retoman, en terminos tematicos y formales, conceptualizacionespoliticas propias de las artes visuales de la decada del 2010, sino tambieny he ahi el tenor del libro como agencias que exceden las logicas de uncampo artistico centrado en sus propias variables esteticas y discursivas.En ese sentido, este libro es una invitacion a considerar que la practicaexpandida de dichas acciones estan en estrecha relacion no solo con lareconfiguracion estetica de memorias historicas que marcan las luchassociales de distintos actores disidentes, sino tambien en una busquedaque de cuenta de su urgencia y acontecimentalidad a contrachoque de laslogicas institucionales.

O cinema é, muitas vezes, definido como uma linguagem marcada pela "imagem em movimento".Tal definição traduz questão essencial dessa linguagem/arte: o fato de pertencer à modernidade, ou seja, ao pr

El grupo urbomaquia con su arte de irrupción en el espacio público deja testimonio de ese conflictivo tiempo que va entre 2001 y 2005. En este libro digital se presentan fotografías y archivos de las intervenciones artisticas que el grupo realizara, aportando un material grafico y textual relevante. El libro cuenta con ensayos de las investigadoras Flavia Dezzutto, Carina Cagnolo, Mirta Antonelli, Ana Longoni & Magdalena Perez Balbi, quienes dan sus analisis y diferentes perspectivas acerca de la trayectoria del grupo desde 2001 hasta 2024, enmarcando su incidencia en el arte publico y en la politica de Cordoba y de Argentina. Estos ensayos permiten conocer la situacion social y politica que rodeaba cada intervencion, como el grupo realizo estetica y conceptualmente sus propuestas de arte urbano y ello constituye una importante contribucion al panorama del arte argentino contemporaneo.

A proposta deste segundo volume de Leituras é trazer para o debate do Sul global outros modelos de construção do real – e especular sobre os impactos que alternativas de organização podem trazer para

Partiendo de la novela de Mary Shelley, Franskentein, Antola reinstala a las personas no cis en el tren fantasmagórico del experimento y la fantasía, para desarmar las ficciones identitarias de quienes jamas debieron disputarle al Estado alguna verdad.

Cada título de esta serie está dedicado a una técnica (acuarela, óleo, acrílica, pastel, etc.), tal y como reza el enunciado de la colección. Se trata de un conjunto de libros en cada uno de los cuales se explican de forma detallada y exhaustiva todos los aspectos que necesita saber para conseguir conocer a fondo la tecnica en cuestion y poder asi pintar con ella con soltura y dominio. Los volumenes estan estructurados de forma enciclopedica, a base de capitulos monograficos que contienen pequeños apartados. Todas las explicaciones se acompañan de la ilustracion correspondiente al objeto de que ningun tema quede sin comprension. Los volumenes se cierran con un indice detallado para facilitar la consulta, la utilidad y el manejo de cada tomo, que viene a ser un vademecum con todo el acopio de conocimientos sobre la tecnica en el tratada.

Author Barry Stone has served his apprenticeship as a western movie geek and aficionado. The Magnificent Seven, The Wild Bunch, Red River for 50 years the western has been the only genre in a life that just aint big enough for two. He has written on the history of cinema for the illustrated reference book Historica, is a regular attendee to western premieres for FOX Studios Australia, and was recently a guest of the Museum of Western Film History in Independence, California. Intrigued by the idea of frontier wilderness, of law and order vs lawlessness, and a firm belief that the better the bad guy, the better the film, he goes beyond the American south-west to pay homage to the Italian and even Australian western and, after much deliberation, he ranks them in order

Esta publicação traduz a riqueza da exposição Terra Comunal: Marina Abramovic + MAI (Sesc Pompeia – São Paulo, 2015), que exibiu trabalhos de mais de quarenta anos da trajetória de Marina Abramovic.

