eBooks de Historia general del arte, página 4 de 42

Rescue excavations were carried out along the terrace north of Ancient Corinth by Henry Robinson, the director of the Corinth Excavations, and the American School of Classical Studies at Athens on behalf of the Greek Archaeological Service, in 1961 and 1962. They revealed 70 tile graves, limestone sarcophagi, and cremation burials (the last are rare in Corinth before the Julian colony), and seven chamber tombs (also rare before the Roman period). The burials ranged in date from the 5th century B.C. to the 6th century A.D., and about 240 skeletons were preserved for study. This volume publishes the results of these excavations and examines the evidence for changing burial practices in the Greek city, Roman colony, and Christian town. Documented are single graves and deposits, the Robinson "Painted Tomb," two more hypogea, and four built chamber tombs. Ethne Barnes describes the human skeletal remains, and David Reese discusses the animal bones found in the North Terrace tombs. The author further explores the architecture of the chamber tombs as well as cemeteries, burial practices, and funeral customs in ancient Corinth. One appendix addresses a Roman chamber tomb at nearby Hexamilia, excavated in 1937; the second, by David Jordan, the lead tablets from a chamber tomb and its well. Concordances, grave index numbers, Corinth inventory numbers, and indexes follow. This study will be of interest to classicists, historians of several periods, and scholars studying early Christianity.

A Salvador Dalí le divertía comparar al Greco con un caracol. Tusquets se divierte en este libro comparando cosas que no viene a cuento comparar: obras de arte, calendarios, museos, lupanares, la Ley Seca, el libre albedrio, correcciones visuales, el globo terraqueo, escaleras historicas, clientes legendarios, toreros atemorizados, luces y colores misteriosos, alimentos en conserva, arte abstracto, vagones tolerantes, duchas inteligentes, deportes desafortunados, jardines imperecederos... Este es un libro escrito por un arquitecto (¿o por un diseñador? ¿O por un pintor y escritor dominguero?), pero no es un libro para arquitectos, sino para lectores que gusten de seguir un razonamiento original sobre temas manidos, cargados de lugares comunes y de visiones politicamente correctas. Por trascendente que sea el asunto, el autor no engola la voz; prefiere la ironia y el humor para exponer evidencias que, aunque son de sentido comun, parecen insolitas y extravagantes. En resumen, un libro desbordante de talento, escrito desde una postura de radical independencia, y de lectura (y relectura) tan obligada como gozosa.

Eis o meu Renascimento. Eis a incoerência da minha alma. Devore-a com calma. Amores intensos, partidas, chegadas, queda e ascensão são conceitos que estão nas páginas do meu primeiro zine autoral de

RESUMEN O ESQUEMA DEL ARTíCULO:1. Vida2.1. Obra: Título, contenido y estructura2.2. Esquemas estructurales3. La tradición liviana.3.1. Panorama general3.2. Las Períocas3.3. Las Períocas de Oxyrrinco3.4. El libro de los prodigios de Julio Obsecuente3.5. Fragmentos4. Las caracteristicas de la obra liviana5. La retorica en la obra liviana5.1. El Prologo general y los pasajes programaticos5.2. Caracterizacion y retratos5.3. Los discursos: retorica, ideologia y caracterizacion indirecta6. Los exempla y la concepcion filosofico-religiosa de Livio. Una breve perspectiva7. Fuentes y metodologia historica8. Recapitulacion finalSeleccion bibliografica1. Ediciones, traducciones y comentarios2. Estudios y monografias

A fascinating collection of writings from the great polymath of the Italian Renaissaince, Leonardo da Vinci. Table of Content: Introduction I Thoughts on Life II Thoughts on Art III Thoughts on Scien

