Dante Alighieri, página 8 de 24

Breves, ocasionales, intensamente líricas o sutilmente filosóficas, las Rimas son el conjunto de los poemas de Dante Alighieri no reunidos en una obra orgánica. Se trata de una experiencia única en la historia de la poesia: a la vanguardia de los movimientos literarios de comienzos del siglo XIV, Dante ensaya en ellas la totalidad de las formas poeticas de su tiempo, e incluso inventa formas nuevas; experimentos que lo colocaron, siendo aun muy joven, entre los mas famosos poetas de Italia. Este caracter vanguardista y novedoso ha llamado la atencion de los principales poetas del siglo XX; T.S. Eliot, Ezra Round, Ossip Mandelstam le han dedicado conocidas paginas. Esta edicion bilingue presenta por primera vez al lector en idioma castellano la totalidad de los poemas de Dante y sus corresponsales, mas las rimas de atribucion dudosa. Cada poema va precedido de un comentario particular que permite situarlo en el conjunto de la obra dantesca y subraya sus aspectos tecnicos mas relevantes.

"La Divina Commedia di Dante" di Dante Alighieri. Pubblicato da Good Press. Good Press pubblica un grande numero di titoli, di ogni tipo e genere letterario. Dai classici della letteratura, alla saggistica, fino a libri piu di nicchia o capolavori dimenticati (o ancora da scoprire) della letteratura mondiale. Vi proponiamo libri per tutti e per tutti i gusti. Ogni edizione di Good Press e adattata e formattata per migliorarne la fruibilita, facilitando la leggibilita su ogni tipo di dispositivo. Il nostro obiettivo e produrre eBook che siano facili da usare e accessibili a tutti in un formato digitale di alta qualita.

The Vita Nuova, with its unusual blend of prose and poetry, is universally recognized as Dantes early masterpiece and provides an indispensable prequel to The Divine Comedy. Set in thirteenth-century Florence, part autobiography and part religious allegory, it traces Dantes quest to find a poetic idiom worthy of Beatrice whom he had loved since boyhood. Her premature death plunges him into an emotional turmoil that finds release only through his faith in her continuing spiritual influence and through his determination to write of her what has never been written of any woman. The Vita Nuova remains a central document in European cultures examination of love and the self. It is exactly one hundred and fifty years since Dante Gabriel Rossettis groundbreaking version of the Vita Nuova. Now Anthony Mortimer, already acclaimed as translator of Cavalcanti, Petrarch and Michelangelo, produces a verse translation that avoids Rossettis disturbing archaisms but preserves a lyric immediacy worthy of the original. This is a Vita Nuova for the twenty-first century.

This first volume of Robert Durlings new translation of The Divine Comedy brings a new power and accuracy to the rendering of Dantes extraordinary vision of Hell, with all its terror, pathos, and humor. Remarkably true to both the letter and spirit of this central work of Western literature, Durlings is a prose translation (the first to appear in twenty-five years), and is thus free of the exigencies of meter and rhyme that hamper recent verse translations. As Durling notes, "the closely literal style is a conscious effort to convey in part the nature of Dantes Italian, notoriously craggy and difficult even for Italians." Rigorously accurate as to meaning, it is both clear and supple, while preserving to an unparalleled degree the order and emphases of Dantes complex syntax.The Durling-Martinez Inferno is also user-friendly. The Italian text, newly edited, is printed on each verso page; the English mirrors it in such a way that readers can easily find themselves in relation to the original terza rima. Designed with the first-time reader of Dante in mind, the volume includes comprehensive notes and textual commentary by Martinez and Durling: both are life-long students of Dante and other medieval writers (their Purgatorio and Paradiso will appear next year). Their introduction is a small masterpiece of its kind in presenting lucidly and concisely the historical and conceptual background of the poem. Sixteen short essays are provided that offer new inquiry into such topics as the autobiographical nature of the poem, Dantes views on homosexuality, and the recurrent, problematic body analogy (Hell has a structure parallel to that of the human body). The extensive notes, containing much new material, explain the historical, literary, and doctrinal references, present what is known about the damned souls Dante meets --from the lovers who spend eternity in the whirlwind of their passion, to Count Ugolino, who perpetually gnaws at his enemys skull--disentangle the vexed party politics of Guelfs and Ghibellines, illuminate difficult and disputed passages, and shed light on some of Dantes unresolved conflicts.

