A pesar de la enorme popularidad de las comedias de Lope de Vega en Rusia, el tema de su recepción en este país ha sido poco estudiado por la crítica occidental. Esta investigación pretende llenar dicha laguna en los estudios de la recepcion teatral con un repaso de la historia de representaciones de las obras lopescas en Rusia a lo largo de los ultimos cien años y un analisis de las diferentes formas en que los rusos han visto, traducido e interpretado estas obras. Si bien las raices del interes por el teatro del Fenix se remontan al ultimo cuarto del siglo XIX, es a partir de los años treinta del siglo XX cuando se desarrolla en Rusia lo que podriamos llamar una verdadera lopemania teatral, que acaba situando al dramaturgo madrileño en el grupo de los autores mas taquilleros del pais. El presente volumen explora las razones detras de la incesante fascinacion de los directores y espectadores rusos ante el dramaturgo español, asi como algunos de los factores que han influido en los procesos de consolidacion de un canon lopesco especificamente ruso.

"Una visión personalísima y absolutamente insólita de la historia del teatro español a través de seis creadores inclasificables de las más diversas tendencias, que marcaron nuevas sendas, tanto en el ambito nacional como internacional, y cuyas aportaciones, al decir de la autora, no han sido lo suficientemente valoradas o analizadas.Maria M. Delgado ha abordado aqui, como nadie lo habia hecho antes, con una notable capacidad de analisis y una enorme riqueza documental, las trayectorias de Margarita Xirgu, Enrique Rambal, Maria Casares, Nuria Espert, Lluis Pasqual y La Cubana. No se centra, pues, en los autores, sino en un puñado de actores e interpretes, en aquel "teatro de cada dia" que preconizo Jose Luis Alonso."Otro" teatro español juega en ese doble frente: da a conocer al lector las vidas y milagros de algunos de los iconos fundamentales del teatro español, pero tambien tiene la valentia de reivindicar, apasionadamente, las aportaciones de creadores poco valorados como Rambal o apeados de la historiografia por su condicion de "artistas de comedia", como es el caso de La Cubana. A traves de todos ellos recrea, a modo de telon de fondo, la historia del siglo XX teatral en España. Imprescindible." Marcos Ordoñez, escritor y critico teatral.

1606: William Shakespeare and the Year of Lear traces Shakespeares life and times from the autumn of 1605, when he took an old and anonymous Elizabethan play, The Chronicle History of King Leir, and transformed it into his most searing tragedy, King Lear. 1606 proved to be an especially grim year for England, which witnessed the bloody aftermath of the Gunpowder Plot, divisions over the Union of England and Scotland, and an outbreak of plague. But it turned out to be an exceptional one for Shakespeare, unrivalled at identifying the fault-lines of his cultural moment, who before the year was out went on to complete two other great Jacobean tragedies that spoke directly to these fraught times: Macbeth and Antony and Cleopatra.Following the biographical style of 1599, a way of thinking and writing that Shapiro has made his own, 1606: William Shakespeare and the Year of Lear promises to be one of the most significant and accessible works on Shakespeare in the decade to come.

In "A Chronicle History of the Life and Work of William Shakespeare," Frederick Gard Fleay meticulously chronicles the life, influences, and literary achievements of the Bard, providing both a critical analysis and a detailed account of Shakespeares works. Fleays scholarly approach combines historical fact and literary interpretation, utilizing contemporary sources and biographical data to create a narrative that situates Shakespeare within his sociopolitical context. The bookAos structure emphasizes the evolution of ShakespeareAos themes and styles, making it an essential text for anyone interested in the complexities of his oeuvre and its impact on the English literary canon. Frederick Gard Fleay was a notable English scholar and a Freudian critic whose passion for Shakespearean studies emerged from a profound appreciation for the playwrightAos artistic genius and his enduring relevance. His expertise in Elizabethan drama, combined with extensive research into the playwrightAos historical milieu, allowed Fleay to position Shakespeare not only as a literary icon but also as a reflective mirror of his times. This scholarly background enriched his explorations and the contextual depth of his conclusions about ShakespeareAos life and legacy. This book is indispensable for scholars, students, and general readers alike who seek a deeper understanding of Shakespeare as a person and an artist. FleayAos detailed narrative invites readers to engage with the text critically and offers insights that illuminate the human and historical elements behind the timeless works of one of the greatest playwrights in history.

