eBooks de Poesía clásica española hasta el siglo XVIII, página 16 de 21

This volume stands for the huge task of Dowdens middle lifethe translation of Goethes West-Eastern Divan. This is a poem, as Mrs. Dowden observes in the foreword, that is known to few English readers. It is the fruit of Goethes Indian Summer, the last word of his cheerful and composed philosophy of life. It was written between 1814 and 1819 and was inspired not only by Goethes correspondence with Marianne von Willemer, but also by the von Hammers translation of Hafez poems. Speaking of translations, Mr. Dowdens translation is overwhelmingly good. No man is so hard to translate as Goethe, and certainly no English writer has succeeded with him better if as well than Prof. Dowden. The best test is that many of the lines seem as inevitable as they do in the original; for instance, "that haunting felicity, always. Impossible doth seem the rose, and Inconceivable the nightingale." On the whole, the contemplation of Prof. Dowdens work leaves a certain sadness in the mind of the reader. Dowden always wanted to dedicate himself to poetry, but the necessities of life Intervened, as they so often do, and he had to choose another master. He says in a letter, "One of my afflictions is a theory that I could do my best work in verse, and the circumstance that every year my lectures lead me to accumulating a quantity of material that is pleasant property for my outer mind, but is positive injury to the soul within the soul."

Religioso a seu modo, pagão, satanista e provocador, Charles-Pierre Baudelaire (1821-1867) é considerado o pai do simbolismo francês, movimento cuja origem os críticos localizam exatamente no livro A

Nascido no atual Afeganistão, no século XIII, e cultuado em todo o mundo, Jalâl ad-Dîn Rûmî foi poeta e mestre espiritual muçulmano, porém não ortodoxo, enraizado no islã, e considerado hoje a mais a

Memórias de um Sargento de Milícias é um romance de Manuel Antônio de Almeida. Foi publicado originalmente em folhetins no Correio Mercantil do Rio de Janeiro, entre 1852 e 1853, anonimamente. O livr

How many of the intelligent play-goers of this intelligent land and of the present period could tell, without the play-bills in their hands, that Alfieri was the creator of Ristoris "Mirra" and of Salvinis "Saul" ? How many of the general readers of English verse know who Alfieri was or what he did ? And yet Vittorio Alfieri is the most familiar figure among the score of Modern Italian Poets upon whom Mr. Howells dwells in his volume of Essays and Versions. Tommaso Grossi, Giacomo Leopardi, Giuseppe Giusti, Aleardo Aleardi, and their contemporaries, who flourished in Italy between the last quarter of the eighteenth century and the last quarter of this, mean as little today to Cambridge or to Chicago as the names of George P. Morris, Fitz-Greene Halleck, Clement C. Moore, and McDonald Clark mean to the cultured circles of Florence or Milan. A hundred years ago Literary Academics, so called, were the fashion in Italy. They bore fanciful and grotesque names, such as "The Ardent", "The Illuminated," or "The Insipid," and according to Mr. Howells they were all devoted to one purpose, namely, the perpetration and the perpetuation of twaddle. It was a time when every person of breeding devoted himself, or herself, to the cult of some muse or other ; and if he belonged to the sterner sex, he established himself as the conventional admirer of his neighbors wife ; the great Academy of Arcadia, founded to restore good taste in poetry, prescribing conditions by which anybody, without respect to age or gender, could become a poetaster, and good society expecting every gentle man and lady to be in love! Mr. Howells shows that Arcadia still exists in Italy, although the age of gallantry has long passed away ; and it is the survival of the fittest of the Arcadians which he here records. In Tuscan cities and in the Venetian days of twenty- years ago, under Italian suns and with all the delightful advantages of atmosphere and place, Mr. Howells began the studies out of which this book has grown, and nothing of their Italian glow and fervor have they lost in their continuation and completion under the northern skies of the modern Belmont or in the bleak east winds of Boston, Massachusetts. The Italian poetry of the period which it chronologically covers seems to be fully represented here, although Mr. Howells in his preface half confesses that he himself does not consider it complete, and that he has succeeded in doing little more than indicate the character of his subjects and of their work. He certainly has done himself an injustice in this respect. He has not ignored any one among the principal Italian poets of the great movement which resulted in national freedom and unity ; and his history of poetry in Italy during the hundred years ending in 1870 most assuredly is neither desultory nor slight. He has not only prepared critical and biographical sketches from which much can be learned of the poets themselves, of their surroundings, of their sympathies, and of their aims, but he has given his readers a taste of their rhythmic quality by presenting faithful and careful translations of their verse ; from whole scenes of Alfieris tragedy of "Orestes," to the charming lullaby of Giulio Carcano, "Sleep, sleep, sleep! my little girl."

