Libros de Artes Escénicas, página 6 de 94

"El arranque de la historia está en el encuentro entre el director y la autora, María Pagliaro. Un encuentro de vidas que se reconocen en la poética de la sincronicidad. Porque las coincidencias pend

Michael Chekhov, Simon CallowTo the Actor is the perfect handbook for professional and amateur actors and directors. Michael Chekhov's simple and practical method, used by actors all over the world, will train your imagination and body to quickly and effectively call up emotion, develop characters, and strengthen awareness. These exercises are an absolute must for any theatre practitioner.This revised and expanded edition of Michael Chekhov's classic text includes new material on the most popular aspect of Chekhov's techniques, Psychological Gesture. Celebrated director, Andrei Malaev-Babel, has translated this new chapter into English for the very first time and provides an invaluable commentary to provide you with new ways to apply Psychological Gesture. There is also a foreword by Simon Callow and a new biography of Chekhov by Mala Powers.

En este libro se explica la elaboración del espectáculo, desde la elección y construcción de la historia, hasta la elección del títere adecuado a ella, sin olvidar los aspectos de caracterización de personajes, así como el lugar y tiempo en los que la trama se va a desarrollar. El lenguaje del títere es uno de los aspectos más trabajados en un loable esfuerzo de teorización, partiendo de una prolongada experiencia práctica a la que aluden constantemente y que ilustra sobremanera los conceptos teóricos de difícil aprehensión.

ÍNDICE: Felipe B. Pedraza Jiménez: Tirso y el teatro. Programa. Estudios y análisis: ROSA NAVARRO DURAN: «Don Gil de las calzas verdes» a la luz de Cervantes; SOFíA EIROA: Los enredos de la dama en l

Change your life for the better starting today with this primer on positivity from Strictly star and It Takes Two host Janette Manrara Whether you re looking to boost your happiness advance your career or manifest your big life goals Janette s delightful blend of advice inspiration and life lessons from her time on stage and screen is just what you need Divided into four key pillars Acceptance Reflection The Work and Discovery her tried and true life advice centres around learning to love yourself Each chapter offers hard won wisdom alongside practical techniques to apply that wisdom to your own life complete with all the steps to take to make your goals a reality Janette is here to motivate you empower you spark joy and remind you that you are amazing Along the way Janette shares her own poignant stories from her childhood in a large Cuban family in Florida and her decision to pursue a career in dance to her big break on So You Think You Can Dance and finally Strictly Come Dancing Full of magic and glitter and joy Tiny Dancer Big World is a fun and practical guide for learning to embrace self love and ambition and how to be your best self in every aspect of your life

This handbook explains the techniques of traditional scene painting. A "how to" book for the novice, it shows the methods used in creating the illusion of three dimensions where only two exist. It provides a step-by-step explanation of each aspect of scene painting, using both color and black-and-white photographs for illustration. Among the many illusions made possible through the magic of paint are stonework, wallpaper, woodwork, as well as mouldings, draperies, and foliage. To teach the beginner how to re-create reality through painted illusion, Pinnell emphasizes traditional scene painting, including basic tools, primary painting techniques, and methods for creating texture on scenery. He also illustrates refinements and embellishments that lead to more advanced work.

A wide ranging look at the state of contemporary theatre practice economics and issues related to identity politics and technology Contains a snapshot dissection of where theatre is where it has been and where it might be going through the voices of established and emerging theatre artists and scholars from the UK US and elsewhere Offers an examination of how to make theatre in a time of crisis and why it is a vital form of communication are at the heart of the book s mission Asks questions such as where is theatre now taking place what is the relationship between play and performance how does funding work what states does theatre flourish under and if there is a current crisis of theatre should it not be seen as a welcome opportunity to develop a vigorous theatre of crisis The international list of contributors includes Jim Carmody Phyllis Nagy Michael Billington Max Stafford Clark Peter Sellars Dragan Klaic Goat Island Erik Ehn and many others making up a vast array of practising artists thinkers and scholars