The interview with Sissy Engl, a recognized and successful singer, actress, and choreographer, took place on July 6, 2012, in Munich. Sissy Engl is a co-founder of the "Mandolin Motions Einstein Show Academy," which she started in 1980 with Peter Muhlen. She is known for her artistic versatility. Particularly influential were her roles in theater plays by Fernando Arrabal and Jean-Paul Sartre, as well as her provocative performances in films during the sexual liberation of the 1970s. In the interview, Sissy Engl also discusses her collaborations with Munich cultural figures such as Katja Ebstein and Konstantin Wecker and provides insights into her often challenging personal experiences with colleagues in the cultural industry of the old Federal Republic. A recurring topic is her life with Peter Muhlen, who had attempted suicide the night before an interview she had arranged. The interview with Peter Muhlen, which took place under unusual and difficult circumstances, was one of his last public appearances before his death on September 15, 2012.

«Somos parte de una genealogía de fantasmas». Alana Portero«No me queráis tanto, que me vais a matáh» nos dice el dramaturgo, director de escena y performer Alberto Cortés en su nueva pieza, Analphab

The SCRIPT-TOOL ENNEAGRAM 2.0 rediscovers an old typology theory as a working tool for story tellers the Enneagram.If you intend to develop characters and want to learn more about their attributes, or you design plot structures and are searching for a convincing model, the SCRIPT-TOOL ENNEAGRAM 2.0 is a new and helpful tool for this. It is not only applicable for screenplays but for other literary forms such as novels, short stories and theatre plays.The Enneagram is an age-old insight and self-recognition model that systematically explores nine different character profiles. Furthermore, it allows for and describes the inner dynamics of personality change, in countless varieties. Only in the last few decades has it been brought to world-wide attention. In the meantime, a few non-fiction books about the subject, which analyse literature and film with the help of the Enneagram scheme, have appeared.This Script-tool takes on a totally new approach by optimizing the Enneagram system directly for screen play development. It is a most efficient tool for the creation of credible characters or structuring a plot.

Robert Morris (Kansas City, 1931) es uno de los artistas clave para entender el desarrollo y la evolución del arte durante la segunda mitad del siglo XX. Su obra ha transitado prácticamente por la mayoria de los movimientos y tendencias del arte desde finales de los años cincuenta hasta la actualidad. Ha pintado a la manera expresionista, ha realizado obras neodadaistas y conceptuales, estructuras primarias y formas escultoricas minimalistas, trabajos de arte procesual, intervenciones en el arte de la tierra, acciones de reivindicacion social, critica institucional al museo y la galeria, danza, performance, video o dibujo.Aunque ha sido su vinculacion con el minimal art y la escultura de los años sesenta la que le ha garantizado un lugar en el canon del arte contemporaneo, la riqueza de su produccion artistica abarca otro gran numero de preocupaciones y tematicas entre las que se encuentran la experiencia del cuerpo, el movimiento, el proceso, el tiempo real, la reivindicacion de la condicion social del artista como trabajador, la relacion entre vision y ceguera, entre texto e imagen, la memoria, la muerte, la catastrofe o la melancolia. Cuestiones en todos los casos atravesadas por una critica audaz e inteligente tanto al modernismo y su concepcion del arte como un aparte de la vida, como a la modernidad entera en tanto que sistema opresor, disciplinario y deshumanizador.

Richard III - William Shakespeare - Richard III is a play by William Shakespeare. It was probably written c. 15921594. It is labelled a history in the First Folio, and is usually considered one, but it is sometimes called a tragedy, as in the quarto edition. Richard III concludes Shakespeares first tetralogy (also containing Henry VI, Part 1, and Henry VI, Part 2, and Henry VI, Part 3) and depicts the Machiavellian rise to power and subsequent short reign of King Richard III of England.It is the second longest play in the Shakespearean canon, and is the longest of the First Folio, whose version of Hamlet, otherwise the longest, is shorter than its quarto counterpart. The play is often abridged for brevity, and peripheral characters removed. In such cases, extra lines are often invented or added from elsewhere to establish the nature of the characters relationships. A further reason for abridgment is that Shakespeare assumed his audiences familiarity with his Henry VI plays, frequently referring to these plays.

