WORLDBUILDING: Gaming and Art in the Digital Age examines the relationship between gaming and time-based media art. It is the first transgenerational show of this scope to survey how contemporary artists world-wide are appropriating the aesthetics and technology of gaming as their form of expression. Commissioned by the Julia Stoschek Foundation and curated by Hans Ulrich Obrist, the exhibition features works by more than 50 artists, including Rebecca Allen, Cory Arcangel, LaTurbo Avedon, Meriem Bennani, Ian Cheng, Cao Fei, Harun Farocki, Porpentine Charity Heartscape, Pierre Huyghe, Rindon Johnson, KAWS, Sondra Perry, Jacolby Satterwhite, Sturtevant, and Suzanne Treister.This catalogue is conceptualized as a future standard reference in the field in close collaboration with Hans Ulrich Obrist. In addition to texts by contemporary theorists, curators, and critics on the individual works, a series of newly commissioned contributions will investigate various perspectives on the intersection of gaming and time-based media art.This playfully designed volume features rounded edges, a screen-printed PVC dust jacket and kiss-cut stickers showing a range of different digital avatars.

WORLDBUILDING: Gaming and Art in the Digital Age examines the relationship between gaming and time-based media art. It is the first transgenerational show of this scope to survey how contemporary artists world-wide are appropriating the aesthetics and technology of gaming as their form of expression. Commissioned by the Julia Stoschek Foundation and curated by Hans Ulrich Obrist, the exhibition features works by more than 50 artists, including Rebecca Allen, Cory Arcangel, LaTurbo Avedon, Meriem Bennani, Ian Cheng, Cao Fei, Harun Farocki, Porpentine Charity Heartscape, Pierre Huyghe, Rindon Johnson, KAWS, Sondra Perry, Jacolby Satterwhite, Sturtevant, and Suzanne Treister.This catalogue is conceptualized as a future standard reference in the field in close collaboration with Hans Ulrich Obrist. In addition to texts by contemporary theorists, curators, and critics on the individual works, a series of newly commissioned contributions will investigate various perspectives on the intersection of gaming and time-based media art.This playfully designed volume features rounded edges, a screen-printed PVC dust jacket and kiss-cut stickers showing a range of different digital avatars.

Frans Hals is one of the most important portrait painters of all time. Like Rembrandt, the famous Dutch Baroque masters striking portraits of the bourgeoisie and social outsiders are distinguished by their extraordinary vividness and accurate depiction. His sketch-like paintings, executed with bold brushstrokes, had a decisive influence on modernist painting. This comprehensive publication coincides with the first major survey exhibition of Hals oeuvre in more than thirty years.FRANS HALS (1582/841666) was born in Antwerp, the son of a cloth merchant. In 1610 he was accepted into the Haarlem Guild of St. Luke. Hals created hundreds of genre paintings, individual, and group portraits and enjoyed great public prestige. Despite his fame during his lifetime, it was not until the nineteenth century that he was enthusiastically rediscovered by the Impressionists and Realists.

Towards a New Social ContractArs Electronica 2023 is dedicated to the complex questions of truth and the concept of ownership in this digital age. In doing so, the festival navigates the central questions of our time. The focus is on how our perception of "authentic" and "original" is being transformed and whether truth can be owned, and how this relates to digitalization and the rapidly developing performance of artificial intelligence. How can the achievements of a tool that is so much based on the globally collective "raw material" of knowledge and creativity be made accessible to everyone and be harnessed to the benefit of all? This comprehensive volume brings together the works of artists, scientists, developers, designers, entrepreneurs and activists from around the world and delves deep into the themes of the festival, offering insights, perspectives, and thought-provoking content that reflect on the intersection of art, technology, and society.

John Sanborn became one of the most prominent protagonists of the American video art scene in the 1970s and 1980s. His work ranges from the beginnings of experimental video art to MTV music videos, interactive art, and digital media art. Consulting with Apple and Adobe, he contributed to shaping the possibilities of new image tools and was instrumental to the dawning of the digital image revolution in California. This monograph brings together a collection of works that spans over four decades of exploring sound, music, cultural identity, memory, mythologies, and the human compulsion to tell stories. Essays by video art experts, contributions by his friends and companions, and a conversation between Sanborn and acclaimed media artist Dara Birnbaum explore the tension between mass media and contemporary art. Sanborn himself traces the unique arc of his career and talks about a journey that took him from museums and alternative spaces to television networks, Hollywood and Silicon Valley before returning to the art world. Few other artists working with media can claim to have delved into so many visual territories.JOHN SANBORN (*1954, Huntington, New York) is a key member of the second wave of American video artists. His body of work spans the early days of experimental video art in the 1970s through the heyday of MTV music/videos and interactive art to the digital media art of today. His work has been exhibited on television, as video installations, video games, Internet experiences and in live performances such as God in 3 Persons, a collaboration with The Residents, at MoMA in New York (2020). Sanborn lives and works in Berkeley, California.