In "A Dish of Orts: Chiefly Papers on the Imagination, and on Shakespeare," George MacDonald delves into the profound connections between imagination and literature, offering a series of essays that articulate his thoughts on creativity and interpretation. Embracing a lyrical and contemplative literary style, MacDonald employs allegory and metaphor to explore the complexities of Shakespeares work and the role of imagination in shaping artistic expression. Written during the height of the Victorian era, this collection reflects the rich discourse of its time, juxtaposing Romantic ideals with emerging modernist sensibilities, ultimately inviting readers to engage in a deeper understanding of both literature and the human experience. George MacDonald (1824-1905) was a pivotal figure in the development of fantasy literature and a precursor to later authors like C.S. Lewis and J.R.R. Tolkien. His diverse theological, literary, and artistic influences shaped his perspectives on creativity and storytelling. His own journeys through faith and imagination provide invaluable insight into his analytical approach, as he strives to illuminate Shakespeares themes of existence and the divine. "A Dish of Orts" is a must-read for scholars, students, and enthusiasts of literature who seek a nuanced appreciation of imaginations role within art. MacDonalds articulate prose and profound insights afford readers an opportunity to engage deeply with the themes of literature and the creative process, making it an essential addition to the library of anyone interested in the interplay of imagination and narrative.

An intensely practical account of how A Midsummer Nights Dream actually works on stage.A scene-by-scene guide to Shakespeares best loved comedy, from the well-know actor Michael Pennington, drawing on his own experience of directing A Midsummer Nights Dream at the famous Open Air Theatre in Regents Park, London, in 2003 - described by London critics as a captivating Shakespearian experience (Guardian) and riotously funny and genuinely touching (Telegraph).Praise for Michael Penningtons Users Guides:An insiders guide par excellenceSimon Callow He is sharply intelligent, scrupulously careful, hugely knowledgeable and, above all, wonderfully readablePeter Holland, The Shakespeare InstituteIt is his range of knowledge - along with a gift for writing clearly and memorably - that makes him such a fine guideTLS

In "A Myth of Shakespeare," Charles Williams presents a profound exploration of the enduring legacy and mystical dimensions of William Shakespeares work. Blending literary criticism with esoteric philosophy, Williams examines the intertwining of myth and reality in Shakespeares plays, asserting that their true significance transcends mere entertainment and enters the realm of spiritual truths. His intricate prose weaves a tapestry of contextual analysis, revealing how Shakespeares writings resonate with archetypal themes and universal human experiences, positioning his work within the larger narrative of English literature in the 20th century, particularly amidst the literary movements that seek to reconcile faith with art. Charles Williams, a prominent member of the Inklings literary circle alongside C.S. Lewis and J.R.R. Tolkien, was deeply influenced by his theological background and interest in metaphysics. His profound engagement with myth and the imagination served as inspiration for this book, which reflects his belief in the transcendent power of art. Williamss scholarly pursuits, combined with a mystical interpretation of language and narrative, imbue this work with unique insights that encourage readers to look beyond the surface of ShakespeareAos texts. For readers seeking a deeper understanding of Shakespeares artistry and its connection to the metaphysical, "A Myth of Shakespeare" serves as a compelling guide. WilliamsAos blend of rich literary analysis and philosophical inquiry invites both scholars and casual readers alike to reconsider Shakespeare not just as a playwright, but as a visionary whose works illuminate the complexities of existence. This book is essential for anyone aiming to delve into the spiritual dimensions of literature.

Con motivo del 400 aniversario de la muerte del Bardo de Avon, la Orden Literaria William Shakespeare rinde narrativo homenaje a uno de los escritores más importantes de las letras universales. Catorce relatos contemporaneos de diversos estilos que, inspirados por algun sujeto u objeto, tematica o tesis, palabra o gesto, emociones o intenciones extraidas del heterogeneo universo escenico del autor ingles, profundizan con precisa intension en esa atemporal voz creativa shakespeariana. Obras como Otello, La tempestad, Hamlet, Cuento de invierno, El mercader de Venecia, La tragedia de Macbeth o Sueño de una noche de verano sirven de excusa perfecta para acondicionar todo un moderno entramado de pasiones humanas eternas. Cinco autoras (Clara Astarloa, Alicia Ramos Gonzalez, Concepcion Romero, Rosario Paguillo, Maria Dolores Rubio de Medina) y nueve autores (Jose Carlos Carmona, Jose Iglesias Blandon, Juan Manuel Avila, Felix Valiente, Rafael Cruz-Contarini, Joaquin Abad, Guillermo Canelo, Enrique Garcia Lopez-Corchado, Jose Manuel Higes) que aunan comedia y drama sobre el escenario del teatro de la vida.