In "Thoughts on Art and Life," Leonardo da Vinci presents a profound exploration of the relationships between artistic practice, nature, and the human experience. This work invites readers into da Vincis mind as he contemplates the essence of beauty, creativity, and the philosophy of observation that underpins his artistry. Characterized by a blend of narrative and reflective prose, the text employs a rich, poetic language that mirrors the intricate detail evident in his paintings. Set against the backdrop of the Renaissance, a period marked by the revival of humanism and empirical inquiry, this collection reveals the synthesis of science and art that da Vinci championed. Leonardo da Vinci, a polymath renowned for his contributions to art, science, and engineering, cultivated his ideas through relentless observation and experimentation. Growing up in Florence, a hub of Renaissance thought, Leonardo drew inspiration from both classical texts and the natural world around him. His unique background fueled his desire to illuminate the principles of aesthetics and the importance of keen observation, resulting in this introspective work that encompasses his lifes reflections. "Thoughts on Art and Life" is a must-read for anyone seeking to understand the foundations of artistic genius and the philosophical inquiries that continue to resonate in contemporary discussions of creativity. By navigating da Vincis insights, readers can engage with timeless questions about the role of the artist in society and the intricate dance between art and life.

In "Thomas Hart Benton," Theodore Roosevelt embarks on a vivid exploration of the life and legacy of the celebrated American artist and politician. Roosevelt employs a compelling narrative style that interweaves biographical details with a rich contextual analysis of the mid-19th century American landscape, illuminating Bentons contributions to both art and politics. This work stands as a testament to the painter of the American scene, providing readers with vivid illustrations of Bentons larger-than-life persona, artistic endeavors, and his role in shaping a distinctly American cultural identity against the backdrop of an evolving nation. Theodore Roosevelt, the 26th President of the United States, was profoundly influenced by his own experiences with art and history. His multifaceted interests, spanning nature conservation to American nationalism, fueled his appreciation for Benton as a pivotal figure in the nations artistic heritage. Living during a time of significant political and social upheaval, Roosevelt sought to encapsulate the spirit of America through Bentons eyes, using this biography as a lens to understand the intersection of art and national identity. "Thomas Hart Benton" is an essential read for anyone interested in American art, history, or the complexities of cultural identity. Roosevelts meticulous research and engaging prose invite readers to delve into a pivotal era, rendering this book a valuable resource for scholars and casual readers alike. Through this work, Roosevelt offers not just an artists biography, but a profound commentary on the American spirit itself.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- An Author Biography reveals milestones in the authors life, illuminating the personal insights behind the text.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

RESUMEN:El presente artículo aborda las líneas generales del pensamiento estético de Adorno partiendo de una consideración preeliminar de los fundamentos básicos de un proyecto especulativo centrado en la critica de la razon instrumental y en el concepto de dialectica negativa. La estetica adorniana aparece como alternativa teorica al final de una trayectoria intelectual orientada en todo momento hacia la elaboracion de modelos racionales no impositivos. En este sentido, Adorno, partiendo de una critica devastadora del concepto de Aufklarung y haciendose cargo de las consecuencias teoricas y practicas que se derivan de este, diseña una propuesta filosofica multidisciplinar que habra de filtrarse en los mas diversos ambitos del trabajo intelectual del siglo XX. Las paginas que siguen pretenden aproximarse a la propuesta estetica adorniana desde la comprension del trasfondo teorico que permite su aparicion. Para ello, el itinerario trazado partira de una vision panoramica de las implicaciones doctrinales de Dialectica de la Ilustracion que se extiende hacia el contendio nuclear de su Teoria Estetica, en un intento por arrojar luz sobre el modelo imperante del pensamiento occidental contra el que Adorno ejerce su demoledor impulso.

The wall paintings from the West House at Mycenae are discussed in relation to their context within the building. Their iconography and stylistic details are explored in relation to other Aegean Bronze Age wall paintings. The fragments are fully cataloged and illustrated with drawings and photos.

In "The Unknown Masterpiece," Honoré de Balzac intricately weaves a tale that explores the enigmatic relationship between art, genius, and the creative process. The novella, first published in 1831, employs a rich and vivid literary style, characterized by Balzacs signature realism and psychological depth. Set against the backdrop of 17th-century France, the story follows the ambitious painter Frenhofer, whose obsessive pursuit of perfection leads to a dramatic and tragic confrontation with the nature of artistic idealism, ultimately questioning the boundaries between reality and abstraction. Balzacs nuanced portrayal of the tension between artistic aspiration and the often harsh reception of art serves as a meditation on the transformative power of creativity itself. Honore de Balzac, a towering figure in French literature, sought to depict the complexities of human experience through his expansive oeuvre, especially within his beloved series "La Comedie Humaine." His own struggles with artistic ambition and social critique inform the narrative of "The Unknown Masterpiece," illuminating how his keen observations of society and human behavior propelled him to investigate the intricacies of artistry and perception. The novella showcases his ability to balance philosophical introspection with gripping storytelling. For readers grappling with the nature of art and creativity, "The Unknown Masterpiece" stands as a timeless exploration that invites deep reflection. Balzacs multifaceted approach not only captivates but also challenges the reader to contemplate what constitutes true mastery in art. This novella is essential for those intrigued by the artists journey and the compelling questions surrounding artistic authenticity.

