Libros de Artes Escénicas, página 8 de 94

A guide to dance improvisation.

Judith BennahumTHE LURE OF PERFECTION: FASHION AND BALLET, 1780-1830 offers a unique look at how ballet influenced contemporary fashion and women's body image, and how street fashions in turn were reflected by the costumes worn by ballet dancers. Through years of research, the author has traced the interplay between fashion, social trends, and the development of dance. During the 18th century, women literally took up twice as much space as men; their billowing dresses ballooned out from their figures, sometimes a full 55 inches, to display costly jewelry and fine brocade work; similar costumes appeared on stage. But clothing also limited her movement; it literally disabled them, making the dances themselves little more than tableaux. Movement was further inhibited by high shoes and tight corsets; thus the image of the rigidly straight, long-lined dancer is as much a product of clothing as aesthetics. However, with changing times came new trends. An increased interest in natural movement and the common folk led to less-restrictive clothing. As viewers demanded more virtuosic dancers, women literally danced their way to freedom. THE LURE OF PERFECTION will interest students of dance and cultural history, and women's studies. It is a fascinating, well-researched look at the interplay of fashion, dance, and culture-still very much a part of our world today.

Arte, exilio y escándalo. En The Living Theatre, Arte, Exilio y Escándalo, John Tytell además de ofrecernos una trepidante crónica de unos años convulsos y apasionados nos narra la increible odisea del revolucionario grupo teatral que intento llevar la libertad artistica y personal a su maxima expresion y en cuya estela se cruzaron entre otros los poetas W. H. Auden, Jean Cocteau, A. Ginsberg, E. E. Cummings, W. C. Williams y E. Pound; los escritores J. Kerouac, Norman Mailer, Ken Kesey, A. Moravia, Gunter Grass y Jean Paul Sartre; los hombres de teatro Piscator, J.L. Barrault, Lenny Bruce, Jean Genet, Jerzy Grotowski, Peter Brook y Tennesse Williams; los pintores Jackson Pollock, Jaspers Johns, Mark Rothko, W. de Kooning, Yoko Ono, De Chirico y Dali; los artistas Al Pacino y Martin Sheen; los directores de cine J. Huston, F.F. Coppola, Pier Paolo Passolini, Bernardo Bertolucci, Louis Malle y Jean-Luc Godard; los pensadores H. Marcuse, Paul Goodman, Fritz Pearls, T. Leary, Ronald Laing y Michael Foucault; y los musicos J. Cage, Grateful Dead, Jim Morrison, John Lennon y Bob Dylan. Actualmente existe un intento de borrar la memoria historica de una epoca que, contra lo que algunos piensan, no solo no desemboco en una derrota, como se nos ha pretendido hacer creer, sino que dio forma e impulso a los espacios mas creativos de nuestro tiempo.

Clear, thoughtfully written text describes the theater''s development in the context of Japanese history, with detailed analyses of actors'' techniques, music and dance, plays and playwrights, playhouse''s design evolution, and six representative Kabuki plays. Glossary of Japanese terms.

THE SUNDAY TIMES BESTSELLER From international drag superstar and pop culture icon RuPaul comes his most revealing to date a brutally honest and deeply intimate memoir of growing up Black poor and queer in a broken home to discovering the power of performance and self acceptance

Rebecca Harris-Warrick Italian ballet in the eighteenth century was dominated by dancers trained in the virtuoso style that combined French ballet technique with a vigorous athleticism that made Italian dancers in demand all over Europe. Gennaro Magri's Trattato teorico-prattico di ballo, the only work from the eighteenth century that explains the practices of midcentury Italian theatrical dancing, is a starting point for this investigation of an influential type of ballet and its connections to the operatic and theatrical genres of its day. Illustrations, music examples, and dance notations supplement the text.

With the recent influx of A-list stars like Nicole Kidman, Kevin Spacey, and Matt Damon vying to perform on the London stage, never has the West End enjoyed such a high profile. This updated edition of "The Great Theaters of London"--with brand new sections on the Almeida, the Donmar Warehouse, Shakespeare''s Globe, the Young Vic, and more--is a timely celebration of the cultural history behind each of the great London theaters. Handsomely illustrated, and with A-Z entries, this is the perfect book for the London visitor and theatergoer.

This essential pocket guide to this enduringly popular art, is a perfect introduction to over eighty of the most performed ballets today. Spanning nearly two centuries of classical dancing, this indispensable book begins in the Romantic era of the 1830s, moves through the great Tchaikovskly ballets of Tsarist St Petersburg, to the inspirational work of Diaghilev at the beginning of the twentieth century and the luminous neo-classicism of Balanchine. Ashton and Macmillan are covered in depth, and the most recent ground-breaking work brings us up to the present day.

ROSS MCKIMThe London Contemporary Dance Theatre was celebrated internationally for the choreographic innovation that flowed out of it and for the technical and artistic power of its dancers. This title represents a search towards the discovery of the essential inheritance of the Theatre