eBooks de Historias de la música, página 14 de 131

La canción de protesta en Argentina y América Latina tuvo su auge en los años calientes de rebeldía y utopía. Cantar para denunciar la pobreza, la explotación, la desigualdad, llamar a la unidad continental y, a veces, a la revolucion y las armas. Para el pueblo lo que es del pueblo, Marcha de la bronca, El pueblo unido jamas sera vencido, A desalambrar o Hasta siempre son algunas de las muchas composiciones emblematicas de un tiempo cantado, en el cual la cancion, se creia, podia cambiar el mundo. Todos se sentian complices de lucha contra el arte conformista y compañeros de ruta en esa misteriosa conexion entre cantante y publico. En Argentina, Atahualpa Yupanqui decia "Basta ya que el yanqui mande", Horacio Guarany pregonaba "un canto de obrero y popular", Leon Gieco le cantaba a los "hombres de hierro" y Maria Elena Walsh se burlaba de "los ejecutivos". Otros autores como Armando Tejada Gomez, Jose Tcherkaski, Moris, Pajarito Zaguri, Miguel Cantilo, Victor Heredia, Hector Negro, Ramon Ayala, Ariel Petrocelli y Jaime Davalos tambien escribieron obras imprescindibles del cancionero social y politico argentino. Interpretes como Mercedes Sosa, Daniel Toro y Piero les pusieron sus voces. En Chile, surgian cantautores y grupos comprometidos como Violeta Parra, Victor Jara, Rolando Alarcon, Patricio Manns y Quilapayun; en Uruguay, Alfredo Zitarrosa, Daniel Viglietti, Anibal Sampayo y Los Olimareños; en Brasil, Geraldo Vandre y Chico Buarque; en Mexico, Judith Reyes y Oscar Chavez; en Cuba, Silvio Rodriguez, Pablo Milanes y Carlos Puebla; en Panama, Ruben Blades; y en Venezuela, Ali Primera, entre tantos otros. Oche Califa se remonta a los origenes de la cancion popular; se zambulle en la modernidad, cuando el arte se impregno de compromiso politico, y llega a los años de procesos de liberacion y revolucion en el Tercer Mundo, en los que el poeta y el cantante se consideraron voz del pueblo. En Canto rebelde el autor recupera mas de 70 de esas canciones fundamentales. Se podra pensar que desarrollaron una estetica y un discurso muy propio de esa epoca, sin embargo, algunas canciones se convirtieron en verdaderos clasicos que aun se cantan y numerosos creadores actuales, sean de folk, rock, rap o hip hop, siguen rescatando aquel espiritu. Porque mientras existan injusticias, las canciones de reclamos sociales siempre ocuparan un lugar en el escenario.

"Las alianzas musicales entre Chile y México tienen una larga trayectoria. Fue esta valiosa correspondencia la que motivó la creación de Canciones de lejos. Complicidades musicales entre Chile y México. En este libro se describe el intercambio de musica tradicional como las cuecas chilenas y las rancheras mexicanas, hasta los generos contemporaneos interpretados por representantes de estos paises del norte y el sur de America. Las historias de triunfo en el exilio mexicano de musicos chilenos, como Lucho Gatica, Monna Bell, Palmenia Pizarro, Los Angeles Negros, La Ley, Los Bunkers, Mon Laferte, y de musicos mexicanos como Jorge Negrete y Cafe Tacvba en Chile, se reseñan aqui con detalle.Investigadores, cronistas y musicos de ambas naciones desentrañan estas relaciones musicales, a partir de un proyecto que fue consolidandose gracias a la comunicacion reciproca de experiencias en eventos como Imesur, Fluvial, Pulsar y Fimpro."

The Viola part of "The Flittermouse" overture, masterfully composed by Johann Strauss II and transcribed with precision by Enrico Zullino for string quartet, represents a pivotal piece of this celebrated composition. Crafted for musicians at an advanced or intermediate proficiency level, this arrangement is set in the resonant key of A major and unfolds over an estimated duration of 8 minutes and 30 seconds. This piece is a segment of a comprehensive series that encompasses the full ensemble arrangement for Violin I, Violin II, Viola, and Cello, with both individual parts and the complete score made available.Enhancing the experience of this musical arrangement, the edition is accompanied by enlightening prefaces available in several languages, including English, French, German, Spanish, Italian, and Portuguese.