In "The Unknown Masterpiece," Honoré de Balzac weaves a complex narrative that delves into the intricacies of artistic ambition, the nature of genius, and the perpetual struggle between reality and idealism. Set against the backdrop of 19th-century Paris, the novella unfolds the story of the fictional painter Frenhofer, whose obsessive quest for perfection leads him to a near-mythical masterpiece that ultimately eludes him. With a keen eye for detail and a penchant for character exploration, Balzac employs a richly descriptive style that reflects the philosophical and aesthetic debates of his time, offering readers a profound commentary on the dynamics of creation and the limitations of artistic expression. Balzac, a pivotal figure in French literature and a key proponent of realism, drew inspiration from his own experiences in the art world and his fascination with the transformative power of creativity. His encounters with contemporary artists and the burgeoning art movement in France informed his portrayal of the struggles and aspirations central to "The Unknown Masterpiece." Through the lens of this novella, Balzac provides insight into the intersecting worlds of art and literature, capturing the zeitgeist of an era marked by cultural shifts. This novella is highly recommended for readers who seek a deeper understanding of the creative process and the complexities behind the pursuit of artistic excellence. Balzacs incisive exploration of these themes resonates with anyone interested in the relationship between art and life, making "The Unknown Masterpiece" an essential reading for lovers of literature, art enthusiasts, and scholars alike.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- An Author Biography reveals milestones in the authors life, illuminating the personal insights behind the text.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

In 1892 Degas painting In the Café was sold for a mere 180 guineas at auction, with the public hissing as the hammer fell. Less than a century later another Impressionist work, Renoirs Moulin de la Galette, sold at Sothebys for $78 million, accompanied by enthusiastic applause. In this history-cum-memoir Philip Hook, Senior Director of Sothebys Impressionist and Modern Art department, examines the publics change of heart toward Impressionism. Starting with its shocking novelty and confounding style, he traces the impact of the Impressionist painting as it spread to Germany, America, and Great Britain, polarizing modernists and conservatives. Equally fascinating is the story of Impressionisms change in status. More than exceptionally pretty pictures, Impressionist works have become a currency in their own right, being bought and sold like blue-chip stock - coveted as much for their monetary worth as for their intrinsic beauty. Drawn from Hooks own experiences with art collectors and dealers, this fascinating chapter in art history is narrated through the lens of todays art market.

In "The Story of Spanish Painting," Charles H. Caffin delivers a thorough and engaging exploration of Spanish art, tracing its evolution from the medieval period through the modern era. Caffins prose is marked by clarity and enthusiasm, using vivid descriptions and a chronological structure that allows readers to grasp the cultural and historical contexts influencing key masterpieces and artists. He skillfully interweaves aesthetic analysis with biographical insights, providing a rich landscape of the social, political, and religious factors that shaped Spains artistic legacy, including influential figures like Velazquez, Goya, and Picasso. Caffin, a noted American art critic and historian, possessed a profound understanding of European art movements, informed by his studies in both England and America. His appreciation for visual art, coupled with his academic prowess, led him to dive into the rich tapestry of Spanish painting, a subject often overshadowed by the more widely recognized Italian Renaissance. His background in criticism and his travels throughout Spain endowed him with a unique perspective that vividly animates the narratives he presents. This book is an essential read for art lovers and scholars alike. Caffins insights provide not only a visual understanding of the works but also an emotional connection to their creators and the environment in which they were produced. For anyone wishing to deepen their understanding of Spanish cultural history through art, Caffins work is indispensable.