In About Beckett Emeritus Professor John Fletcher has compiled a thorough and accessible volume that explains why Becketts work is so significant and enduring. Professor Fletcher first met Beckett in 1961 and his book is filled not only with insights into the work but also interviews with Beckett and first-hand stories and observations by those who helped to put his work on the stage, including Dame Peggy Ashcroft, Roger Blin, Peter Hall, Max Wall and George Devine. As an introduction to Beckett and his work, Professor Fletchers book is incomparable.

This series contains what no other study guides can offer - extensive first-hand interviews with the playwrights and their closest collaborators on all of their major work, put together by top academics especially for the modern student market. As well as invaluable synopses, biographical essays and chronologies, these guides allow the student much closer to the playwright than ever before! In About Friel, teacher and playwright Tony Coult has selected an extensive and stimulating range of documents and interview material that explores Friels life, work and the experiences of his collaborators and fellow artists who put that work on stage, including Patrick Mason, Connall Morrison, Joe Dowling and actors Catherine Byrne and Mark Lambert. If you want to read just one book on Brian Friel and the titanic power of his work, this is it.

This series contains what no other study guides can offer - extensive first-hand interviews with the playwrights and their closest collaborators on all of their major work, put together by top academics especially for the modern student market. As well as invaluable synopses, biographical essays and chronologies, these guides allow the student much closer to the playwright than ever before! In About Hare, Professor Richard Boon provides an in-depth study of one of the great post-war British playwrights. His study includes a rigorous analysis of Hares work, as well as interviews with Hare and those who helped to put his work on stage, including Bill Nighy, Vicki Mortimer, Sir Richard Eyre, Lia Williams and Jonathan Kent. With the increasing interest in this major playwright, whose work attracts the very best of acting talent, this book is a timely publication for student and theatregoer alike.

Este ebook presenta Amor, honor y poder (Edición completa), con un sumario dinámico y detallado. Amor, honor y poder es una comedia de Calderón de la Barca, estrenada en 1623. La comedia cuenta la historia del rey Eduardo de Inglaterra y de sus amores con la condesa de Salveric. La Infanta Flerida, hermana del Rey Eduardo III de Inglaterra, esta a punto de morir despeñada a causa de su desbocado caballo pero es rescatada por Enrico, hijo del Conde de Salverie. El joven se prenda de ella y, ya en el castillo del Conde, el Rey se congratula de la salvacion de la Infanta y se siente atraido a su vez por Estela, hermana de Enrico. Pedro Calderon de la Barca (1600 - 1681) fue un escritor barroco español del Siglo de Oro, fundamentalmente conocido por su teatro. La obra teatral de Calderon de la Barca significa la culminacion barroca del modelo teatral creado a finales del siglo XVI y comienzos del XVII por Lope de Vega.

Apuntaciones sueltas de Inglaterra. Leandro Fernández de Moratín Fragmento de la obra1Encontrones por las calles. Los ingleses que van deprisa, sabiendo que la línea recta es la más corta, atropellan cuanto encuentran; los que van cargados con fardos o maderos, siguen su camino, no avisan a nadie y dejan caer a cuantos hallan por delante.2Los que barren las calles piden dinero a los que pasan; las mujeres que venden bollitos o estampas, lo mismo; los granaderos de centinela en el palacio de San James, lo mismo.3He visto algunas veces los carteles de las comedias puestos sobre las piernas de vaca, en las tiendas de los carniceros.4En el dia 5 de noviembre se celebra el aniversario de la famosa conjuracion, cuando quisieron volar con polvora el Parlamento: maldad atribuida a los papistas. Algunos dias antes andan los chicos pidiendo dinero por las calles para quemar al Papa. En el dia del aniversario, la gente rica se emborracha en banquetes suntuosos; las viejas van a rezar a la iglesia (donde se celebra con oficio particular el suceso); los muchachos y la gente del pueblo pasean por la ciudad varias figuras de paja, perfectamente parecidas al pelele que se mantea en Madrid el Martes gordo. Estas figuras representan, en su opinion, al Papa; entretienense todo el dia con el, le insultan, le silban, le escupen, le tiran lodo, le arrastran por las patas, le dan pinchazos, y al fin muere quemado a la noche, con grande satisfaccion y regocijo publico.5En la calle Pall Mall se ve la famosa coleccion de pinturas poligraficas. Pocos años ha que se hallo el secreto de sacar con admirable brevedad y semejanza muchas copias de cualquiera pintura. Se formo una compañia, que ha adquirido muy buenos originales, y de estos y de cualesquiera otros sacan las copias que se les encargan, muy parecidas y muy baratas. Se ignora el metodo de que se valen para ello; pero el precio a que dan las obras anuncia desde luego la facilidad con que se hace: por setecientos reales se hallan copias que nadie podria procurarse ni por dos mil. La citada coleccion esta abierta al publico, pagando cinco reales por persona: se ven en ella cuadros de mucho merito, y al lado de los originales estan las copias, para que cualquiera pueda examinarlas.