Evangeline, A Tale of Acadie is an epic poem which follows an Acadian girl named Evangeline and her search for her lost love Gabriel, set during the time of the Expulsion of the Acadians. Evangeline describes the betrothal of a fictional Acadian girl named Evangeline Bellefontaine to her beloved, Gabriel Lajeunesse, and their separation as the British deport the Acadians from Acadie in the Great Upheaval. The poem then follows Evangeline across the landscapes of America as she spends years in a search for him, at some times being near to Gabriel without realizing he was near.

In "The Last Tournament," Baron Alfred Tennyson Tennyson weaves a poignant narrative that delves into the themes of nostalgia, valor, and the inevitable passage of time. This poem, written in the context of the Victorian era, employs a rich tapestry of vivid imagery and lyrical craftsmanship to convey the grandeur and decay of chivalric ideals. Through a series of interconnected vignettes, Tennyson reflects on the waning age of knights and their tournaments, ultimately illuminating the tension between honor and the disillusionment of modernity. The poem stands as a testament to Tennysons mastery of form and rhythm, allowing readers to experience the emotional weight of a declining world where tradition grapples with transformative change. Tennyson, the Poet Laureate of the United Kingdom, was deeply inspired by the cultural shifts of his time, which included industrialization and changing social dynamics. His personal loss and grief, particularly the death of close companions, also colored his work, infusing it with a sense of melancholic reflection. "The Last Tournament" can be seen as a culmination of Tennysons lifelong preoccupation with the complexities of honor and the transitory nature of existence, shaped by the historical context of Arthurian legends and modernitys encroachment upon them. I wholeheartedly recommend "The Last Tournament" to readers seeking a profound exploration of the knightly ethos juxtaposed with the somber realities of change. TennysonAos reflective poetry invites us to ponder the relevance of courage and nobility in our contemporary lives, making this work not only a remarkable literary achievement but also a timeless meditation on human experience.

"Marsk Stig: A Ballad" is an evocative piece that intertwines historical narrative with lyrical poetry, offering readers a window into the complex socio-political tapestry of medieval Scandinavia. This ballad, with its rich vernacular and haunting melodies, captures the nuanced themes of loyalty, betrayal, and the personal ramifications of power dynamics, while drawing inspiration from both folklore and local legends. The literary style mirrors the oral traditions of the time, emphasizing rhythm and repetition, which serves to engage listeners in the age-old tradition of storytelling. The authorship of this ballad can be traced back to various contributors who were deeply rooted in their cultural history, reflecting the collective memory of a people. The tale of Stig, a historical figure whose life and trials resonate with themes of rebellion against tyranny, showcases the influence of regional politics and social strife on the artistic expressions of the period. This collaborative creation highlights the importance of oral history and folk narratives in shaping cultural identity. For those interested in the interplay of history and literature, "Marsk Stig: A Ballad" is an essential read. It immerses the reader in the rich tapestry of Scandinavian lore while inviting reflection on universal human experiences. Scholars and enthusiasts alike will appreciate the depth of this work as it illuminates the broader historical context and its ongoing relevance today.

"Ermeline: A Ballad" emerges as a captivating exemplar of 19th-century romantic poetry, weaving a rich tapestry of emotion and narrative within its lyrical structure. The poem explores themes of love, loss, and longing, skillfully incorporating elements of folklore and nature, reflective of the broader literary movement of its time, which sought to elevate the common human experience through heightened imagery and melodious verse. The use of vivid pastoral settings and the interplay between human passions and the natural world underscore the zeitgeist of the Romantic era, where personal emotion was paramount and the exploration of the sublime became a central theme. The anthology, authored by various poets, draws upon a legacy of collective cultural expression that adds depth to its narrative. These poets, influenced by the social and political upheavals of their time, parlay their diverse experiences into the framework of an epic ballad, presenting a mosaic of perspectives that enrich the texts emotional resonance. Their shared experiences in a rapidly changing world, coupled with a desire to preserve the beauty of transient moments, provide a poignant backdrop to the poem. "Ermeline" is a must-read for anyone interested in Romantic poetry or the evolving art of balladry. Its lyrical beauty and emotional complexity invite readers to immerse themselves in the heartache and hope encapsulated in its verses. This ballad not only offers a reflection of the era but also serves as a timeless exploration of the human condition that resonates with all who venture into its enchanting lines.