The Edizioni Conz of the Italian collector, publisher and photographer Francesco Conzincluding portfolios, large silkscreen prints on fabrics and objectsare among the finest and most elaborate art editions of the second half of the 20th century. A friend and patron of Viennese Actionism, Fluxus, Concrete Poetry, and Lettrism, he was an obsessive, knowledgeable enthusiast open to all the arts, for whom hospitality, the magic of community, and respect for the arts were more important than any mercantile aspirations. This publication is the first comprehensive catalogue raisonne of the editions published by Conz between 1972 and 2009. Comprising more than 500 editions, it is both a reflection of his passions and a memorial to the art of the avant-gardes. Texts by contemporaries such as Alison Knowles, Dick Higgins, Milan Kniak, Eugen Gomringer, Emmett Williams, Nicholas Zurbrugg, and others complete the richly illustrated catalogue.FRANCESCO CONZ (19352010) grew up in a wealthy family of Austro-Hungarian descent in the Italian Veneto. After coming into contact with the art scene in Berlin and New York in the early 1970s, he traveled to art festivals around the world and invited artists to the Palazzo Baglioni in Asolo for happenings and per- formances. Since 2016, the Berlin-based Archivio Conz has been working to catalogue, research, and restore his extraordinary collection for the public, which includes more than 4,000 works and commissioned editions by over 300 international artists, as well as 30,000 photographs and ephemera.

A obra As pérolas de Dandára trata da história de luta e resiliência de uma jovem que, desde sua infância, passou por diversas situações difíceis, mas não desistiu de seus sonhos e sempre lutou por d

Assira kommt mit Frauli endlich von ihrer Kurzreise zurück und Strolchi braucht natürlich sofort einen ausführlichen Bericht.

Nellautunno del 1889 arrivo a Bobbio uninsolita viaggiatrice, proveniente dalla lontana Irlanda.Che cosa la portava nella citta di san Colombano?Ce lo racconta lei stessa in una serie di lettere, che ci restituiscono un ritratto rigoroso e appassionato di un importante protagonista della storia religiosa europea e della citta che ancora conserva indelebili tracce del suo operato. Ma anche un colorito affresco della vita in Appennino alle soglie del Novecento.

"Este é um livro realmente importante!"Financial Times"Tepper e Hearn argumentam que a desigualdade é o sintoma, não a doença. O livro é um relato crucial e repleto de informações, dados e pesquisas

In "The Digital Renaissance: How Technology is Reviving Artistic Expression," embark on a captivating journey into the intersection of art and technology. Delving deep into the transformative power of digital innovation, this illuminating exploration unravels the profound impact of the Digital Renaissance on the artistic landscape of the 21st century.From the fusion of art and technology to the democratization of creativity, discover how advancements in digital tools and platforms have unleashed a renaissance of creativity, empowering artists from diverse backgrounds to realize their creative visions in ways previously unimaginable. Through captivating case studies and insightful analysis, uncover the myriad ways in which technology has revolutionized artistic expression, amplifying diverse voices and perspectives and fostering a more inclusive and vibrant artistic community.Yet, amidst the promise of progress and innovation, challenges and ethical dilemmas abound. From concerns about data privacy and surveillance to debates about the commodification of creativity, confront the moral complexities of technology in art and the imperative of approaching technological innovation with integrity and compassion.As you journey through these pages, youre invited to reflect on the significance of the Digital Renaissance and its enduring legacy on the cultural landscape. From a call to action urging readers to embrace technology as a tool for creativity and innovation, to final thoughts on the transformative potential of human ingenuity, "The Digital Renaissance" offers a compelling glimpse into the future of art and society in the digital age.

Gavan il senza padre crede di non aver scelta: solo un gesto eroico puo ristabilire il suo onore. Si vede costretto a intraprendere unimpresa apparentemente impossibile: lasciare la sicurezza della citta di confine e trovare il fantomatico cuore del deserto, incamminandosi in un viaggio che accadra, sta accadendo ed e gia accaduto...Ogni capitolo di questo libro e basato su una carta dei tarocchi. Proprio come le carte, i capitoli sono in un ordine casuale, e possono essere letti in qualsiasi modo.?Il libro e distribuito gratuitamente online, e in versione stampata incontrando lautore alle fiere. Le illustrazioni presenti sono state generate con lintelligenza artificiale.

