eBooks de Teatro contemporáneo español del XIX al XXI, página 4 de 265

The Midlands, 1984. Two young lads are about to learn what it is to be a miner, to be accepted into the close camaraderie and initiated into a unique workplace where sweat, toil, collapsing roofs and explosions are all to be met with bawdy humour. London, 1984. A conflicted Tory MP, a brash American CEO and an eccentric maverick are the face of a radical Conservative government preparing to do battle with the most powerful workforce, the miners. As the two sides clash, the miners fight for their livelihoods and families, and the government for its vision of a free Britain. Together they change the fabric of the nation forever.Wonderland by Beth Steel premiered at the Hampstead Theatre, London, in June 2014.

Aly is struggling with all the pressures of being a teenager: family, school, friends and her own insecurities. Then she discovers wonder.land - a mysterious online world where, perhaps, she can create a whole new life. The web becomes her looking-glass - but will Aly see who she really is? A new musical inspired by Lewis Carrolls iconic story, Moira Buffinis wonder.land was created with Damon Albarn and Rufus Norris and premiered at the Manchester International Festival in July 2015 in a co-production with the National Theatre, London, where it transferred in November of the same year.

What use is a boy who cant say his own name?Sonny is twelve. He stammers and is finding his way in a world ruled by vicious vowels, confusing consonants, and the biggest beast of all small talk. His only escape is with a comic-book hero of his own creation, who helps Sonny soar above his reality.But when hes cast by the headteacher in the school production of Hamlet, he soon discovers that language is power and the real heroes are closer than he thinks.Ross Williss play Wonder Boy is a boundingly imaginative (The Times) drama about the power of finding your own voice. It was first directed by Sally Cookson, performed at Bristol Old Vic in 2022, named Best Play at the 2023 Writers Guild Awards, and revived for a UK tour in 2024.

A collection of wide-ranging and ambitious short plays reflecting the complexities of women and political power in the United Kingdom.The four plays published here look back to the moments in history when women possessed - or achieved - power, and what they did with it.The Milliner and the Weaver by Marie Jones, about the Suffragette movement in Ireland, as the question of Home Rule divides the nation.The Lioness by Rebecca Lenkiewicz is about Queen Elizabeth I, the myth and the reality.Handbagged by Moira Buffini, about the working relationship between Mrs Thatcher and the Queen.Bloody Wimmin by Lucy Kirkwood, about the protests at Greenham Common, a political landmark in the fight for nuclear disarmament.The plays were first performed at the Tricycle Theatre, London, as part of the Women, Power and Politics season in June 2010.The other plays presented in the season are available in the companion volume, Women, Power and Politics: Now.

A collection of wide-ranging and ambitious short plays reflecting the complexities of women and political power in the United Kingdom.The five plays in this volume look at the impact and influence that women have today.In Acting Leader by Joy Wilkinson, Margaret Beckett finds herself Acting Leader of the Opposition after the sudden death of John Smith.The Panel by Zinnie Harris is about the power politics underlying the selection of any candidate.Playing the Game by Bola Agbaje is about the election of a new President of a Students Association.In Pink by Sam Holcroft, a millionaire businesswoman is confronted by an unexpected visitor.You, Me and Wii by Sue Townsend is set in a council house in a small Leicestershire town at election time.The plays were first performed at the Tricycle Theatre, London, as part of the Women, Power and Politics season in June 2010.The other plays presented in the season are available in the companion volume, Women, Power and Politics:Then.

D. H. LawrenceAos "Women in Love" is a profound exploration of love, sexuality, and the intricacies of human relationships in early 20th-century England. Through the intertwined lives of two sisters, Ursula and Gudrun Brangwen, and their intimate relationships with two men, Lawrence delves into themes of psychological conflict and societal constraints. The narrative is characterized by its modernist style, employing lush, evocative prose that captures the inner emotional landscapes of its characters while reflecting the existential struggles of the post-Victorian era. The novel marks a significant shift in literary context, moving away from the constraints of Victorian morality towards a more candid examination of desire and individuality. D. H. Lawrence, born in 1885 in the industrial Midlands of England, grew up immersed in a world marked by the tensions of class and gender. His own experiences of love and conflict, combined with a rebellion against the restrictive societal norms of his time, informed his writing. Lawrences deep commitment to exploring the psychological dimensions of human relationships is evident in "Women in Love," where he articulates his philosophy concerning the nature of love as an essential, yet often painful, force. Readers seeking a rich, analytical portrayal of loves complexities will find "Women in Love" to be an indelible addition to their literary canon. Lawrences masterful weaving of character development and thematic exploration not only makes this novel a critical piece of modernist literature but also invites readers to reflect on the universality of loves struggles. This book is an essential read for anyone interested in the evolution of modern thought on relationships and individuality.