This carefully crafted ebook: "The Divine Comedy: Inferno, Purgatorio, Paradiso (3 Classic Unabridged Translations in one eBook: Carys + Longfellows + Nortons Translation + Original Illustrations by Gustave Dore)" is formatted for your eReader with a functional and detailed table of contents. Depending on the translation, The Divine Comedy will present completely different facets to the reader, therefore we have united these 3 Classic Unabridged Translations in one eBook: Carys + Longfellows + Nortons Translation + the Original Illustrations by Gustave Dore, in order to present the very best of The Divine Comedy. This epic poem written by Dante Alighieri between c. 1308 and his death in 1321 is widely considered the preeminent work of Italian literature, and is seen as one of the greatest works of world literature. The Divine Comedy serves as the physical (scientific), political, and spiritual guidebook of Dantes Fourteenth Century universe. The poems imaginative and allegorical vision of the afterlife is a culmination of the medieval world-view as it had developed in the Western Church. It helped establish the Tuscan dialect, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso. On the surface, the poem describes Dantes travels through Hell, Purgatory, and Heaven; but at a deeper level, it represents allegorically the souls journey towards God. At this deeper level, Dante draws on medieval Christian theology and philosophy, especially Thomistic philosophy and the Summa Theologica of Thomas Aquinas. Consequently, the Divine Comedy has been called "the Summa in verse".

Edición bilingüe. Traducción, prólogo y notas de Ángel CrespoRedactada aproximadamente entre 1304 y 1321 e impresa por primera vez en 1472, la obra magna de Dante Alighieri refleja su ingente persona

"La Divina Comedia está organizada en tres grandes canticos, “Infierno”, “Purgatorio” y “Paraíso”. Se trata de una alegoría en la que el hombre, enfrentado a sus propios pecados y tras asistir a la

n the third and final part of The Divine Comedy, Dante recounts his journey through heaven, after the travails and torments of Hell and the arduous ascent of Mount Purgatory, creating a cosmology of the highest realm of creation which is astonishing in its complexity. In Dante's imagining, Paradise is formed out of concentric spheres surrounding the Earth, beginning with the Moon and ending with the Empyrean. Dante must traverse these ethereal regions guided by his beloved Beatrice, as a means of attaining wisdom, revelation and beatitude.Containing some of Dante's finest poetry, Paradise is an enduring vision of grace and a powerful allegory for the struggle for redemption. This dual-text edition completes J.G. Nichols's masterful verse translation of The Divine Comedy.

Nel ciel che più de la sua luce prende / fu''io, e vidi cose che ridire / né sa né può chi di là sù discende. La terza «sublimis cantica» – come il suo autore, con profonda consapevolezza e bellezz

La Divina Comedia es la obra más importante de Dante Alighieri, reconocido poeta italiano se le llama también padre del idioma italiano. En ella se hace un recorrido por el cristianismo, la cultura clasica, la teologia, la poesia y la politica, y un realismo mezclado con la espiritualidad, la religion y la filosofia.

Dante's The Inferno is the first part of his masterpiece, The Divine Comedy. This edition uses the classic translation by the poet Henry Wadsworth Longfellow (1807-1882).Journey into Dante's nine circles of Hell in the epic poem, Inferno, with this elegant, unabridged edition featuring the classic translation by the poet Henry Wadsworth Longfellow (1807-1882).The Divine Comedy, written in the early fourteenth century by Dante Alighieri, continues to be essential reading for lovers of literature. The Inferno is the first part of Dante's masterpiece, The Divine Comedy. In this epic poem, Dante is led by the poet Virgil into the nine circles of Hell-limbo, lust, gluttony, greed, anger, heresy, violence, fraud, and treachery-culminating in a meeting with Satan himself. Along the way, he meets a number of interesting figures. Complete and unabridged, this beautifully designed, hardcover edition with jacket features an introduction by Renaissance literature and history scholar John Lotherington and a biography detailing the life and times of Dante Alighieri.Essential volumes for the shelves of every classic literature lover, the Chartwell Classics series includes beautifully presented works and collections from some of the most important authors in literary history. Chartwell Classics are the editions of choice for the most discerning literature buffs.Other titles in the Chartwell Classics Series include: Complete Fiction of H.P. Lovecraft; Complete Grimm's Fairy Tales; Complete Novels of Jane Austen; Complete Sherlock Holme; Complete Tales & Poems of Edgar Allen Poe; Complete Works of William Shakespeare; Divine Comedy; Alices Adventures in Wonderland and Other Tales;The Essential Tales of H.P. Lovecraft; The Federalist Papers; The Call of the Wild and White Fang; Moby Dick; The Odyssey; Pride and Prejudice; The Essential Grimm's Fairy Tales; Emma; The Great Gatsby; The Secret Garden; Anne of Green Gables; The Essential Tales and Poems of Edgar Allan Poe; The Phantom of the Opera; The Communist Manifesto and Das Kapital; Republic; Frankenstein; Twenty Thousand Leagues Under the Sea; The Picture of Dorian Gray; Meditations; Wuthering Heights; Alice's Adventures in Wonderland and Through the Looking-Glass; A Tales of Two Cities; Beowulf; The Strange Case of Dr. Jekyll and Mr. Hyde and Other Stories; Adventures of Huckleberry Finn; Little Women