The Cello part of "The Flittermouse" overture, a masterpiece originally by Johann Strauss II, has been meticulously transcribed by Enrico Zullino for string quartet. This transcription, designed for musicians of advanced or intermediate levels, is set in the vibrant key of A major and spans approximately 8 minutes and 30 seconds. It forms an integral part of a series that brings together the entire quartet arrangementViolin I, Violin II, Viola, and Cellowith both the individual parts and the collective score available for performers.To complement this refined musical arrangement, the edition is enriched with detailed prefaces written in multiple languages, including English, French, German, Spanish, Italian, and Portuguese.

The Violin II part of "The Flittermouse" overture, originally by Johann Strauss II and elegantly transcribed by Enrico Zullino for string quartet, serves as a captivating component of this renowned musical masterpiece. Tailored for musicians of advanced or intermediate skill levels, this transcription is set in the key of A major and spans an approximate duration of 8 minutes and 30 seconds. It is part of a series that includes the full arrangement for Violin I, Violin II, Viola, and Cello, with both individual parts and the collective score readily available.Accompanying this exquisite musical arrangement are detailed prefaces in a variety of languagesEnglish, French, German, Spanish, Italian, and Portuguese.

En España, la llegada de la democracia tuvo el efecto de mil primaveras e hizo que la gente tomara las calles para, en palabras del autor de este libro, bailar, beber, volar, follar, vivir. Madrid se convirtio en el centro neuralgico de esa gran fiesta colectiva, en la que una serie de artistas de distintas disciplinas coincidieron y conformaron, sin planifi cacion alguna, un ambiente ludico-cultural que recibio el nombre de Movida.La novedad de este volumen reside en que trasciende los contornos canonicos de la Movida y de sus vacas sagradas Almodovar, Alaska, Radio Futura, Nacha Pop y, sin olvidarlos, va mas alla. De tal forma que en sus paginas se recogen otros muchos nombres que tambien estuvieron alli y se relatan esas otras movidas que sucedieron mientras la Movida oficial se desarrollaba. Rico en datos, curiosidades y rebosante de ironia, en Madrid si fue una fiesta se detallan los atributos de aquel periodo de nuestra historia reciente, desde las figuras musicos, actores, cineastas, pintores, poetas, fotografos, diseñadores, periodistas, politicos hasta los escenarios salas de conciertos, bares, pasando por las publicaciones, los programas de television, los objetos, las costumbres y las sustancias estupefacientes. Un retablo de una gran riqueza por su variedad y por las aportaciones que, en unos años imperecederos, todos sus protagonistas hicieron a nuestra cultura popular.

Enhance your musical library with the "Guglielmo Tell" ("William Tell") overture, a masterpiece by Gioacchino Rossini, meticulously transcribed for string quartet (Violin I, Violin II, Viola, Cello) by Enrico Zullino. This transcription, tailored for advanced or intermediate level musicians, unfolds in the key of E and spans approximately 10.30 minutes, immersing players and audiences alike in Rossinis dramatic narrative and exhilarating melodies.This particular eBook edition focuses exclusively on the Viola part, offering detailed notation and expressive markings to guide the performer through Rossinis musical landscape. It forms part of a comprehensive series, with single parts for each instrument and the complete full score available, enabling ensembles to fully realize this iconic work in its entirety.Accompanying the musical notation, this eBook features informative prefaces in multiple languages, including English, French, German, Spanish, Italian, and Portuguese. These introductions provide valuable insights into the historical context of the overture, Rossinis life and works, and the transcription process undertaken by Zullino, enriching the performers understanding and connection to the piece.Ideal for musicians seeking to deepen their repertoire with a challenging yet rewarding piece, this eBook not only serves as a score but also as a bridge connecting diverse audiences to the rich cultural heritage of classical music through Rossinis timeless overture.v

Enhance your musical library with the "Guglielmo Tell" ("William Tell") overture, a masterpiece by Gioacchino Rossini, meticulously transcribed for string quartet (Violin I, Violin II, Viola, Cello) by Enrico Zullino. This transcription, tailored for advanced or intermediate level musicians, unfolds in the key of E and spans approximately 10.30 minutes, immersing players and audiences alike in Rossinis dramatic narrative and exhilarating melodies.This particular eBook edition focuses exclusively on the Violin II part, offering detailed notation and expressive markings to guide the performer through Rossinis musical landscape. It forms part of a comprehensive series, with single parts for each instrument and the complete full score available, enabling ensembles to fully realize this iconic work in its entirety.Accompanying the musical notation, this eBook features informative prefaces in multiple languages, including English, French, German, Spanish, Italian, and Portuguese. These introductions provide valuable insights into the historical context of the overture, Rossinis life and works, and the transcription process undertaken by Zullino, enriching the performers understanding and connection to the piece.Ideal for musicians seeking to deepen their repertoire with a challenging yet rewarding piece, this eBook not only serves as a score but also as a bridge connecting diverse audiences to the rich cultural heritage of classical music through Rossinis timeless overture.