Eight short plays, commissioned and developed as part of the Women Centre Stage Festival, that together demonstrate the range, depth and richness of womens writing for the stage.Selected by Sue Parrish, Artistic Director of Sphinx Theatre, these plays offer a wide variety of rewarding roles for women, and are perfect for schools, youth groups and theatre companies to perform.How to Not Sinkby Georgia Christou looks at duty, love and dependency across three generations of women.In Wildernessby April De Angelis, a patient and her psychiatrist head into the wilderness to find out how sane any of us really are.In Chloe Todd Fordhams The Nightclub, three very different women at a gay nightclub in Orlando are caught up in a terrifying hate crime.Fucking Feministsby Rose Lewenstein is a fiercely funny investigation of what feminism means, and what it has become.Winsome Pinnocks Tituba is a one-woman show about Tituba Indian, the enslaved woman who played a central role in the seventeenth-century Salem Witch Trials.In The Road to Huntsville by Stephanie Ridings, a writer researching women who fall in love with men on death row finds herself crossing the line.White Lead by Jessica Sian explores the expectations and responsibilities of being an artist and a woman.In What is the Custom of Your Grief? by Timberlake Wertenbaker, an English schoolgirl whose brother has been killed on active duty in Afghanistan is befriended online by an Afghan girl.Sphinx Theatre has been at the vanguard of promoting, advocating and inspiring women in the arts through productions, conferences and research for more than forty years.

The central character of Alan Ayckbourns new play is Susan, a parsons wife, one of the most moving and devastating that he has created... Robin Thornber reviewing the first production in Scarboroug

A university professor is caught in a storm when an image of her in a changing room is shared online. Exploring how images of women are represented in art and social media, Annie Foxs Woman Caught Unaware is a searing examination of the culture of body-shaming.A short monologue play, Woman Caught Unaware was a finalist in the inaugural Heretic Voices competition, presenting the best new writing in monologue form, and celebrating unique voices with exceptional stories to tell. It was first performed at the Arcola Theatre, London, in 2018.

A woman - gaunt and ill, haggard after giving birth eight times - faces death. What was life? What was love? What else could have been? Full of mordant, bitter humour, this is a passionate threnody from one of Irelands leading playwrights.Woman and Scarecrow premieres at the Royal Court Theatre, London, in June 2006.

I think your son just made ten thousand poundsManny dreams of being a big dog. Right now hes just hocking fake designer goods, living with his mum and putting up with her annoying new boyfriend. The glittering skyscrapers of Canary Wharf out there through the window have never seemed so far away.So when his best friend offers him a way to make unimaginable amounts of money, its impossible to ignore. And soon Manny is pulling his family into a whole world of trouble.Beru Tessemas play Wolves on Road is a thrilling deep-dive into the mysterious world of cryptocurrency, revealing how ambition and hope can be exploited, no matter the system at play. It was first performed at the Bush Theatre, London, in 2024, directed by Associate Artistic Director Daniel Bailey, in a co-production with Tamasha.

Someone has seen a wolf. Where did it come from? How many are there? Someone must be able to do something about them. Otherwise, how will our children get to school? And how will we all get to line-dancing in the village hall?Set over one extraordinary day in an ordinary village, Wolves Are Coming For You is a play for two actors or many more exploring just how much wild were comfortable with.Joel Horwoods play was first performed in a co-production between Pentabus Theatre Company and Everyman Theatre Cheltenham in 2017, on a tour of the UK.

Laila tem sonhos que a perseguem todas as noites, sonhos que mostram coisas diferentes do que deveria ser real. A morte de seu pai é algo que atormenta sua vida, nunca conseguiu se recuperar do dia que o encontrou caido em sua propria poça de sangue. Sua vida no geral e comum, entediante ate, mas isso muda assim que vai para a faculdade. E la que conhece a pessoa responsavel por mudar sua vida completamente... Lucas. Junto com ele vem memorias que a muita a atormentam e que Laila sempre procurou deixar de lado, por que mostram a ela uma realidade que sempre julgou uma loucura de sua cabeça. Quanto mais o conhece, mais percebe estava certa ha uma historia sombria e apavorante por tras da morte de seu pai, uma verdade para a qual no sabe se esta preparada para enfrentar...

If the sky dropped the stars or the river drained the water there would be outrage, but we treat children like this and there is silence.Somethings not right. Children are being raised by animals. A mother is slowly sinking in the bath. The trees are left doing the paperwork. The air is filled with screams of children howling for help. And some twins want to tell you a story about how everything got so fucked up.A spiralling odyssey of dizzying theatricality, Wolfie is a bold, fantastical fairytale following two twins separated at birth and asks who is truly responsible for societys most vulnerable children.Ross Williss debut play is a wildly imaginative, irreverent look at life in and after the care system. It was premiered at Theatre503, London, in March 2019, directed by Theatre503 Artistic Director Lisa Spirling.Wolfie was awarded Best Play at the 2020 Writers Guild Awards, and Best New Play at the 2020 Off-West End Awards. It also earned Willis a nomination for Best Writer at the 2019 Stage Debut Awards and Most Promising Playwright at the Evening Standard Theatre Awards.

