CHATTO & WINDUS- 9780701179939
SUITE FRANCAISE has all the ingredients of a major bestseller: the story behind its rediscovery is extraordinary; the life of the author is fascinating and moving; but, most importantly, it is a hugely compelling work of literature, elegantly, subtly and simply written, with astounding insight into the moral complexities of the human condition. It comprises two parts of what might have been a four or five-part work had Irene not been taken to Auschwitz. She conceived of it as a symphony – or her WARE AND PEACE. In the first part, Storm in June, she tells of the exodus from Paris on the eve of the Nazi invasion. Bourgeois and working-class characters alike pack up their belongings and flee, forced to rub shoulders in traffic-jams on the crowded roads south, some behaving with dignity, others with nauseating selfishness. In Part Two, Dolce, we meet several of them again in a small French village where Nazi soldiers are billetted, and watch Lucille''s story unfold as she tries to resist the attractions of a sensitive German officer, and takes the risk of defending a young farmer who joins the resistance. The intertwining stories of all these utterly engaging and vivid characters combine to produce a unique portrait of France at that time, and of the subtle calibrations that exist between collaboration and resistance.
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Escrito por Irène Némirovsky
Irène Némirovsky (Kiev, 1903-campo de concentración de Auschwitz, 1942) nació en el Imperio ruso en el seno de una acomodada familia judía que se estableció en Francia a raíz de la revolución bolchevique. Si bien ya había publicado varias novelas por entregas (como El malentendido en 1926), obtuvo con David Golder (1929) un inesperado éxito que la llevó a convertirse en una reconocida autora durante la década de 1930, con títulos como El baile (1929) o Jezabel (1935). Aunque se convirtió al catolicismo en 1939, ello no le evitó su deportación a Auschwitz, donde murió. Relegada injustamente al olvido tras la Segunda Guerra Mundial, la posterior publicación de sus obras inéditas permitió recuperar una de las voces literarias más incisivas y lúcidas del siglo XX.
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