A infância, a juventude e o caminho trilhado por Marina Abramović, a partir do meio artístico de Belgrado, rumo ao reconhecimento internacional como pioneira na arte da performance constituem o cerne

Cristina, del sur, cuidadora de un anciano húngaro. Tristán, capitalino, un arquitecto con el corazón roto. Un maletín perdido revela sonidos y objetos que entrelazan dos mundos disímiles habitando un mismo Santiago. La soledad y la busqueda de identidad, envueltas en una inquieta fantasia, los mueve a cambiar sus vidas para demostrarles que el destino puede construirse y tambien abandonarse.Play, estrenada en 2005, fue celebrada internacionalmente y gano, entre otros, los premios a Mejor Actriz y Mejor Banda Sonora en el Festival de Cine de Valdivia y Mejor Opera Prima en el Festival de Cine de Tribeca.

Already a well-known representative of the "Arte Povera" movement, in the late 1990s Johann Widmer began to explore the field of abstract, informal painting.His credo was that all the arts (including music and literature) are important pillars of our civilisation and should therefore be made accessible to everyone by various means.In addition to his extensive artistic output, Johann Widmer has always written short stories for young and old. But he avoids the term "writer". He sees himself more as an art mediator and is happy when his books are read.Starting in August 2009, he dedicated a picture to each month, which he accompanied with a matching text.This book is therefore a compilation of the artistic work and the short stories and shows the "monthly pictures" as a collected work.The texts are not intended to influence the viewers own imagination when looking at the pictures, but they may suggest a way of looking at the picture.

Already a well-known representative of the "Arte Povera" movement, in the late 1990s Johann Widmer began to explore the field of abstract, informal painting.His credo was that all the arts (including music and literature) are important pillars of our civilisation and should therefore be made accessible to everyone by various means.In addition to his extensive artistic output, Johann Widmer has always written short stories for young and old. But he avoids the term "writer". He sees himself more as an art mediator and is happy when his books are read.Starting in August 2009, he dedicated a picture to each month, which he accompanied with a matching text.This book is therefore a compilation of the artistic work and the short stories and shows the "monthly pictures" as a collected work.The texts are not intended to influence the viewers own imagination when looking at the pictures, but they may suggest a way of looking at the picture.

Matilde Marín en Pharus II. Paisajes y ficciones fotográficas se embarca nuevamente en un viaje visual que documenta y recrea faros del mundo. La artista ilumina con tonos rojizos los faros e indica de esa manera que son la vuelta al hogar en el viaje inverso a Pharus. Del hemisferio Sur al Norte y va desde Islandia hacia el sur mas austral de Argentina. En este desplazamiento sus imagenes documentales y paisajes ficcionales Marin presenta esas guias fisicas en el mar, que por su visualidad revelan ahora espacios de fascinacion y son la ocasion para imaginar nuevos relatos que revitalizan esos simbolos de la memoria y la historia. Laura Malosetti Costa expresa que los faros evocan conceptos y narrativas como las del viaje, el naufragio, la tragedia y son resultado tanto de experiencias de la artista como de sus lecturas literarias. Adriana Musitano analiza las puestas en abismo que duplican parcialmente los faros en sus reflejos y observa que Marin asombra con imagenes que fundan un espacio utopico al crear ficciones fotograficas que unen el paisaje de las Salinas Grandes de Argentina con lejanos lugares. Los faros y constelaciones de este ebook iluminan nuestro planeta y el planisferio los muestra en relacion con los puntos cardinales, mares y continentes. Marin narra el retorno al hogar y tambien su viaje a Egipto al conocer el lugar donde estaba el primer faro de Alejandria. Se suman las fotografias de sus amigos.