A luminous tale from Spain, about a young woman who returns to her rural village home to await her Parisian lover. Despite the hostility of the villagers, her faith that her lover will return remains undiminished.Paloma Pedreros play Wolf Kisses was first performed in this English translation by Roxana Silbert at the Royal Court Theatre, London, in 1997.

"Without the Evil Eye - A Lucid Guide to Energetic Self-Defence" By - Micael Ma at When life feels heavy and the mind refuses to quiet down, this book offers clarity and method. It demonstrates, without fearmongering or empty promises, how to regain your centre: understanding obsessive influences and thought-forms, closing channels of harmful resonance, strengthening habits that raise your vibration, and organising both your inner world and physical environment. You will learn concrete practices spiritual baths, mindful smudging, psalms, visualisations, and the use of crystals along with guiding principles that integrate ethics, psychology, and spiritual tradition. The goal is not to hunt down "invisible enemies" but to restore autonomy: to cleanse, protect, discern, and move forward in peace. Instead of fear, there is relief; instead of dependence, maturity. This is a guide for those who seek to live with clarity, safeguard their energy, and build genuine protection in everyday life.

Ahmad and Nour rent a flat so that they can spend time together away from their families, but is having a space to themselves going to solve all their problems? Withdrawal by Syrian writer Mohammad Al Attar was first performed, in this English translation by Clem Naylor, in a rehearsed reading at the Royal Court Theatre, London, in 2008.It was developed as part of an ambitious project by the Royal Court Theatres International Department and the British Council, working with twenty-one writers from across the Near East and North Africa.

In "Wit Without Money," John Fletcher crafts a lively comedy that exposes the follies of human desire and social pretensions in the early 17th century. The play centers around a series of humorous misunderstandings and mistaken identities, showcasing Fletchers adeptness at blending wit with farce. The dialogue is sharp and filled with clever repartee, reflecting the literary style of the Jacobean era, where the interplay of language was as critical as the unfolding plot. FletcherAos exploration of themes such as love, wealth, and the interplay of social classes serves as a mirror to the societal norms of his time, revealing both the absurdities and vulnerabilities inherent in human relationships. John Fletcher, a prominent playwright of his era, collaborated frequently with Francis Beaumont and was deeply influenced by the theatrical conventions of the time. His works often delve into the complexities of love and societal expectations, a reflection of his own experiences as a playwright navigating the intricate world of Early Modern English theater. Fletchers background in a time of shifting cultural landscapes certainly shaped his comedic voice, allowing him to deftly blend humor with commentary. For readers and theater enthusiasts alike, "Wit Without Money" offers a delightful insight into the mind of a masterful playwright. Its timeless humor and engaging characters make it a must-read for anyone interested in the evolution of comedic drama. This comedy not only entertains but also invites reflection on the timeless dynamics of affection and social ambition, ensuring its relevance continues to resonate today.

If you want to tell people the truth, make them laugh, otherwise theyll kill you.One of the most prolific and respected playwrights of the twentieth century, Bernard Shaws legacy shows no signs of waning, and his beautifully written plays, laced with wry wit and invective alike, have seen countless performances over the years, their finest lines paraded in literary conversation and review.Meticulously selected by Simon Mundy, the Wit and Acid series collects the sharpest lines from Shaws oeuvre in small neat volumes, allowing the reader to sample some of the very best barbs and one-liners the twentieth century has to offer, and this, the first volume, covers lines from the great writers works published before 1911.

A sensitive, delicate and powerful play that asks what our labour is worth and how life can be lived when the system is stacked against you.I dreamt about this last night. I dreamt that I was packing boxes in boxes in boxes.Tamsin packs boxes in a warehouse, on the clock, to a target, with a zero-hour contract. Her brother Dean is housebound, working to obsessive-compulsive rituals of his own.When Dean is declared fit for work, their benefits are cut. There are phone calls to make, appeals to lodge and endless forms to fill in. Tamsin must pack faster, work harder, and fight to get the support she and her brother so desperately need.Katherine Sopers play Wish List won the 2015 Bruntwood Prize for Playwriting and was co-produced by the Royal Exchange Theatre, Manchester, and the Royal Court Theatre, London. It premiered at the Royal Exchange in September 2016 and the Royal Court in January 2017, and Katherine Soper was named Best Writer in the 2017 Stage Debut Awards.The play has such eloquence, such quiet craft, such dignity and such compassion Sir Nicholas Hytner