Enhance your musical library with the "Guglielmo Tell" ("William Tell") overture, a masterpiece by Gioacchino Rossini, meticulously transcribed for string quartet (Violin I, Violin II, Viola, Cello) by Enrico Zullino. This transcription, tailored for advanced or intermediate level musicians, unfolds in the key of E and spans approximately 10.30 minutes, immersing players and audiences alike in Rossinis dramatic narrative and exhilarating melodies.This particular eBook edition focuses exclusively on the Cello part, offering detailed notation and expressive markings to guide the performer through Rossinis musical landscape. It forms part of a comprehensive series, with single parts for each instrument and the complete full score available, enabling ensembles to fully realize this iconic work in its entirety.Accompanying the musical notation, this eBook features informative prefaces in multiple languages, including English, French, German, Spanish, Italian, and Portuguese. These introductions provide valuable insights into the historical context of the overture, Rossinis life and works, and the transcription process undertaken by Zullino, enriching the performers understanding and connection to the piece.Ideal for musicians seeking to deepen their repertoire with a challenging yet rewarding piece, this eBook not only serves as a score but also as a bridge connecting diverse audiences to the rich cultural heritage of classical music through Rossinis timeless overture.

La revisión que hace esta obra de un siglo de música es notable e inédita. Emprendida en complicidad con un grupo de periodistas, investigadores y músicos, nos lleva de viaje por las raíces y los frutos de la prolifica musica peruana. Veintiun cronicas y ensayos nos introducen en este universo sonoro que, al igual que la gastronomia de Peru, posee una exquisita y fascinante diversidad que merece ser escuchada fuera de las fronteras de esta milenaria y maravillosa tierra. La travesia a la que nos invita Sabor peruano esta poblada tanto de personajes historicos como de nuevas promesas musicales que continuan renovando su tradicion con orgullo y pasion. Un recorrido exhaustivo y riguroso que traza un mapa sonoro e incluye una serie de playlists para acompañar la lectura de sus paginas musicales.

Desde la musicología se han realizado importantes análisis sobre los papeles de música que se encuentran en los repositorios parroquiales de los antiguos «pueblos de indios» (así llamados por los esp

This edition presents the Bassoon part of Gioachino Rossinis "William Tell" overture, transcribed for Woodwind Quintet (Flute, Oboe, B? Clarinet, French Horn in F, and Bassoon) by Enrico Zullino. Designed for musicians at an intermediate to advanced level, this arrangement captures the essence of Rossinis opera masterpiece, offering a unique ensemble experience. The duration of the piece is approximately 10 minutes. While this offering focuses on the Bassoon part, the other instrumental parts and the complete score are available separately within the series. To further enrich the musicians experience, this edition includes detailed prefaces in several languages: English, French, German, Spanish, Italian, and Portuguese, providing valuable insights and background to enhance understanding and appreciation of the piece.

This edition presents the Bb Clainet part of Gioachino Rossinis "William Tell" overture, transcribed for Woodwind Quintet (Flute, Oboe, B? Clarinet, French Horn in F, and Bassoon) by Enrico Zullino. Designed for musicians at an intermediate to advanced level, this arrangement captures the essence of Rossinis opera masterpiece, offering a unique ensemble experience. The duration of the piece is approximately 10 minutes. While this offering focuses on the Bb Clarinet part, the other instrumental parts and the complete score are available separately within the series. To further enrich the musicians experience, this edition includes detailed prefaces in several languages: English, French, German, Spanish, Italian, and Portuguese, providing valuable insights and background to enhance understanding and appreciation of the piece.

This edition presents the Oboe part of Gioachino Rossinis "William Tell" overture, transcribed for Woodwind Quintet (Flute, Oboe, B? Clarinet, French Horn in F, and Bassoon) by Enrico Zullino. Designed for musicians at an intermediate to advanced level, this arrangement captures the essence of Rossinis opera masterpiece, offering a unique ensemble experience. The duration of the piece is approximately 10 minutes. While this offering focuses on the Oboe part, the other instrumental parts and the complete score are available separately within the series. To further enrich the musicians experience, this edition includes detailed prefaces in several languages: English, French, German, Spanish, Italian, and Portuguese, providing valuable insights and background to enhance understanding and appreciation of the piece.