In "Niels Ebbesen, and Germand Gladenswayne: Two Ballads," the reader is presented with a masterful collection of traditional narratives that delve into the heart of heroic folklore. These ballads, steeped in the rich oral traditions of medieval Europe, utilize a lyrical style that vividly evokes the struggles and valor of their protagonists. Through dramatic storytelling and vivid imagery, the poems explore themes of loyalty, vengeance, and sacrifice, reflecting the societal values of their time. Set against a backdrop of historical conflicts and cultural heroism, these works serve not only as entertainment but also as a commentary on the human condition and the complexities of honor and duty. The authorship of these ballads is attributed to various unnamed storytellers, emphasizing the collective nature of folklore. Likely originating from a time when oral traditions were paramount, the authors drew inspiration from the tumultuous history of their homeland, showcasing figures like Niels Ebbesen, a folk hero symbolizing resistance and the spirit of rebellion against oppression. The ballads encapsulate the zeitgeist of their era, where storytelling was a method of preserving history and instilling cultural pride. Readers seeking a rich exploration of history through narrative poetry will find "Niels Ebbesen, and Germand Gladenswayne" an invaluable addition to their literary collection. These ballads not only transport readers to the heart of medieval struggles but also resonate with universal themes that continue to reflect contemporary issues. For enthusiasts of folklore, poetry, and history, this compilation offers both depth and engagement, making it a recommended read.

In "The Fall of Jerusalem: A Poem," John Jr. Church delves deep into the traumatic events surrounding the siege and eventual destruction of Jerusalem in 70 CE. Through a richly evocative tapestry of verses, Church employs a distinctive blend of lyrical precision and historical realism, echoing the classic epic styles of Homer and Virgil while simultaneously engaging contemporary themes of loss, resilience, and the human condition. The poem weaves narrative with dramatic monologue, bringing to life the voices of both victims and conquerors, thereby creating a poignant reflection on the complexities of war and faith. John Jr. Church, a scholar of ancient history and literature, draws from his extensive knowledge of Jewish and Roman histories as well as his profound interest in the human psyche during periods of trauma. His deeply personal connection to the themes of exile and identity infuses the poem with authenticity and urgency. This duality of background as an academic and a contemplative poet enriches the narrative, inviting readers to explore not only the historical significance but also the emotional resonance of these age-old conflicts. Recommended for students of history and literature alike, "The Fall of Jerusalem: A Poem" challenges readers to confront the enduring impact of historical events on contemporary life. ChurchAos masterful command of language and imagery invites an immersive reading experience that transcends mere historical recounting, ultimately urging reflections on faith, loss, and the persistence of memory.

A. D. Godleys "Lyra Frivola" is a fascinating collection that blends classical forms with a modern sensibility, presenting poems that explore themes of love, longing, and the fleeting nature of life. The literary style is characterized by its playful tone and sharp wit, employing traditional meters and structures while infusing them with a contemporary voice. Set against the backdrop of early 20th-century literary movements, the collection pays homage to past poets while simultaneously engaging with the anxieties of a rapidly changing world, creating a dialogue between the eras that resonates deeply with readers. A. D. Godley, known for his keen intellect and deep appreciation for the poetic tradition, draws from his classical education and experiences as a fellow at Oxford. His multifaceted background in philology and poetry informs his distinctive approach in "Lyra Frivola," as he weaves together a tapestry of references that illuminate his perspective on both personal and universal themes. Godleys adeptness at merging the frivolous with the profound offers a unique lens through which to understand the complexities of human emotions. This collection is an essential read for anyone interested in the evolution of poetry, as it deftly combines humor and depth in a way that challenges readers to reflect on their own lives. Godleys playful yet poignant exploration of the human condition invites readers to find solace and inspiration in the everyday, making "Lyra Frivola" a delightful addition to any literary enthusiasts shelf.

In "The Serpent Knight, and Other Ballads," George Borrow presents a captivating collection of traditional ballads that blend folk lore and poetic narratives. With rich, evocative language and rhythmic verse, Borrow pays homage to the oral traditions of the English countryside, while infusing his work with personal reflections and romanticized themes. The collection reflects the Victorian fascination with folklore, demonstrating influences from European traditions and contemporary narratives, making this anthology a compelling mirror of the eras cultural zeitgeist. George Borrow, a renowned figure in the realm of literature and a fervent wanderer, has long been celebrated for his dedication to exploring diverse cultures and languages. His passion for folk tales and romance found in the oral traditions of the English and neighboring regions is evident in this collection. Borrows unique background as a linguist and traveler deeply informs his ability to weave together stories that resonate with both historical and emotional depth, showcasing his understanding of humanity through narrative. For readers interested in the roots of English folklore and the lyrical beauty of balladry, "The Serpent Knight, and Other Ballads" is a treasure trove that invites exploration. Borrows work not only entertains but also instills a profound appreciation for the oral traditions that shaped cultural narratives. This anthology is highly recommended for both scholars and enthusiasts alike who wish to delve deeper into the rich tapestry of folk literature.