El presente catálogo describe en detalle el contenido del fondo de música de la Catedral de Santiago de Chile, que preserva más de 1700 partituras manuscritas e impresas de 1770 a 1940, aproximadamen

El presente catálogo describe en detalle el contenido del fondo de música de la Catedral de Santiago de Chile, que preserva más de 1700 partituras manuscritas e impresas de 1770 a 1940, aproximadamen

Eigentlich sollte es ein relaxter Sonntag werden. Endlich wurde mal wieder gebadet, was auch Baris ausgesprochen interessiert hat, obwohl er es ungerecht findet, dass Frauli einfach im Wasser rumliegt und man ihm sagt, die Badesaison wird im Januar nicht eroffnet. Und zu essen bekommt Baris naturlich wieder einmal viel zu wenig. Da mocht er gern noch Strolchis Essen fertigessen. Doch damit ist Strolchi gar nicht einverstanden. So schnell, wie Baris isst, kann sein eigenes Essen ja noch gar nicht in seinem Bauch angekommen sein!

Strolchi ist begeistert, denn endlich hat Frauli den Tisch einmal standesgema fur ihn und Baris mitgedeckt. Doch das stellt sich als Irrtum raus, denn sie bekommen Besuch. Doch da ist Strolchis Platz fur den Besuch gedeckt. Das geht doch nicht, denn das ist schlielich sein Platz! Oder soll er etwa auf dem Boden sitzen? Da kann doch der Besuch sitzen!

Classical music has the unique ability to alleviate stress and anxiety. When we are feeling overwhelmed or anxious, immersing ourselves in the soothing melodies of composers like Bach, Beethoven, or Mozart can provide solace and tranquility.The Mozart Effect refers to the idea that listening to classical music, particularly the compositions of Wolfgang Amadeus Mozart, can enhance our mood and cognitive abilities. Numerous studies have shown that classical music has a positive effect on our brain, boosting creativity, memory, and overall well-being. It has been found that listening to Mozarts music can even enhance spatial-temporal reasoning, leading to improved problem-solving skills.

SynopsisVertical Dance: perceiving and creating space de?nes the substance and methods of vertical dance. Moretti and Lawrence re?ect on the state of the art at the end of a pioneering experimental era and the dawn of a new period in which emerging artists are developing the form creatively and in which, concurrently, it is being regulated and institutionalized. The authors begin by clarifying what is meant by the term vertical dance, discussing the component parts and why these are fundamental to the classi?cation of this nascent form and go on to discuss the boundaries with its close relatives: aerial dance, site-speci?c artistic practices and climbing. They then chart the history of the form and examine its potential to challenge and enhance our experience of space.AuthorsWanda MorettiA choreographer and researcher, her dance studies focus on systems of proportion and the harmony of space. She has pioneered vertical dance in Italy since the 1990s, developing and spreading this practice to create VST (Vertical and Suspension Training), a method now internationally recognized. Her research and artistic project concerns the relationship with architecture and landscape and how every movement performed in space derives from the relationship between the movement itself and the speci?c point on the wall to which the moving rope is attached. In 1994, in Venice, she founded Il Posto Company with the composer and musician Marco Castelli.Kate LawrenceKate is a choreographer and researcher specialising in vertical dance and site-speci?c performance practices. In the 1990s she ran feminist dance company Nomads, with whom she made 3 touring shows. Since then she has lectured in dance and performance at Bangor University and University of Surrey where she pioneered a vertical dance undergraduate module (2003 2010), fusing her dance background with her long-standing passion for rock climbing. Kate began making vertical dance work in 2002, and in 2014, after moving to North Wales, she founded the company Vertical Dance Kate Lawrence with her partner and rigger Simon Edwards. Her choreographic work is highly collaborative and explores the nexus of site, body and context. She completed the ?rst PhD examining vertical dance in 2017.

Dive into the multifaceted history of the Federal Republic of Germany with the book "Chancellors 1949 - 2024". Experience the impressive personalities that have shaped the country, from its founders to the present day. Learn more about the pivotal moments that have shaped Germany and discover the individuals behind the political decisions. A well-researched and detailed chronicle that brings history to life a must-read for history enthusiasts and anyone seeking to understand the political development of Germany.

EDITORIAL: Das E-Magazin, POETTSCHKES POST, ist im dritten Jahr seines Erscheinens zur Institution aufgestiegen, hat sich etabliert. Themen sind, wie stets, das (internationale) Leben, Gott & seine Politik.Erstaunlich ist dabei, mit wellcher Bandbreite der Autor Doemges zu Werke geht - bei der Auswahl seiner Texte. Kein Mensch kann an irgendeinem Punkt der Artikel und Berichte erklaren, das tangiere ihn/sie nicht. Die Zeiten werden nicht einfacher. Gerade deshalb gilt es gerade im Journalismus, neue, interessante Themenbereiche zu erschlieen.Vorliegendes ist Information aus nennenswerten Lebensbereichen. Danke, dass Sie POETTSCHKES POST lesen. (doemgespress.webnode.com)