"Robinson Crusoé" é a obra-prima do escritor inglês Daniel Defoe (1660-1731) e foi publicada originalmente em 1719, no Reino Unido. O livro assume três características específicas: epistolar, confess

"La autoficción es una ficción de acontecimientos y de hechos estrictamente reales", así define Serge Doubrovsky, creador del término, un género literario inclasificable hasta los años 70 y que ha generado abundante bibliografia. Sin embargo, no es habitual encontrar a un creador que nos desvele su propia escritura del yo, que es precisamente lo que hace el autor de este ensayo.Sergio Blanco entiende la autoficcion como un cruce de relatos reales y ficticios en los que se establece un pacto de mentira, en contraposicion al pacto de verdad de la autobiografia. De esta forma, ambos generos se separan sin remedio: la autoficcion se transforma en el lado oscuro de la autobiografia.Despues de realizar un breve recorrido historico a traves de las diferentes escrituras del yo desde la Antiguedad hasta nuestros dias, el autor plantea un "Decalogo de un intento de autoficcion", donde desarrolla su propia teoria a partir de sus obras autoficcionales (Kassandra, Tebas Land, Ostia, La ira de Narciso, El bramido de Dusseldorf y Cartografia de una desaparicion), publicadas con el titulo de Autoficciones por Punto de Vista Editores."En sus ultimas obras [Sergio Blanco] ha llevado a cabo una autentica investigacion artistica en torno a la autoficcion teatral, una posibilidad problematica que ha acertado a resolver con profundidad, brillantez y originalidad incomparables.""Sergio Blanco esta considerado como uno de los cuatro o cinco dramaturgos mayores de la lengua española en la actualidad."Jose-Luis Garcia BarrientosEspecialista en teoria teatral, profesor investigador del CSIC

In "Bacon and Shakspere," William Henry Burr offers a provocative examination of the authorship question surrounding Shakespeares works. By integrating historical context with an analytical approach, Burr champions the controversial theory that Sir Francis Bacon, a contemporary thinker, was the true author of the plays attributed to Shakespeare. Utilizing a blend of rhetorical eloquence and logical reasoning, Burrs work engages with various literary allusions and philosophical references, making a case for Bacons literary genius. This essay, rich in dialectical exploration, situates itself within the larger discourse of authorship and attribution debates of the 19th century, illuminating the intricate connections between form, content, and cultural milieu in Elizabethan literature. William Henry Burr, a noted figure in literary criticism and an advocate for Baconian authorship, wrote during a time when the question of Shakespeares true identity was gaining traction. His background in literature, combined with a fervent interest in Bacons philosophies, deeply influenced Burrs perspective. His keen analyses reveal not only his respect for literary integrity but also signal a broader intellectual inquiry into the nature of authorship and its implications for literary history. "Bacon and Shakspere" is a captivating read for scholars and enthusiasts of literary theory alike. Burrs well-researched arguments challenge traditional views and invite readers to reconsider the complexities of authorship. Whether you are a skeptic of the Baconian theory or an open-minded literary explorer, this work will provoke thought and enrich your understanding of the literary landscape.

In "Bacon is Shake-Speare," Edwin Sir Durning-Lawrence embarks on a pioneering examination of the contentious authorship debate surrounding the works of William Shakespeare. This text intricately weaves elements of literary analysis, historical context, and biographical inquiry, positing that one of the most brilliant literary figures of the English Renaissance, Sir Francis Bacon, is the true author of the plays and sonnets traditionally attributed to Shakespeare. Durning-Lawrence employs a compelling narrative style that balances scholarly rigor with accessible language, making the intricate arguments resonate with both academics and literary enthusiasts alike. Sir Edwin Durning-Lawrence, an influential 19th-century writer and scholar, was deeply intrigued by the complexities of Shakespearean authorship, spurred by the intellectual environment of his time that questioned established literary narratives. His background in classical literature and a keen interest in Bacons philosophical writings inspired him to synthesize historical documents, linguistic patterns, and thematic parallels, ultimately presenting a case that challenges long-held convictions about the Bards identity and oeuvre. This book is an essential read for anyone captivated by literary puzzles, the historical context of Elizabethan England, or the ongoing debates in literary scholarship. Durning-Lawrences thorough research and provocative assertions compel readers to reconsider not just the works of Shakespeare, but the very nature of authorship itself.