This edition presents the French Horn in F part of Gioachino Rossinis "William Tell" overture, transcribed for Woodwind Quintet (Flute, Oboe, B? Clarinet, French Horn in F, and Bassoon) by Enrico Zullino. Designed for musicians at an intermediate to advanced level, this arrangement captures the essence of Rossinis opera masterpiece, offering a unique ensemble experience. The duration of the piece is approximately 10 minutes. While this offering focuses on the Horn in F part, the other instrumental parts and the complete score are available separately within the series. To further enrich the musicians experience, this edition includes detailed prefaces in several languages: English, French, German, Spanish, Italian, and Portuguese, providing valuable insights and background to enhance understanding and appreciation of the piece.

This edition presents the Flute part of Gioachino Rossinis "William Tell" overture, transcribed for Woodwind Quintet (Flute, Oboe, B? Clarinet, French Horn in F, and Bassoon) by Enrico Zullino. Designed for musicians at an intermediate to advanced level, this arrangement captures the essence of Rossinis opera masterpiece, offering a unique ensemble experience. The duration of the piece is approximately 10 minutes. While this offering focuses on the Flute part, the other instrumental parts and the complete score are available separately within the series. To further enrich the musicians experience, this edition includes detailed prefaces in several languages: English, French, German, Spanish, Italian, and Portuguese, providing valuable insights and background to enhance understanding and appreciation of the piece.

Este libro trata de compilar lo más exhaustivamente posible aquellos materiales que han servido para fabricar los diferentes componentes que constituyen los instrumentos de la familia del clarinete, desde los cuerpos, campanas, barriletes y tudeles hasta el mecanismo y los accesorios pasando por la boquilla y sus complementos. Se mencionan tanto los materiales utilizados desde sus inicios hasta los usados en la actualidad. Ademas se exponen las razones por las que se consideran adecuados para las funciones que realizan.

Un fascinante recorrido por el ritmo latino por excelencia y por los clubes de Nueva York que lo popularizaron.Las verdaderas y más íntimas crónicas del Caribe las han narrado las canciones. Y eso lo sabe bien Leonardo Padura, que en esta obra le ha tomado magistralmente el pulso a un genero, el de la salsa, que ha sido discutido desde su propio nacimiento, a comienzos de la decada de los setenta. Conversando con los musicos que lo acuñaron y con sus mas celebres interpretes, el autor nos regala un bellisimo retrato de las trayectorias de personajes tan fascinantes como Mario Bauza, Cachao Lopez, Papo Lucca, Juan Luis Guerra, Ruben Blades, Willie Colon, Johnny Pacheco y Juan Formell, con no podia ser de otro modo los celebres Celia Cruz y Tito Puente como telon de fondo. Y logra un panorama unico con los ritmos que conformaron la cultura musical latina de finales del siglo xx.

Los Cantos de Ezra Pound es el poema épico más importante del siglo xx y, sin duda, una de las cúspides de la lengua inglesa. Un poema a la manera de Homero, es decir, una suma de literaturas y de tradiciones, un compendio de historias, de leyendas, de mitos, de canciones y de lenguas. Si tuviesemos que imaginar un poema total en el que todos los rasgos del ser humano estuviesen presentes, desde su mas profunda miseria hasta su mas alta belleza, sin duda seria este. Si todo el conocimiento humano se perdiera, lo volveriamos a encontrar en los Cantos. Pound tardo mas de cincuenta años en escribirlos. Quiso que fueran la Divina Comedia de nuestro tiempo. En su vastedad, en su sabiduria y en su belleza, lo logro.

A través de 22 entrevistas a primeras figuras de la balada romántica argentina, el autor construye una memoria -una perspectiva a través de la cual se mira al pasado- que no solo caracteriza la industria discografica de la epoca, sino que interpreta su contexto social, cultural y politico. En este sentido, Balada a 22 voces. Memorias de la balada romantica en la Argentina constituye un aporte valioso tanto para los lectores que deseen conocer mejor las trayectorias musicales de algunos de los artistas predilectos de la balada romantica como para los investigadores interesados en un movimiento artistico determinante para el desarrollo de la musica popular latinoamericana.Fueron entrevistados: Barbara Bourse (Barbara y Dick), Cris Manzano, Daniel Magal, Danny Cabuche, Donald, El Greco, Heleno, Jeronimo, Jose Miguel Rozan (Los Bribones), Juan Carlos Iseas (Los Prados), Luis Angel, Luis Conte (Los Linces), Luis Grillo, Luis Roberto Terreno (Trocha Angosta), Marcelo Dupre, Marco, Miguel Angel Gandolfo (Magia Blanca), Raul Abramzon, Ruben Mattos, Silvestre, Tormentay Victor Kapusta(Abracadabra).