In "Grimhilds Vengeance: Three Ballads," George Borrow delves into the world of Norse mythology and folklore, weaving a tapestry of narrative ballads that encapsulate themes of love, betrayal, and the supernatural. Employing a lyrical and evocative style, Borrow draws upon the oral traditions of balladry, artfully combining rhythmic verse with dramatic storytelling. The work reflects the Victorian fascination with ancient cultures, as Borrow seeks to revive and reinterpret the rich tapestry of Scandinavian legends, merging them with his unique vision and poetic sensibility. George Borrow, a distinguished British writer and philologist, was known for his fervent interest in languages and mythologies, which significantly influenced his literary pursuits. His explorations throughout Europe, particularly in Scandinavia and his dedicated study of the local cultures, provided insight and inspiration for this particular work. BorrowAos penchant for incorporating exotic elements into his writings stems from a broader Victorian ethos of discovery and appreciation for the mystique of ancient narratives. "Grimhilds Vengeance" is a compelling read for anyone interested in the intersection of folklore and literature. Its blending of vivid imagery and historical lore offers a profound experience, appealing to both scholars of literature and casual readers. This book serves as an invitation to immerse oneself in the haunting beauty of Borrows storytelling, making it an essential addition to the canon of 19th-century literature.

In "The Tale of Brynild, and King Valdemar and His Sister: Two Ballads," George Borrow presents a compelling exploration of Norse mythology and folklore through a captivating narrative style that weaves together lyrical balladry with rich, vivid imagery. The collection demonstrates Borrows deep appreciation for traditional storytelling and his ability to breathe life into ancient tales, drawing from the rich tapestry of Scandinavian history and culture. Each ballad beckons readers into a world where fate and destiny intertwine, showcasing BorrowAos skillful use of rhythm and rhyme, as well as his commitment to preserving the oral tradition of storytelling. George Borrow, a 19th-century English writer and translator, was profoundly influenced by his passion for languages and his travels across Europe. His interest in folklore and ancient tales, especially those of the Norse variety, stemmed from both his linguistic pursuits and a desire to connect with cultural narratives that transcend time and place. Borrows personal experiences, coupled with his scholarly approach to the subjects he tackled, provide a rich intellectual backdrop for "The Tale of Brynild." This collection is highly recommended for readers interested in folklore, poetry, and the intersection of culture and literature. BorrowAos unique blend of narrative and lyricism offers a delightful entry point into the mythic worlds of Scandinavia, making it an essential read for enthusiasts of balladic traditions and those eager to explore the roots of literary heritage.

In "King Hacons Death, and Bran and the Black Dog: Two Ballads," the rich tapestry of oral tradition unfolds through two poignant narrative poems that delve into themes of heroism, fate, and the indefinable human spirit. The ballads reflect the stylistic features characteristic of medieval literature, incorporating alliteration, repetition, and vivid imagery, transporting readers to an age steeped in myth and folklore. While centered on Viking lore, these ballads resonate with the universal themes of loss and valor, offering a reflective commentary on the human condition as seen through the lens of tragic events. Authored by various contributors, these ballads are illustrative of the collaborative nature of traditional folk literature, drawn from the collective memory and cultural ethos of the Norse people. The melding of stories over generations ensures their relevance, as the enduring legacy of Viking saga influences modern storytelling. The authors use of archaic language and stylistic features immerses readers in an authentic historical context, providing invaluable insights into the periods societal values and beliefs. "King Hacons Death, and Bran and the Black Dog" is a must-read for enthusiasts of medieval literature, folklore, and mythological studies. This collection not only enriches the readers understanding of Norse cultural heritage but also showcases the timeless potency of storytelling. Engaging and evocative, these ballads beckon readers to explore the depths of human experience and the art of narrative.