In "The Story of Spanish Painting," Charles H. Caffin provides a comprehensive exploration of the evolution of Spanish art from its roots in the medieval period through the Golden Age and beyond. Examining the interplay of cultural, religious, and social factors, Caffin employs a fluid literary style enriched with eloquent descriptions and critical analyses, making complex artistic movements accessible while retaining scholarly rigor. The book reflects on key figures, such as Velzquez and Goya, situating their work within the broader spectrum of European art history, and emphasizes how Spains unique historical context shaped its distinctive artistic identity. Charles H. Caffin was a prominent art critic and historian whose passion for the visual arts inspired his extensive writings on art appreciation. Born in the late 19th century, Caffins experiences as a connoisseur and critic in a rapidly evolving artistic landscape inform his keen insights into the nuance of Spanish painting. His academic background and dedication to understanding the methods and motives behind artists works enable him to craft a narrative rich in both knowledge and empathy for the subject. This book is a must-read for students, scholars, and anyone fascinated by the dramatic and varied tapestry of Spanish art. Caffins thoughtful analysis invites readers to appreciate not only the masterpieces themselves but also the socio-political narratives that birthed them. An invaluable resource for art enthusiasts, it opens a window into the soul of Spain through its painting.

In "The Story of a Picture," Douglass Sherley presents a compelling narrative that intertwines the complex interplay of visual art and human emotion. This innovative work delves into the significance of a singular painting, exploring its historical context and the myriad interpretations it evokes. Sherley employs a vivid, descriptive style that captures the essence of the artwork while engaging the readerAos imagination, making it a unique contribution to the literary canon that examines the relationship between art and narrative. As the story unfolds, SherleyAos keen attention to detail invites a profound dialogue between the observer and the observed, revealing layers of meaning that resonate across time and culture. Douglass Sherley, an artist and cultural critic, draws from his extensive background in art history and personal experiences in creating visual art to craft this narrative. His unique perspective is informed by years of academic inquiry and practical engagement with artistic mediums, allowing him to portray not just a picture, but the sensory and emotional landscape that surrounds it. SherleyAos scholarly investigations into the thematic elements of art make this book a synthesis of personal and academic exploration. I highly recommend "The Story of a Picture" to readers who appreciate the intricate connections between art and storytelling. Whether you are an art aficionado or a casual reader, SherleyAos work invites you to unravel the profound impact of a single image while prompting introspection about its narrative power. This book is a must-read for those looking to deepen their understanding of the narrative dimensions of visual art.

Volumes I (#30754), II (#30755), and III (#30756) are / interlinked, with index in Volume III.

This is not a duplicate of e-book #9804, which has a similar title.

This book presents the pottery and the clay and metal sculptures dedicated to the deity Eileithyia in her shrine at Inatos, in southern Crete. This is the second of three planned volumes on this assemblage of specialized gifts to a unique goddess. It follows the Egyptiaka from the shrine that were published in volume I. The clay vessels are discussed by periods, from the Minoan to the Roman Imperial era. Clay figurines are divided by classes. Separate chapters describe models and other items of clay, including boat models, a ring-shaped frieze of dancing warriors, animal figurines, and Roman lamps. Highlights of this important assemblage of votive objects include about 200 Minoan miniature vessels and many small sculptures from the Late Geometric to Archaic periods, including seated pairs of female figurines in preparation for childbirth, sexually embracing couples, and a boat model with standing female figures on the gunwales accompanying a fetus traveling in the vessel.

Excavations conducted by the American School of Classical Studies at Athens in the Sanctuary of Demeter and Kore on Acrocorinth, 1961-1975, produced more than 170 inscribed objects of stone, bronze, bone, lead weights, pottery (graffiti and dipinti), clay pinakes, magical lead tablets, and in a mosaic. In this new Corinth volume, Ron Stroud presents all of these inscriptions, and he relates them to an overall interpretation of the activities, secular and religious, attested in this shrine during its long period of use from the 7th century B.C. until the end of the 4th century A.D. Where possible, Stroud also draws out their implications for and contribution to the history of ancient Corinth, the worship of the goddesses Demeter and Kore, and the practice of magic-especially in the Roman period. This is the final publication of the inscribed objects from the sanctuary, excluding loomweights and stamped amphora handles, which will be included in a later publication.