In "Bacon is Shake-Speare," Edwin Sir Durning-Lawrence presents an audacious and thought-provoking argument that the works attributed to William Shakespeare were, in fact, the creations of Sir Francis Bacon. Written in a compelling and accessible literary style, this book juxtaposes historical documentation with literary analysis to deconstruct Shakespearean texts. Durning-Lawrence meticulously examines the intricacies of language, themes, and philosophical underpinnings within the plays, proposing that Bacons intellectual prowess and background in law and science are the true origins of these enduring masterpieces. Set against the backdrop of the Renaissances complex cultural milieu, this work contributes to the ongoing debate regarding authorship and invites readers to reconsider established narratives in literary history. Edwin Sir Durning-Lawrence, a noted 19th-century writer and philosopher, was deeply immersed in the intellectual currents of his time. With a background steeped in both literature and skepticism of traditional academia, he ardently pursued the claims of Baconian authorship. His diverse experiences, including contributions to social reform and exploration of esoteric knowledge, provided Durning-Lawrence with a unique lens through which he interrogated the accepted literary canon, spurring his interest in uncovering the mysteries behind Shakespeares legacy. This book is essential for scholars, students, and anyone intrigued by the intricacies of literary authorship. "Bacon is Shake-Speare" not only challenges the status quo but also enriches our understanding of the interplay between identity and creativity in the arts. Delve into its pages to explore a compelling perspective that will leave you reconsidering what you thought you knew about one of literatures most significant figures.In this enriched edition, we have carefully created added value for your reading experience:- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

Ireland, and in particular Dublin, was Samuel Becketts cradle, a place, in Eoin OBriens words, he revisited with the same intensity that Proust went back to Combray. It was fitting, then, shortly after Becketts death, that his birthplace through the good offices of the Gate Theatre, Trinity College and Radio Telefis Eireann should have decided to honour the 1969 Nobel prize-winner by staging all of his dramatic productions over three weeks during October 1991 and hosting a series of visual displays, lectures, seminars and discussions by local and international scholars, friends and colleagues, of which Beckett in Dublin is the fruit. Part One, A Man of Theatre, concerns Becketts stagecraft, with learned essays by his English editor James Knowlson and American collaborator S.E. Gontarski, and a lively reminiscence by French actor Jean Martin, who played Lucky in the original production of En attendant Godot in 1953. Part Two, Themes and Structures, ranges from a feminine focus in Beckett examined by the American academic Linda Ben-Zvi, through pieces by Katherine Worth, Declan Kiberd and Rosemary Pountney, to the post-modernist reckonings of reader in English at the University of London, Stephen Connor. Part Three, At Heart a Dubliner, reaffirms the writers human dimensions with recollections by his publisher John Calder and friend Georges Belmont, concluding with appreciations of Beckett as a poet and Irishman by Brendan Kennelly and James Mays. One of the books most striking features is a sequence of Rembrandtesque photographs by Tom Lawlor of each of Becketts plays, taken at the Gate Theatre performances. They form a visual tribute to this powerful dramatist and writer

In "Characters of Shakespeares Plays," William Hazlitt presents an incisive exploration of the complex and timeless characters crafted by William Shakespeare. This collection of essays showcases Hazlitts eloquent prose and keen analytical acumen, as he delves into the psychological and moral dimensions of Shakespeares protagonists and antagonists. Evoking a romantic literary style, Hazlitt weaves his personal reflections with critical analysis, emphasizing the relevance of Shakespeares characters to human nature and society. The essays reflect the prevailing themes of the early 19th century, situating Hazlitt within the Romantic movement while illustrating the profound impact of Shakespeares work on contemporary thought. William Hazlitt (1778-1830) was a prominent English essayist, critic, and philosopher whose passionate advocacy for individualism and emotion in literature influenced his interpretation of Shakespeare. A contemporary of the Romantic poets, Hazlitts own experiences of love, disappointment, and the intricacies of human relationships informed his understanding of Shakespeares diverse array of characters. Hazlitts literary criticism embodied a unique blend of intellect and emotion, making his insights resonate with readers and scholars alike. This book is an essential read for anyone seeking a deeper understanding of Shakespearean characters and their enduring significance. Hazlitts sharp intellect and rich descriptive language invite readers to engage with these iconic figures in new and thought-provoking ways. Whether you are a student of literature or a dedicated theater enthusiast, Hazlitts essays offer illuminating perspectives that stand the test of time.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.