In his profound novel, "The Minstrel," Lennox Amott weaves a rich tapestry of narrative that explores the interconnections between music, identity, and social upheaval. Set against the backdrop of a tumultuous historical era, Amott employs a lyrical prose style reminiscent of classic literary traditions, drawing the reader into a world where the power of song serves as both a tool for self-expression and a catalyst for change. The novel intricately balances poignant character development with evocative cultural commentary, making it a compelling exploration of human resilience amidst adversity. Lennox Amott, an accomplished musician and novelist, has often been influenced by his own experiences within the vibrant spheres of art and activism. His fascination with the historical role of minstrels in shaping cultural narratives inspired him to pen this book, infusing it with authenticity and emotional depth. Drawing from his extensive research and personal encounters, Amott reveals the complexities surrounding the role of art in reflecting and challenging societal norms. For readers seeking a thought-provoking literary experience, "The Minstrel" is an essential addition to contemporary fiction. It not only captivates with its artistic flair but also invites readers to reflect on the enduring struggle of marginalized voices in society. This novel is a testament to the transformative power of music and storytelling, making it a compelling read for anyone passionate about the intersections of art, culture, and history.

In "The Departing Souls Address to the Body: A Fragment of a Semi-Saxon Poem," readers are presented with a poignant and introspective exploration of the spiritual and physical divide at the moment of death. This semi-Saxon poem, rich in metaphor and allegory, encapsulates the souls poignant farewell to its corporeal form, inviting reflections on mortality, identity, and the souls ultimate journey. The poems lyrical quality and rhythmic cadences resonate with a deep philosophical inquiry characteristic of medieval literature, situating it within a tradition that grapples with existential questions and the human experience of loss. The poemAos authorship is shrouded in the complexities of the medieval period, where multiple voices and regional dialects converged to influence literary creation. This fragmentary piece exemplifies the cultural milieu of semi-Saxon writing during a time when questions of faith and the afterlife were paramount to societal consciousness. The melding of vernacular and spiritual themes may suggest an author deeply engaged in the religious and metaphysical discourses of their time, reflecting a personal or collective grappling with the transcendent. Readers who seek a meditative engagement with themes of death, separation, and the nature of existence will find "The Departing Souls Address to the Body" an enriching addition to their literary journey. Offering both aesthetic pleasure and intellectual stimulation, this text invites individuals to reflect on their own beliefs regarding life, death, and what may lie beyond, thus making it an essential read for those drawn to explorations of the human condition.

In "Ballades and Verses Vain," Andrew Lang masterfully orchestrates a rich tapestry of verse, weaving together themes of love, loss, and the ephemeral nature of beauty. The collection, characterized by its lyrical elegance and rhythmic sophistication, draws from the traditional ballade form while also reflecting Langs engagement with contemporary literary movements. The poems resonate with a poignant introspection, showcasing LangAos adept use of irony and vivid imagery, as he navigates the complexities of human emotion against the backdrop of a rapidly changing world in the late 19th century. Andrew Lang, a polymath and devoted folklorist, was deeply influenced by the mythological richness of his Scottish heritage and his extensive travels. His scholarly pursuits and friendships with notable figures of his time shaped his poetic sensibilities, particularly evident in this collection. LangAos dual role as a collector of folklore and a lyric poet enables him to bridge the gap between the past and the present, imbuing his work with both depth and accessibility. "Ballades and Verses Vain" is a must-read for admirers of lyrical poetry and those seeking to understand the intricate interplay of tradition and innovation in verse. LangAos enchanting poetic voice invites readers to reflect on their own experiences of beauty and sorrow, making this collection a timeless addition to the canon of English literature.

John Lydgates "The Temple of Glass" is a rich, allegorical poem that intertwines themes of morality, virtue, and the human condition, set against a backdrop of lifeAos transitory nature. Written in the early 15th century, this work showcases Lydgates mastery of the Middle English vernacular, employing a narrative style that is both didactic and reflective. The poem is imbued with intricate imagery and a layered structure, resembling a dream vision, which denotes LydgateAos engagement with contemporary literary forms and his admiration for Chaucer, all while highlighting the perennial search for spiritual enlightenment amidst earthly distractions. As a Benedictine monk and a prominent poet of his time, Lydgates life was steeped in the cultural and spiritual milieu of medieval England. His extensive education and experience in various monastic settings afforded him a unique perspective on human frailty and redemption. Influenced by the works of Dante and his predecessors, Lydgate harnessed his poetic talents to confront the moral dilemmas of his era, seeking to guide readers toward a virtuous life through allegorical explorations. For those interested in medieval literature and the philosophical inquiries of the human experience, "The Temple of Glass" offers profound insights and aesthetic pleasures. This text is not only a testament to Lydgates poetic prowess but also an essential exploration of moral integrity and faith that remains relevant for contemporary readers.